Into The Heart of U2 Podcast

U2's 13th studio album, "Songs of Innocence," is an album released a full 5 1/2 years after the commercial and critical disappointment of "No Line on the Horizon" with a list of producers as long as a Beyonce album. To that long gestation period Bono said, "Rumor has it we haven't made a U2 album in the last five years. We have. We've made several. We just didn't release them because we were waiting for something that would be as good as the best we've ever done." But, once the album was released, it wasn't the music that everyone was talking about, but rather how it was released. Which is a shame because, while it may not be the experimental classic of Achtung Baby, it is wildly underrated containing some of the most personal songs of U2's career. The question is, will its virtues ever overshadow the controversy known as Apple-Gate.

In our Part 2 on No Line on the Horizon, we pick things up with the three more pop oriented songs the band wrote after leaving Fez, Morocco. Did the band panic and go chasing a hit? If so, they chose a very unrepresentative first single in Get On Your Boots. Things get a lot more interesting on the final third of the record with some truly fresh material that probably should have been the centerpiece of the record. We also go through the marketing and promotion campaign that saw the band exerting its considerable muscle. Then we cover and uncover all the stories behind the 360 Tour.

After two consecutive conventional and commercially successful records in "All That You Can't Leave Behind" and "How to Dismantle An Atomic Bomb," the time was right to explore something different and go someplace else to do it. So, U2 heads off to Fez, Morocco with Brian Eno and Daniel Lanois, not just as producers but as songwriting partners. The sessions in Fez result in the kind of experimental material they'd hoped for, but when the band returns home, distractions and second guessing start to alter the original vision for the record.

In this second part of our look at U2's 11th studio album, How to Dismantle An Atomic Bomb, we go through the second half of the record, get into the marketing partnership with Apple, the ticket fiasco for the Vertigo Tour and the tour itself. We'll also discuss some band business, which has caused the haters to gnash their teeth for the better part of the last two decades, and take a look at where the band was moving forward.

U2 had finished up the wildly successful Elevation Tour with their iconic performance at the Super Bowl and had resoundingly risen to Bono's throw down issued on the eve of the release of All That You Can't Leave Behind; they really had reclaimed the title of biggest band in the world. Bono said, "Wow, if we could bottle this, what mad elixir would it be?" So, the band decamps in a basement in Monte Carlo to start work on a pure rock and roll album. But it doesn't quite go as planned as they end up finishing an entire album with Sex Pistols & Roxy Music producer Chris Thomas that Adam and Larry veto. They then turn to Steve Lillywhite and come away with How to Dismantle An Atomic Bomb. Tune in for our Part 1 on the backstory, making of and discussion of the first half of this front loaded record.

In Part 2 of our look at the All That You Can't Leave Behind period, we discuss the second half of this front loaded record, and the Elevation Tour where U2 dispenses with all the artifices, arches and lemons, and go back to arenas. And front and center is Bono...THAT Bono with his heart back on his sleeve. After an already heavily emotional first two legs of the tour, 9/11 happens, and while most other bands cancel their tours, U2 rises to the occasion as the band for big moments. The words on ATYCLB prove prescient and provide comfort and a pathway forward. The success of the record and the wildly successful tour places U2 back on top of the world culminating in their iconic performance at the Super Bowl.

We kick off Season 2 with U2's 10th studio album, All That You Can't Leave Behind, a record that begins U2 Phase III after their Mach II reinvention with Achtung Baby. It's also, arguably, the genesis of the sound of all their output going forward. It's a record Rolling Stone called the band's third masterpiece and that went on to become a huge critical and commercial success reaching number 1 in 32 countries. And on the ensuing Elevation Tour, the band returns to arenas, dispensing with all the artifices and there, front and center, was Bono - that Bono - with his heart on his sleeve without any masks or smirking irony. Something that made a lot of old fans very excited and go, "Oh I remember that U2."

In this all new expanded Boy episode released in tandem with our new U2 Origin Story episode, we pick up the story after U2 pulls off the big rouse at their now legendary gig at the National Stadium in Dublin that gets them signed to Island Records. We go over why they turn from Joy Division producer Martin Hannett and pivot to Steve Lillywhite to produce Boy. We cover Lillywhite's crucial contributions to the Boy sessions and go through all the tracks. We cover the controversy over the album artwork and themes of the record and the seminal moments of the band's first world tour. From the outside, everything appears copacetic, but inside, pressure from the Shalom Group starts to splinter the Lypton Village and the three Christians of U2 try and reconcile rock and roll and their faith.

You thought you knew U2's origin story? Well, did you know no one actually responded to Larry Mullen's post about wanting to start a band on the Mt Temple bulletin board? Or, did you know that the band once had a flutist and two female backing vocalists onstage? Or that they scored their first TV appearance by fooling the RTE booker into thinking they wrote the Ramones' "Glad to See You Go"? Or that the trace elements of Zoo TV's embrace of Dada and surrealism actually dates back to when Bono and Gavin Friday studied mime in 1979 and that theatricality became a big part of U2's stage show at the time? Or, that after every record label in the UK gave U2 a hard pass on all 4 demos they'd done from 1978-1980, they pulled off one of the great cons ever which finally got them signed to Island Records? We've got the stories behind the stories in this deep dive into the U2 Origin Story.

PopMart is remembered for its McDonald’s arch, the giant lemon inside which U2 got trapped in grand Spinal Tap style, the disastrous first gig in Vegas and half empty stadiums in the U.S. U2 would go on to play some of its greatest gigs later in the tour, but its still remembered as U2’s folly. But the backstory of why manager Paul McGuinness pushed the band so hard to book the tour so early which rushed the completion of Pop and left U2 woefully unrehearsed for the tour is steeped in tales of U2 facing bankruptcy and an internal struggle for power. Tune in for all the answers.

It's time to dive into U2's much beloved, and also much maligned 9th studio album, Pop. It's a polarizing work among fans and critics and God knows the band's spent the last 25 years trying to distance themselves from it. But when you consider what it was intended to be and what they delivered, it is a record that could have been so much more. But the question is why? Was it really because they let Paul McGuiness book the tour too soon and they ran out of time to properly finish it? Was it not having Eno and or Lanois on board?  Was it having too many producers? Or did they just not have the big songs as Bono has conceded? Tune in and find out.

In Pt 2 on Zooropa we continue our song by song examination and then get into the launch of the European leg of Zoo TV which sees the band rediscovering their love of Dada. The wildly successful Zoo TV marches on to its final leg in Australia by which time the band is running on fumes.

U2 came home after the Outside Broadcast Tour completing a wildly successful 1992 that saw the band reinvent themselves on record and as a live act. It was supposed to be a six month break before returning for the European leg the next summer. But Edge was still looking for a diversion from his marriage falling apart and convinces the band to make a 4 or 5 song EP. Bono, not ready to downshift back into domesticity, ups the ante and says if we're going to all that trouble we may as well make it a full album: A weird and wonderful left turn called Zooropa...and a kind of wayward experimentation U2 would never feel comfortable making again.    

In our third part on the Achtung Baby period we dive into Zoo TV from the conception of the tour to the financial constraints, to the moral conundrums surrounding corporate sponsorship at the time. We explore how disorienting it was for old fans to process the new U2 and the transitional challenges the band faced bringing the tour from arenas to stadiums on the Outside Broadcast Tour.

After the contentious early sessions in Berlin, everything finally crystalizes and U2 deliver its crowning creative achievement, the unprecedented deconstruction of everything that got them to the top of the charts in the 80s: "Achtung Baby." In Pt 2 of 3 comprehensive parts on the Achtung Baby and Zoo TV period, we go song by song of the 12 songs on the record and examine the Kindergarten disc from the Uber Deluxe Release, a fascinating rough mix done late in the recording process revealing some transformative production touches and lyrics that were still to come.