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Lost And Sound

Author: Paul Hanford

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Lost and Sound is a podcast exploring the most exciting and innovative voices in underground, electronic, and leftfield music worldwide. Hosted by Berlin-based writer Paul Hanford, each episode features in-depth, free-flowing conversations with artists, producers, and pioneers who push music forward in their own unique way.


From legendary innovators to emerging mavericks, Paul dives into the intersection of music, creativity, and life, uncovering deep insights into the artistic process. His relaxed, open-ended approach allows guests to express themselves fully, offering an intimate perspective on the minds shaping contemporary sound.


Originally launched with support from Arts Council England, Lost and Sound has featured groundbreaking artists including Suzanne Ciani, Peaches, Laurent Garnier, Chilly Gonzales, Sleaford Mods, Nightmares On Wax, Graham Coxon, Saint Etienne, Ellen Allien, A Guy Called Gerald, Jean Michel Jarre, Liars, Blixa Bargeld, Hania Rani, Roman Flügel, Róisín Murphy, Jim O’Rourke, Yann Tiersen, Thurston Moore, Lias Saoudi (Fat White Family), Caterina Barbieri, Rudy Tambala (A.R. Kane), more eaze, Tesfa Williams, Slikback, NikNak, and Alva Noto.


Paul Hanford is a writer, broadcaster, and storyteller whose work bridges music, culture, and human connection. His debut book, Coming to Berlin, is available in all good bookshops. 


Lost and Sound is for listeners passionate about electronic music, experimental sound, and the people redefining what music can be.


206 Episodes
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Music can be wildly intricate and still sound like the most natural thing in the world. That is the sweet spot Brooklyn-based songwriter, multi-instrumentalist, producer and curator Taja Cheek, better known as L’Rain, hits. This genre defiance reaches a new high on her fourth album Fata Morgana. We get into the uncomfortable backdrop that sits behind making any art right now, and how a record can be “about the world” through the experience of living through it. Taja shares why her process i...
Lee “Scratch” Perry reshaped how people think about the recording studio. So when I heard that his final official album project came out of a three-day session in Berlin with legendary electronic duo Mouse on Mars, I headed over to Kreuzberg to talk to Jan St. Werner and Andi Toma to find out what happened. The duo have worked with everyone from Bon Iver to Stereolab to Mark E. Smith, made classic leftfield records like Niun Niggung, Idiology and Dimensional People and have always approached ...
Visible Cloaks’ music has long occupied a space between the natural and the synthetic: sounds that can feel tactile, architectural, intimate and slightly impossible all at once. With the release of Paradessence — the project’s first full-length album in nine years — I spoke with The Cloak’s Spencer Doran for a wide-ranging conversation about process, perception and the increasingly complicated act of listening. Spencer talks about the strange malleability of recorded sound; about mixing as an...
Twenty-five years is a long time to stay ahead in electronic music, especially considering how quickly genres mutate and scenes evolve and collapse. So I sat down with North Carolina-born beatmaker Travis Stewart, better known as the inimitable Machinedrum, to ask what his secret is. Across records like Room(s), Vapor City and now the new mini-album BL00MS, Stewart has melded influences like jungle, footwork, UK bass, ambient, juke, techno, hip-hop and R&B into his own distinctive sound, ...
Tiga

Tiga

2026-03-3152:41

He’s a one-person portal into rave history: childhood mornings at Goa beach parties, teenage years in Montreal throwing Canada’s first proper rave, a run of records that helped define the electroclash era and collabs with everyone from Hudson Mohawke to FCUKERS. I sat down with Tiga to follow that thread from cassettes and sunrise dancing to global club circuits and a new album that’s unapologetically his. We talk about what it meant when house and techno first landed like a cultural shock ...
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