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Have You Heard This One?

Author: Nevermind Media

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Have You Heard This One? is a sound-rich music anthology series dedicated to telling the stories of overlooked artists, fascinating characters, under-represented voices, funny moments, important events, forgotten chapters of history, and some of the greatest music stories seldom told. Each episode is hosted by a different journalist taking listeners on a deep dive into the heart of music and fandom. 

Produced by an all-woman team, the stories range from epic to hilarious, poignant to shocking or downright strange. Whether told in one episode or over the span of a few, each story will leave you asking your friends, “Have You Heard This One?"

18 Episodes
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Seattle in the 90s: A tidal wave of unforgettable music roars out of the city. Nirvana, Soundgarden and Pearl Jam take over global pop culture and Seattle is declared the world's coolest place to be. But here, reality is different for young people. For almost two decades, the Teen Dance Ordinance has made it illegal for anyone under 18 to attend concerts without a parent or guardian. Police raid punk shows and hip-hop clubs. Politicians ban show posters on electric poles. All-ages music is criminalized. And young people begin to fight back. Let the Kids Dance! is a seven-part docuseries chronicling an untold chapter of pop-culture history. It’s a story about moral panic, grassroots activism and an unstoppable music community that fought for its freedom. Let the Kids Dance! is created and hosted by Jonathan Zwickel. It is produced by KUOW in Seattle, a member of the NPR Network.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Some Christmas songs aren’t as merry or bright as they seem. Annie Zaleski uncovers the mystery and drama behind Bobby Helms’ 1957 holiday hit, “Jingle Bell Rock.”🔗ANNIE’S LINKS: This Is Christmas, Song by Song: The Stories Behind 100 Holiday HitsWebsiteNewsletterInstagram Facebook⭐️Enjoying the podcast? Please leave a rating and review on your podcast app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
In 1971, the legendary Festival Rock y Ruedas de Avándaro was held near Valle de Bravo in Mexico. The concert, which was a homegrown response to Woodstock, caused panic within the authoritarian government. Cristian Salazar shares how the revolutionary festival changed native rock in Mexican forever.🔗CRISTIAN’S LINKS: Website⭐️Enjoying the podcast? Please leave a rating and review on your podcast app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Jeanne-Paule Marie Deckers earned international fame as the cheerful, wholesome Singing Nun behind 1963’s “Dominique.” The story of this jaunty one-hit wonder reveals the complex existence of its singer. Jessica Gentile details the life and death of Sœur Sourire, the Smiling Sister.🔗JESSICA’S LINKS: WebsiteTwitter⭐️Enjoying the podcast? Please leave a rating and review on your podcast app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Ursula Bogner’s experimental, homemade electronic music places her among the genre’s great pioneers. But her recordings went unheard for decades, until one fateful encounter changed everything. It’s a case of a marginalized artist finally gaining recognition for their contributions to modern music — or is it? Rose Bacci shares the strange story surrounding an early electronic musician.🔗ROSE’S LINKS: WebsiteCrossing the Line⭐️Enjoying the podcast? Please leave a rating and review on your podcast app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Rumor has it that Nashville’s first women-only bar was opened by a pioneering lesbian country singer. It turns out, this rumor is only a little bit truthful. Natalie Weiner digs into the incredible life and legacy of Wilma Burgess, the lost voice of the Nashville Sound.🔗NATALIE’S LINKS: Don’t Rock the InboxWebsite⭐️Enjoying the podcast? Please leave a rating and review on your podcast app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
One of the most high-profile feuds in recent music history was stoked by one little word: bitch. J’na Jefferson dives into the controversial term’s origins and its use in popular music to answer the essential question: is the word bitch offensive, harmless, or empowering?🔗J’NA’S LINKS: WebsiteInstagramTwitter⭐️Enjoying the podcast? Please leave a rating and review on your podcast app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Norma Tanega lived an extraordinary life. She was a talented folk musician whose work captured Bob Dylan’s attention. She had a hit song and a record deal. She was the longtime hidden romantic partner of Dusty Springfield. So why don’t more people know her name? And why does her story feel so incomplete? Lexi Pandell does her part to fill in the gaps in Norma’s history.🔗LEXI’S LINKS: WebsiteTwitter⭐️Enjoying the podcast? Please leave a rating and review on your podcast app.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Have You Heard This One? is a sound-rich music anthology series dedicated to telling the stories of overlooked artists, fascinating characters, under-represented voices, funny moments, important events, forgotten chapters of history, and some of the greatest music stories seldom told. Each episode is hosted by a different journalist taking listeners on a deep dive into the heart of music and fandom. Produced by an all-woman team, the stories range from epic to hilarious, poignant to shocking or downright strange. Whether told in one episode or over the span of a few, each story will leave you asking your friends, “Have You Heard This One?"See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
'Recipe for Disaster' author Alison Riley talks about a breakup that led to the ruin of nearly all of PJ Harvey's catalog... plus, the meal that got her through it.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Whatever name you call Stagger Lee, we know one thing for sure: He shot Billy Lyons in plain sight, with a bar full of witnesses. If you’ve heard the song, you might think he did it because he lost a game of dice. But the real Stagger Lee wasn’t gambling at all. He got mad when Billy took his Stetson hat and wouldn’t give it back, so he fired the gun. What could lead to such a violent end? There’s a good chance it was politics — a life and death subject for these men. Preorder the "Songs In The Key Of Death" EP via Bandcamp now!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Frankie killed Albert one night in St. Louis, back in 1899. Songwriters took a few liberties, even changing some names (that’s where “Johnny” comes in). Then Hollywood took more liberties while building multiple films around the song. Unfortunately for Frankie, it was a ballad people kept singing for over a hundred years — a ballad that ultimately killed her. Preorder the "Songs In The Key Of Death" EP via Bandcamp now!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
On Christmas Day 1929, Charlie Lawson committed the chilling act of murdering his wife and children. What’s darker is the reason why, according to some true crime authors. But are they right, and what do we know today about the rare phenomenon of familicide?Preorder the "Songs In The Key Of Death" EP via Bandcamp now!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
When we talk about the sexism of murder ballads, “Omie Wise” jumps to the forefront as one of the most prominent examples. Whether the true story involves a woman who was drowned because she became inconvenient or because she stood up to a no-good man, they both end the same way — with Naomi Wise dead, and many tales that got it wrong.Preorder the "Songs In The Key Of Death" EP via Bandcamp now!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
When Henry Clay Beattie's wife Louise died under what turned out to be mysterious circumstances in 1911, the trial of the century began. Figuring out the circumstances of her death would lead to a million lines of newsprint all over the country — and end with the electric chair.Preorder the "Songs In The Key Of Death" EP via Bandcamp now!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
A 14-year-old girl named Delia Green was shot to death on Christmas night in 1900 by a boy who thought she was being mean to him. How did that turn into a song about a “lowdown” and “trifling” woman who was cheating on her man — and a song that would save Johnny Cash’s career?Preorder the "Songs In The Key Of Death" EP via Bandcamp now!See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Songs in the Key of Death looks at the historic true crimes that inspired a selection of murder ballads, combining music, true crime, history, and edge-of-your-seat storytelling along with new music from artists Sad13 and Bonnie "Prince" Billy. Hosted by music critic and author Courtney E. Smith (Refinery29, MTV, Record Collecting For Girls), each episode of season one focuses on a single murder ballad that has been passed down by scores of singers, with each generation telling their own version of events and putting a new spin on stories of very real, often gruesome slaughters. After being told and retold, these songs and the murders that inspired them have become legends. The show looks at the violent criminals we can’t stop singing about, the grisly history they reflect, and the underrepresented voices of victims who didn’t get to tell their own stories.See Privacy Policy at https://art19.com/privacy and California Privacy Notice at https://art19.com/privacy#do-not-sell-my-info.
Comments (15)

Brooke Vanda

kkk

Jun 22nd
Reply

Aakash Amanat

One of the podcast's most charming aspects is the way it connects with listeners on a deeply personal level. Through the art of storytelling, the host and their guests share experiences that are relatable, funny, and sometimes thought-provoking. Whether it's an account of a bizarre encounter, a touching narrative about human kindness, or a witty take on everyday situations, "Have You Heard This One?" ensures that every episode keeps you hooked. http://www.travelful.net/location/5268047/usa/tray-liners-studio The show also has an uncanny ability to celebrate the uniqueness of human experiences. You'll find yourself nodding in agreement, chuckling at shared quirks, and occasionally shedding a tear or two as you become absorbed in the stories. https://www.a-zbusinessfinder.com/business-directory/Tray-Liners-Studio-New-York-New-York-USA/33924088/

Oct 25th
Reply

Courtney Doylle

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Jun 14th
Reply

Sean Rosenau

Glad to see no more episodes are being produced by these misandrists. I hope you fail at everything you ever try to do going forward.

Oct 2nd
Reply

Stephanie Kennedy

is there no more to this podcast?? been hoping for more to be added.

Sep 8th
Reply

Eric Lewis

Very interesting , good job and thanks for sharing such a good blog. https://www.mcdvoice.tips/

Aug 31st
Reply

Jello

9:10 "it is the quintessential example of toxic masculinity: if he can't take care of them what use is he" ... as a husband and soon to be father... I can understand those feelings of not being able to provide for your family that you love so much.. if I were not able to provide for my family, and I'm sure other fathers can relate, we would feel a measure of decreased self worth because we could not provide... not because the family is property, but because we love our families... I was not aware of that this was toxic masculinity.. I feel proud to provide for my family, and I would be disappointed in myself if I could not.

Aug 5th
Reply

Jello

okay, this is my second episode, it's clear to see this podcast is less about music and murder and more about how evil men are , there is a lot of labeling of men and a lot of "you shouldn't label women" hypocritical type of remarks. The Lawson family murder was that one I heard first. I wasn't a fan when she said it is toxic masculinity when a guy feels like he loses value when he can't support his family. she claim it's because he views the family as property. As man myself, I love my family and if I lost my ability to provide for them I would feel that I lost a measure of worth to not be able to provide. it's not because of my toxic masculinity, it's because I want to take care of what I love. anyways, for any guys out there thinking about listening, it might strike a few nerves.

Aug 5th
Reply

Alyce Maddocks

I had no idea about all the nuances of this story, amazing research and delivery!

Jul 25th
Reply

Lana Jack

Really interesting great job

Jul 15th
Reply

Miki Hapte

Depressing song🤕

Jul 8th
Reply

Rodney Mett

Wow Your Play List is Amazing https://www.upsers.page/

Jul 6th
Reply

Martha

Seriously? Men are this and men are that. Booooo. You make things worse when you say such stupid and divisive comments.

Jun 29th
Reply (2)