New Books in Asian American Studies

This episode features a conversation with Dr. Christopher B. Patterson, Professor of the Social Justice Institute at the University of British Columbia, discussing their recently published book, Domesticating Brown: Movements of Racial Imagination (Duke University Press, 2026). Domesticating Brown interrogates the slippery senses that brownness as a racial form has manifested over time, charting its transitions across historical colonial contexts and into the transpacific dynamics of contemporary empire. Christopher B. Patterson rethinks universalist definitions of race to consider the constant movements in racial contexts, meanings, and practices that “brownness” reveals: as a site for the ungovernable brown mass, as peoples marked for domestication through strategies of colonial containment, and as the complex shades that reveal troubling genealogies and shameful intimacies. Tracing the emergences and transformations of brownness in various contexts of transpacific encounter—from the Mongol Empire to Filipino plantation migration in Hawaiʻi, from the imperial management of Hong Kong to contemporary brown authorship—Domesticating Brown explores how colonial subjects and other marginalized peoples have strategized ways of resisting and reversing dominating notions of brownness through art, story, and embodied difference.  Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

The first large number of Chinese immigrants began arriving in the United States in the 1840s, and Chinese opera troupes were not far behind. In Inside Chinese Theater: Community and Artistry in Nineteenth Century California and Beyond (U Illinois Press, 2025), Nancy Yunhwa Rao writes the story of the flourishing and resiliency of Chinese opera in America. Chinese opera troupes brought with them an important cultural reminder of China that helped immigrants to build community and maintain connections with their old home in their new one. At the same time, anti-Chinese violence, legislation, and prejudice was a constant and growing threat to Chinese immigrants and Chinese theater. As Chinese theater became part of California and San Francisco culture, popular Chinese actors advocated for their art alongside appeals for civil rights. Rao draws on personal accounts and artifacts to place theater within the everyday lives of Chinese people. She also describes the costumes, singing, staging, and storytelling that impacted mainstream reception and influenced how Chinese communities saw themselves. Rao makes a convincing argument that more attention to the transpacific connections between the US and Asia is vital to telling the true story of America.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

John talks to Bruce Rutledge, founder of Chin Music Press, about running an independent Asia-focused press, the origins of the company in Tokyo, and the move to Seattle, where Chin Music now has a bookstore in Pike Place Market. They talk about Chin Music’s highly successful graphic novel trilogy on the Japanese American incarceration experience during World War II. The wide-ranging conversation is an honest celebration of the challenges and pleasures of independent publishing. Chin Music Press books mentioned in the episode include: Their very first book, an anthology called Kuhaku, published in 2005. Goodbye Madame Butterfly: Sex, Marriage and the Modern Japanese Woman by Sumie Kawakami (2007/2010) Japan’s Urushi Craftsmen: Can Old World Artistry Survive in the 21st Century by Bruce Rutledge (2020) When the Waves Came by Michael Larson (2020) WE HEREBY REFUSE : Japanese American Resistance to Wartime Incarceration by authors Frank Abe and Tamiko Nimura and illustrators Ross Ishikawa and Matt Sasaki (2021). Fighting for America: Nisei Soldiers by Lawrence Matsuda (Author) and Matt Sasaki (Artist) Those Who Helped Us: Assisting Japanese Americans During the War by Ken Mochizuki (Author) and Kiku Hughes (Illustrator) Seattle Samurai: A Cartoonist’s Perspective of the Japanese American Experience by Kelly Goto (Author) and Sam Goto (Drawings) The Books on Asia Podcast is co-produced with Plum Rain Press. Subscribe to the BOA podcast from your favorite podcast service.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

Amidst heightened rhetoric and increasing polarization in the United States, American Pogroms: How Forgotten Massacres Shape America (Oxford University Press, 2026) chronicles the causes and consequences of two centuries of mob violence in American history, highlighting exactly what's at stake when we allow leaders to legitimate violence and the mob to rule. For much of American history, members of the majority population of the United States indiscriminately attacked and terrorized minority communities. In some parts of the country, mob violence seemed a near-constant part of the region's history, while in others it was a brief, horrific spasm that perpetrators--but not victims--quickly forgot. In American Pogroms, terrorism expert Daniel Byman argues that there is a word for this type of communal violence: pogrom. Although pogroms are historically associated with the orchestrated campaigns of anti-Jewish violence in Tsarist Russia, Byman asserts that pogroms have been an all-too-frequent feature of American history. Tracing two centuries of communal violence, Byman recounts cases of attacks against American religious minorities such as Catholics and Mormons, the killing of thousands of ethnic Mexicans in Texas, the murder and wholesale expulsion of Chinese workers from the American West, and the repeated attacks on the Black community that killed thousands and enabled decades of brutal discrimination. In all these cases, pogroms helped cement a system of injustice that left religious, ethnic, and racial minorities politically and economically marginalized. While the idea of mob violence now strikes most Americans as unthinkable, Byman warns that increased polarization and selective news consumption in recent years has coarsened discourse and legitimized violence, raising the risk that at least some violence will return. A broad-ranging synthesis of how and why majorities have so frequently resorted to community-level violence to restore or cement their power, American Pogroms illustrates the outsized role of violence in U.S. history and how it shapes the country today. Daniel Byman is a Professor in the School of Foreign Service at Georgetown University and the Director of the Warfare, Irregular Threats, and Terrorism Program at the Center for Strategic and International Studies. Caleb Zakarin is CEO and Publisher of the New Books Network.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.

How Manhattan's Koreatown functions as a new ethnic enclave In the past decade, Korean entertainment has gained global recognition, with Korean movies and TV shows winning Oscars and Emmys, and K-Pop groups becoming wildly popular. In Manhattan, Koreatown has become a popular destination for both locals and tourists, drawing them in with its bars, restaurants, and day spas. In Koreatown, NYC: The Consumption of a Transnational Brand (NYU Press, 2026), Jinwon Kim argues that Manhattan's Koreatown has become a new type of ethnic enclave, what she dubs a "transclave." This commercialized ethnic space exists solely for consumption, leisure, and entertainment, and has been shaped by South Korea's nation-branding strategy, new economic and cultural strategies, patterns in Korean migration, and shifts in tourism and urban policies in New York City. Kim posits that for many consumers in Koreatown, especially those who are not of Korean descent, the space has become a commercialized place where transnational culture meets the diverse racial and ethnic mosaic of New York City. Kim emphasizes how the space functions to "brand Korea" as a space to "consume ethnicity," reflecting the landscape of South Korea's consumer culture through the physical appearance of buildings and stores and the inclusion of franchise brands. Ultimately, Koreatown, NYC is a fascinating exploration of the intersection of authenticity, ethnicity, and identity in the heart of New York's midtown. Michael O. Johnston is Associate Professor of Sociology at William Penn University. His research explores symbolic interaction, leisure, meaning, place, community, and sociology of everyday life. He is the author of the forthcoming book Smalltown Urban: Performing the City in Rural America (Bloomsbury, January 2027), The Social Construction of a Cultural Spectacle: Floatzilla, and Community Media Representations of Place and Identity at Tug Fest. Smalltown Urban explores how small towns create moments of urbanity through festivals, public gatherings, and everyday social life. Since joining the New Books Network in 2017, he has interviewed more than 100 authors across sociology and the social sciences, helping connect scholars and their work with a broad public audience.Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/asian-american-studies Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.