I don't see the Pointe

Hermione and Kat return to IDSTP in this episode discussing the Royal Ballet's production of Swan Lake, as well as other versions, the Tchaikovsky score and dancers Fumi Kaneko and William Bracewell. Where to see Swan Lake Find tickets for the RB's production of Swan Lake here: https://www.roh.org.uk/tickets-and-events/swan-lake-by-liam-scarlett-details 16-25 discounted tickets for the Royal Opera House: https://www.roh.org.uk/ticket-deals/young-roh English National ballet adapted Swan lake for 3 and upwards: https://www.ballet.org.uk/production/my-first-ballet-swan-lake/ English National ballet Swan Lake at the Royal Albert Hall: https://www.royalalberthall.com/tickets/events/2024/swan-lake/ See the Royal Ballet Swan Lake live in cinemas on the 24th and 28th April 2024: https://www.roh.org.uk/tickets-and-events/swan-lake-in-cinemas-details Watch the Kirov Ballet's (now Mariinsky) swan lake on YouTube: https://www.youtube.com/watch?v=9rJoB7y6Ncs&t=11s&ab_channel=WarnerClassics

Hermione and Kat sit down with Alexander Campbell, principal dancer of the Royal Ballet to talk about 'The Limit', a new show which ran at the Royal Opera House in October. Alexander talks about the process behind creating a new dance production, adapting dance from a play, and the challenges of working in new ways. Hermione and Kat also chat to Alexander about the realities of ballet, and why the dance form is, and should be, for everyone. Many thanks to Alexander for being the very first guest on 'I don't see the Pointe', to Sean Flanagan for his help with making it all happen, and to the whole team behind The Limit for creating such a spectacular and moving show. 'The Limit' is adapted from Sam Steiner's play 'Lemons, Lemons, Lemons, Lemons, Lemons', and is described as a modern classic. Cast & Creatives Alexander Campbell & Francesca Hayward Director: Ed Madden Choreographer: Kristen McNally Original score by: Isobel Waller-Bridge Based on the play by: Sam Steiner Designer: Anisha Fields Sound Designer: Max Pappenheim Lighting Designer: Lee Curran Original Dance Concept: Alexander Campbell productions

This episode contains references to injuries and drugs. This week Hermione & Kat are talking about injuries in the ballet world, as well as their own unfortunate medical dilemmas, and the Royal Ballet's magnificent production of Don Quixote. Links - Young ROH account for ages 16-25 for £30 tickets - Anemoi/The Cellist tickets @ The Royal Opera House (until 2nd November) - Don Quixote tickets @ The Royal Opera House (until 17th November) - Cinema Relays of Don Quixote on the 7th November and 12th - The Dante Project tickets @ The Royal Opera House (until 2nd December) - Nutcracker tickets @ The Royal Opera House (until 13th January 2024)

In this episode, Hermione and Kat delve into the world of ballet movies. Many people have their first ballet experiences and become interested in the art form through ballet in film and TV. Not all ballet movies however, are created equal. Kat talks about the Barbie ballet movies (Barbie in the Nutcracker 2001, Barbie in Swan Lake 2003 & Barbie and the Twelve Dancing Princesses 2006), and Centre Stage (2000), with Hermione discussing The Red Shoes (1948), Black Swan (2010) and White Nights (1985).

Going to the ballet is incredible but can be confusing. This is your strangely detailed guide to booking the best and cheapest tickets, where to sit, what to wear, and lots more. With a quite a few years of going to the ballet under their belts, Hermione and Kat have a lot of tips, detailed tips, for going to the ballet at the Royal Opera House. Consider this episode a reference guide for when you book any tickets and go to the ballet to make sure you have the best possible experience. - Young ROH account for ages 16-25 for those £25 tickets: https://rb.gy/bop4hg  Follow us on Instagram @seethepointe1 and TikTok @seethepointe for more ballet info and content.

In this episode, Hermione and Kat react to the 2023/24 ballet season at the Royal Opera House. With some brief thoughts on each ballet, we recommend which ones to see for new ballet audiences and what people might enjoy about them. Follow us on instagram @seethepointe for more ballet info and content. Next week we'll be sharing exactly how to see ballet at the ROH: how to book tickets, where to sit, what to wear etc.

This week Hermione and Kat discuss the new production of the Royal Ballet's Cinderella, choreographed by Frederick Ashton. With brand new costumes and sets, this colourful and magical production is a classic of British ballet, and a perfect introduction to ballet for kids. It follows the classic Cinderella story, so revisiting the Disney film before seeing it would not be a bad idea. Our dancer of the week is Mayara Magri, a Brazilian principal dancer with the Royal Ballet. Choreography by Frederick Ashton Music by Sergei Prokofiev Sets by Tom Pye Costumes by Alexandra Byrne Staging by Wendy Ellis Somes & Gary Avis Links: All Cinderella music recordings are by the Royal Opera House Orchestra and date to 1948 to the original run of Cinderella. In the recording of Romeo and Juliet from 1938, Sergei Prokofiev himself is conducting.  - Young ROH account for ages 16-25 for those £25 tickets: https://rb.gy/bop4hg  - Remaining dates for Cinderella, running until 3rd May: https://shorturl.at/fNSTV  - Tickets for Sleeping Beauty, we’d recommend seeing Yasmine & Matthew: https://shorturl.at/buyV1  - The Australian Ballet performs ‘Jewels’ in August: https://shorturl.at/uzBV8  - The Next Generation Festival will take place in the Linbury theatre. This is a fantastic opportunity to see emerging talent, and different companies from around the world. We’d especially recommend ‘BRB2: Carlos Accosta’s Classical Selection’: https://shorturl.at/fjCY2 

Don't see the point of ballet? We want to change your mind. This episode contains references to themes of mental health and suicide which some listeners may find distressing. This week Hermione and Kat talk about the Royal Ballet's production of Woolf Works, choreographed by Wayne McGregor. They discuss how to watch the ballet, the plots and themes to look out for, and the mesmerising score by Max Richter. The dancer of the episode discussed this week is Matthew Ball, a current principle dancer at the Royal Ballet. Links - Young ROH account for ages 16-25 for those £25 tickets: https://rb.gy/bop4hg - Extracts from I now, I then (Mrs Dalloway), Dance with Septimus, Rezia and Evans: https://rb.gy/cn6qdm Young Clarissa and young Sally: https://rb.gy/82ib0b Extract from Becomings (Orlando), Orlando pas de deux: https://rb.gy/qgyydu Finale: https://rb.gy/jq0mma - Max Richter’s score On Spotify: https://open.spotify.com/album/4fo551Vy3KXbbRxRlVTD9D?si=ujAkKuJsSmWK7SCBR5f7Aw On YouTube: https://rb.gy/i4dq4m Recomposition of Vivaldi: https://open.spotify.com/album/5yuG2LEkf7QA9ZGIXldCmy?si=yz4ZN1ouQf2NI-cVl26sdQ - Men at the Barre, BBC Documentary YouTube: https://rb.gy/wqzwd0 BBC Four: https://rb.gy/ckg77e - Cinderella cinema relay: https://rb.gy/y8vvj8

Don't see the point of ballet? We want to change your mind.  Ballet fans Kat and Hermione are setting out on a journey to share the joy of ballet with people who might not see the point of it. In this episode they discuss: - what drove them to start a podcast about ballet - the Royal Ballet's production of Sleeping Beauty - some favourite dancers - cheap ways to see ballet in London