Claim OwnershipI'd Buy That For A Dollar
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Description
A podcast about inexpensive, common and underappreciated records that are waiting to be rediscovered.
252 Episodes
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Musician and music historian James Porter returns to the podcast to highlight country-soul pioneer Joe South. We listen to South's debut album and discuss his career as a songwriter, session player, and his brief time in the spotlight.
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Musician and music historian Skip Heller returns to the podcast with a copy of David Bromberg's self-titled debut. As we discuss the immense influence that Bromberg had as a multi-instrumentalist, we also look at his impact as a performer and a session player.
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Mark Weathersby aka DJ Mahogany is back and he brings the party with him! We listen to selections from Mark's favorite album by Swedish popstars ABBA and also learn what each of the co-hosts enjoy most about this often divisive supergroup.
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Co-host Jeremy brings us a late-period release from the great jazz vocalist Sarah Vaughan. This lushly orchestrated album finds "Sassy" in peak form, a remarkable accomplishment for someone over thirty albums deep into their career.
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The classic trio of co-hosts rendezvous in Pittsburgh to discuss the eccentric pop genius of Harry Nilsson. We listen to the record made in the wake of his massive success in the early 1970s, which proves to be a more challenging but ultimately rewarding album.
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Co-host Jeremy selects the debut from Canadian folk duo Kate & Anna McGarrigle. Known as songwriters well before this release, we look at the career trajectory of these sisters as well as their extended musical family tree.
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Co-host Peter takes us into the lyrically dense world of Al Stewart. We play selections from the Scottish-born singer-songwriter's most commercially successful album and share some entertaining stories about both his creative process and his life thus far.
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Bob Bucko Jr makes his comeback to the podcast with the 1979 comeback album from English singer Marianne Faithfull. A far cry from her Sixties recordings, this album's defiant tone and futuristic sound made it a critical and commercial success, yet its impact has largely been lost to time.
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1Guest Bevan Bell brings us an album from Brazilian keyboardist, composer and arranger Eumir Deodato. As we listen to the jazz-funk instrumentals on this record, we talk about everything from Deodato's early bossa nova days to his production work with Kool & the Gang and his familial ties with Justin Bieber.
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Australian correspondent Melonie Bayl-Smith returns to the show to provide some context for a big hit album by Little River Band. We discover just how differently this record was marketed to U.S. audiences and also touch on the various legal disputes which have resulted in a completely new lineup still performing as LRB.
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Co-host Sean introduces us to the work of Seventies country rock singer Robert Thomas Velline, who turns out to be former Sixties teen idol Bobby Vee. As we listen, we look closer at his career arc and find out that this album—while certainly unique in his catalog—isn't quite the anomaly it initially appears to be.
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The prime directives for this podcast are: serve the public, protect the innocent, and uphold the greatest film ever made—RoboCop, director Paul Verhoeven's 1987 masterpiece. Guest Mark Weathersby joins us as we finally reveal the true purpose of I'd Buy That For A Dollar.
DJ Lola Kinks returns with the debut from former bargain bin artist Rick Astley. We discuss his unusual career revival and how he embraced it, as well as the initial success of many other songs from the album that has become overshadowed by Rick's internet popularity.
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On this extra special Patreon bonus episode, we visit Steven Krakow aka Plastic Crimewave at his home in Chicago to spin a 45 by Windy City garage-psych band the Cryan' Shames.
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Guest Christian Petersen shows us the experimental side of '70s soft-rock stalwarts America. This third album did not make much impact upon release and is still often overlooked in the band's catalog. Therefore we present a few reasons to give it a spin.
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We are joined by guest Malk to discuss Swiss electroacoustic harpist Andreas Vollenweider. A pioneering figure in New Age music, we discuss Andreas' innovations and accomplishments, as well as his continued work in music and beyond.
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Journalist, podcaster and radio host Rico Gagliano is our guest as we spin the debut solo album from new wave musician Adam Ant. We explore how Adam developed his unique musical and visual style, the commercial success he achieved, and other pursuits such as his acting career.
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Lance Barresi from Permanent Records in Los Angeles brings us the debut LP from the Marshall Tucker Band. Our first Southern rock feature, we take some time to outline the genre in broad strokes before looking more closely at the band history.
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Taylor Rowley returns to the podcast with a copy of torch singer Julie London's debut album. A huge hit in its day, the album continues to be influential yet London's overall cultural impact has been lost to time. We discuss this and more as we listen.
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Musician and record collector Cathy Illman joins us to spin the second album from American country music singer Jeanne Pruett. We detail Jeanne's background as a songwriter, the story behind her signature song "Satin Sheets," and her second career as an author of cookbooks.
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When you brought up Mandy and that horrible song the Jeremiah Sand wrote for himself. It really did fit the style. Then laughed about all of your Nicholas cage commentary.