Sophie Duncan introduces Oscar Wilde by setting him in an accurate historical context. She then moves on to consider the revolutionary aspects of his four plays Lady Windermere's Fan, An Ideal Husband, A Woman of No Importance and The Importance of Being Earnest.
Alex Pryce considers how writers are readers, influenced and inspired by the works of other writers. Taking as a starting point the literary afterlife of Charlotte Bronte's Jane Eyre, and the influence of Romantic John Keats on the First World War Poet Wilfred Owen, Alex discusses how writers are challenged by precursory writers, and introduces some theories of influence from T.S. Eliot and Harold Bloom.
Dr Julian Thompson considers a writer described by Kingsley Amis as 'our greatest writer of short stories'. In this discussion of Rudyard Kipling, Julian acknowledges Kipling's lack popularity with readers, but argues for the greatness of short stories from across his ouvre and positions them as precursors to modernism.
Dr Julian Thompson introduces 'the least read great writer in our literature'. He describes the popularly of Walter Scott in his own time and suggests some highlights of the 'living Scots' of his fiction.
Linda Gates, Professor of Voice at Northwestern University (USA) discusses how Shakespeare's poetry and plays lend themselves to vocal performance by discussing how breath can be used to 'punctuate the thought'.
Baroness Helena Kennedy QC, draws on her experience as a trustee of the Booker Prize and as a judge for many other literary prizes to offer a response to the question, 'What is a Classic?'.
Judith Luna, the Senior Commissioning Editor at Oxford World's Classics, draws on her practical involvement in re-launching the Oxford World's Classics series in 2008 to give a publisher's take on the question, 'What is a Classic?'.
Dr Ankhi Mukherjee, Wadham college, Oxford, speaks to the question 'What is a Classic?' by examining the residual influence of the Eurocentric literary canon in the age of world literature and emergent formations of canons and classics.
Professor Jon Mee, University of Warwick, discusses how Dickens's fiction can be considered 'cinematic' by drawing attention to the shifting points of view in Oliver Twist, Our Mutual Friend, and other novels. He relates this to work done in recent and historical adaptations of Dickens's work.
Professor Kathyrn Sutherland from the University of Oxford talks around the manuscripts of Jane Austen, what we can learn from them about her family life but also her writing style and techniques.
Professor Kathryn Sutherland from the University of Oxford talks about some of Jane Austen's manuscripts from the novel "The Watsons" and what we can learn about her from these.
In this panel discussion from the Great Writers Inspire Engage Event workshop, Dr Seamus Perry, Dr Margaret Kean, Professor Peter McDonald and Dr Ankhi Mukherjee discuss what we mean when we talk about greatness in writing. Seamus Perry chooses Samuel Taylor Coleridge, inspired as he is by the 'Rime of the Ancient Mariner' and its myriad possible interpretations. Margaret Kean chooses John Milton, who used his Paradise Lost to position himself in the canon of great writers during his lifetime. Peter McDonald talks about who decides who is considered to be a great writer, suggesting literary agents, prize judges, editors, reviewers, critics, librarians, and ordinary readers. Finally, Ankhi Mukherjee discusses the greatness of V S Naipul, who was critical of the existing literary canon and so set out to create his own kind of great literature.
Dr. Julian Thompson considers how Wilkie Collins's fiction was pioneering across a variety of genres, including detective fiction and gothic thrillers. He also considers Collins's progressive political outlook, picks out his 'great' work, and indicates how Collins may have influenced Charles Dickens.
Professor Daniel Wakelin discusses the work of Chaucer and explains how he was one of the first to use everyday spoken English as a literary language in the 14th Century.
Dr Rebecca Beasley explains why we should read Pound, someone she considers as the central figure in early 20th Century poetry movements. In this podcast, Rebecca Beasley talks about a poem that Pound published in Blast, the magazine of the vorticist movement -- which Pound joined in 1914. Vorticism was mainly a visual arts movement, founded by Percy Wyndham Lewis. Blast is available on the Modernist Journals Project website with certain usage restrictions: the poem discussed, Et Faim Sallir le Loup des Boys, is on page 22 of Blast, volume 2 (War Number). Looking up the poem's title in a search engine should bring it up easily. Because we don't want to infringe copyright, the poem is not quoted, so you might want to read it before listening.
Dr Jennifer Batt talks about Mary Leapor, an 18th Century kitchen maid who wrote accomplished verses and won accolades from literary society.
Dr Anna Beer shares a few short extracts of Milton's poem Lycidas and discusses what they show about Milton's very special qualities as a writer.
Professor Ros Ballaster discusses the objectives of oriental tales published in the second half of the 18th Century which use the sheer power of storytelling to conjure up alternative worlds.
Dr Abigail Williams, Director of the Digital Miscellanies Index, explains how these popular collections of poetry designed to suit contemporary tastes were used in the 18th Century.
Dr Robert Douglas-Fairhurst talks of Dickens' life and influences and why these have made his works so popular.