Aretha Brown is a young, queer, Blak artist. Her multidisciplinary practice is grounded in truth-telling and celebrates First Nations history, knowledge and empowerment. In 2019, Brown founded the **Kiss My Art Collective that champions young women and non-binary artists to create large-scale public murals. To date, **Kiss My Art Collective has completed more than 65 murals throughout Australia and internationally. Brown is also recognised for her graphic imagery and merchandise range including DECOLONISE YOUR SELF! Conversation Cards For The Thoughtful Ally that seek to foster awareness and real change through conversation and self- Reflection. Brown’s work is featured in the 5th National Indigenous Art Triennial: After the Rain, which opens at the National Gallery of Australia in December. Works of art discussed:Yhonnie Scarce, Kokatha/Nukunu/Mirning peoples, Glass Bomb (Blue Danube) Series I 2015, National Gallery of Australia, Kamberri/Canberra, purchased 2016, © Courtesy of the artist & THIS IS NO FANTASYReg Mombassa, Mambo Graphics, More a part of the landscape than a pair of trousers c 1985, National Gallery of Australia, Kamberri/Canberra, gift of Mambo Graphics, Sydney 1989, © Reg MombassaTony Albert, Girramay/Yidinji/Kuku-Yalanji peoples, and Vincent Namatjira, Western Aranda people, Australia's most wanted 2018, National Gallery of Australia, Kamberri/Canberra, purchased 2019, © Tony Albert/Copyright AgencyDiego Rivera, Sueño 1932, National Gallery of Australia, Kamberri/Canberra Series Information:This series was produced by AudiocraftTheme Music by Ravi GuptaSegment Music is Hold Tight by Thalia Skopellos from Melodie Music5th National Indigenous Art Triennial: After the Rain exhibition identity by Aretha Brown Hosted on Acast. See acast.com/privacy for more information.
Dylan Mooney shares stories of resilience, connection and love in his highly colourful and decorated portraits of First Nations peoples. Legally blind, Mooney works primarily with digital technology, backlit screens enable him to create complex images that can be reproduced on paper, canvas or multi-story buildings. His images are informed by community stories, current affairs and share a deep optimism and pride. An early career artist, Mooney’s works are held in public collections and have been widely exhibited and illustrated, including on the cover of Rolling Stone Australia magazine. Mooney’s work is featured in the 5th National Indigenous Art Triennial: After the Rain, which opens at the National Gallery of Australia in December. Works of art discussed:Kaylene Whiskey, Yankunytjatjara people, Visitors to Iwantja Arts 2022, National Gallery of Australia, Kamberri/Canberra, purchased 2023, © Kaylene Whiskey/ Copyright AgencyMirdidingkingathi Juwarnda Sally Gabori, Kaiadilt people, Outside Dibirdibi 2008, National Gallery of Australia, Kamberri/Canberra, acquired with the Founding Donors 2009 Fund, © Mirdidingkingathi Juwarnda (Sally Gabori)/Copyright AgencyKen Thaiday Snr., Meriam Mer people, Whoumerr, frigate bird; dance mask 1991, National Gallery of Australia, Kamberri/Canberra Kara Walker, Testimony: Narrative of a Negress Burdened by Good Intentions 2004, National Gallery of Australia, Kamberri/Canberra, purchased 2021, © Kara WalkerSeries Information:This series was produced by AudiocraftTheme Music by Ravi GuptaSegment Music is Hold Tight by Thalia Skopellos from Melodie Music5th National Indigenous Art Triennial: After the Rain exhibition identity by Aretha Brown Hosted on Acast. See acast.com/privacy for more information.
Warraba Weatherall is an artist, lecturer and cultural scholar. His research-led practice seeks to regenerate Kamilaroi knowledge systems and critique museum and archival practices. Weatherall’s sculptures and installations appear minimal yet open complex dialogues on surveillance, incarceration, power and control. Weatherall has exhibited across Australia and internationally, including a solo exhibition at the Museum of Contemporary Art, Sydney in 2025. Along with Tony Albert, Weatherall is also a member of the Aboriginal arts collective, proppaNOW. Weatherall’s work is featured in the 5th National Indigenous Art Triennial: After the Rain, which opens at the National Gallery of Australia in December. Works of art discussed:Archie Moore, Kamilaroi/Bigambul peoples, Family Tree 2021, National Gallery of Australia, Kamberri/Canberra, purchased in celebration of the National Gallery of Australia's 40th anniversary, 2022, © Archie Moore Guan Wei, Under the Southern Cross, 1999, National Gallery of Australia, Kamberri/Canberra, © Arc One Gallery, on behalf of Guan WeiJenny Holzer, Inflammatory Essays, 1978–83, National Gallery of Australia, Kamberri/Canberra, purchased 1986, © Jenny Holzer/Copyright AgencyJeffrey Smart, On the Roof, Taylor Square, 1961, National Gallery of Australia, Kamberri/Canberra, purchased 1969, © The Estate of Jeffrey SmartSeries Information:This series was produced by AudiocraftTheme Music by Ravi GuptaSegment Music is Hold Tight by Thalia Skopellos from Melodie Music5th National Indigenous Art Triennial: After the Rain exhibition identity by Aretha Brown Hosted on Acast. See acast.com/privacy for more information.
Thea Anamara Perkins’ paintings are imbued with strength, warmth and quiet determination. Family members and the artist’s Arrernte homeland are recurring subjects, often drawn from Perkin’s familial archives that include prominent fighters for social justice and First Peoples’ rights. An early career artist, Perkins has exhibited since 2018, and her paintings are held in numerous public collections including the National Portrait Gallery. Perkins’ work is featured in the 5th National Indigenous Art Triennial: After the Rain, which opens at the National Gallery of Australia in December. Works of art discussed:Gordon Bennett, Poet 1994, National Gallery of Australia, Kamberri/Canberra, acquired 1995, Gordon Darling Australasian Print Fund 1995, © The Estate of Gordon BennettMichael Riley, Untitled from the series Sacrifice [palms with stigmata]1992-93, National Gallery of Australia, Kamberri/Canberra, purchased with the assistance of the KODAK (Australasia) PTY LTD Fund 1993, Reproduced courtesy of the Michael Riley Foundation/Copyright AgencyEmily Kam Kngwarray, Anmatyerr people, Alhalker - my Country1992, National Gallery of Australia, Kamberri/Canberra, acquired 2022 Emily Kam Kngwarray, Anmatyerr people, Untitled (batik) 1981, National Gallery of Australia, Kamberri/Canberra, purchased in 2023 in celebration of the National Gallery of Australia's 40th anniversary 2022, © Emily Kam Kngwarray/Copyright AgencySeries Information:This series was produced by AudiocraftTheme Music by Ravi GuptaSegment Music is Hold Tight by Thalia Skopellos from Melodie Music5th National Indigenous Art Triennial: After the Rain exhibition identity by Aretha Brown Hosted on Acast. See acast.com/privacy for more information.
Artistic Director for the 5th National Indigenous Art Triennial is Tony Albert, Girramay/Yidinji/Kuku-Yalanji peoples, one of Australia’s foremost contemporary artists. Albert is a renowned artist, writer, and curator. He has a longstanding interest in the cultural misrepresentation of Aboriginal people, explaining, ‘There is a tension between what is seen and unseen and that is the space in which I create my work’. Drawing on both personal and collective histories and employing painting, photography, sculpture, video and text Albert considers the ways in which optimism might be utilised to overcome adversity. He poses crucial questions such as how do we remember, give justice to, and rewrite complex and traumatic histories. Works of art discussed:Arthur Koo'ekka Pambegan Jnr, Wik-Waya/Chaa-Ngkoth/Wik Mungkan/Winchanam peoples, Untitled XXXXI (Body Paint Design – Three Ancestral Figures) 2010, National Gallery of Australia, Kamberri/Canberra Wangechi Mutu, The seated IV 2019, National Gallery of Australia, Kamberri/Canberra, purchased in celebration of the National Gallery of Australia's 40th anniversary, 2022, © Wangechi Mutu Albert Namatjira, Western Arrarnta people, Blackwood Trees at Rapid Creek, Darwin 1950, National Gallery of Australia, Kamberri/Canberra, Gordon and Marilyn Darling Hermannsburg Fund 2023, © Namatjira Legacy Trust/ Copyright Agency Margaret Preston, Still life: fruit (Arnhem Land motif) 1941, National Gallery of Australia, Kamberri/Canberra, purchased 1976, © Margaret Preston/Copyright AgencySeries Information:This series was produced by AudiocraftTheme Music by Ravi GuptaSegment Music is Hold Tight by Thalia Skopellos from Melodie Music5th National Indigenous Art Triennial: After the Rain exhibition identity by Aretha Brown Hosted on Acast. See acast.com/privacy for more information.
Artists' Artists is a podcast where contemporary artists shed light on works of art from the national collection that inspire, move or intrigue them.Ben Quilty was born in 1973 in Sydney. He emerged in the early 2000s with a breakthrough series of 14 paintings of his beloved 1972 Holden LJ Torana. Working across drawing, printmaking, sculpture and installation, Ben exhibits prolifically both locally and internationally, exploring imagery and ideas that are at once personal, political and cultural. The National Gallery has been collecting Quilty’s work since 2007.Artworks discussed:Emily Kam Kngwarray, Anmatyerr People, Yam awely 1995, National Gallery of Australia, Kamberri/Canberra, gift of the Delmore Collection, Donald and Janet Holt 1995 © Emily Kam Kngwarray/Copyright AgencyClarice Beckett, Evening Landscape c 1925, National Gallery of Australia, Kamberri/Canberra, Purchased 1974John Glover, Mount Wellington and Hobart Town from Kangaroo Point 1834, National Gallery of Australia, Kamberri/Canberra, Nerissa Johnson Bequest Fund 2001, Tasmanian Museum and Art Gallery and National Gallery of AustraliaDavid Hockney, A Bigger Grand Canyon 1998, National Gallery of Australia, Kamberri/Canberra, purchased with the assistance of Kerry Stokes, Carol and Tony Berg and the O'Reilly family 1999 © David Hockney Hosted on Acast. See acast.com/privacy for more information.
Artists' Artists is a podcast where contemporary artists shed light on works of art from the national collection that inspire, move or intrigue them.Jenny Watson is an Australian artist who has been painting for more than four decades. Born in Melbourne in 1951, her work is inspired by punk and feminism, her memories and dreams, fantasies and fears—and in particular her love of horses. She employs collage, text, self-portraiture and humour to create powerful narratives about growing up in the suburbs and making her way in the world. In 1993 she was the first female artist to represent Australia in a solo exhibition at the Venice Biennale. Works of art discussed:Jackson Pollock, Blue poles 1952, National Gallery of Australia, Kamberri/Canberra, purchased 1973 © Pollock-Krasner Foundation. ARS/Copyright AgencyRobert Jacks, Grey grid 1974, National Gallery of Australia, Kamberri/Canberra, gift of Daniel Thomas, 1980 © Robert Jacks/Copyright AgencyJeffrey Smart, Playground (Children playing) 1951, National Gallery of Australia, Kamberri/Canberra, purchased with the assistance of James Agapitos OAM and Ray Wilson OAM 2007 © The Estate of Jeffrey SmartHal Missingham, Artist’s outing, Sydney Harbour 1969, National Gallery of Australia, Kamberri/Canberra, purchased 1974 © The estate of Hal Missingham Hosted on Acast. See acast.com/privacy for more information.
Artists' Artists is a podcast where contemporary artists shed light on works of art from the national collection that inspire, move or intrigue them.Urs Fischer was born in Switzerland in 1973. Now based in Los Angeles, he creates works of art from materials as varied as gesso, photography, latex, paint, bronze, clay, steel, dirt, and even food. His wildly original, often humorous images and objects can disorient, bewilder, and often amaze. He's possibly best known for his ephemeral wax candle sculptures, which gradually burn down while they're on display, before being recast. In 2018, the National Gallery acquired Fischer's four metre high wax candle sculpture, Francesco.Works of art discussed:Charles Conder, Bronte Beach 1988, National Gallery of Australia, Kamberri/Canberra, purchased from Gallery admission charges 1982Long Jack Phillipus Tjakamarra, Luritja/Warlpiri peoples, Water Course 1972, National Gallery of Australia, Kamberri/Canberra, the Peter Fannin Collection of Early Western Desert Paintings, 1998 © the estate of the artist, licensed by Aboriginal Artists Agency LtdSidney Nolan, Collage from “The Disciple” c 1939, National Gallery of Australia, Kamberri/Canberra, purchased 1992 © Sidney Nolan TrustSalvador Dali, Lobster telephone 1936 National Gallery of Australia, Kamberri/Canberra, purchased 1994 © Salvador Dalí. Fundació Gala-Salvador Dalí/Copyright Agency Hosted on Acast. See acast.com/privacy for more information.
Artists' Artists is a podcast where contemporary artists shed light on works of art from the national collection that inspire, move or intrigue them.Juz Kitson was born in Sydney, and divides her time between the Australian south coast and Jingdezhen the ‘porcelain capital’ of China. Her intricate, evocative sculptures—which she creates from materials including porcelain, fur, paraffin wax, silk, resin, glass and bone—begin, she says, from ‘gathering resources, experiences, and connections—human connection, connection to land, and connection to different customs and culture’. The result is a body of work that explores, in the artist’s words ‘sex, the nature of humans and animals, ideas of womanhood, birth and death’. The National Gallery has five of her works in its collection. Works of art discussed:Sarah Lucas,TITTIPUSSIDAD 2018, National Gallery of Australia, Kamberri/Canberra, purchased 2021 © Sarah Lucas, courtesy Sadie Coles HQ, London Rosemary Laing, flight research #6 1999, National Gallery of Australia, Kamberri/Canberra, purchased 2001 © Rosemary LaingLouise Bourgeois, Tracey Emim, Carolina Nitsch Editions, Dyenamix, And so I kissed you 2009-10, National Gallery of Australia, Kamberri/Canberra, purchased 2020 © Tracey Emin/Copyright AgencyPaul Greenaway, Sumo and Sabrina 1977, National Gallery of Australia, Kamberri/Canberra, Crafts Board Collection donated by the Australia Council 1982 Hosted on Acast. See acast.com/privacy for more information.
Artists' Artists is a podcast where contemporary artists shed light on works of art from the national collection that inspire, move or intrigue them.Archie Moore was born in 1970 in Toowoomba, Queensland and is of Kamilaroi and Bigambul heritage. He works across media in conceptual, research-based portrayals of self and national histories. His ongoing interests include key signifiers of identity (skin, language, smell, home, genealogy, flags), the borders of intercultural understanding and misunderstanding and the wider concerns of racism. In 2024, Moore represented Australia at the Venice Biennale; his exhibition, kith and kin was awarded the Golden Lion for best National Participation. The National Gallery has collected Moore’s work in depth since 2012.Works of art discussed:Ramingining Artists, Djon Mundine, Bandjalung people, The Aboriginal Memorial 1987–88, National Gallery of Australia, Kamberri/CAnberra, purchased with the assistance of funds from National Gallery admission charges and commissioned in 1987 © Ramingining artists/Copyright AgencyLucy Griggs, Suprematist people 2011, National Gallery of Australia, Kamberri/Canberra, the Rotary Collection of Australian Art, 2012Leah King-Smith, Bigambul people, Untitled No 3, 1992, National Gallery of Australia, Kamberi/Canberra, KODAK (Australasia) PTY LTD Fund 1994 John Armstrong, Unless goats are fenced properly they will eat trees and sculptures, 1976, National Gallery of Australia, Kamberri/Canberra, purchased 1976 Hosted on Acast. See acast.com/privacy for more information.
Artists’ Artist is a podcast brought to you by the National Gallery of Australia. This season we’ll be speaking to artists whose work is featured in After the Rain, the 5th National Indigenous Art Triennial that brings together commissioned work by established and emerging First Nations artists from across Australia, creating an important platform for art and ideas.Series Information:This series was produced by AudiocraftTheme Music by Ravi GuptaSegment Music is Hold Tight by Thalia Skopellos from Melodie Music5th National Indigenous Art Triennial: After the Rain exhibition identity by Aretha Brown Hosted on Acast. See acast.com/privacy for more information.
To celebrate National Poetry Month, this episode of NGA Art Talks explores the intersection of text, poetry and art.In 2024 the National Gallery, together with Red Room poetry, commissioned Vietnamese Australian writer and poet Nam Le and Palawa playwright Dylan Van Den Berg to respond to a work of art from the national collection.Nam Le’s debut poetry collection 36 Ways of Writing a Vietnamese Poem was published in March 2024 in Australia, the United States of America and the United Kingdom, and won Book of the Year at the 2025 New South Wales Literary Awards.Le’s work has been translated into over fourteen languages and has received major awards in America, Europe and Australia, including the PEN/Malamud Award, the Anisfield-Wolf Book Award, the Dylan Thomas Prize, the Australian Prime Minister’s Literary Award, the Melbourne Prize for Literature and the Sidney Myer Creative Fellowship. Le’s work has appeared in modern classics series and is widely anthologized and taught.Le chose Sidney Nolan’s painting Quilting the armour, one of a series on the theme of the bushranger Ned Kelly. In this episode, recorded in front of a live audience as part of the Gallery’s Friday Art Talks program, Le reads his ekphrastic poem and shares insights into the writing process.Artworks discussed:Sidney Nolan - Quilting the armour Hosted on Acast. See acast.com/privacy for more information.
To celebrate National Poetry Month, this episode of NGA Art Talks explores the intersection of text, poetry and art.In 2024 the National Gallery, together with Red Room poetry, commissioned Vietnamese Australian writer and poet Nam Le and Palawa playwright Dylan Van Den Berg to respond to a work of art from the national collection.A Palawa playwright from the northeast of lutruwita/Tasmania, Dylan Van Den Berg’s work explores Blak and Queer identities through the subversion of national stories to embolden Indigenous perspectives. Commissioned across Australia, his plays have won awards including the NSW Premier’s Award for Playwrighting.Van Den Berg chose Benjamin Duterrau’s painting, Mr Robinson's first interview with Timmy (1840). In this episode, recorded for a live audience as part of the Gallery’s Friday Art Taks program, Van Den Berg reads his ekphrastic commission and shares insights into the writing process.NGA Art Talks is a podcast brought to you by the National Gallery of Australia.Artworks discussed:Benjamin Duterrau - Mr Robinson's first interview with Timmy Hosted on Acast. See acast.com/privacy for more information.
To mark the 50th anniversary of the United Nations International Women's Year (IWY) the 2025 Betty Churcher AO Memorial Oration celebrates diverse voices and the contributions of artists internationally. Join us for a conversation between ground-breaking feminist artist Judy Chicago and award-winning author and art historian Katy Hessel. Recorded across two continents, delve into Chicago’s experiences as a woman artist from the 1960s to today, how gender has shaped her art and career, and what still needs to be done for gender equality in the arts. Painter, teacher, art critic, television host, author and gallery director, Betty Churcher AO (1931-2015) was part of the lifeblood of the visual arts in Australia. While her father believed ‘education spoiled a girl’, Churcher fought to complete her studies, further her education in London, and to forge a path for women to take positions of authority in the arts in Australia. She was the first woman to head a tertiary institution, become director of a state gallery, and to lead the National Gallery of Australia. Affectionately dubbed ‘Betty Blockbuster’ for her love of bringing major international exhibitions to Australia, Churcher was passionate about making art relevant and accessible. In honour of her legacy, every year since 2022 the Gallery has hosted the Betty Churcher AO Memorial Oration, featuring leading women in the arts who inspire creativity, inclusivity, engagement and learning. Judy Chicago is an American feminist artist, art educator, and author known for her large-scale installation pieces, which examine the role of women in history and culture. During the 1970s, Chicago founded the first feminist art program in the United States at California State University, Fresno. Katy Hessel is an art historian, curator, broadcaster and author of The Story of Art without Men. She runs @thegreatwomenartists, an Instagram account that celebrates women artists and hosts The Great Women Artists podcast. Hosted on Acast. See acast.com/privacy for more information.
Join Director of Tate, UK, Maria Balshaw CBE, for an excerpt from her 2023 Betty Churcher AO Memorial Oration. Painter, teacher, art critic, television host, author and gallery director, Betty Churcher AO (1931-2015) was part of the lifeblood of the visual arts in Australia. While her father believed ‘education spoiled a girl’, Churcher fought to complete her studies, further her education in London, and to forge a path for women to take positions of authority in the arts in Australia. She was the first woman to head a tertiary institution, become director of a state gallery, and to lead the National Gallery of Australia. Affectionately dubbed ‘Betty Blockbuster’ for her love of bringing major international exhibitions to Australia, Churcher was passionate about making art relevant and accessible. In honour of her legacy, every year since 2022 the Gallery has hosted the Betty Churcher AO Memorial Oration, featuring leading women in the arts who inspire creativity, inclusivity, engagement and learning. As we count down to the 2025 oration – featuring feminist artist Judy Chicago in conversation with art historian Katy Hessel – we revisit these orations from women who share Churcher's groundbreaking spirit. Maria Balshaw was appointed as Director of Tate in 2017, and like Betty Churcher, was the first woman to hold this position. A champion of inclusivity, under Maria’s leadership Tate has reframed its global context including elevating the climate crisis, gender equity, and decolonisation. You can view Maria's entire oration here: https://nga.gov.au/on-demand/betty-churcher-memorial-oration-2023/ Hosted on Acast. See acast.com/privacy for more information.
Painter, teacher, art critic, television host, author and gallery director, Betty Churcher AO (1931-2015) was part of the lifeblood of the visual arts in Australia. While her father believed ‘education spoiled a girl’, Churcher fought to complete her studies, further her education in London, and to forge a path for women to take positions of authority in the arts in Australia. She was the first woman to head a tertiary institution, become director of a state gallery, and to lead the National Gallery of Australia.Affectionately dubbed ‘Betty Blockbuster’ for her love of bringing major international exhibitions to Australia, Churcher was passionate about making art relevant and accessible. In honour of her legacy, every year since 2022 the Gallery has hosted the Betty Churcher AO Memorial Oration, featuring leading women in the arts who inspire creativity, inclusivity, engagement and learning.As we count down to the 2025 oration this International Women’s Day – featuring feminist artist Judy Chicago in conversation with art historian Katy Hessel – we revisit past orations from women who share Churcher's groundbreaking spirit.In this episode, you’ll hear from another Australian trailblazer: Dame Quentin Bryce, Australia's 25th and first female Governor-General. Dame Quentin devoted attention to social justice and human rights issues, placing special emphasis on promoting and protecting the rights of the country’s First Nations peoples.Recorded during her lecture in Canberra in 2024, Bryce reflects on the life and legacy of her friend Betty Churcher and celebrates the contributions of women in the arts. Hosted on Acast. See acast.com/privacy for more information.
Artists' Artists is a podcast where contemporary artists shed light on works of art from the national collection that inspire, move or intrigue them.Julie Rrap is an Australian artist born in 1950 in Lismore, New South Wales. She has 15 works of art in the national collection, including Persona and shadow: puberty 1984 from her Persona and shadow series which is currently on display in the touring exhibition Know My Name: Australian Women Artists. In this episode of Artists’ Artists, host Jennifer Higgie speaks with Rrap about four works of art from the national collection that explore history, humour and biography. To find out more visit www.nga.gov.auArtworks Discussed: Tracey Moffatt, Pineapple Cannery 1978, 2008 from the series First Jobs, National Gallery of Australia, Kamberri/Canberra, gift of Rupert and Annabel Myer, 2008Sol Wiener, (Mother and daughter) 1985, National Gallery of Australia, Kamberri/Canberra, kODAK (Australasia) PTY LTD Fund 1988Yukultji Napangati, Pintupi people, Untitled 2006, National Gallery of Australia, Kamberri/Canberra, purchased 2006 © the estate of the artist, licensed by Aboriginal Artists Agency LtdSarah Lucas, TITTIPUSSIDAD 2018, National Gallery of Australia, Kamberri/Canberra, purchased 2021 © Sarah Lucas, courtesy Sadie Coles HQ, London Hosted on Acast. See acast.com/privacy for more information.
Artists' Artists is a podcast where contemporary artists shed light on works of art from the national collection that inspire, move or intrigue them.The Indonesian ceramic artist Albert Yonathan Setyawan was born in 1983 and is based in Tokyo, Japan. His monumental installation Shelters 2018-19 was commissioned for the national collection in 2018. In this episode of Artists’ Artists, host Jennifer Higgie chats with Setyawan about ideas of repetition, silence and materiality in four very different works from the national collection. To find out more visit www.nga.gov.auArtworks Discussed: Giorgio Morandi, Natura morta [Still life] 1956, National Gallery of Australia, Kamberri/Canberra, purchased 1980 © Giorgio Morandi. SIAE/Copyright Agency Wolfgang Laib, Milk stone 1980, National Gallery of Australia, Kamberri/Canberra, purchased 1981 Lucie Rie, Vase c.1979, National Gallery of Australia, Kamberri/Canberra, purchased 1979 Agnes Martin, Untitled # 4 1977, National Gallery of Australia, Kamberri/Canberra, purchased 1977 © Agnes Martin. ARS/Copyright Agency Hosted on Acast. See acast.com/privacy for more information.
Artists' Artists is a podcast where contemporary artists shed light on works of art from the national collection that inspire, move or intrigue them.Bridget Riley is a British artist who was born in 1931 and lives in London, UK. The National Gallery has 15 works of art by Riley in its collection, including the new acquisition Dancing to the music of time 2022. In this episode of Artists’ Artists, host Jennifer Higgie visits Riley in her London home to talk about four works of art from the national collection that mark seminal moments in the artist's career. To find out more visit www.nga.gov.auArtworks Discussed: Howard Taylor, No horizon 1994, National Gallery of Australia, Kamberri/Canberra, purchased 1997 © Howard H. Taylor EstateBridget Riley, Gamelan 1970, National Gallery of Australia, Kamberri/Canberra, purchased 1971 © Bridget Riley 2022. All rights reservedGeorges Seurat, Study for Le Bec du Hoc, Grandcamp 1885, National Gallery of Australia, Kamberri/Canberra, purchased from proceeds of The Great Impressionists exhibition 1984Jackson Pollock, Blue poles 1952, purchased 1973 © Pollock-Krasner Foundation. ARS/Copyright Agency Hosted on Acast. See acast.com/privacy for more information.
Artists' Artists is a podcast where contemporary artists shed light on works of art from the national collection that inspire, move or intrigue them.Danie Mellor is an Australian artist of Ngadjon and Mamu heritage who was born in 1971 and lives in Bowral, NSW. There are 33 works of art by Mellor in the national collection, including An Elysian city (of picturesque landscapes and memory) 2010 and five metal‑work sculptures. In this episode of Artists’ Artists, host Jennifer Higgie speaks with Mellor about four works of art in the national collection that creatively respond to the culture and politics of their time. To find out more visit www.nga.gov.au.Artworks Discussed: John Mawurndjul AM, Kuninjku (Eastern Kunwinjku) people, Rainbow Serpent's antilopine kangaroo 1991, National Gallery of Australia, Kamberri/Canberra, purchased 1991 © John Mawurndjul/Copyright AgencySidney Nolan, Boy and the moon c.1939-40, National Gallery of Australia, Kamberri/Canberra, purchased 1976 © Sidney Nolan TrustMargaret Preston, Shoalhaven Gorge N.S.W. 1953, National Gallery of Australia, Kamberri/Canberra, purchased 1983 © Margaret Rose Preston Estate/Copyright AgencyAnselm Kiefer, Abendland [Twilight of the West] 1989, National Gallery of Australia, Kamberri/Canberra, purchased 1989 Hosted on Acast. See acast.com/privacy for more information.