This week, Bill and Stephanie drag Atlanta filmmaker Nicole Kemper into the delivery room to talk David Cronenberg’s The Brood (1979), a horror movie which doubles as the world’s worst sex-ed film. We’re talking cinematic birth control, belly-buttonless mutant murder children, slutty vintage men's bathrobes, and why men are absolutely terrified of the female body. Diversions include Oliver Reed's drunken shenanigans, an attempted cult kidnapping, the Canadian public's outrage over finding out their tax dollars were financing gorey art, and, of course, we read another Catholic review which completely disregards the artistic merits and possibilities of the horror genre. This is definitely an episode to listen to if you're still comtemplating bringing children into a violent world which is on fire. For us, the Brood proved to be far more effective than abstinence-only sex education. Check out our new Merch Store! We've got t-shirts, hats, tote bags and branded denim jackets! Follow us on our socials at Instagram and Tiktok. Check out Nicole Kemper at Critical Crop Top!
Mae West struts into the spotlight in I’m No Angel (1933), the pre-Code sensation that saved Paramount and scandalized the censors. Co-hosts Bill and Jess welcome Sara Shea of Shea Cinema to talk about Mae’s wit, sexuality, and the double entendres that made Catholic watchdogs sweat. Along the way we meet Joseph Breen and Will Hays, the moral gatekeepers who tried to rein her in, and discover how Cary Grant was launched into stardom with her assistance. From her Broadway scandal Sex (and a stint in jail) all the way to her campy swan song Sextette, we trace Mae’s career of outsmarting the men, proving why her comedy still feels dangerous today.
Bill and Cisco take a deep dive into The Pope’s Exorcist, the horror film where Russell Crowe channels his inner Super Mario Bro, and chews scenery as Father Gabriele Amorth, the wacky, self-proclaimed "Chief Exorcist" of the Vatican (he wasn't). We unpack the real Amorth’s history and his outrageous claims about what opens the door to demonic possession,- from Harry Potter books to yoga classes, from Freemasonry to the soothing music of Yanni. Along the way we compare the movie’s Hollywood exorcisms with the actual Catholic ritual, talk about the Church’s checks and balances within the practice of exorcism, critique the FACT that children and teens can be exorcised without their consent, and laugh at the over-the-top sequel setup that plays like the Pope (played by B-movie favorite Franco Nero) is putting together a ragtag team of supernatural warriors. It’s a mix of film criticism, Catholic weirdness, and irreverent comedy that only Morally Offensive could deliver.
The wounds of Christ. A chain-smoking atheist. Gabriel Byrne as a brooding Vatican investigator in designer black. Welcome back to Hot Priest Summer. This week on Morally Offensive, we’re going full incense-and-industrial as we revisit Stigmata; the aggressively 1999 Catholic horror film where Patricia Arquette becomes an accidental mystic and Gabriel Byrne has his faith (and sex drive) tested. It’s a heady mix of the Gospel of Thomas, the Nag Hammadi library, anti-clerical paranoia, and… Chumbawamba? We break down the film’s chaotic theology, its obsession with silenced gospels and Vatican coverups, and why so many ex-Catholics thought they were watching something dangerous. We also take a deeper look at the real history of stigmatics, from St. Francis of Assisi to Padre Pio, and dare to ask the question: Why was Padre Pio hoarding Carbolic acid? Featuring a Billy Corgan-curated soundtrack, strobe-lit nightclubs, exorcisms of non-demons, and 90s fashion choices we can’t unsee, Stigmata is a movie best enjoyed with your Catholic brain turned off, and your popcorn thoroughly buttered. Our guest this week is film teacher Christopher Hoppe, with co-hosting duties from Kevin of A24 On the Rocks. Support us through Libro.fm here. Check out our new Merch Store! We've got t-shirts, hats, tote bags and branded denim jackets! Follow us on our socials at Instagram and Tiktok. Check of A24 on the Rocks here.
Dogma looms large in the canon of Morally Offensive films, casting a long shadow over many millennial Catholics. For those of us who were teens when it premiered, Dogma felt like the ultimate “anti Catholic” movie we were warned about, crafted by ”satanic” filmmakers from Hollywood (never mind that Smith is from New Jersey). Written and directed by Kevin Smith, it sparked national outrage and became one of the most high profile targets of Bill Donohue and the Catholic League in their crusade against media, which they viewed as attacking the Church. Starring Ben Affleck, Matt Damon, Linda Fiorentino, Salma Hayek, Jason Lee, Alanis Morrisette, George Carlin, Chris Rock, Jason Mewes, Alan Rickman, and many others, Dogma is a comedic epic which has persisted, despite attacks from religious groups and attempts by Harvey Weinstein to suppress it's re-release. In this episode of the Morally Offensive podcast, Bill and Cisco are joined by comedian Ross Childs aka Crabman732 to revisit the controversy. Was Dogma truly as offensive as the Catholic League claimed, and does it hold up? Support us through Libro.fm here. Check out our new Merch Store! We've got t-shirts, hats, tote bags and branded denim jackets! Follow us on our socials at Instagram and Tiktok.
On this episode of Morally Offensive, Cisco takes a break, so Bill is joined by frequent guest and film presenter Stephanie Sack along with television producer and writer Ken Melvoin-Berg to dive headfirst into The Devils (1971), Ken Russell’s blasphemous, banned, and still shocking masterpiece. Based on Aldous Huxley’s The Devils of Loudun, this true story of sex, power, witch hunts, and moral panic in the Catholic Church proves that real life is often stranger, and in this case even more offensive, than fiction. The crew breaks down the history behind the Loudun possessions, digs into the background of filmmaker Ken Russell, and reads scathing “Condemned” reviews from outraged Catholic news sources. Tune in to find out why some are calling Morally Offensive the "podcast equivalent of a forced enema exorcism". Support us through Libro.fm here. Check out our new Merch Store! We've got t-shirts, hats, tote bags and branded denim jackets! Follow us on our socials at Instagram and Tiktok.
Jim Marcus (author, musician, and designer) joins us to dissect the controversy surrounding Cruising (1980), the William Friedkin thriller that pushed Al Pacino into New York’s underground leather scene. We explore the film’s legacy, the protests it sparked, and the moral outrage it provoked, including strong reactions from Catholic reviewers. We also discuss the film’s ongoing re-evaluation, its impact on queer visibility, and why it continues to divide audiences over 40 years later. Plus, Bill takes the Hanky Code Quiz. Check out and support Jim Marcus here: http://www.pulseblack.com/ Check out our new Merch Store! We've got t-shirts, hats, tote bags and branded denim jackets! Support us and local booksellers via Libro.fm here. Follow us on our socials at Instagram and Tiktok.
This week, we were slightly concerned that we would not have our Freddy Got Fingered Episode done in time, so we prepared a backup episode to buy us time to wrap it up. As it turned out, we were able to complete both, so our listeners get a double dose of Catholic guilt this week. In an early episode covering Barbara Stanwyck's iconic performance in Baby Face, we still thought our average show length should be about an hour and a half, so we removed a large chunk of the conversation with our guests. The more we sat on the "missing" parts of this episode, the more we realized that we were sitting on some pretty relatable and heart-felt content, that really needed to released into the wild. In this "lost" material, we dig into the way Catholics scare children and teens into compliance with fear of God and damnation, the problematic quackery that is abstinence-only "sex-ed", and Bill and his wife Kelly talk about that one time they saw a DIY exorcism at a Basilica. Also in this episode, we talk with ex-Catholic producer/director Dalila Droege about her Kickstarter campaign for her latest horror movie project, with directly ties in with the themes of this week's "missing episode". To learn more about Droege's film "Beauty Night", please check out her Kickstarter campaign here: https://www.kickstarter.com/projects/beautynight/beauty-night-a-horror-film-about-puberty Check out our new Merch Store! We've got t-shirts, hats, tote bags and branded denim jackets! Support us and local booksellers via Libro.fm here. Follow us on our socials at Instagram and Tiktok.
On this episode of Morally Offensive, Bill and Cisco dive headfirst into Freddy Got Fingered (2001), Tom Green’s aggressively unhinged film that might be the worst comedy of the 2000s, or a misunderstood absurdist masterpiece, according to some. Filled with horse semen, broken bones, and a wildly uncomfortable false molestation subplot, it was a critical disaster. Yet, it somehow features Rip Torn, an Oscar-nominated actor who fully commits to Green’s chaotic vision. With the release of Tom Green Country and a new stand-up special, we ask: is it time to rethink Green as a proto-absurdist innovator rather than just an MTV shock jock? We trace Green’s legacy from late-’90s shock humor to anti-comedy pioneer, clearing the path for the surreal chaos of Tim and Eric and The Eric Andre Show. The guys ask if Freddy belongs in the tradition of absurdist theater à la Ionesco and Beckett, the surrealist works of Bunuel, or if this is Tom Green using his blank check to self-sabotage his career in full public view. Either way, it’s one of the most deranged movies ever made, made with unique, original voice, and somehow, it might have changed comedy forever. Check out our new Merch Store! We've got t-shirts, hats, tote bags and branded denim jackets! Support us and local booksellers via Libro.fm here. Follow us on our socials at Instagram and Tiktok.
This week on Morally Offensive, Bill and Cisco are joined by Matt Harding of Severin Films to unpack Blood for Dracula, the 1974 cult horror film that’s part vampire flick, part Catholic fever dream, and weirdly anti-communist. Directed by Paul Morrissey (a devout Catholic and outspoken conservative) and presented by Andy Warhol, the film follows Count Dracula as he travels to Italy in search of a virgin bride, because, naturally, good Catholic girls are presumed to still be pure. We explore Morrissey's strange blend of conservative ideology and avant-garde aesthetics, his collaborations at The Factory, and his time managing the Velvet Underground and Nico. This episode dives into the film’s bizarre politics, its critique of socialism, and how Catholic values, exploitation cinema, and vampire lore collide in one of the strangest art-house horror movies ever made. Content Warning: This film includes disturbing content involving minors and sexual assault. Listener discretion is advised. Follow Severin FIlms here Check out our new Merch Store! We've got t-shirts, hats, tote bags and branded denim jackets! Support us and local booksellers via Libro.fm here. Follow us on our socials at Instagram and Tiktok.
On this episode of Morally Offensive, Bill and Cisco revisit the Y2K-era horror classic Final Destination (2000), the film that made audiences afraid to fly and introduced death as the ultimate slasher. Released just a year before 9/11 and a few years after the TWA Flight 800 disaster, its opening plane crash and creeping paranoia feel strangely prophetic in hindsight. The episode dives into horror, practical effects, the teen slasher boom, and turn-of-the-millennium anxieties. And yes, they talk about that one bathroom scene. 👕Check out our new Merch Store! We've got t-shirts, hats, tote bags and branded denim jackets! 📚Support us and local booksellers via Libro.fm here. 📲 Follow us on our socials at Instagram and Tiktok.
It’s all been building up to this. The Last Temptation of Christ is one of the most, if not the most, controversial films of the 1980s—and of Martin Scorsese’s career. Willem Dafoe plays Jesus, but this isn’t your grandmother’s technicolor epic Messiah. This Jesus wrestles with violence, lust, and self-doubt. Naturally, the film enraged many Christians. There were boycotts, bans, death threats against Scorsese, and even a terrorist bombing by Catholic Integralists. Cisco and Bill were too scared to go it alone—so they brought in fellow Detroit native Eric Kiska from A24 on the Rocks to ask: Is The Last Temptation of Christ a good film? Is it offensive to Christians—or to Jesus himself? Did people overreact? Tangents include: David Bowie’s worst haircut, Pasolini’s Gospel According to St. Matthew, Pope Gregory's lies about Mary Magdalene, and (you guessed it) another loaf of bread in cinema. 👕Check out our new Merch Store! We've got t-shirts, hats, tote bags and branded denim jackets! 📚Support us and local booksellers via Libro.fm here. 📲 Follow us on our socials at Instagram and Tiktok.
Easter falls on 4/20 this year, so the guys decided to push their Last Temptation of Christ episode back a couple of weeks, to make room for two other culturally important, long-haired dudes, who also fought against "the man". "Cheech and Chong's Last Movie" comes out on Easter this year, which falls on April 20th, appropriately, so we decided to go back to the beginning, by reviewing 1978's "Up in Smoke". Although it's pretty obvious why this one probably offended the Catholic Church, we both share our mutual stories of being Catholic and connecting to the movies and albums of Cheech Marin and Tommy Chong. Also, Bill makes Cisco take the "know your 70's drug slang" quiz. Check out our new Merch Store! To learn more about Libro.fm and support the podcast, check out our exclusive link here. Follow us on our socials at Instagram and Tiktok.
This was a rough one. Ben Affleck plays an autistic accountant, whose neurodivergent mind allows him to be a genius with numbers, and even better with a gun. Let's just say the guys had...takes on this movie. With The Accountant 2 coming to theatres on April 25th, it felt like the perfect time to revisit this film, and to ask "does this film actually warrant a sequel"? Bill and Cisco talk about autistic and neurodivergent representation in media, action movie tropes, what makes a good script, and debate whether or not U of C is where fun goes to die (or if it's really Kankakee, Illinois, (home of the Mazon Creek Formation). They also dig up early 90s, late Satanic Panic era Catholic writing on the "evils of New Age music" from one of Bill's favorite crazy Catholic bathroom books. Check out our new Merch Store! To learn more about Libro.fm and support the podcast, check out our exclusive link here. Follow us on our socials at Instagram and Tiktok.
Time to go deep deep down the Italian genre cinema rabbit hole, as the guys dig into Bill's birthday pick - a Mario Bava comic book adaptation and cult classic, which inspired everyone from Roman Coppola to the Beastie Boys. Diabolik is the world's greatest super-spy, and one of Italy's most famous comic book heroes. The guys talk Ennio Morricone, PVC vs. Leather bondage wear, Italian vs. English overdubs, and debate just how much Diabolik and Eva pay in property taxes on their secret lair. If you love Austin Powers, James Bond, Matt Helm, and comic book movies, you won't want to miss this wacky birthday episode. Check out our new Merch Store! To learn more about Libro.fm and support the podcast, check out our exclusive link here. Follow us on our socials at Instagram and Tiktok.
What made Kiss Me, Stupid (1964), a comedy starring Dean Martin and directed by Billy Wilder (Some Like It Hot), so scandalous that it became the first U.S. film since Elia Kazan’s Baby Doll (1956) to receive a "Condemned" rating from the Legion of Decency? In 1964, both Kiss Me, Stupid and The Pawnbroker shocked the Catholic censors and the Hays Office, pushing the MPAA to rethink Hollywood’s entire ratings system. In this episode, Bill and Cisco dive into the controversy: Did Kiss Me, Stupid deserve its "C" rating? Adapted from a French sex farce, the film features Ray Walston (stepping in for both Jack Lemmon and Peter Sellers), Kim Novak (taking over roles originally meant for Marilyn Monroe and Jayne Mansfield), Felicia Farr, and Dean Martin playing... well, Dean Martin. Plus, there’s even a cameo from Bugs Bunny himself—Mel Blanc! Joining the conversation is novelist, YouTuber, and vintage influencer Alex DeMers to break down the film’s legacy, censorship battles, and whether it really was too risqué for 1960s audiences. 🎧 Tune in for Hollywood history, classic film scandal, and a whole lot of Catholic guilt.
Missed Valentine’s Day? No worries—we’re bringing you a heartshaped box of classic horror, featuring, as Kendrick Lamar would say, "A Minerrrrrrrrrrr!" 🔪⛏️ This week, Bill and Cisco talk Damien Leone's statements in the wake of Terrifier 3, as well as the controversy surrounding the Superbowl half-time show, in relation to censorship and pearl-clutching of the past. Plus, we go behind the scenes of this iconic slasher, deep dive into trivia and filmmaking minutae, and even dig up a hilarious Catholic review that playfully pitches “even worse” horror movies! 🔻 Listen now and subscribe for more "morally offensive" movie reviews! 🔻 #HorrorPodcast #SlasherFilms #Terrifier3 #DamienLeone #SuperbowlHalftime #HorrorCommunity #CensorshipDebate #BehindTheScenes #ClassicHorror #MovieControversy #HorrorDiscussion
"Immorality may be fun, but it isn't fun enough to take the place of one hundred percent virtue and three square meals a day." What was it about Design for Living—the film by Ernst Lubitsch, Ben Hecht, and Noël Coward—that sent critics and the Catholic Legion of Decency into an uproar? This pre-Code classic tackled themes of polyamory, infidelity, and sexuality with a wit and sophistication that became known as The Lubitsch Touch. But its bold approach was too much for Catholic censors, who saw it as a moral threat. Shortly after, the infamous Hays Code transitioned from loose guidelines to rigid Hollywood law, enforced by anti-Semitic Catholic crusader (and official enemy of this podcast) Joseph Breen. Fast forward to the 1950s: a new generation of French film critics rediscovered Lubitsch’s work, cementing its place in cinema history. By the 1960s, with the Hays Code collapsing, countercultural college students embraced these once-"Condemned" films, reassessing their impact. With President Donald Trump hinting that he wants to send Mel Gibson (another famously problematic Catholic) to be an "Ambassador" to Hollywood, it’s worth asking: Should religious groups or governments have the power to censor artists? Join us as we dive into Design for Living and the battle over artistic freedom. Please check out the latest episode of Morally Offensive, and, as always "Go and Sin No More".
Habemus Papam! We weren’t initially planning to cover Conclave, but since launching our podcast in late October, the film has sparked intense debate. Despite not receiving a "Morally Offensive" rating, Conclave has faced significant criticism from Catholic Bishops and prominent right-wing figures including Ben Shapiro and Megyn Kelly, who claim the movie is anti-Catholic. On the other hand, Conclave has earned multiple Oscar nominations and won a Golden Globe for Best Screenplay, making it a major contender this awards season. To dive deeper into this heated conversation, Bill and Cisco decided to don their metaphorical Zucchettos and watch Conclave themselves to determine if it truly deserves its controversial reputation and if they find the film morally offensive or anti-Catholic. (Spoiler alert: plenty of plot twists!) Before tackling the weighty topics of dead Popes, vaping Cardinals, petty church politics, and oppressed nuns, the hosts take a moment to reflect on how David Lynch has shaped their careers and worldviews.
Charlize Theron's action-packed cold war passion project, Atomic Blonde, was not well received by audiences when it dropped in late Summer of 2017. Some dismissed the film as a "female John Wick" knockoff, or criticized it for it's confusing, labyrinthine plot. 8 years later, the guys re-examine this singular, unique entry into the Action genre, and look at how it's reputation has grown since it's release. The film takes place in the late 80s, and centers around a British Spy, tasked with a extracting an East German Stazi defector into the West. The officer, codenamed "Spyglass" has access to a secret list, which could have terrifying ramifications for all major powers involved in the cold war. The cast is a star-studded affair, featuring James Mcavoy, Sofia Boutella, John Goodman, Toby Jones, a young Bill Skarsgård, Sam Hargrave and James Faulkner, with direction by one of the top Stunt coordinators in the field, David Leitch. As always, the guys look at the contemporary US Catholic reactions and reviews, to determine whether or not the film truly is "Morally Offensive". Bill and Cisco are joined by Chicago comedian Thomas Bottoms as well as his co-host in radio broadcasting, Mike Borden.