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Radio component of non-profit and artists-run gallery Entrée (est.2009), located in Bergen, Norway. Entrée Radio is home to Ludo Sounds, an ongoing podcast series that focuses on female contemporary sound artists, composers and technicians through interviews, discussions and features of new works.
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'Branches' is a suite for recorders—tenor, alto, soprano, and sopranino—in five short movements. It was composed for the opening of Lina Viste Grønli’s exhibition 'Nye skulpturer' at Entrée, and the music responds to the work in that show: The sculptures are assemblages of branches and chewing gum that resemble wooden flutes, hence the recorders. In addition, the opening notes in the first movement are based upon the word ‘branch’ (in which, happily, the name ‘Bach’ is nested), and almost all of the pitch material in the rest of the piece is derived—branches out—from this opening figure. /Peter Child
Peter Child is a composer and Professor of Music at
Massachusetts Institute of Technology in Cambridge,
Massachusetts, USA.
The piece is performed by Patricia Michlits.
Recorded by Arve Stigen/Duper Studio.
Cara Stewart & Cammisa Buerhaus, Supply Chamber, 2015
A piece installed at the JIMEI X ARLES INTERNATIONAL PHOTO FESTIVAL curated by Thora Dolven Balke
On Thursday, April 12, 2018, Andrew Taggart and Chloe Lewis walked between three points in Bergen, Norway: From Entrée to Tag Team (which took approximately thirty-one minutes), from Tag Team to Palmera (thirty-nine minutes, give or take) and from Palmera to Entrée (a shorter walk of around twelve minutes). They recorded what they heard along the way: a soundcheck for an afternoon concert, jingling keys, and joggers’ feet on gravel, to name a few examples. Somewhere in the middle, they bought three 7-inch records from a small shop. They hadn’t heard the songs before, or heard of the musicians, but the records’ graphic paper sleeves, displaying shapes and lines in geometric configurations, looked a lot like walking paths, or winding routes on a map.
For their contribution to Orienteering, a group exhibition in public space produced by Entrée, Palmera, and Tag Team, Lewis & Taggart offer three soundscapes—one for each stretch of the walk connecting the three galleries—composed by blending their in-situ recordings with audio sampled from the vinyl singles.
On Thursday, April 12, 2018, Andrew Taggart and Chloe Lewis walked between three points in Bergen, Norway: From Entrée to Tag Team (which took approximately thirty-one minutes), from Tag Team to Palmera (thirty-nine minutes, give or take) and from Palmera to Entrée (a shorter walk of around twelve minutes). They recorded what they heard along the way: a soundcheck for an afternoon concert, jingling keys, and joggers’ feet on gravel, to name a few examples. Somewhere in the middle, they bought three 7-inch records from a small shop. They hadn’t heard the songs before, or heard of the musicians, but the records’ graphic paper sleeves, displaying shapes and lines in geometric configurations, looked a lot like walking paths, or winding routes on a map.
For their contribution to Orienteering, a group exhibition in public space produced by Entrée, Palmera, and Tag Team, Lewis & Taggart offer three soundscapes—one for each stretch of the walk connecting the three galleries—composed by blending their in-situ recordings with audio sampled from the vinyl singles.
On Thursday, April 12, 2018, Andrew Taggart and Chloe Lewis walked between three points in Bergen, Norway: From Entrée to Tag Team (which took approximately thirty-one minutes), from Tag Team to Palmera (thirty-nine minutes, give or take) and from Palmera to Entrée (a shorter walk of around twelve minutes). They recorded what they heard along the way: a soundcheck for an afternoon concert, jingling keys, and joggers’ feet on gravel, to name a few examples. Somewhere in the middle, they bought three 7-inch records from a small shop. They hadn’t heard the songs before, or heard of the musicians, but the records’ graphic paper sleeves, displaying shapes and lines in geometric configurations, looked a lot like walking paths, or winding routes on a map.
For their contribution to Orienteering, a group exhibition in public space produced by Entrée, Palmera, and Tag Team, Lewis & Taggart offer three soundscapes—one for each stretch of the walk connecting the three galleries—composed by blending their in-situ recordings with audio sampled from the vinyl singles.
On Thursday, April 12, 2018, Andrew Taggart and Chloe Lewis walked between three points in Bergen, Norway: From Entrée to Tag Team (which took approximately thirty-one minutes), from Tag Team to Palmera (thirty-nine minutes, give or take) and from Palmera to Entrée (a shorter walk of around twelve minutes). They recorded what they heard along the way: a soundcheck for an afternoon concert, jingling keys, and joggers’ feet on gravel, to name a few examples. Somewhere in the middle, they bought three 7-inch records from a small shop. They hadn’t heard the songs before, or heard of the musicians, but the records’ graphic paper sleeves, displaying shapes and lines in geometric configurations, looked a lot like walking paths, or winding routes on a map.
For their contribution to Orienteering, a group exhibition in public space produced by Entrée, Palmera, and Tag Team, Lewis & Taggart offer three soundscapes—one for each stretch of the walk connecting the three galleries—composed by blending their in-situ recordings with audio sampled from the vinyl singles.
On Thursday, April 12, 2018, Andrew Taggart and Chloe Lewis walked between three points in Bergen, Norway: From Entrée to Tag Team (which took approximately thirty-one minutes), from Tag Team to Palmera (thirty-nine minutes, give or take) and from Palmera to Entrée (a shorter walk of around twelve minutes). They recorded what they heard along the way: a soundcheck for an afternoon concert, jingling keys, and joggers’ feet on gravel, to name a few examples. Somewhere in the middle, they bought three 7-inch records from a small shop. They hadn’t heard the songs before, or heard of the musicians, but the records’ graphic paper sleeves, displaying shapes and lines in geometric configurations, looked a lot like walking paths, or winding routes on a map.
For their contribution to Orienteering, a group exhibition in public space produced by Entrée, Palmera, and Tag Team, Lewis & Taggart offer three soundscapes—one for each stretch of the walk connecting the three galleries—composed by blending their in-situ recordings with audio sampled from the vinyl singles.
On Thursday, April 12, 2018, Andrew Taggart and Chloe Lewis walked between three points in Bergen, Norway: From Entrée to Tag Team (which took approximately thirty-one minutes), from Tag Team to Palmera (thirty-nine minutes, give or take) and from Palmera to Entrée (a shorter walk of around twelve minutes). They recorded what they heard along the way: a soundcheck for an afternoon concert, jingling keys, and joggers’ feet on gravel, to name a few examples. Somewhere in the middle, they bought three 7-inch records from a small shop. They hadn’t heard the songs before, or heard of the musicians, but the records’ graphic paper sleeves, displaying shapes and lines in geometric configurations, looked a lot like walking paths, or winding routes on a map.
For their contribution to Orienteering, a group exhibition in public space produced by Entrée, Palmera, and Tag Team, Lewis & Taggart offer three soundscapes—one for each stretch of the walk connecting the three galleries—composed by blending their in-situ recordings with audio sampled from the vinyl singles.
On Thursday, April 12, 2018, Andrew Taggart and Chloe Lewis walked between three points in Bergen, Norway: From Entrée to Tag Team (which took approximately thirty-one minutes), from Tag Team to Palmera (thirty-nine minutes, give or take) and from Palmera to Entrée (a shorter walk of around twelve minutes). They recorded what they heard along the way: a soundcheck for an afternoon concert, jingling keys, and joggers’ feet on gravel, to name a few examples. Somewhere in the middle, they bought three 7-inch records from a small shop. They hadn’t heard the songs before, or heard of the musicians, but the records’ graphic paper sleeves, displaying shapes and lines in geometric configurations, looked a lot like walking paths, or winding routes on a map.
For their contribution to Orienteering, a group exhibition in public space produced by Entrée, Palmera, and Tag Team, Lewis & Taggart offer three soundscapes—one for each stretch of the walk connecting the three galleries—composed by blending their in-situ recordings with audio sampled from the vinyl singles.
On Thursday, April 12, 2018, Andrew Taggart and Chloe Lewis walked between three points in Bergen, Norway: From Entrée to Tag Team (which took approximately thirty-one minutes), from Tag Team to Palmera (thirty-nine minutes, give or take) and from Palmera to Entrée (a shorter walk of around twelve minutes). They recorded what they heard along the way: a soundcheck for an afternoon concert, jingling keys, and joggers’ feet on gravel, to name a few examples. Somewhere in the middle, they bought three 7-inch records from a small shop. They hadn’t heard the songs before, or heard of the musicians, but the records’ graphic paper sleeves, displaying shapes and lines in geometric configurations, looked a lot like walking paths, or winding routes on a map.
For their contribution to Orienteering, a group exhibition in public space produced by Entrée, Palmera, and Tag Team, Lewis & Taggart offer three soundscapes—one for each stretch of the walk connecting the three galleries—composed by blending their in-situ recordings with audio sampled from the vinyl singles.
On Thursday, April 12, 2018, Andrew Taggart and Chloe Lewis walked between three points in Bergen, Norway: From Entrée to Tag Team (which took approximately thirty-one minutes), from Tag Team to Palmera (thirty-nine minutes, give or take) and from Palmera to Entrée (a shorter walk of around twelve minutes). They recorded what they heard along the way: a soundcheck for an afternoon concert, jingling keys, and joggers’ feet on gravel, to name a few examples. Somewhere in the middle, they bought three 7-inch records from a small shop. They hadn’t heard the songs before, or heard of the musicians, but the records’ graphic paper sleeves, displaying shapes and lines in geometric configurations, looked a lot like walking paths, or winding routes on a map.
For their contribution to Orienteering, a group exhibition in public space produced by Entrée, Palmera, and Tag Team, Lewis & Taggart offer three soundscapes—one for each stretch of the walk connecting the three galleries—composed by blending their in-situ recordings with audio sampled from the vinyl singles.
On Thursday, April 12, 2018, Andrew Taggart and Chloe Lewis walked between three points in Bergen, Norway: From Entrée to Tag Team (which took approximately thirty-one minutes), from Tag Team to Palmera (thirty-nine minutes, give or take) and from Palmera to Entrée (a shorter walk of around twelve minutes). They recorded what they heard along the way: a soundcheck for an afternoon concert, jingling keys, and joggers’ feet on gravel, to name a few examples. Somewhere in the middle, they bought three 7-inch records from a small shop. They hadn’t heard the songs before, or heard of the musicians, but the records’ graphic paper sleeves, displaying shapes and lines in geometric configurations, looked a lot like walking paths, or winding routes on a map.
For their contribution to Orienteering, a group exhibition in public space produced by Entrée, Palmera, and Tag Team, Lewis & Taggart offer three soundscapes—one for each stretch of the walk connecting the three galleries—composed by blending their in-situ recordings with audio sampled from the vinyl singles.
On Thursday, April 12, 2018, Andrew Taggart and Chloe Lewis walked between three points in Bergen, Norway: From Entrée to Tag Team (which took approximately thirty-one minutes), from Tag Team to Palmera (thirty-nine minutes, give or take) and from Palmera to Entrée (a shorter walk of around twelve minutes). They recorded what they heard along the way: a soundcheck for an afternoon concert, jingling keys, and joggers’ feet on gravel, to name a few examples. Somewhere in the middle, they bought three 7-inch records from a small shop. They hadn’t heard the songs before, or heard of the musicians, but the records’ graphic paper sleeves, displaying shapes and lines in geometric configurations, looked a lot like walking paths, or winding routes on a map.
For their contribution to Orienteering, a group exhibition in public space produced by Entrée, Palmera, and Tag Team, Lewis & Taggart offer three soundscapes—one for each stretch of the walk connecting the three galleries—composed by blending their in-situ recordings with audio sampled from the vinyl singles.
On Thursday, April 12, 2018, Andrew Taggart and Chloe Lewis walked between three points in Bergen, Norway: From Entrée to Tag Team (which took approximately thirty-one minutes), from Tag Team to Palmera (thirty-nine minutes, give or take) and from Palmera to Entrée (a shorter walk of around twelve minutes). They recorded what they heard along the way: a soundcheck for an afternoon concert, jingling keys, and joggers’ feet on gravel, to name a few examples. Somewhere in the middle, they bought three 7-inch records from a small shop. They hadn’t heard the songs before, or heard of the musicians, but the records’ graphic paper sleeves, displaying shapes and lines in geometric configurations, looked a lot like walking paths, or winding routes on a map.
For their contribution to "Orientering", a group exhibition in public space produced by Entrée, Palmera, and Tag Team, Lewis & Taggart offer three soundscapes—one for each stretch of the walk connecting the three galleries—composed by blending their in-situ recordings with audio sampled from the vinyl singles.
Conversation between our exhibiting artist Pedro Gómez-Egaña and artist Mathijs van Geest recorded live Upstairs at Bergen Kunsthall Sunday May 21st 2017 about Gómez-Egaña's exhibition 'Pleasure' currently on view at Entrée Gallery.
Read more about it on our webpage entreebergen.no
We invite you to listen in on a conversation between exhibiting artist Andrew Amorim and invited guest artist and writer Mitch Speed. The conversation took place in Entrée's New York satellite with Independent in Harlem on Saturday April 22nd, 2017. Read more about it on our webpage entreebergen.no
Saturday March 4th, 4pm, 2017
We invite you to listen in on a conversation between exhibiting artist Ane Graff and invited guest, curator Alex Klein from ICA Philadelphia. The talk took place in Independent's Gallery Residency at 2037 Fifth Avenue, New York, where Entrée is temporarily located Feb-April, 2017.
Read more about it on our webpage entreebergen.no
In our third episode in this series, we feature artists Stine Janvin Motland, Kususm Normoyle and Mette Rasmussen in a live recording from Bergen Kunsthall. Combining a panel discussion and live performances, this episode explores how the artists find and continue to search for their sound, the use of the body to create these sounds, the materiality of sound, and the nature of collaboration.
The episode is presented in the playlist below where you will also find full recordings of the evening's performances—Stine Janvin Motland's presentation of Fake Synthetic Music, an exercise imitating an electronic instrument, and Kusum Normoyle and Mette Rasmussen's premiere improvisational performance, a culmination showcasing their two week journey through the Norwegian landscape.
This live recording from Australian noise and installation artist Kusum Normoyle together with experimental saxophonist Mette Rasmussen, is a culminating event to their collaborative project which recently took them through Norwegian landscapes where they performed a series of improvisations by fjords, waterfalls and atop mountain ranges.
This was recorded at Landmark, Bergen on the 10th August, 2016
'Fake Synthetic Music' is Motland's new project: an anti-glorification of the voice—a technical exercise and game that challenges the perception between the fake and real.
Approaching the intimate and human aspects of the voice, this work presents a minimal and insisting imitation of synthetic sequences inspired by early electronic music and the deconstructed rave.
This performance was recorded live at Landmark, 10th August, 2016.
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