Joanna Lumley and her husband Stephen Barlow invite you into their home for a fascinating, funny journey into their shared love of music.
Why does music make us feel such emotion? Joanna Lumley and her husband Stephen Barlow invite you into their music room to discuss the big questions of life, music and marriage. In this first episode we take a tour through the music which shaped their childhoods in England and South-East Asia. For Stephen, this meant falling in love with Wagner’s ‘Das Rheingold’ and rocking out to Led Zep. For Joanna, it meant pastoral symphonies on the wind up gramophone in the jungles of Malaya.
It’s the battle of the heavyweights! Stephen couldn’t live without Mozart, while Joanna thinks Beethoven is the most sublime composer who ever lived. In this episode we get to the bottom of an age-old debate, who’s better: Mozart or Beethoven? From ‘Figaro’ to ‘Fidelio’, Joanna and Stephen get to grips with the operas, masses, serenades and symphonies of these two classical behemoths.
Joanna Lumley has a few questions about her husband’s profession. As well as being a composer and pianist, Stephen Barlow is a conductor - but what does that actually mean? What is it that a conductor actually does? Do they set the speed of the music? How long have they been around for? Are they really needed at all? In this episode Stephen answers these questions and takes us behind the velvet curtain into the backstage life of the conductor.
Sex, death, betrayal: all the good stuff. Puccini has it all. If you’re a total beginner or an opera aficionado, this episode is about the amazing operas of Italian composer Giacomo Puccini, the glorious melodies and how they capture his characters perfectly. This week Joanna and Stephen peel back the layers of Puccini’s most celebrated operas ‘Madame Butterfly’, ‘La Bohème’, ‘Tosca’ and ‘Turandot’.
In this episode Joanna Lumley and her husband Stephen Barlow tackle a biggie - the Symphony. We’ve probably all heard these types of composition - usually involving full orchestras and four distinct movements - but where did they originate from? Who wrote the best ones? What are the building blocks of a symphony? And what’s harder to conduct, a symphony or an opera?
The 18th century saw Great Britain referred to as “Das Land ohne Musik” - the land without music by continental Europeans. Quite the damning reviews. But why? And more importantly, is it true? Joanna and Stephen launch into the archives of great British composers like Tallis, Elgar, Byrd, Gibbons and Vaughan Williams in search of our national melodies and some home grown ‘kultur’.
From 'Jaws' to 'Genevieve', 'Gone with the Wind' and 'Bond', every brilliant movie has to have a great theme tune. But who were the composers who wrote these iconic pieces of music? In this episode, Joanna and Stephen dive into the greatest film scores ever written.
Who is the finest singer of all time? And what makes a legendary voice? Is it technique, style, phrasing or simply magic? This week Joanna and Stephen discuss their favourite singers, find out why do we fall in love with certain voices, and (the burning question) what does Joanna think of Stephen’s voice?
Why does Opera make some people (maybe you?) run for the hills? In this episode Joanna and Stephen dig down into the big questions… Like, when did Opera become posh? How did it evolve from musical drama? And can it be reduced to 6 emotions: Admiration, Hatred, Love, Desire, Joy, Sadness and Sorrow - according to René Descart?
Some extraordinary songs transport us to another time or dimension. This week our classical duo explore compositions which move us to our very core by taking a tour through the evolution of the song itself. Diving into folk melodies, arias, Victorian parlour music and beyond.
Having previously fallen down a wormhole in Part 1, Joanna and Stephen start with Jimi Hendrix’s illustrious Mayfair neighbour, George Friedrich Handel (albeit 200 years apart) exploring the legacy of this German-born genius; they also wonder what happened to Joanna’s little red Ferrari and finally get back to business with Britten and Butterworth.
Opera is to ordinary singing what Olympians are to dog walkers. It takes years of dedication, practice and coaching to develop a fully rounded and mature operatic voice. So, how well do you know your mezzo soprano from your contralto? In this episode, Stephen and Joanna shed light into the rarefied world of the opera voice, exploring what it takes to become one of the true ‘greats’.
Ade Edmondson joins Joanna and Stephen to kick off season two! The actor, comedian and musician discusses his own complicated relationship with classical music, his jack-of-all-trades mentality to learning instruments and why his Dad never approved of Led Zeppelin. We also hear about Ade’s own experience making music and reveal Jennifer Saunders’ top driving anthems.
We’ve turned the tables! Welcome to a mini episode where you get to ask Joanna & The Maestro your absolutely fabulous musical questions.
Love them or hate them, everyone has one. In this episode, we’re discussing National Anthems. In Japan they sing of generations reigning eight thousand years. The French sing of slaughtering enemies until their ‘blood should water our fields’ and in New Zealand they celebrate ‘the hairy man who summons the sun and makes it shine’. Joanna and Stephen reveal the stories behind these bombastic pieces of music.
What did Joanna and Stephen play at their wedding? Why does everyone die in opera? And what the heck does Pythagoras have to do with music?
Have you ever wondered how a conductor deciphers the individual musical parts and melodies from a whole opera score? In this episode, Stephen and Joanna deconstruct Richard Strauss’ monumental opera, Salome - a score which contains the so-called “most sickening chord in all opera”.
What drove 16th century composer, Carlo Gesualdo, to commit homicide? To baton or not to baton? And how do composers really interpret a score?
In this episode the Maestro turns the tables on Joanna and asks her questions about her life, her career as an actress and how she became a diarist for the Times. Joanna talks about why she wanted to become an actress, how being a model held her back and why she’ll keep wearing make up till the day she dies. We also hear why her favourite ever part was playing Hedda Gabler at the Dundee Repertory Theatre and why Stephen and Joanna never go on holiday.
Eddie Monsoon
Mendelssohn's symphony's not chronologically numbered. No 5 is not the last but the 2nd.