Mickey-Jo Theatre Reviews

One of this summer's most anticipated musical revivals is the brand new production of Kiss Me, Kate at the Barbican Centre in London. The revival, which has been directed by Bartlett Sher stars Stephanie J Block and Adrian Dunbar as well as Charlie Stemp and Georgina Onuorah. Check out the review to find out what Mickey-Jo thought of the production, the Cole Porter score and the performances… • 00:00 | introduction 02:35 | synopsis / material 10:51 | this production 20:21 | performances • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

In this episode Mickey-Jo is discussing the new musical KATHY & STELLA SOLVE A MURDER which he first saw at the Edinburgh Fringe Festival in 2022. The show stars Bronté Barbé and Rebekah Hinds as best friends and true crime podcast hosts Kathy and Stella who find themselves unexpectedly embroiled in a real life murder. Check out Mickey-Jo's thoughts on this latest iteration of the show, its new supporting cast and its murderous material... • 00:00 | introduction 03:04 | synopsis / material 08:09 | this production 20:09 | performances 30:17 | who should see this? • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

A year after Mickey-Jo saw the show's workshop presentation, BABIES finally had a world premiere, fully staged production, which opened last week at the Other Palace Theatre in London. The show, which is written by Martha Geelan and Jack Godfrey, was developed with BYMT and follows a group of 9 year 11 students who have to take care of baby simulators. Check out the new review to find out why Mickey-Jo loves this show so much and who should check it out in the next month... • 00:00 | introduction 02:48 | history / synopsis 12:34 | this production 22:13 | performances • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Earlier this year Mickey-Jo travelled to New York to see upwards of 20 Broadway and Off-Broadway Shows and during that trip he snagged a pair of rush tickets to see the transfer of the hit new play STEREOPHONIC. The play, written by David Adjmi and directed by Daniel Aukin, had an acclaimed off-Broadway run and is now playing at the Golden Theatre, where it has been nominated for a record number of Tony Awards. Check out this new review to find out why this just might be Mickey-Jo's new favourite show on Broadway right now... • 00:00 | introduction 02:15 | synopsis / material 10:07 | cast + creatives • • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

After missing its initial run, Mickey-Jo was thrilled when PEOPLE, PLACES & THINGS announced a West End return, giving him the chance to finally see it earlier this month. The piece, which focuses on addiction and recovery, is written by Duncan Macmillan and centres on the award winning performance of Denise Gough. It was originally staged at the National Theatre before transferring to the Wyndham's Theatre in London's West End and has now returned at the Trafalgar Theatre. Check out the new review for what Mickey-Jo thought of this play's writing, creative choices and performances... • 00:00 | introduction 03:23 | the writing 13:29 | the creative choices 16:19 | the performances 22:26 | who should see this? • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

One of this year's Tony Award nominated musicals revivals is THE WHO'S TOMMY, currently being performed at the Nederlander Theatre on Broadway The show is the stage version of the iconic rock opera from The Who and was co-created by director Des McAnuff. Check out the new review to find out what Mickey-Jo thought of this revival when he saw it recently in New York City... • 00:00 | introduction 02:35 | history / synopsis 12:47 | creative choices 20:46 | performances • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

One of the hottest theatre tickets this summer in the West End is Jamie Lloyd's new production of ROMEO & JULIET starring Tom Holland and Francesca Amewudah-Rivers. This new production of the William Shakespeare tragedy has just opened at the Duke of York’s Theatre in London. In this new review Mickey-Jo shares his thoughts about whether or not the bold creative choices that made Sunset Boulevard an acclaimed, award-winning smash hit, are as effective here... • 00:00 | introduction 04:52 | history / context 11:45 | this production 21:10 | the biggest problems 30:10 | disappointing moments 36:35 | the performances 45:11 | will people like it? • get live stream tickets to see MickeyJoTheatre LIVE on 26th May: https://phoenixartsclub.com/events/mickeyjotheatre-live/ • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Mickey-Jo was recently invited to review one of this summer's hottest theatre tickets: SPIRITED AWAY at the London Coliseum in the West End. The stage show, which is an adaptation of the hugely successful Studio Ghibli film, arrives in London having first been produced in Japan. Check out the new review to find out what Mickey-Jo thought of this show as a fan of the animation and how it compares with London's last award-winning Ghibli stage adaptation, My Neighbour Totoro... • 00:00 | introduction 03:19 | history / synopsis 10:32 | how does it work on stage? 27:11 | performances • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Earlier this month Mickey-Jo caught PIPPIN in concert at the Theatre Royal Drury Lane in the West End. The show, which was originally directed by Bob Fosse, features a score by Stephen Schwartz and a book by Roger O. Hirson. In celebration of the musical's 50th anniversary, the concert starred Alex Newell (Shucked, Once on This Island) and Jac Yarrow (Joseph and the Amazing Technicolor Dreamcoat) as well as Lucie Jones (Waitress, Wicked), Zizi Strallen (Mary Poppins), Cedric Neal (Guys and Dolls), Patricia Hodge (Miranda, Private Lives) and more. Check out the brand new review to find out why this extraordinary concert production took Mickey-Jo by surprise... • 00:00 | introduction 02:38 | history / synopsis 09:19 | how was the concert? 17:05 | highlight moments 21:21 | performances • • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

After seeing the show off-West End at the Kiln Theatre, Mickey-Jo was delighted to finally catch the new musical 'Two Strangers (Carry a Cake across New York)' at the Criterion Theatre in London's West End recently. The show, which is a romantic comedy written by Jim Barne and Kit Buchan, stars Dujonna Gift (Hamilton) and Sam Tutty (Dear Evan Hansen), with direction by Tim Jackson. Check out the new review for Mickey-Jo's thoughts on the show, its pair of leading performers and who definitely needs to see it... • 00:00 | introduction 02:13 | history / synopsis 08:04 | creative choices 13:22 | performances 20:26 | recommendation • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

One of the shows Mickey-Jo recently saw during his recent two week trip to New York was SUFFS, the brand new Musical currently playing at the Music Box Theatre on Broadway. This is Mickey-Jo's ★★★★★ review of the musical. Suffs, the six-time Tony Award-nominated musical from Shaina Taub about the lives and legacies of unsung changemakers in the women’s suffrage movement of 1920, is marching onto Broadway with producers Hillary Rodham Clinton and Malala Yousafzai. Just about century ago, the Nineteenth Amendment secured the voting rights of some women, largely thanks to key figures of the women’s suffrage movement: Inez Milholland, Ida B. Wells, and Alice Paul, to name a few. However, this movement was not without its faults. With an honest, 21st-century lens, the Suffs musical examines both the crucial building blocks and the cracks in the foundation of the women’s suffrage movement through the women that pioneered it. With a book and score by fast-rising composer Shaina Taub (also known for collaborating with Elton John on The Devil Wears Prada musical), Suffs off Broadway brings forth an exciting new voice in musical theatre. Taub now makes her Broadway debut after winning the 2014 recipient of the esteemed Jonathan Larson Award and earning acclaim with her work composing and starring in the Public’s Twelfth Night and As You Like It musical adaptations. Tony Award nominee and two-time Obie Award winner Leigh Silverman (Violet) directs Suffs on Broadway. Alongside Taub in the cast is Tony Award winner Nikki M. James as Ida B. Wells, Tony Award nominee Jenn Colella as Carrie Chapman Catt, Grace McLean as President Woodrow Wilson, Hannah Cruz as Inez Milholland, Kim Blanck as Ruza Wenclawska, Anastacia McCleskey as Mary Church Terrell, Ally Bonino as Lucy Burns, Tsilala Brock as Dudley Malone, Nadia Dandashi as Doris Stevens, and Tony Award nominee Emily Skinner as Alva Belmont/Phoebe Burn. Rounding out the company are Hawley Gould as the Alternate for Alice Paul, Jaygee Macapugay as Mollie Hay, and Laila Drew as Phyllis Terrell/Robin. The ensemble will feature Dana Costello as well as Jenna Bainbridge, Monica Tulia Ramirez, and Ada Westfall making their Broadway debuts. The cast will also include Christine Heesun Hwang, Kirsten Scott , Housso Semon , and D'Kaylah Unique Whitley. • 00:00 | introduction 02:14 | overview / synopsis 07:02 | the material 15:38 | performances • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

One of this year's most Tony Award nominated new musicals (with 12 nominations) is THE OUTSIDERS, the new musical adaptation of The S.E Hinton Novel currently playing at Broadway's Jacobs Theatre. Here is his ★★★ review on the musical. The Outsiders is a 12-time Tony Award-nominated musical adaptation of the groundbreaking novel by S. E. Hinton and film by Francis Ford Coppola. The cast features Brody Grant as "Ponyboy," Sky Lakota-Lynch as "Johnny," Daniel Marconi as "Randy," Kevin William Paul as "Bob," Brent Comer as "Paul," Ryan Vasquez as "Darrel," Da'Von T. Moody as "Dallas," Jason Schmidt as "Sodapop," Trevor McGhie as "Two-Bit," Piper Patterson as "Cherry," and Kiki Lemieux as "Marcia." Tulsa, Oklahoma. Two teenage gangs sustain a rivalry: the well-to-do "Socs" (short for "socials") and the ne'er-do-well "greasers." The greasers, including the iconic characters of Ponyboy Curtis and Johnny Cade, have an often rocky brotherhood, but in a society that's all but abandoned them, it's all they have. The Outsiders musical tells a timeless coming-of-age story about finding hope and connection in a rough world. Hinton published her novel in 1967, the same year the show is set and three years after she started writing the novel while still in high school herself. The Outsiders book and its subsequent 1983 film adaptation remain groundbreaking for their naturalistic, unsanitized portrayals of how teenagers talk and act and what happens when they're neglected. The film also launched the careers of then-new actors like Ralph Macchio, Rob Lowe, Emilio Estevez, Patrick Swayze, and Matt Dillon. The Outsiders Broadway musical features original songs by Justin Levine and the folk duo Jamestown Revival, composed of Jonathan Clay and Zach Chance. The book is by Tony-nominated playwright Adam Rapp, known for The Sound Inside, and Levine. • 00:00 | introduction 03:36 | overview / synopsis 07:16 | the material 13:59 | the highlights 17:21 | performances • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

As part of Mickey-Jo's trip to New York, he got to catch THE NOTEBOOK at the Schoenfeld Theatre, a new musical adaptation of the Nicholas Sparks novel. Check out his ★★★★ review for his thoughts on this emotive musical and where it lets the rain in a little... The three-time Tony Award-nominated musical The Notebook, one of the most cherished contemporary love stories, is on Broadway starring 2024 Tony nominees Dorian Harewood and Maryann Plunkett. The Notebook started as a 1995 bestselling novel by Nicholas Sparks, which was then adapted into a 2004 fan-favorite movie starring Academy Award nominees Rachel McAdams and Ryan Gosling. Now, Ingrid Michaelson sets the timeless story to music: the indie singer-songwriter contributes original music and lyrics that breathe new life into the story of lovers Noah and Allie. A Broadway alum, Michaelson appeared as Sonya in Natasha, Pierre and the Great Comet of 1812; now she returns as a first-time Broadway creative. In The Notebook on Broadway, an elderly man reads a romantic story to a female patient in a nursing home. The chapters that follow unlock a breathtaking love story, whisking the patient and the man back to their youth and providing the details that, as they age, will tragically connect them. Decades earlier, Allie and Noah were star-crossed lovers: Military drafts, family ties, and opposing classes all threatened to separate their love, but they have a once-in-a-lifetime relationship that endures for decades. Two Broadway powerhouses direct this new production, which premiered at Chicago Shakespeare Theatre. Michael Greif, a four-time Tony Award nominee for electric productions like Rent and Next to Normal, co-directs The Notebook musical alongside Schele Williams, who is directing the 2024 The Wiz revival. Also on the team is librettist Bekah Brunstetter, who earned three Emmy nominations writing for This Is Us. The cast includes Tony Award-winner Maryann Plunkett as Older Allie, Dorian Harewood as Older Noah, Joy Woods as Middle Allie, Ryan Vasquez as Middle Noah, Jordan Tyson as Younger Allie, John Cardoza as Younger Noah, Andréa Burns as Mother/Nurse Lori, and Carson Stewart as Johnny/Fin. Playing various roles are Yassmin Alers, Alex Benoit, Chase Del Rey, Hillary Fisher, Jerome Harmann-Hardeman, Dorcas Leung, Happy McPartlin, Juliette Ojeda, Kim Onah, Charles E. Wallace, and Charlie Webb. • 00:00 | introduction 02:20 | overview / synopsis 08:31 | the material 16:29 | casting approach 21:52 | performances • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Mickey-Jo shares his thoughts on the Broadway transfer of Cabaret and how it compares with the West End counterpart... The multi award-winning revival of the musical CABARET has just opened on Broadway. The show is led by Eddie Redmayne and Gayle Rankin as The Emcee and Sally Bowles and sees the August Wilson Theatre transformed into the Kit Kat Club, offering audiences a uniquely atmospheric experience. • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Last month, Mickey-Jo was lucky enough to attend the gala night of the new West End cast of CABARET, starring Cara Delevingne, Luke Treadaway and Michael Ahomka-Lindsay. Check out the new episode for Mickey-Jo's thoughts on what the production is like with these brand new stars... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

One year after seeing Disney's HERCULES on stage at Paper Mill Playhouse in New Jersey, Mickey-Jo flew to Hamburg, Germany to see the new production of the show. Produced by Stage Entertainment at Theater Neue Flora, the show has been directed by Tony Award winner Casey Nicholaw and features a score by Alan Menken and David Zippel. Check our Mickey-Jo's new review for his thoughts on how the show has progressed, what problems remain and what he thinks its future might look like... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Mickey-Jo loves to follow critical discourse in the theatre and one of the most polarising recent openings in the West End was a new musical called Opening Night, which opened last month at the Gielgud Theatre. The show, based on the 1977 John Cassavetes film of the same name, has been directed and conceived by Ivo Van Hove with an original score by Rufus Wainwright and Sheridan Smith starting in the leading role. After Mickey-Jo's 1* review, check out what some of London's most prominent critics and publications had to say about the show... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

Mickey-Jo recently attended the opening night of PRISCILLA THE PARTY!, a new immersive theatrical experience that brings the iconic story of Priscilla: Queen of the Desert to a bespoke nightclub setting at HERE at Outernet in London. Check out today's new review for some further explanation of how this show works as well as Mickey-Jo's thoughts on this production and its performances... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

MJ the Musical, which opened on Broadway in 2021, has recently opened at the Prince Edward Theatre in the West End. The show, which follows the composition of Michael Jackson's 'Dangerous' World tour stars Myles Frost, who reprises his Tony Award winning performance as the titular pop star. Check out today's new video review for Mickey-Jo's thoughts on this perhaps controversial musical... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre

This week saw the opening night of the West End's newest musical... OPENING NIGHT at London's Gielgud Theatre. The show, based on the 1977 film of the same name, has been directed and conceived by Ivo Van Hove with an original score by Rufus Wainwright and Sheridan Smith starting in the leading role. Check out Mickey-Jo's thoughts on this show in today's new video review... • About Mickey-Jo: As one of the leading voices in theatre criticism on a social platform, Mickey-Jo is pioneering a new medium for a dwindling field. His YouTube channel: ⁠⁠⁠⁠⁠⁠⁠MickeyJoTheatre⁠⁠⁠⁠⁠⁠⁠ is the largest worldwide in terms of dedicated theatre criticism, where he also share features, news and interviews as well as lifestyle content for over 60,000 subscribers. Since establishing himself as a theatre critic he has been able to work internationally. With a viewership that is largely split between the US and the UK he has been fortunate enough to be able to work with PR, Marketing, and Social Media representatives for shows both in New York, London, Hamburg, and Paris. He has also twice received accreditation from the world renowned Edinburgh Fringe Festival. His reviews and features have also been published by WhatsOnStage, for whom he was a panelist to help curate nominees for their 2023 and 2024 Awards as well as BroadwayWorldUK and LondonTheatre.co.uk. He has been invited to speak to private tour groups, at the BEAM 2023 new musical theatre conference at Oxford Playhouse, and on a panel of critics at an event for young people considering a career in the arts courtesy of Go Live Theatre Projects. Instagram/TikTok/X: @MickeyJoTheatre