Claim OwnershipMicah's K-Spot
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From the channel that brought you blunt, unapologetic reactions — this podcast is the unfiltered extension of my youtube channel Micah's K-spot. Expect deeper dives into the music, fandoms, industry mess, and occasionally… completely random tangents. If you're here for honest opinions, chaos, and cultural commentary with a K-pop twist, you’re in the right place. New episodes weekly.
22 Episodes
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At what point does it make sense for an artist to step off the stage? In this episode, I’m diving into the tricky balance between knowing when to call it quits and what life can look like after idolhood. From Blackpink, BoA, and TVXQ to legends like Tina Turner, Beyoncé. I’m asking what can you do AFTER all the fun?
What comes next? Maybe it’s touring on your own terms, maybe it’s mentoring, maybe it’s exploring an entirely new arena or breaking the moulds of the typical idol standards/routines. Even groups like BTS make me wonder, would one final comeback be enough, and is that actually healthier for the industry so new acts can carve out their own space?
I’ll share why we should be more leaving parties a little earlier, endings and how they don’t have to mean failure but instead legacy, freedom, and a whole new chapter.
This is my final episode until September 28th!
Cos you lot are doing too much and I don't like it.
Dishonesty hidden behind meaningless jargon you can't back up is NOT cute. It's way too early to be definitive in your judgements of these girls based on the material which makes me question WHY you'd rank someone highly when they haven't shown that skill.
What's driving your bias?
YEARS of speculation and conspiracies, now I'm going to add in some of mine haha.
I hope one day we get answers and some closure because as a fan of these iconic 9 women, I still think day to day, what could've been? What went wrong? Who voted Jessica out? What the issue at heart?
Happy 18th!
I've said what I needed to say now we can lay it to rest.
In this episode, I unpack the debut of “Xnghan & Xoul”, Seunghan’s long-anticipated return to the spotlight. After months of silence, controversy, and shifting narratives, how does his first step as a soloist land? We dive into the sound, visuals, lyrics, and the statement it sends. Was it worth the wait?
Let’s talk artistry, public perception, and what this debut means for Seunghanniee and the ones who waited so long for his return.
New to K-pop or just confused by the layers of fan lingo, idol hierarchies, and viral choreography? In this episode, I break down AS MUCH as I can from sunbaes and maknaes to music shows, trainee life, and more.
Whether you’re a casual listener or a confused friend of one, this crash course unpacks a bit about the wild, fascinating world of Korea’s most powerful cultural force.
After months of holding off, I finally sat down with RIIZE’s debut project ‘Odyssey’ on my channel. In this episode, I unpack the group’s musical choices or lack thereof and explore why their identity feels uncertain. Is this a group still finding their sound, or is something deeper missing?
Is the 5th gen of K-pop truly lacking or are we just caught in the golden glow of nostalgia? In this episode, I explore the love for 2nd and 3rd gen idols shapes our expectations for newer acts AND stops us from finding joy in the moment.
From fan culture and music styles to performance trends and emotional connection, let’s break down why the past feels so powerful… and whether the present deserves more credit.
Although what started it all for me was a NON K-pop group lol I think discussing shipping without bringing them up just wouldn't cover it all!
Very excited to hear your thoughts on this topic too!
It's only as I'm posting this now I realised I didn't mention charts once LOOOL. I personally believe it's a mostly irrelevant measurement to a successful solo career because numbers do not mean everything, but your messaging and intention does.
Also everyone discussed in this video is insanely successful already so their numbers are bound to do well but here we're looking at whether they managed to do something true to their identity or were just given songs anyone could sing and how fans can perceive this as a failure in establishing a good solo career.
Many wanted to know what it was like for me to see my favourite artists live. It was surreal to say the least!
What actually makes a K-pop vocalist good? In this episode, I break down the vocal technique markers I personally use when listening to idols, from tone quality and larynx positioning to phrasing and delivery. Whether you're tired of the “support = talent” myth or just want to understand WHY some voices hit harder than others, this is the deep-dive you’ve been waiting for.
I’m not here to rank, I’m here to decode. Let’s talk nuance, let’s talk execution, and most of all, let’s talk sound.
ARGH It was going so WELL!
Watching their training journey and seeing the range, personality, and raw talent these girls have, it built real anticipation. But to go from that to hearing them debut with underwhelming, generic songs that don’t reflect their capabilities? Honestly, it’s been rough.
Still, I’m not losing hope. ‘GNARLY’ proved that when they’re given the right material, they can be electric. All I want now is for KATSEYE to get songs written for them! Songs that reflect their identity, showcase their vocals, and embrace the boldness they’ve already proven they can pull off. They deserve that. And frankly, so do we.
Let go off the pearls you're clutching for the moment and consider some of these points.
This topic has bugged me for a MINUTE and though I've discussed it on discord before it was due a deep dive because I'm sick of people projecting their fears onto kids whose dreams and aspirations are just as valid as an adults because newsflash, exploitation doesn't magically stop as an adult either so ... should they not work todays the careers they wish for?
This reminds me of conservatives only caring about foetuses or embryo's but then not giving a shit once the child is here. You either care about exploitation all the way round or you're trying to be controlling but guising it as control cos the adults aren't fairing much better.
Possibly there's envy for the fact that younger kids have an opportunity to learn and train in a way that is not easily accessible.
AESPA didn’t always feel cohesive — from polarizing opinions on their performances in their rookie era to questions regarding their AI concept. But now they radiate icon energy with a brand and sound that feel untouchable. In this episode, we break down how smart A&R and focused branding helped transform AESPA into the blueprint for modern girl groups.
PSA- DO NOT use how I feel to invalidate other black people who feel how they feel. Thanks :)
*Note: Teddy Park did NOT actually produce "Batter Up" that was my mistake however him having a similar sonic formula for Meovv says a lot.*
In this episode, I'm briefly unpacking the backlash and obsession surrounding TARZZAN, ALLDAYPROJECT, and expanding on my feelings regarding YG Entertainment Teddy and The Black Label. Why do fans react the way they do? What’s behind the hate — and what are our TRUE intentions behind the dragging?
Most of my takes may be unpopular opinions but that's how I feel which doesn't take away from how you should feel!
Let's talk about the realities of it and how it was getting started as a creator and things I discovered along the way and some of the good things and frustrations about being so visible online.
This week I'm letting you all know how I got in to this genre that has changed my life in EVERY way!
I also share some of of the songs that played a huge part in this journey I am still on and is only getting better by the day!
In this episode I get into where I stand on the effects of globalization essentially and how influential these African genres are in a market that doesn't always credit where the music comes from whilst also at times discriminating against people of African descent.
Is it all negative if black producers/choreographers are also finding work and opportunities via this channel?
In this episode I briefly summarize ITZY's history and try and pin point where things went wrong for a group that literally BURST onto the scene in 2019!
I wanted to wait for the latest album to drop first to see where I stood and IF they would do things differently ... in some ways they did and in some ways we still have some of the same issues.
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