Ms., Opera, Music, Mr.

A podcast exploration about contemporary opera, gender bias, and the world of reviewing.

Episode 5 - Sola, Sondheim, Statistics, Surveys (Pt. 2)

Sola Fadiran and Frances Pollock blind react to Allison Chu's research about the field of music criticism. What is the demographic makeup of the field of classical music criticism? What do critics consider central to the profession of music criticism? And how does Sola feel about the Tonys?   Written and Recorded by Frances Pollock and Allison Chu  Produced by Connor O'Toole and Frances Pollock   Dive Deeper:  http://www.mcana.org/archive/criticssurvey.html  Want to learn more about Ms., Opera, Music, Mr.? Visit us here: https://www.midnightoilco.com/projects/msoperamusicmr   Love Midnight Oil Collective? Visit us here: https://midnightoilco.com    Midnight Oil Collective   This channel is MOC’s homebase.  Liberated artists liberate art so follow us and share the movement.  To see behind-the-scenes & more, follow us on Facebook: @midnightoilcollective Instagram @midnight_oil_collective and Twitter @IgnightMOC    Theme Music written by Frances Pollock    Episode Five--Sola, Sondheim, Statistics, Surveys was filmed over zoom and in New Haven, CT where we followed all COVID guidelines throughout the filming process

03-26
44:10

Episode 5 Part 1--Sola, Sondheim, Statistics, Surveys

Episode 5: Sola, Sondheim, Statistics, Surveys   Sola Fadiran and Frances Pollock blind react to Allison Chu's research about the field of music criticism. What is the demographic makeup of the field of classical music criticism? What do critics consider central to the profession of music criticism? And how does Sola feel about the Tonys?    Written and Recorded by Frances Pollock and Allison Chu  Produced by Connor O'Toole and Frances Pollock   Dive Deeper:  “The Classical Music Critic: a Survey of Music Critics at General Interest and Specialized News Publications in America” Want to learn more about Ms., Opera, Music, Mr.?  Visit us here: https://www.midnightoilco.com/project...​   Love Midnight Oil Collective? Visit us here: https://www.midnightoilco.com/​    Midnight Oil Collective   This channel is MOC’s homebase. Liberated artists liberate art so follow us and share the movement. To see behind-the-scenes & more, follow us on Facebook: @midnightoilcollective Instagram @midnight_oil_collective and Twitter @IgnightMOC    Theme Music written by Frances Pollock    Episode Five--Sola, Sondheim, Statistics, Surveys was filmed over zoom and in New Haven, CT where we followed all COVID guidelines throughout the filming process

02-16
31:18

Episode 4--Alexis, Hallie, Gender, Harry Potter

What does gender have to do with opera? Does opera need to be gay? Composer Alexis Lamb and scholar Hallie Voulgaris join us to talk about the opera's weird relationship with gender and sexuality. Cast and Crew: Allison Chu, Alexis Lamb, Frances Pollock, Hallie Voulgaris Produced by Connor O'Toole and Frances Pollock Dive deeper: Pants Roles Castrato Ethel Smyth Singspiel David Smooke Elizabeth Wood, "Sapphonics" in Queering the Pitch, ed. by Philip Brett, Elizabeth Wood, and Gary C. Thomas (London: Routledge, 2011), 27-66. As One, by Laura Kaminsky, Mark Campbell, and Kimberly Reed Aiden Feltkamp Griffin Candey Heartbeat Opera Drag Queen Story Hour at the Brooklyn Public Library Slave Play, Jeremy O. Harris Fire in my mouth, Julia Wolfe Denis and Katya, by Philip Venables and Ted Huffman Eli Greenhoe Want to learn more about Ms., Opera, Music, Mr.? Visit us here: https://www.midnightoilco.com/projects/msoperamusicmr Love Midnight Oil Collective? Visit us here: https://midnightoilco.com Midnight Oil Collective This channel is MOC’s homebase. Liberated artists liberate art so follow us and share the movement. To see behind-the-scenes & more, follow us on Instagram @midnight_oil_collective and Twitter @IgnightMOC Theme Music written by Frances Pollock Episode Four -- Alexis, Hallie, Gender, Harry Potter was filmed over zoom and in New Haven, CT where we followed all COVID guidelines throughout the filming process

02-02
41:42

Episode 3--Rhetoric, Analysis, Opera, Owls?

Ms., Opera, Music, Mr. Episode 3--Rhetoric, Analysis, Opera, Owls? Owls… and opera research? Join Allison Chu and Frances Pollock for Episode 3 of Ms., Opera, Music, Mr. to find out how this whole project began, and why owls are so important to this project. Nearly a year later, Allison and Frances are diving deep into reviews to think about the power of language and unconscious biases in the world of opera Cast and Crew Allison Chu Frances Pollock Check out some of the material discussed in this week's episode: Voyant Tools Find Ms., Opera, Music, Mr. on Spotify here. Want to learn more about Ms., Opera, Music, Mr.? Visit us here. Love Midnight Oil Collective? Visit us here. Midnight Oil Collective This channel is MOC’s homebase. Liberated artists liberate art so follow us and share the movement. To see behind-the-scenes & more, follow us on Instagram @midnight_oil_collective and Twitter @IgnightMOC Theme Music written by Frances Pollock Episode Three--Rhetoric, Analysis, Opera, Owls? was filmed over zoom and in New Haven, CT where we followed all COVID guidelines throughout the filming process

01-15
33:40

Episode 2--Edwin, Joel, Reviews, Hot-Takes

Ms., Opera, Music, Mr.  Episode Two--Edwin, Joel, Reviews, Hot-Takes  Allison Chu interviews artists, Edwin Joseph, Joel Thompson, and Frances Pollock about their experience being reviewed.    Thought Experiment: Compare and contrast Joel and Nico's artist features in the New York Times. What are the similarities and what are the differences? After reading them, what sticks with you about each artist?    Joel Thompson’s feature in the New York Times  Nico Muhly’s feature in the New York Times  Want to hear music from this week's episode? Listen to our MOMM Spotify playlist  Check out some of the material discussed in this week's episode:    Nico Muhly Joel Thompson   Tim Smith  Bret McCabe   Howard Reich’s review of Joel Thompson in Chicago Tribune  Anne Midgette’s review of Frances Pollock’s opera in the Washington Post   Edwin in Coco   Wesley Morris A.O. Scott  Guy Fieri’s Review in the New York Times Wagner’s Die Feen at the Glimmerglass Festival 2020 (postponed)   Ellen Reid and Roxie Perkins’s prism:  Listen here; Read here. Aaron Copland Cast and Crew   Allison Chu, Edwin Joseph, Joel Thompson, Frances Pollock  Want to learn more about Ms., Opera, Music, Mr.? Visit us here Love Midnight Oil Collective? Visit us here    Midnight Oil Collective: Liberated artists liberate art so follow us and share the movement.  To see behind-the-scenes & more, follow us on Instagram @midnight_oil_collective and Twitter @IgnightMOC   MUSIC Theme Music written by Frances Pollock    Episode Two--Edwin, Joel, Reviews, Hot-Takes was filmed over zoom and in New Haven, CT where we followed all COVID guidelines throughout the filming process.

12-16
41:13

Episode 1 - Frances, Allison, bios, obsessions

Episode 1—Frances, Allison, bios, obsessions Written and Recorded by Frances Pollock and Allison Chu Produced by Connor O'Toole and Frances Pollock Dive Deeper: Y | Opera | Studies | Today Conference Blue Monday: John Andrew Johnson, "Gershwin's Blue Monday (1922) and the Promise of Success," in The Gershwin Style, ed. Wayne Schneider. (New York: Oxford University Press, 1999) Porgy and Bess  Shen Musical Theater Curriculum Dead Man Walking  L'amour de Loin Missy Mazzoli Jeanine Tesori Revisionist History: The Lady Vanishes Beth Morrison Projects Philip Ewell's "Beethoven is an above average composer and let's leave it at that" New York City Opera Want to learn more about Ms., Opera, Music, Mr. or its parent project? Visit us here: https://www.midnightoilco.com/projects/msoperamusicmr Love Midnight Oil Collective? Visit us and subscribe here: https://midnightoilco.com  To see behind-the-scenes & more, follow us on Instagram @midnight_oil_collective

12-02
42:48

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