High Theory

In this special student edition of High Theory, Andrew Bennett, Jo Hoffman, Kai North, and Ally Sullivan tell us about Rugged Individualism, a concept they link to Marxist theory. They made this episode for an assignment in Professor John Linstrom’s course on Theory and Criticism at Centenary College of Louisiana. The students provided the show notes below. The baby theorist pictured in the fetching onesie is John's newest daughter, and not a member of the theory class that produced this episode. The transcript of the episode lives here as a WordDoc and here as a PDF. Show Notes 1. First minute or so is spent in the introduction of each speaker, being Centenary senior Andrew Bennett and Centenary junior Jordan Hoffman, Andrew starts off with name dropping the podcast name, being High-Theory student version. 2. The discussion is first spent in going over the origins of rough individualism and what encourages it, which is mostly due to monetary stability. 3. Rugged individualism was seen most utilized during American expansionism during the mid to late nineteenth century, as citizens who moved to the frontier had little to no government to assist them and their families. The discussion later follows up into its more referenced era during the economic boom of the 1920’s under President Herbert Hoover and his take on rugged individualism. 4. First question: Socioeconomic status quo 5. Under the modern era, rugged individualism has been viewed as a negatively impacting idea, especially with lower economic citizens. That is not to say that there aren’t examples of individuals succeeding; however, it is not common. It is a system to keep the poor poorer and the rich richer. This shift started to fully come into view within the Reagan and Clinton administrations from the 80’s to the 90’s and even still in the present day. 6. If we were to compare the American lifestyle to other communities that center around having a community life, they would view it as a form of self-destructiveness. 7. Second question: How to utilize rugged individualism and Marxist, feminist theories 8. Rugged individualism can only work in a true meritocracy with definable gender structures, given the eras it could be said rugged individualism was properly utilized, at least before it was subverted by the wealthy's schemes for power. 9. Third question: Understanding Rugged Individualism in saving the world 10. Having the lower classes become aware of the system that holds them from achieving success for the rich. 11. The discussion begins to arrive to its end as the speakers dwell on how the rich scheme away to keep their advantage, as well as comments regarding gender roles that rugged individualism promotes, particularly with masculinity 12. Conclusion with some minor mentions to previous topics and how they correlate to their lives. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of High Theory, Kim talks to Ben Mangrum about Generic. A curious term that denotes both the conventions and rules of genre, and the impersonal or nameless quality of things like generic drugs or generic devices; the generic structures many of our cultural codes. Ben uses both senses to talk about the history of computing. He tells us about the surprising role the genre of comedy has played in our interactions with computers. Ben suggested that we reference Spike Jones’s 2010 short film I’m Here as an example of computational comedy. In the episode Ben references Aziz Ansari and Eric Klinenberg’s Modern Romance (Penguin Books 2016), a book of comedy and social critique about online dating, as well as classics like Agatha Christie’s Muder on the Orient Express (Collins Crime Club 1934), William Gibson’s Neuromancer (Ace Books 1984), and the film You’ve Got Mail (1998). He also talks about David Schumway’s writing on screwball comedies, “Screwball Comedies: Constructing Romance, Mystifying Marriage” in Cinema Journal 30 no. 4 (Summer 1991): 7-23, doi: 0.2307/1224884, and Lauren Berlant’s on genre, “Genre Flailing” in Capacious: Journal for Emerging Affect Inquiry 1 no. 2 (2018). If you want to learn more, check out Ben’s book, The Comedy of Computation: Or, How I Learned to Stop Worrying and Love Obsolescence (Stanford 2025). In this cultural history of the computer, Ben shows that comedy has been central to how we've made sense of the technology's sweeping effects on public life and private experience. From the first Broadway play to include a computer in the 1950s to popular films and joke-telling digital assistants, many have used comedy to make the computer seem ordinary. Others have tried to stage the assimilation of computers within corporate life as a kind of comic drama. Mangrum describes these and many other ways in which comedy and computation have come together as a new genre of experience: the comedy of computation. Ben Mangrum works as an Associate Professor of Literature at the Massachusetts Institute of Technology. His research examines topics ranging from the environmental humanities to twentieth-century “world literature” and the history of ideas and media underlying contemporary methods in the digital humanities. His first book, Land of Tomorrow: Postwar Fiction and the Crisis of American Liberalism, was published in 2019 by Oxford University Press. The transcript of this episode lives here as a WordDoc and here as a PDF. The image for this episode shows a happy computer, drawn in a few pixels on a blue background. It was made for High Theory by Lili Epstein. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of High Theory, Zac Zimmer talks to Kim about Decolonizing the Novum. The novum is a concept developed by Darko Suvin that names the new element of a science fiction or speculative fiction narrative. SF narratives from the Americas that rewrite archival material about colonization and first contact have begun an imaginative project of decolonizing that novum. In Zac’s words, the "novum" has been part of our definition of science fiction since Darko Suvin first offered up the concept of part of his critical assessment of SF. This idea of "novelty" is linked to conquest and colonialism through the figure of the New World, i.e. the post-1492 Americas. Thus untangling the relationship between colonialism, novelty, and science fiction must pass through the historical record of the conquest. One way to do this is to focus on SF that deeply engages the archival record of the XVIth century in the Americas: texts and artworks that use speculation to depart from the knowledge that things didn't quite occur the way the dominant paradigms would lead us to believe, and to imagine other futures linked to past moments of historical contingency. In the episode, Zac references an incredible list of writers and theorists, including Edmundo O'Gorman and Walter Benjamin, Saidiya Hartman’s “Venus in Two Acts,” You Dreamed of Empires by Álvaro Enrigue, Destrucción de todas las cosas by Hugo Hiriart, and “Decolonization is not a metaphor” by Eve Tuck and K. Wayne Yang. The transcript lives here as a WordDoc and here as a PDF. Zac’s book, First Contact: Speculative Visions of the Conquest of the Americas (Northwestern University Press 2025), is a comparative study of Latin American science fiction and narratives of the sixteenth century conquest of the Americas. It moves through a corpus of Mexican novels, Andean visual arts practices, and other cultural artifacts that have dramatized counterfactual narratives. Reimagining the early colonial period’s historiography from a south-to-north directionality while inventing parallel realities, these texts, which are concerned with limit cases, alterities, and alternative temporalities, refuse any reliance on the imperial ontologies of European expansion. Zac examines these works to explore the slippage that exists between science fiction as the exemplary genre of the modern, colonial reality and literary speculation as an aesthetic tool that can be used to imagine other possible worlds. You can read a review in the Los Angeles Review of Books. Zac Zimmer works as an Associate Professor of Literature at UC Santa Cruz. His research explores questions of literature, aesthetics, politics, and technology in the Americas.In addition to his current research on the cultural infrastructure of technosystems, he co-facilitates the Ethics & Astrobiology reading group, part of UCSC's Astrobiology Initiative. In the Literature department, he teaches classes on Latin American literature, science fiction, ethics & technology, and the poetics of California infrastructure. The image for this episode is the view from the Hubble Space Telescope, showing the birth of a sun-like star, retrieved from Flicker for High Theory by Lili Epstein. Image credit: NASA, ESA, G. Duchene (Universite de Grenoble I); Image Processing: Gladys Kober (NASA/Catholic University of America) Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of High Theory, Saronik talks to Senthorun Raj about the Emotions of LGBT Rights. Emotions from disgust and fear to love and joy shape the legal frameworks that attempt to govern human sexual behavior around the world. Sen cautions against dividing emotions into good and bad, but instead asks us to take a critical stance on all emotions, to understand how they shape our policies. In the episode, we talk about Sara Ahmed, the Stonewall Riots, conversion therapy, and efforts to mandate for and against inclusive sex education. The transcript lives here as a WordDoc and here as a PDF. Sen’s book, The Emotions of LGBT Rights and Reforms: Repairing Law (Edinburgh University Press 2025) uses emotion as a novel analytic lens to understand, analyse, and critique the relationship between individual, interpersonal, and institutional conflicts over LGBT rights. Emotions are central to the pursuit, organisation, and contestation of lesbian, gay, bisexual, and transgender (LGBT) rights in law. Drawing from critical legal theories, this book cultivates the concept of “emotional grammar” to show how emotions structure law reform pursuits by threading together Hansard, legislation, case law, law reform consultations, and statutory guidance. By doing so, it explains why addressing this emotional grammar is important for scholars, lawyers, judges, legislators, and activists seeking to navigate conflicts over LGBT rights and reforms that aim to repair the inequalities faced by LGBT people. Senthorun Raj is an academic human rights lawyer with expertise in issues of race, gender, sexuality, and culture. He works as a Reader in Human Rights Law at Manchester Metropolitan University. Sen’s research and teaching interests include LGBTIQ+ rights, emotion, culture, equalities and human rights law, legal education, and critical legal theory. His latest monograph, builds on his previous book, Feeling Queer Jurisprudence: Injury, Intimacy, Identity (Routledge, 2020), which explored the ways emotions shape legal judgments that enable progress for LGBT people. He is also the co-editor of The Queer Outside in Law: Recognising LGBTIQ People in the United Kingdom (Palgrave, 2020) and Queer Judgments (Counterpress, 2025). The image for this episode is a coloured lithograph, from 1868, depicting a double rainbow, by René Henri Digeon after Étienne Antoine Eugène Ronjat. It was sourced by Lili Epstein for High Theory from the Wellcome Collection. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

In this episode of High Theory, Milan Terlunen talks to Kim about Pre-Reading. There are many books we will never read and films we will never watch, but it turns out we know quite a bit about them in advance. A concept developed in his work on the plot twist, pre-reading names the epistemic practices by which we approach a text before we read it (if we ever do). The pre-reading environment is shared, social knowledge that shapes our expectations long before we open the cover or hit play. This podcast episode forms part of the pre-reading environment for Milan’s article, "What We Can(’t) Know Before We Read: Towards a Theory of the Pre-Reading Environment" (Book History 27, no. 2 (2024): 346-374). The article proposes the Pre-Reading Environment as a new object of study for understanding how texts relate to communal knowledge. While easily overlooked by scholars, equipped with fuller knowledge derived from their own reading, Pre-Reading Environments are among the most widespread epistemic objects in book history. Turning to two literary texts, Agatha Christie’s The Murder of Roger Ackroyd (1926) and Hanya Yanagihara’s A Little Life (2015), the article examines how their respective Pre-Reading Environments, in newspapers and on Twitter, strategically concealed key plot points that might pre-emptively spoil the experience of potential readers. The transcript of this episode lives here as a WordDoc and here as a PDF. Milan Terlunen is a scholar of literature, with a focus on narrative and the history of reading practices. He works as a Researcher in Digital Humanities at the University of Sussex. While a PhD student at Columbia University he co-created and hosted two podcasts – How To Read and In Sacred Spaces – and co-founded the Humanities Podcast Network in 2021, where he met Kim and Saronik. He is also an editor of the Palgrave Handbook of Humanities Podcasting, a huge project that he ran along with Kim, Saronik, and Beth Kramer. A book about podcasting would not be complete without its own podcast. Keep your ears peeled for Podcasting the Humanities later this year. The image for this episode is an illustration from Jean de Bosschère’s Weird Islands (1921), titled “Read Books on Practical Navigation.” It is a line drawing showing a reader swamped by piles of books. The image was found for High Theory by Lili Epstein on the Public Domain Image Archive. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.