Left of the Projector

SCREAM Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

This week, in preparation of Spooky Season, we have an oldie, but a goodie!!Left of the Projector Linkshttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://www.instagram.com/the_red_gobbo/https://www.instagram.com/millennialmarxist1/https://leftoftheprojector.com

In this episode, we kick off our mini-series on Gareth Edwards with a deep dive into his indie film Monsters. We discuss its low budget, minimalist storytelling, and the themes of imperialism and capitalism woven into the narrative. Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Left of the Projector Linkshttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://www.instagram.com/the_red_gobbo/https://www.instagram.com/millennialmarxist1/https://leftoftheprojector.com

I'm joined by Director Martin Melnick, Actors Shannon Beeby and Ryan Jonze to discuss the newly released film Lilly Lives Alone. You can find now on Dark Sky Films.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, I explore the 2002 film Punch Drunk Love with writer-director Portia. We discuss its significance during a period of economic uncertainty and its distinct departure from Paul Thomas Anderson's other works. Portia shares her connection to the film, highlighting Adam Sandler’s multifaceted portrayal of Barry Egan and the film's subversion of romantic comedy tropes. We analyze its artistic choices, standout performances, and motifs of connection and isolation, ultimately recognizing how Punch Drunk Love invites a deeper appreciation within Anderson’s filmography.https://www.newwoo.uk/https://www.instagram.com/portia_bh/https://www.threads.com/@portia_bhLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left of the Projector, we explore the iconic film 2001: A Space Odyssey, directed by Stanley Kubrick, and its profound themes regarding AI and humanity. Joined by Levi and Joey, we discuss the contrasting representations of artificial intelligence, specifically HAL 9000 and Harlan Ellison's AM, prompting reflections on consciousness and survival. We analyze Kubrick's artistic choices, including minimal dialogue and groundbreaking visual effects, and consider the monoliths as symbols of external influence in human evolution. Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left of the Projector, I chat with filmmaker Christopher Bell to dissect the film Contact, directed by Robert Zemeckis and inspired by Carl Sagan's work.Linktree:https://linktr.ee/christopherjasonbellMiss Me Yet:https://means.tv/programs/missmeyetAttention Shoppers:https://means.tv/programs/attention-shoppersFailed State trailer:https://vimeo.com/1045365473Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

So sit back, relax, and join Lotp, Este, and Ryan as they celebrate the summer vibes, campfire shenanigans, and comedic brilliance of Wet Hot American Summer, reminding us that it's Wain's world, and we're just living in it.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, I join Chris and Wythe from the Why We Roll Podcast to analyze David Cronenberg's cult classic Videodrome. We explore its themes of technology, media, and the human condition, discussing the film's initial reception and rise to cult status. We examine the character of Max Ren, played by James Woods, and the male gaze's implications on sexuality and power dynamics, as well as the film's philosophical layers surrounding identity.We also consider Cronenberg's body horror elements as metaphors for existential dilemmas, particularly as Max navigates the influence of Videodrome. The conversation draws parallels between the film and contemporary media technologies, questioning whether they enhance or diminish our humanity. We conclude by reflecting on the lasting impact of Videodrome and its relevance in today's media landscape.KickStarter for Dance MacabreWhy We Rollhttps://stillfleet.comhttp://stillfleet.com/danse https://bsky.app/profile/stillfleet.bsky.socialhttps://www.instagram.com/timespace.placeLeft of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Friends of the show Smirk Gently and Hungry join me for the 200th episode extravaganza. No, not a clip show, new content!Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

This episode delves into Billy Wilder's classic film The Apartment, featuring Jack Lemmon and Shirley MacLaine. Joined by Kayte from Fangs for the Memory and Tender Subjects, we analyze the film's commentary on capitalism and personal relationships through Lemmon's character, C.C. Baxter. We discuss the contrasts between corporate life and personal sacrifice, highlight character dynamics, and list our top five office-themed movies. Kate shares insights on the film's development and its lasting relevance, showcasing Wilder's mastery in balancing humor with deeper themes of love and ambition within a capitalist society.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode, I explore the Coen brothers' Inside Llewyn Davis alongside author and comedian Joshua Turk. We discuss Llewyn Davis, portrayed by Oscar Isaac, as he navigates the challenges of his music career amid 1961's New York City folk scene. The film examines themes of artistic ambition, isolation, and the complexities of human relationships as Llewyn grapples with rejection and personal connections. We analyze the significance of his choices and the recurring cat symbol, reflecting on the pursuit of dreams and the realities faced by artists today.Joshua TurekBooks: https://joshuaturek.com/buy-booksOn Tour: https://www.bandsintown.com/a/15579941https://www.instagram.com/joshuaturek/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

Bringing back a classic episode for your listening pleasure.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left of the Projector, we explore the cultural impact of the 2001 film The Fast and the Furious, diving into its portrayal of car culture and masculinity. Joined by Zach, Connor, Bryant and Brandon from Cars and Comrades, we dissect the film's iconic racing scenes and memorable characters, debating the significance of vehicles like the Toyota Supra and Nissan Skyline. We examine the evolution of the franchise from street racing to grand action heists, and analyze themes of loyalty and exploitation through the lens of Dom Toretto and Brian O’Conner’s relationship. Additionally, we reflect on early 2000s fashion, memorable quotes, and the film's legacy, teasing exciting crossover potential for future installments.Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

In this episode of Left of the Projector, I analyze Ken Loach's 2006 film, The Wind That Shakes the Barley, which portrays the harsh realities of the Irish Civil War and its implications on contemporary global struggles. Joined by Jeremy and Justin from Proles Pod, we discuss the film's anti-imperialist narrative and how key dialogues reflect on historical and modern conflicts. We explore character motivations, particularly Damien’s inner conflict between personal ambition and revolutionary duty, and draw parallels to current socio-political issues. Our conversation also covers the film’s impacting visual and auditory elements, alongside its depiction of nationalism versus socialism within Ireland. As we reflect on the legacies of colonialism and the quest for justice, I encourage listeners to engage with the film's profound exploration of resistance and the ongoing costs of liberation.Proles Podhttps://www.patreon.com/c/ProlesPod/homehttps://x.com/ProlesPodhttps://www.instagram.com/prolespod/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector

This week we take a little break from Andrei Tarkovsky and are covering two films by Luis Bunuel.Amanda Joy Moon:⁠⁠Instagram: https://www.instagram.com/amandajoymoon/ ⁠Etsy: https://www.etsy.com/shop/riotgrrrlprintz/?etsrc=sdt ⁠⁠TikTok⁠⁠: https://tiktok.com/@amandajoymoonRevLeft:https://www.revolutionaryleftradio.com/https://www.revolutionaryleftradio.com/guerrilla-historyhttps://www.revolutionaryleftradio.com/#/redmenace/Left of the Projector Linkshttps://www.patreon.com/LeftoftheProjectorPodhttps://boxd.it/5T9O1https://leftoftheprojectorpod.threadless.com/https://leftoftheprojector.comhttps://instagram.com/leftoftheprojectorhttp://tiktok.com/@leftoftheprojectorpodhttps://www.threads.net/@leftoftheprojector