Brisbane metal legends Dreamkillers could be forgiven for resting on past accomplishments and spending the remainder of their career playing songs that are known and loved by many without placing themselves at the mercy of the metal Gods by continuing to write and release new music.Since bursting onto the Brisbane music scene in the early 1990s and revolutionising Australian metal with their debut EP Poison In The Soup, Dreamkillers have been a mainstay on the circuit, evolving at their own pace without pause for expectation and/or conformity. Their refusal to bow down to authority and succumb to the whims and desires of industry heavyweights has seen Dreamkillers court controversy and embrace it, standing by their morals and music in a world that has become increasingly sanitised and confronting.Where most bands into the fourth ten year stretch of their musical journey are content to go through the motions, Dreamkillers are only strengthening their resolve.Churning out seven new songs over the past year - all of which will remain as stand alone singles for now - the band shows no sign of slowing down, recently inking a deal with Australian label XMusic and assembling a new batch of songs that promise to continue the bands enduring legacy.They are, quite simply, a musical enigma. An immovable sonic blast of intent and uncompromising honesty that has all but died out in modern times.HEAVY was fortunate enough to speak with the whole band over the last couple of days, running over the swag of tunes released over the last 12 months and how they reflect Dreamkillers moving forward."Unreal, it's pumping," the band answered when we ask how they feel entering the new year. "It's going good," guitarist Damo added. "More shenanigans, more music, more shows and more debauchery if we can have our way with it (laughs).""We just had a conversation," added vocalist Les Jobson. "We've got so many tracks we don't know whether to do a double album or two single albums. We just got busy. We thought we won't pay gigs, we'll write songs this year and that's what we did. Next year we're taking it to the streets."In the full interview we discuss Dreamkillers upcoming show at HEAVY Resolutions on New Years Eve, run through each of the tracks released this year and what they are about, chat about what to expect from the upcoming album and which sonic direction it is leaning towards, go deeper into the songwriting process that breathes life and meaning into the band's music, signing with XMusic and what it means to the band, our regular Photo Bomb segment and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
Texan metalcore outfit Memphis May Fire decimated Australian fans almost a decade ago when they toured through the country as special guests to Parkway Drive in 2015. Known for their unassailable live shows, MMF have an uncanny ability to connect with their audience on an otherworldly plane, turning band and audience into one living, breathing, circle pit dancing organism that refuses to yield.The band return in July 2025 as co-headliners with Atreyu, who are celebrating the 20th anniversary of The Curse with a series of never to be repeated shows that will see them play the songs from the album as well as other fan favourites. Individually, each band is an ominous live machine, but together they promise to deliver night after night of sonic carnage to remind us what we have been missing out on.HEAVY caught up with frontman Matty Mullins to find out what to expect."The excitement definitely sinks in nice and early," he smiled when asked if he had cast an eye towards the Australian tour with some six months before it kicks off. "The reality of it all will hit a little closer to that timeframe."We mention the double punch of Atreyu and Memphis May Fire on the same bill, with Matty admitting the union is pretty special to not just the fans, but the bands as well."We've done a co-headliner tour here in the States as well, so bringing that to Australia seems like the right fit," he noted.In the full interview, Matty highlighted plans to perform a mix of new songs from their forthcoming album Shapeshifter, scheduled for release on March 28, alongside classic hits to engage long-time fans. Matt reflected on the band's evolution and how their experiences have improved their live performances, while also addressing the challenges of creating diverse music while preserving their distinct sound. He concluded by expressing excitement about reconnecting with Australian fans and delivering a memorable show, covering heaps more territory over the course of the interview.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
Interview by Angela CroudaceProject Ultimate Satan, the brutal death metal band from Canberra, has been shaking up the metal scene with their unique blend of symphonic elements and raw aggression. The band's latest album, The Opus Satanas, released under their label, StudioDecay, is a testament to the band's resilience and innovation, as it has undergone a tumultuous yet creative journey. We sat down with the guitarist, backup vocalist, and the founder of the band, JDecay, to talk about the band's origins, the making of the album, and their bold vision."Project Ultimate Satan was born from a few different musical journeys," Decay explains. "It all started in 2019 when I was working with the band Inhuman Remnants. I was trying out guitarists and eventually brought in Darryl as a pianist. We hit it off, but the other members weren't keen on shifting from Deathgrind to a more symphonic sound. That's when the seed for Project Ultimate Satan was planted."The band's evolution wasn't easy. After a line-up change and the disruptive impact of COVID-19, The Opus Satanas was delayed multiple times, but the result is worth the wait. "We started recording in 2019 and finished in 2021," JDecay reflects. "Lockdowns and other personal challenges made it tough, but in the end, we were able to refine it. Now, we're ready to push it out and tour."The album is divided into two movements: Malefus Malefacaram and Lex Talionis. The first movement is a deep dive into themes of persecution, inspired by the Hammer of Witches (a 15th-century guide to witch-hunting). The second movement (the Latin phrase referencing the legal principle of exact retaliation) explores the concept of "an eye for an eye," drawing on the story of duality. JDecay elaborates, "The first movement is about persecution, while the second is about retribution. We really wanted to split the album into two halves that represent a journey. It's a raw, brutal exploration of human struggle."A standout feature of The Opus Satanas is its unique sound, blending symphonic elements with death metal intensity. "I wanted to bring in more melody to death metal, adding piano and orchestration. We were experimenting with these larger ideas that, for me, just felt right."As for the band name, Decay said that Project Ultimate Satan came about after an episode of Futurama and thought that it was the perfect name for a band that wasn't already taken."It's all about pushing boundaries," says JDecay with a chuckle. "We wanted something provocative and strong—something that would make people stop and think."With a dedicated fanbase and a fresh sound, Project Ultimate Satan is ready to make their mark. "We've learned a lot through trial and error," JDecay says. "But now, we're tighter than ever, and we're ready to bring The Opus Satanas to life."JDecay is deeply committed to supporting smaller bands and musicians in the metal community. Through his work with StudioDecay, he focuses on artist development, helping emerging acts build their identity, sound, and presence. "We try to give back by focusing on artist development," he says, emphasizing the importance of assisting bands with the business side of music—something many new musicians are unaware of. From helping craft professional PR packages to guiding bands on networking with PR reps, JDecay ensures these smaller acts are equipped with the tools they need to succeed. His approach goes beyond just music; it's about empowering artists to navigate the complexities of the music industry, helping them understand how to get on shows, work with labels, and build a sustainable career. Despite being a smaller label with limited funds, JDecay's dedication to nurturing talent and creating a supportive community reflects his commitment to helping others succeed in a challenging industry. Not bad at all for a few guys from the ACT!Watch for their upcoming Australian tour, and prepare for a death metal experience like no other.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
Interview by Angela CroudaceHEAVY caught up with Gabriel Blake from The Murder Capital to chat about their latest album, Blindness, their exciting upcoming Australian and New Zealand tour, and the band's incredible journey so far.When asked about the themes of Blindness, Gabriel explained, "The album is about love, being Irish, and dealing with the blindsiding aspects of life. It touches on things like distance, both physical and emotional, and the feeling of not being able to see someone you love."The conversation then turned to their history, with Gabriel reflecting on their previous albums. "Our first record dealt with grief, and the second was more of a celebration of life. Blindness is a departure—it's more about loss, and not just in terms of death, but also the emotional distance between people."The Murder Capital's touring journey has been nothing short of intense. Earlier this year, the band had the incredible opportunity to support two legends: Pearl Jam on their UK tour and Nick Cave & the Bad Seeds, one of Gabriel's biggest idols. Reflecting on their time with Nick Cave, he described the experience as surreal. "It was truly amazing," he said. "Nick Cave is one of the greatest, and we were lucky that he really connected with our music. He even invited us to dinner with him and The Bad Seeds—just the chance to share a real human connection with someone we've admired for so long was unforgettable."The conversation then moved to their debut single, More or Less, which took off online, and Gabriel admitted it was a lot to handle. "It was fun but also intense. We didn't expect it to blow up like that, but we worked hard for it, and it was what we wanted."As for Blindness' artwork, Gabriel explained that the band worked with Victor H, a renowned album cover artist. "The album cover represents potential and the inner emotional struggle of looking out into the world while feeling lost inside."Reflecting on their journey, Gabriel shared a personal insight: "If The Murder Capital never started, I'd probably be working as an undertaker. It's a family business, and I've always had an appreciation for both the highs and lows of life." Gabriel came to an interesting realisation; he sees people at their best, enjoying his music at shows and witnessing people at their lowest, grieving for loved ones through his undertaking job. Gabriel also believes that working as an undertaker has made him more empathetic, emphasising that it's not about the individual but about supporting the family in their time of need. He shared that his philosophy is to set aside one's emotions and ego to be a steady presence for those grieving. The role involves being calm, offering physical help, or providing comfort when needed. He reflected on how this perspective has shaped his appreciation for life, highlighting the importance of putting others first and maintaining emotional composure during challenging moments. Gabriel believes this ability to reserve one's emotions in such situations is key to offering genuine empathy.Gabriel's confidence in the band's growth and future was evident as the interview concluded. "This third album feels like we've truly earned our place. We're not an overnight success—we've put in the work."Catch The Murder Capital live on their Australian and New Zealand tour in April 2025, and experience the raw emotion and depth of Blindness firsthand.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
Interview by Angela CroudaceNo matter how much everything changes in culture and the world at large, heavy metal endures. It empowers. It engages. It engenders strength. It outlasts fads. Since forming in Gothenburg, Sweden and releasing their debut album Glory To The Brave in 1997, Swedish power metal titans HammerFall have stormed the gates of heavy music’s pantheon and waved the genre’s flag higher and higher with every subsequent release. With multiple international number ones, gold certifications, sold out tours, and over 100 million+ streams and 100 million+ YouTube views, the group upholds a venerable legacy.But it is in a live setting where they outshine their peers and imitators. In true HammerFall fashion, every element becomes dangerously and dramatically amplified. The riffs hit harder. The rhythms thunder louder. The choruses soar closer to the clouds.The GODS have listened, and they have heeded your call. HammerFall will set sail for Australia in January 2025 for their first ever Australian tour. HEAVY caught up with frontman Joacim Cans to dive in further."This tour is part of the tour of the latest album, Avenge the Fallen," he offered. "And since this is the 13th album - but still an album that will make a difference in the history of Hammerfall - we need to play the songs that the fans want to hear.We also need to play the songs that we want to play. That really makes me go and on stage. I love playing this song because it's so personal to me. We need to put that song in as well. And then maybe you add one or two, like, underdogs, so to speak, like, surprise songs. I think this is the equation for the perfect set list."Check out the full interview to hear the full story.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
Wheatus have been here that many times they would almost be classed as Australians.After a whirlwind 2024 that saw the band Down Under twice, once in February for acoustic shows with Art from Everclear and again with Wheatus in April for the Pandemonium Festival, frontman Brendan B Brown has become a beloved fixture in the Aussie music scene. The Wheatus sets at Pandemonium were one of the standout moments of the day, finding that perfect balance between stoking the fires of nostalgia and putting on a killer rock 'n' roll show.The Wheatus Acoustic Tour next January and February is shaping up to be the most fun you can have indoors this summer. Featuring Wheatus frontman and incredibly nice guy, Brendan B. Brown along with his better half, fellow Wheatus member Gabrielle Sterbenz, the epic 14 date run also features founding member and former lead guitarist, songwriter, and vocalist of The Chats, Josh ‘Pricey’ Price.HEAVY spent some time with Brendan recently, where we spoke about just about everything.Brendan shared that Australia was the first place to embrace Wheatus' music, especially the song Teenage Dirtbag, and that they were grateful for the support they received there. We discussed his approach to music and live performances, emphasizing the importance of connecting with the audience and not taking himself too seriously. He explained his method of tailoring each show to the audience's mood and requests, which he finds more engaging than a set list. Brendan also shared his experiences with touring and maintaining a positive band dynamic, highlighting the importance of respect and camaraderie among band members. He expressed his excitement for an upcoming acoustic show, where he and his partner Gabrielle will share stories and play songs from their catalogue and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
From little things, big things grow. At least in fairytales.But sometimes life imitates those storylines, as is the case with Gold Coast metal outfit Righteous Death.Conceived in Lismore in 2020 as the brainchild of local musician Jackson Marshall, Righteous Death started life as a one man project with Marshall writing and playing all instruments. A debut album, Rituals, followed, featuring vocals from a host of guest musicians, but a combination of life choices and the COVID struck to halt momentum and give Marshall renewed focus.Using his spare time to write new material and fine-tune his metal prowess, Jackson began working on album number two, enlisting the talents of vocalist Johnny Crypt to double the band's size and maximise its output.The result is the aptly titled follow-up, 2, which is released on December 23. A continuation and expansion on earlier material, 2 sees Righteous Death further develop their musical identity. HEAVY caught up with Marshall to discuss things in greater detail."I've been working with my singer Johnny Crypt from Melbourne, and after six months of him coming into the fold it's been really awesome to actually get these tunes that I've worked on for the last four years out to the world," Marshall enthused. "I'm pretty damned excited about it. It's been way too long between releases in my head. I've had the whole album pretty much completed for three months now, so it's cool to get it out there with a few singles first. With this album… the first album took a bit of a black metal turn because I was into Mayhem at the time, especially after watching the movie Lords Of Chaos. Originally, the concept of the second album came because I wanted to stray more away from black metal but still keep some elements from the first record."In the full interview we talked more about the sonic direction of the new album, the process of getting the second album in the can, finding the right vocalist, lessons learnt between albums, Marshall's own personal growth, future plans for the band, the potential for taking Righteous Death out of the studio and onto the stage and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
The metal Gods work in mysterious ways.In early 2021, fate brought Chloe Trujillo and Mark Dalbeth together at the Global Green Charity Event in LA's Troubadour. Bonding over their shared passion for music, they decided to collaborate after connecting online.Their brainchild, Lightning Strikes Twice, garnered strong feedback, fuelling their excitement for future projects .The pairs debut EP, HEAVY PEACE, dropped in 2022, amplifying their presence in the music scene. Eager to keep the momentum going, they returned to the studio, enlisting Ray Luzier (Korn) on drums for their second record.Transitioning from studio to stage, they assembled a formidable live band, featuring local guitarist Kevin Hicklin and Chloe's daughter, Lullah Trujillo, on drums, wasting no time in hitting the stage in early 2024 and captivating audiences, steadily building momentum with each electrifying performance.Last month, under the new monicker Blvd Of Eyes, the band released their second EP, Buying Lies For The Truth Seeker, expanding their existing sound into a swirling maelstrom of metal-infused rock that traverses the usual boundaries of acceptance into a sound definitively their own.Mark, Chloe and Kevin joined HEAVY recently to talk more about the EP."It's been really good," Mark enthused at the early response. "It just came out last month, so the response has been good. We have just released one single so far, so we will probably release a couple more videos. It's a great record. We were lucky to have Ray Luzier (Korn) drum on it, which was badass. Everything so far has been good. We're just setting up for some shows next year, and we will really push it more then."We ask about the musical side of Buying Lies For The Truth Seeker."It's got a hard rock sound," he measured, "with heavy guitars and big melodies and hooks. It's similar to the first EP, but probably a little bit more developed songwriting from us because we have been working together a bit more. It's another step up from the EP but still that hard rock with a little bit of metal, some melodic stuff and some really nice harmonies."In the full interview, the band talk more about Buying Lies For The Truth Seeker, including the musical direction of the songs and the meaning behind the ambiguous title. They discuss how it differs from their 2022 debut Heavy Peace, and how the band have grown in the period between EPs.We talk about the different genres that make up their music and finding the balance between genres in the creative process, and run through each of the five songs individually to get to the core of their content. The band talk about their formative years and creating a sustainable project, as well as future touring plans and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
As the saying goes, one person's loss is another person's gain.So while there were many disappointed when CKY pulled out of their Australian tour with Alien Ant Farm, there was also plenty more elated when their replacement was named in quick succession.It's not often a tour is strengthened by late adjustments, but from the moment Drowning Pool were named to fill the void, what was previously stifled enthusiasm quickly became cries of joy.After a prolonged absence from these shores, hard rock/metal monsters Drowning Pool will be returning next February, at the peak of their musical power and looking to decimate fans on this side of the world. Since reuniting with vocal powerhouse Ryan McCombs, Drowning Pool have gone from strength to strength, blowing away audiences at some of the world's premier festivals - Aftershock, Nu Metal Revolution, Louder Than Life, Sonic Temple, Blue Ridge Rock many others.They are a band who has seen as many downs as they have ups, but throughout all have remained committed to their craft and each other, powering through each obstacle and emerging triumphant. And now it looks like another prominent chapter is about to be written.HEAVY sat down recently with guitarist CJ Pierce to fill in the blanks."For us, it's been all cool," he replied when I commended the band for stepping in at short notice. "There's no drama here with Drowning Pool. I'm not sure about the situation, but we've been friends with Alien Ant Farm since day one - 20 plus years- and we're just coming to rock out. We were already working on some shows in Australia anyway, which were gonna be later in the year, so we couldn't wait to get there. Right place, right time. We appreciate them for having us on. No disrespect to CKY fans. We probably could do a cover song of theirs but out of respect to them Drowning Pool's bringing a lot of metal to the show."In the full interview, CJ spoke more about what fans can expect from Drowning Pool live, their latest single Revolution (The Final Amen), welcoming Ryan back to the fold, any difficulties in another transition of vocalists, the importance of having the right band's together as part of a tour, new music including an album, the decision to go Independent and what it means for the band, keeping motivated and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
The Koala Tavern in Capalaba will host the inaugural Rock Is Not Dead Festival on February 1, 2025.Self-funded and put together by a group of Australian music lovers who aim to help nurture and promote the wealth of talent in our own backyard, Rock Is Not Dead will feature 8 of the hottest bands from around the country, each with their own unique flair and passion for music.Headliners Avalanche (the next big thing), Tailor Made Rejects (the unapologetic alt. rockers), Snake Bite Whisky (the kings of sleaze), Black Whiskey (pure Aussie rock), Stone Rising (underrated icons), Whiskey On The Rox (a crowd-pleasing 80s cover band), Goatzilla (legends of the live show), and Slythr (the up-and-coming rock prodigies) will assemble over one afternoon/night of live music unlike anything seen in the Bayside of Brisbane, over one stage with no clashes or scheduling conflicts.HEAVY spoke with Avalanche about the show and more.In the full interview, we discussed Rock Is Not Dead Festival, which features an eclectic line-up of bands. Avalanche shared their experience playing at the Airlie Beach Festival of Music, describing it as their biggest show yet and one of their best performances. They also mentioned their interactions with other bands at the festival, including Thirsty Merc, Jebediah, and Rose Tattoo.We talked about their latest single, Dad, I Joined a Rock N Roll Band, which is part of an EP compilation of their singles from the past year. Avalanche mentioned that they are planning a return trip to Japan for a tour next year, following a successful tour earlier this year. They also hinted at a big tour early next year, aiming to hit as many Australian dates as possible. Avalanche recommended their songs Arm to the Teeth, Bottle of Sin, and their latest single for those unfamiliar with their music and plenty more.Pre-sale tickets are just $35 from https://tickets.oztix.com.au/outlet/event/ed6cd600-0002-4eb2-963c-ea6e6683140a Support Aussie music from the ground up!Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
Western Australian black metal outfit Deadspace abide by the old school ethos that creating and releasing music is more of a personal journey to be shared with fans, rather than a commercial entity to appeal to the masses. They are a band who, you get the impression, truly make music for themselves first and foremost, enjoying the creative aspect of writing and recording music more so than the distribution.After laying low for a number of years, Deadspace returned late last year with the EP Unveiling The Palest Truth, further blurring the lines between black metal and the avant-garde before unleashing their latest full-length album The Dark Enlightenment on November 3. The album marks a shift in direction for the band, who have been increasingly experimenting with differing pastures over the course of their near decade long existence.HEAVY caught up with frontman Chris Gebauer to discuss the new album and the continued musical expansion of Deadspace."The Dark Enlightenment marks a long term change in direction that we've been orking at since 2019," he revealed, "but we've just upped the ante on the shift a little bit. If you're into heavier, more avant-garde death metal, black metal infused kind of stuff, more than the ever so popular atmospheric side of black metal at the moment, then you might be into the new record over what we've done in the past."In the full interview, we discussed The Dark Enlightenment in more depth, highlighting the shift towards philosophical themes rather than personal emotions. Chris noted that the album has received a positive but slow reception, typical for their genre, and serves as a continuation of their earlier EP, exploring the human condition and apocalyptic implications. He detailed the creative process, including the singles released and how they represent the band currently.He elaborated on Deadspace's approach to music and promotion, emphasizing their desire to prioritize passion over industry pressures and the importance of balance and sustainability in their careers. We discussed upcoming live shows and the immediate future of the band and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
Hailing from Melbourne’s eastern suburbs, Bloody Ripper are a rock’n’roll band with a punk edge. The band have established themselves over the last decade playing in Melbourne’s finest pubs and dive bars including The Tote, Cherry Bar and The Last Chance Rock and Roll Bar.Following the wild video for the single Pints, Bloody Ripper are releasing their debut album I Hardly Know Her, out today. The album is a collection of songs spanning the last few years that explores the bands’ diverse musical range. From epic 6 minute guitar driven heavy rock belters to emotional heartfelt ballads and pub rock anthems, the album showcases Bloody Ripper's ever-evolving sonic identity.HEAVY caught up with drummer Thomas and guitarist Jackson to find out more.We spoke about their debut album, I Hardly Know Her, which was released today. The band characterized their music as a blend of influences, emphasizing a nostalgic punk vibe. They discussed their collaborative and spontaneous songwriting process, as well as the challenges they face in the modern music industry and the importance of sharing their music with listeners. The conversation also included details about their upcoming shows and how fans can access information regarding their performances and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
Combining rock and metal with country music is a brave move. Fans of each genre individually are parochial in their love of music and unlikely to take to any bastardisation with any other form of sonic entertainment. It takes a person with confidence and conviction to even attempt such a marriage, but when done right even the staunchest of purists can do nothing except sit back, listen, and enjoy. Such is the case with Cory Marks and his body of work. By integrating elements of each of the above genres with blatant disregard for convention or history, Marks has found his niche in a blurry world of music with a striking and engaging mixing of styles that reflects his own upbringing and eclectic tastes. His recent - and appropriately titled - album Sorry For Nothing accentuates his individuality, bringing together country, rock and metal in such a way that makes it impossible to resist. Collaborations with artists such as Sully Erna (Godsmack), Travis Tritt, Mick Mars and DL of Bad Wolves have helped bridge the divide between genres, but it is Marks' inate ability to transcend musical barriers that makes him stand out in a musical climate that is becoming increasingly predictable. HEAVY spent some time with Marks to find out his thoughts on music. "It's been a project I've been waiting to release and working on for the last four years," he smiled, "so to finally have it out… it's nice. Now it's up to the world to see how they acknowledge it, and hopefully they love it." We ask him to dive deeper into Sorry For Nothing musically. "I've always stayed true to who I am and what I believe in or what I enjoy doing," he said. "As you know I'm country, I'm rock, and I'm a little bit of metal and in this record you have songs that I've written about a year ago all the way to songs written seven or eight years ago. It's thirteen songs that I think represent me the best right now. What I've been through, where I've been and how far I've come and where I plan on to continue to go. Hence the album title, Sorry For Nothing." In the full interview, Cory discusses the blending of genres and how he makes them work, the potential risks of combining genres, the guest artists on the album and why they were chosen, finding the balance in music, the pressures of following his hugely successful single Outlaws & Outsiders, how his sound has changed over his career, what he has learnt about himself and his music on this journey and more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
Interview by Angela CroudaceAfter 15 years in the game, Polar's frontman Adam "Woody" Woodford could have easily walked away when the band hit a rough patch. But instead of throwing in the towel, he rebuilt the band with a fresh line-up and a renewed sense of purpose. The result? Five Arrows is their boldest and most experimental album to date.Polar's journey has been anything but easy. After members left and relationships were tested, Woody was at a crossroads. But rather than giving up, he saw an opportunity for a fresh start. "When you lose everything, you gain everything," Woody explains, paraphrasing Fight Club. This approach laid the groundwork for the band's artistic rejuvenation. As a result, the new album exemplifies that philosophy: challenging, sincere, and unfiltered.Five Arrows represents a new era for the band, as they threw out the rulebook and embraced an experimental approach to their sound. "There was nothing left to lose," Woody reflects. The result is an album that pushes boundaries, blending aggression and melody in a way they hadn't explored before. "We threw the rulebook out," he adds, highlighting how the band has moved away from its established blueprint to create something more dynamic and challenging.The songwriting process for Five Arrows was a true collaboration. Guitarist Simon Richardson wrote a series of riffs that became the album's foundation, and the band worked together, refining and expanding on the ideas. But it wasn't just about the band, but also the outside influences that shaped the sound. Producer Jack Murphy played a crucial role, pushing the band out of their comfort zones and challenging them to explore new directions.For Woody, the album's emotional core is just as important as the sound. Five Arrows tackles the destructive power of change and the resilience needed to overcome it. Woody reflects on how embracing change has brought the band to a place of growth and renewal, no matter how difficult. "It's all about resilience," he says. "There's no dead end unless you make it one."Polar's future looks bright as the band prepares to tour and share Five Arrows with the world. What started as a passion project has become a symbol of strength, unity, and perseverance. For Woody and the band, Five Arrows is more than just an album - it's a physical incarnation of their ability to rise from the ashes and embrace whatever comes next.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
Interview by Angela CroudaceNiclas Engelin, guitarist of Swedish melodic death metal band The Halo Effect, spoke to HEAVY about the band's journey and their new album March of the Unheard. Engelin shared insights into the album-making process, the band's evolution, and the importance of positive energy in their music.Regarding the new album, Engelin revealed that March of the Unheard consists entirely of fresh material. Niclas reflected on how the band initially overproduced some songs, but eventually honed the track list by focusing on the album's overall vision. "You need to stay focused and hold a torch," he explained, noting how the band ensured every song fit within the album's structure.The first single, Detonate, was chosen as the lead track because of its fast pace, intricate guitar work, and catchy melodies. "It represents the album quite a bit," said Engelin. "It's a little bit more of everything this time."The album's more confident and cohesive sound reflects the band's growth, partly thanks to the extensive live touring they did for their debut. Engelin believes their live experience allowed them to develop a stronger sense of identity as a band. "We sound more confident… doing 96 shows for the first album, that's a lot," he said.As for the band's creative process, Engelin highlighted the importance of collaboration and fun. The songwriting is formulated on positive energy and mutual respect. "We do a lot of hanging out, talking about old albums, enjoying each other's company," he explained. While Engelin may bring a "skeleton" of a song to the table, the process is always collaborative, with every band member contributing their unique ideas to shape the final product. It's all about creating music in an environment of joy, as he emphasised: "If it's not fun, we just drop it."When discussing the band's dynamics, Engelin revealed that despite their busy schedules, they maintain a close relationship. They keep in touch regularly through texts, emails, or phone calls. Though family, other projects, and tight touring schedules keep them occupied, a strong sense of camaraderie fuels their music.Looking ahead, The Halo Effect is eager to return to Australia on their next tour. Fans can expect a mix of new tracks and fan favourites from their previous albums. "Some songs need to grow on you," Engelin noted, reflecting on the band's evolving live experience.In closing, Engelin explained that the band's name, The Halo Effect, represents positivity and good4 energy. "It stands for something positive," he said, a sentiment heard in every note they play.March of the Unheard is set for release on January 10 through Nuclear Blast Records.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
Interview by Angela CroudaceFor over a decade Carbon Black have been steadily making their mark in the Australian groove metal scene. With a reputation for hard-hitting, groove-laden riffs and an undeniable stage presence, the Wollongong-based band has persevered through line-up changes, tough times, and the ever-evolving music industry.Lead vocalist Jon Hurley reflects on the band's journey, their upcoming re-release of the EP Principium 2.0, and recent collaborations with some of metal's heavyweights, including Tim 'Ripper' Owens of Judas Priest."We've been going for a little over 10 years now," Hurley says, a mix of disbelief and pride in his voice. "It's funny to look back and think about how we started, and everything we've done to get to this point."The band's latest release, Principium 2.0, is a refreshed and revitalised version of their original EP. Hurley and the band saw it as the perfect opportunity to revisit the early material that helped put them on the map. "When we first started, we didn't have many songs, and we definitely didn't have a stable line-up," he explains. "We rushed things out—wrote 40 minutes of material in a matter of weeks. And while we were proud of what we did, we knew that there was more we could bring to the table."The stable line-up that has been integral to the band's recent successes consists of Hurley (vocals), Rob Giles (bass), Damon Bishop (guitar), and Steve Giles (drums), who joined six years ago. This line-up shift, notably the addition of Steve, was a game-changer for the band. "It took us a while to find a stable drummer," Hurley admits. "But now, with Steve, we've been able to really inject some personality into our old tracks and make them something special."The refreshed Principium marks a musical evolution for Carbon Black and celebrates their perseverance as a band. "It's a celebration of 10 years of hard work," Hurley says. "We've been through a lot, and we're still standing strong. This is just the beginning for us."Alongside the re-release of Principium, Carbon Black has also gained recognition for its collaboration with Tim "Ripper" Owens. The band teamed up with the former Judas Priest and Iced Earth vocalist for a guest feature on one of their tracks, Under Order, during the pandemic. "It was a stroke of luck," Hurley explains. "We were trying to figure out how to make a splash with our new album, and Rob came across the opportunity to work with Ripper. It felt like the perfect fit."Owens' contribution to the track added a new dynamic to the band's sound, blending their groove metal roots with his renowned vocal power. "He was incredibly professional," Hurley recalls. "He sent us three different takes, and we ended up picking the one that felt the most natural. It worked out perfectly."Looking back on the band's rise, Hurley notes that their growth has come with challenges. "In the Australian music scene, especially in heavy metal, there are thousands of bands fighting for attention," he says. "But we've managed to stay relevant because of our hard work, stage presence, and the connections we've made along the way. We're lucky, but we're also really driven."As the band prepares to hit the road once again, Hurley is excited to bring the new material to fans. "We're definitely planning to perform Principium in full on tour, along with some older tracks," he shares. "It's going to be a celebration of everything we've done, and we can't wait to see our fans again."For fans looking to get their hands on the physical release of Principium 2.0, Hurley recommends checking out their Bandcamp page. "We always have limited edition merch and hard copies available at shows," he says. "We've got everything from T-shirts to coasters, and even undies. It's all about giving our fans something special."Reflecting on Carbon Black's journey, Hurley sums it up with a mixture of gratitude and determination. "What does Carbon Black mean to me? It's everything. It's a way of life. It's a family, and it's the best thing I've ever been a part of. We've worked hard, and we're not stopping anytime soon."Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
If the rebellious youth of society had a queen back in the mid to late 80's you can bet your life that queen would have been a seemingly shy young lady from Violet Town called Ella Hooper. Coupling her struggles of being brought up in a small country town with the almost overwhelming burdens that life as a teenager can throw at you, Hooper and brother Jesse formed a band called Killing Heidi and instantly struck a chord with a new generation of fans for which music was their only salvation.Killing Heidi are still mesmerising audiences decades after sharing their life and struggles via music. Their enduring popularity and renewed zest saw the band rewarded with a slot at GOOD THINGS 2024.HEAVY caught up with guitarist Jesse Hooper to find out more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
American rock outfit L7 are just as relevant today as they were when they formed back in 1985. Never ones to shy away from confrontation or back down from their beliefs, L7 have survived hiatuses, member changes and the changing tide of opinion to emerge even stronger than before. Despite the constant state of turmoil that has managed to afflict daily life, L7 have endured, harnessing that anger and resentment into an undeniable force of music that presently sees the band back in Australia once more.HEAVY caught up with frontwoman Donita Sparks ahead of L7's first show of GOOD THINGS 2024 to find out more.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
US rock outfit Sleeping With Sirens have made their career on a combination of honesty, music and humour.The band rose to fame early on with their song If I'm James Dean, You're Audrey Hepburn, the lead single from their debut album With Ears to See and Eyes to Hear, which was released in 2010. Their second album, Let's Cheers to This, was released in 2011 and became a breakout for the band, thanks to the popular single If You Can't Hang, which was quickly certified Gold.But as consistently good as their music has been, Sleeping With Sirens have never been ones to take themselves too seriously. In an age where many are afraid to sneeze for fear of offending someone, Sleeping With Sirens have stayed true to their convictions and whimsical nature, delivering a succession of well received albums that have played a part in the position we currently find the band.Back in Australia for their second Good Things appearance at a festival that is only three years old. HEAVY first met the rockers at Good Things 2022, facing the daunting proposition of a virtual baptism of fire when we drew them first cab off the rank for what was our first ever backstage festival round of interviews.As it was again last Friday when the Metal Gods dished up Sleeping With Sirens for us to open the day with once more. But this time we were ready...Good Things 2024 tickets and more details: https://goodthingsfestival.com.au/Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
While safety first is becoming an increasingly mundane and almost conformist part of the global music scene, there are bands out there who refuse to yield, preferring to allow their natural creativity dictate the terms of music rather than cater to the whims of the masses.Sydney music machine Reliqa are one of the bands.Despite their relative youth in the cogs of the unforgiving music scene, Reliqa continue to push the boundaries of the acceptable parameters of modern music. Their May debut album Secrets Of The Future was a breath of fresh air - delivered with the subtlety of a sledgehammer - laying the platform for a sustained assault on the music world based on self belief and conviction rather than expectation.The band are content to ride a steady wave to success, paying their dues through headlining tours of their own, as well as a multitude of high profile international support to help build a solid fan base. That eye on the future continues this weekend as Reliqa rub shoulders with bands such as Korn, Mastodon, Kerry King and Billy Corgan as part of Good Things 2024.HEAVY caught up with vocalist Monique Pym ahead of Reliqa's first show.Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.