Grounding

In the last episode of Grounding season two, Host Sarah Aronson and MTPR Host and Producer Lauren Korn talk about the homesickness they feel for places they love that have changed. And, they put a word to that feeling—solastalgia. Lauren interviews writer and editor Paul Bogard, who created an anthology sourced from people coming to terms with the word and the feeling of solastalgia.

Grounding episode five takes a stab at an age-old question: what is a human’s place within nature? Host Sarah Aronson speaks to two environmental philosophers—Soazig Le Bihan and Christopher J. Preston—about that divide, and tugs at the dissonance that exists when we’re trying to understand our place in the world relative to other creatures. Are we supposed to go forth and conquer, or should we be ashamed of the impact we’ve had on different species?

In episode four of Grounding, Sarah Aronson talks to a pharmacist, Dr. Hayley Blackburn, who shares some environmental facts about the industry—one being that pharmaceuticals have been found in water bodies on every single continent. Aronson talks to Blackburn about Prozac fish and drug waste and how Blackburn navigates her moral injury working in an industry that doesn't always align with her values.

In this episode of “Grounding” season two, Sarah Aronson talks to Hannah Dusek and Jonathan Marquis, two artists who turned to their respective media—dancing and drawing—to help them make meaning during the climate crisis. Aronson’s been searching for names for our feelings, like “dissonance” and “the myth of apathy.” It turns out that a lot of people have experienced these sensations but just haven't been able to name them. Sometimes, when words aren’t enough, Aronson, too, turns to art to face the dissonance that comes with watching a world she loves change—complex feelings that are intensified as animals, plants and glaciers disappear.

In this episode of “Grounding,” season two, Sarah Aronson talks to Renee Lertzman and Panu Pihkala, two experts in the field of climate emotions, who offer models for processing our feelings as well as understanding why we assume people don’t care about the environment when they actually might. Aronson explores how language can be helpful in identifying what we're feeling. She finds that sometimes we live with experiences, but we can't quite wrap our heads around them. Language, and even foreign language, can help ground us. To this point, Aronson and Pihkala discuss one of Aronson’s favorite Finnish words: “lumiahdistus,” or the feeling of longing for snow, without certainty that it will fall.