Claim OwnershipHey Playwright
Subscribed: 18Played: 331
Subscribe
© Hey Playwright
Description
Have you ever thought about writing a play but had no idea where to start? Each week, join playwrights and teaching artist pals Tori and Mabelle as they discuss playwriting and life, and leave you with a prompt to get to work. Whether you want to learn how to write a play or just need a little creative inspiration and cheerleading, this podcast is for you.
83 Episodes
Reverse
In the Hey Playwright season 7 premiere, Tori and Mabelle chat with Keiko Green about how shifting power dynamics create compelling drama–and how she seeks to craft plays to keep audiences leaning in, hungry for what’s next. Keiko shares about writing juicy roles for actors, her approach to collaborating with directors and dramaturgs, and the play that opened the door to her TV writing career. She also discusses the fine line between helpful notes and creative overreach, the importance of playfulness and trust in the rehearsal room, and creating theatrical experiences that feel like unforgettable events.
In this two-part season finale, Tori and Mabelle talk with the extraordinary Steven Dietz about his 40+ years in the theater. He shares how his 11 years of directing workshops and readings of new plays served as his grad school, teaching him how the theater works in space. He shares tactics and tools of the craft, including his idea of plays as alive (The Living Play), the importance of inviting scrutiny, why inspiration is a con, how victories can be complicated, and his strategies for talkbacks.
Tori and Mabelle talk with accomplished storyteller Hansol Jung about her jump from politics to theater. She shares her trajectory from translating plays into Korean, to an MFA in Musical Theater Directing (at Penn State), and then to another MFA in Playwriting (Yale School of Drama). She also shares about her experience collaborating on “Wolf Play” in the midst of the pandemic, and how it changed her artistic process. Other topics include Hansol’s new collaborative theater group (the Pack), reimagining collaboration, and The Kilroys.
Tori and Mabelle talk with award-winning playwright and screenwriter, Anna Ouyang Moench, about grad school, motherhood, and her incredible catalog of plays. Anna shares about juggling life as an MFA Playwriting student at UCSD with teaching assistant work and parenting a newborn. The episode includes in-depth discussions of Anna’s plays “Mothers,” “Man of God,” “Birds of North America,” and her most recent play “Your Local Theater Presents: A Christmas Carol, by Charles Dickens, Again.”
Tori and Mabelle talk with accomplished theater artist, June Carryl, about her transition from law to theater and beyond. June shares the turning point into playwriting with Paula Vogel and how she got bit by the acting bug. June discusses why words are crucial, how theatrical stories inspire change, and the joy of working with young audiences.
Tori and Mabelle talk with Hope Villanueva about her launch into theater as a stage manager to her stint touring with the circus and beyond. Hope shares her strategies for balancing her various gigs–from writing, grad school, stage managing, dramaturgy, and her third season as the Literary Manager at Bay Street Theatre. Other topics include vomit drafts, toggling between stage and screen, and receiving feedback.
Tori and Mabelle talk with Larissa FastHorse about her path from ballet to the Children’s Theatre Company of Minneapolis to “The Thanksgiving Play” on Broadway. Larissa shares the details of her heart work with Indigenous communities and her radical inclusion process. Other topics include the Lakota Way, Indigenous Direction, writing for multigenerational audiences, and Larissa’s upcoming productions of “Peter Pan” and “For the People.”
Tori and Mabelle talk with Keiko Green about her two origin stories, as well as her journey from the NYU Experimental Theatre Wing to Seattle to UCSD. She shares how her musical about feral bunnies helped her land a writer’s residency at Seattle Rep and how “Exotic Deadly: Or the MSG Play” opened up doors in Hollywood. Keiko shares her process, why she values process over product, and how she includes emerging playwrights in development workshops of her plays. She also includes a detailed breakdown of why and how she wrote her thriller farce “Sharon.”
In the Season 5 finale, Tori and Mabelle talk with Lauren Gunderson about finding her playwriting voice, the catalyst for her free online playwriting classes, and why she writes one impossible thing into every play. She also shares how theater helps people practice living and that “theater at its best reminds us how to be good in this world.”
Tori and Mabelle talk with Andy Lowe, the Director of Production and Casting for East West Players, the longest running professional theater of color in the United States. Andy talks about his beginnings as a storyteller towards social change and how his volunteer activism with nonprofits led to his stint as Artistic Director of Asian American Rep Theatre at 19 years old. Other topics include anti-racism, his full-circle journey with the Plays by Young Writers contest, his career journey of building platforms to uplift fellow artists, and his role as a podcaster for Pod Squadron.
In their first episode of 2023, Tori and Mabelle talk with Franky D. Gonzalez about his writing rituals, the importance of community, and how a chance bus ride and kindness led to his writing stint on “13 Reasons Why.” He also shares his shift from writing plays to please others to writing plays for his son and introduces us to the people and stories that shaped his award-winning play, “Even Flowers Bloom in Hell, Sometimes.”
In the final episode of 2022, Tori and Mabelle recap the year and then talk with Jacqueline Goldfinger about their work as a playwright and educator. Jacqueline drops serious knowledge about writing without limits, finding a community that embraces and lifts up your voice, and interrogating your WHY when approaching adaptations.
Tori and Mabelle talk with Sara Guerrero, founding Artistic Director of Breath of Fire Latina Theater Ensemble, about her play, “Have to Believe We Are Magic.” Other topics include the art of archiving, finding your writer identity, and Sara’s multiple roles in theater and community-building.
Tori and Mabelle talk with Jordan Stovall about their role at the Dramatists Guild as Director of Outreach & Institutional Partnerships and the development of the New Visions Fellowship. Other topics include Jordan’s fantastical new play, “Bat Queen!,” the therapeutic emergence of Wanda Whatever, and the societal reckoning around systemic issues in theater.
Tori and Mabelle talk with powerhouse performance artist turned mutual aid leader, Kristina Wong, about the evolution of her Pulitzer Prize finalist project, “Kristina Wong, Sweatshop Overlord.” Other topics include why Kristina ran away from home at 22, the pros of digital theater, finding breathing space as a dramatist, her work as a food bank influencer, and why she ran the Auntie Sewing Squad like a theater collective.
Tori and Mabelle talk with Inda about her journey from sketch comedy in Chicago to Dramatic Writing at USC and beyond! Inda shares about motherhood, the moment at an audition when she realized she needed to make a life change, and how she found her voice as a playwright.
Tori and Mabelle talk with Daniel Olivas about writing his first play at age 60; He penned “Waiting for Godínez” as a response to the absurdity of the anti-immigrant rhetoric of the previous administration’s Family Separation Policy. Daniel shares about his life as a fiction writer, anthologist, and book critic, as well as his day job as a senior lawyer with the California Department of Justice. Other topics include how Daniel’s creative writing has made him a better legal writer; playwriting as a 24-hour a day job; and the incredible influence of his parents.
In the Season 5 Premiere, Roger Q. Mason takes Tori and Mabelle to church as they talk about their life as a playwright, activist, yogi, and truth teller. Roger shares what it means to give everything in your art; how a playwright’s words are a blueprint for the actor; and how they practice non-attachment and self care.
In the Season 4 finale, Tori and Mabelle talk with Chisa Hutchinson about her path into theater, the inspiration for her plays “Amerikin” and “Whitelisted,” and the vast possibilities of writing for the stage. Other topics include Chisa’s love of teaching, her process as a playwright, and the recurring theme of accountability in her writing.
Recorded at the stage of Onstage Playhouse, Tori and Mabelle chat with Executive Artistic Director James P. Darvas about his artistic journey, starting at 8 years old in Ohio singing “Beauty School Dropout,” to his current role managing a playhouse in Chula Vista, CA. James shares his vision for the theatre; how he strives to cultivate a space of inclusivity, accessibility, community; and why the energy that fills the room is the most important aspect of theatre.
Comments
Download from Google Play
Download from App Store
United States