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New Books in Biography

New Books in Biography
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Interviews with Biographers about their New Books
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Life of an Enslaved African in the Ottoman Empire and Iran: The Autobiography of Mahboob Qirvanian provides a translation of a compelling autobiography that chronicles the life of Mahboob Qirvanian, from childhood and enslavement in North Africa and the Ottoman Empire to his eventual liberation in Iran.
The Life of an Enslaved African in the Ottoman Empire and Iran is a poignant and compelling account of one man’s journey through struggle, resilience, and unimaginable suffering. In the early twentieth century, Mahboob Qirvanian recorded his personal experiences of forced migration and enslavement as he navigated his path from captivity in Africa to full citizenship and a reconstructed identity in Iran. Written in Persian and Arabic, this remarkable autobiography serves as a powerful testament to Mahboob’s endurance, suffering, and ultimate transformation. Through insightful analysis, Behnaz A. Mirzai places Mahboob’s narrative – the only known account by a former African slave in Iran – within the context of the political upheavals of the Constitutional Revolution in Iran and the Tanzimat reforms of the Ottoman Empire. This book not only sheds light on Mahboob’s personal story and the historical injustices of slavery but also engages with broader themes of displacement, identity, and social justice. In doing so, it invites readers to reflect on the enduring legacies of racial inequality and the ongoing struggles for freedom and dignity in the modern world.
Behnaz A. Mirzai is a professor of Middle Eastern history at Brock University and senior guest researcher at Bonn Center for Dependency and Slavery Studies at University of Bonn.
Morteza Hajizadeh is a Ph.D. graduate in English from the University of Auckland in New Zealand. His research interests are Cultural Studies; Critical Theory; Environmental History; Medieval (Intellectual) History; Gothic Studies; 18th and 19th Century British Literature.
YouTube Channel: here
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A conversation with Fr. Bogdan Bucur and Dr. Razvan Porumb
This publication represents the officially authorized translation of The Journal of Joy (SVS Press, 2025), carefully rendered to uphold the integrity of the original text in Romanian.
The ethos Steinhardt recommends to Christians is that of an aristocrat minus the stiff upper lip and aloofness, a style molded by kindness, calm, good manners, respect for the dignity of others, and thus for one's own dignity. Christ Himself, he emphasizes, always possessed ‘knightly’ traits: He is discreet, respectful; He knocks on the door and waits, never discouraged by a refusal; He is not suspicious but trusts, not greedy but gives abundantly; He forgives easily and completely; He is attentive and polite (‘Friend,’ He says to Judas, whose betrayal He knows well). In Him, there is no moralism or legalism, but rather the ability to discern in every person, beyond sin, the person that God calls and enables to love. Beyond totalitarianism, which is the fascination with power and death, and beyond market society, which holds up profit as its only god … If the journal of this resistance opens up for the future, it does so precisely because it is a Journal of Joy.
Olivier Clément, from the Preface to the French edition of the Journal of Joy
This is the Journal of Joy, a joy founded on the Resurrection, unconquerable by the manifest powers of death. Now at last available in English, its joy can help transform the petty anxieties that beset us.
Archpriest Andrew Louth, Professor Emeritus, Durham University
Translation by Paul Boboc, revised by Peter Andronache, with further revisions and explanatory notes by Peter Andronache, Bogdan G. Bucur, Nicolae Drăgușin, Brenda Mikitish, and Răzvan Porumb. Foreword by Răzvan Porumb.
About the Author:
Nicu Steinhardt, known in his later monastic years as Father Nicolae de la Rohia, was born in 1912 near Bucharest to Jewish parents. A refined scholar who had established himself as one of the most erudite voices of his generation, he was imprisoned by the repressive communist regime in 1960. Steinhardt asked to be baptized in his cell—“illicitly”—and eventually found profound joy amid the suffering and despair of the prison. After an extraordinary experience of Christ, the intense happiness accompanying him perpetually transfigured the cruel and gloomy surroundings into a luminous world permeated by God’s love and grace—which is why writing the Journal in the early 1970s was essential, even in the knowledge it would be banned by the communists. Nicolae Steinhardt, then a monk at Rohia, passed away in March 1989, nine months before the 1989 December Revolution toppled the communist dictatorship.
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At the height of the civil rights movement, Charles C. Diggs Jr. (1922-1998) was the consummate power broker. In a political career spanning 1951 to 1980, Diggs, Michigan's first Black member of Congress, was the only federal official to attend the trial of Emmett Till's killers, worked behind the scenes with Martin Luther King Jr., and founded the Congressional Black Caucus. He was also the chief architect of legislation that restored home rule to Washington, DC, and almost single-handedly ignited the American anti-apartheid movement in the 1960s. Drawing on extensive archival research, including Diggs's rarely seen personal papers, FBI documents, and original interviews with family members and political associates, political scientist Marion Orr reveals that Diggs practiced a politics of strategic moderation. Orr argues that this quiet approach was more effective than the militant race politics practiced by Adam Clayton Powell and more appealing than the conservative Chicago-style approach of William Dawson--two of Diggs's better-known Black contemporaries.Vividly written and deeply researched, House of Diggs is the first biography of Congressman Charles C. Diggs Jr., one of the most consequential Black federal legislators in US history. Congressman Diggs was a legislative lion whose unfortunate downfall punctuated his distinguished career and pushed him and his historic accomplishments out of sight. Now, for the first time, House of Diggs restores him to his much-deserved place in the history of American politics.
Marion Orr is the Frederick Lippitt Professor of Public Policy and professor of political science and urban studies at Brown University.
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An urgent exploration of how antisemitism has shaped Jewish identity and how Jews can reclaim their tradition, by the celebrated White House speechwriter and author of the critically acclaimed Here All Along.
At thirty-six, Sarah Hurwitz was a typical lapsed Jew. On a whim, she attended an introduction to Judaism class and was astonished by what she discovered: thousands of years of wisdom from her ancestors about what it means to be human. That class sparked a journey of discovery that transformed her life.
Years later, as Hurwitz wrestled with what it means to be Jewish at a time of rising antisemitism, she wondered: Where had the Judaism she discovered as an adult been all her life? Why hadn’t she seen the beauty and depth of her tradition in those dull synagogue services and Hebrew school classes she’d endured as a kid? And why had her Jewish identity consisted of a series of caveats and apologies: I’m Jewish, but not that Jewish . . . I’m just a cultural Jew . . . I’m just like everyone else but with a fun ethnic twist—a dash of neurosis, a touch of gallows humor—a little different, but not in a way that would make anyone uncomfortable.
Seeking answers, she went back through time to discover how hateful myths about Jewish power, depravity, and conspiracy have worn a neural groove deep into the world’s psyche, shaping not just how others think about Jews, but how Jews think about themselves. She soon realized that the Jewish identity she’d thought was freely chosen was actually the result of thousands of years of antisemitism and two centuries of Jews erasing parts of themselves and their tradition in the hope of being accepted and safe.
In As a Jew: Reclaiming Our Story from Those Who Blame, Shame, and Try to Erase Us (HarperOne, 2025), Hurwitz documents her quest to take back her Jewish identity, how she stripped away the layers of antisemitic lies that made her recoil from her own birthright and unearthed the treasures of Jewish tradition. With antisemitism raging worldwide, Hurwitz’s defiant account of reclaiming the Jewish story and learning to live as a Jew, without apology, has never been timelier or more necessary.
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A fascinating story of how three musicians, who escaped the Nazis, inspired Iceland's modern classical music.
In Iceland in the 1930s, classical music was only beginning to be seriously practiced, at the same time when musicians of Jewish heritage were fleeing Nazi Germany and Austria. Despite the country's strict immigration policy, three outstanding young musicians were allowed to settle there: Robert Abraham, Heinz Edelstein, and Victor Urbancic. Their influence on Iceland's music scene as conductors, instrumentalists, teachers, and scholars proved invaluable. In Music at World's End: Three Exiled Musicians from Nazi Germany and Austria and Their Contribution to Music in Iceland (SUNY Press, 2025) the first in-depth study of the lives and careers of these three musicians, musicologist Árni Ingólfsson examines their formative years in Germany and Austria, their dramatic escapes from the Nazi regime, and their triumphs and frustrating setbacks in their new homeland, a country in which Jews were virtually unknown. This fascinating case study is a valuable addition to studies of musical exile during World War II and beyond.
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One of Abraham Lincoln's staunchest and most effective allies, Judge David Davis masterminded the floor fight that gave Lincoln the presidential nomination at the 1860 Republican National Convention. This history-changing event emerged from a long friendship between the two men. It also altered the course of Davis's career, as Lincoln named him to the U.S. Supreme Court in 1862.
In David Davis, Abraham Lincoln's Favorite Judge (University of Illinois Press, 2025), Raymond J. McKoski offers a biography of Davis's public life, his impact on the presidency and judiciary, and his personal, professional, and political relationships with Lincoln. Davis lent his vast network of connections, organizational and leadership abilities, and personal persuasiveness to help Lincoln's political rise. When Davis became a judge, he honed an ability to hear each case with complete impartiality, a practice that endeared him to Lincoln but one day put him at odds with the president over important Civil War-era rulings. McKoski details these cases while providing an in-depth account of Davis's role in Lincoln's two unsuccessful campaigns for U.S. Senate and the fateful run for the presidency.
Raymond J. McKoski is a retired Illinois Circuit Judge and adjunct professor at the University of Illinois Chicago School of Law.
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The Royal We (Akashic Books, 2025) is a poetic survey of a time set in a magical city that once was and is no more. It is a memoir written by Roddy Bottum, a musician and artist, that documents through prose his coming of age and out of the closet in 1980s San Francisco, a charged era of bicycle messengers, punk rock, street witches, wheatgrass, and rebellion. The book follows his travels from Los Angeles, growing up gay with no role models, to San Francisco, where he formed Faith No More and went on to tour the world relentlessly, surviving heroin addiction and the plight of AIDS, to become a queer icon.
The book is an elevated wallop of tongue and insight, much more than a tell-all. There are personal tales of historical pinnacles like Kurt and Courtney, Guns N’ Roses, and recaps of gold records and arena rock—but it’s the testimonies of tragedy and addiction and preposterous life-spins that make this work so unique and intriguing. Bottum writes about his dark and harrowing past in a clear-eyed voice that is utterly devoid of self-pity, and his emboldened and confident pronouncements of achievement and unorthodox heroism flow in an unstoppable train that’s both captivating and inspirational.
A remarkable portrayal of a creative individual in emergence, a gay man figuring out how to be a gay man, and a detailed look at the nuance of 1980s pre–tech boom San Francisco, The Royal We will be greatly appreciated by people who loved Kathleen Hanna’s Rebel Girl, Patti Smith’s Just Kids, Hua Hsu’s Stay True, and other memoirs about the artist’s life.
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Speranza: Poems by Jane Wilde (Liverpool UP, 2025) by Dr. Eibhear Walshe and Dr. Eleanor Fitzsimons is the first contemporary edition of the poetry of Jane Wilde, née Elgee, who also wrote as Speranza. Speranza was, in her time, renowned worldwide, with essays, poetry and translated work published in Ireland, England, America and beyond. She was a key figure in the nationalist Young Ireland movement of the 1840s, and her poetry records the hardship experienced by the Irish people - famine and migration in particular. She was also an early advocate for women’s rights, who campaigned for the admission of women to higher education.
This edition, which contains several previously unpublished poems, will make the poetry of this emblematic figure in nineteenth-century Irish writing accessible to a contemporary audience for the first time.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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After 20 years of fighting and failing to get sober using abstinence-based methods, journalist Katie Herzog found a simple, inexpensive, and effective way to take control over alcohol. Part memoir, part guidebook, Drink Your Way Sober: The Science-Based Method to Break Free from Alcohol (Simon and Schuster, 2025) shares Herzog’s recovery journey as well her keen observations of drinking and life. She dives into the science and history of addiction treatment to discover why we treat alcohol use disorder the way we do—and why abstinence-based programs like Alcohol Anonymous don’t always work. Through candid first-person reporting, Herzog outlines a simple guide for others to: use an evidence-based protocol to take control of their drinking and break free from cravings, explore alternatives to AA and other abstinence-based programs, gain support from family and friends, and reap the benefits of a low-alcohol or sober lifestyle, including improved health, relationships, and mental well-being. Blending humor, heartbreak, and refreshing honesty, Drink Your Way Sober offers a relatable and exhaustively researched account of a transformative approach to recovery with tips on how you can drink yourself sober too.
Find Katie's podcast at Blocked and Reported, and more on her new book here.
Emily Dufton is the author of Grass Roots: The Rise and Fall and Rise of Marijuana in America (Basic Books, 2017). Her new book, Addiction, Inc.: Medication-Assisted Treatment and America's Forgotten War on Drugs, will be released next year.
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The difficulty of Jacques Lacan's thought is notorious. The Cambridge Introduction to Jacques Lacan cuts through this difficulty to provide a clear, jargon-free approach to understanding it. The book describes Lacan's life, the context from which he emerged, and the reception of his theory. Readers will come away with an understanding of concepts such as jouissance, the objet a, and the big Other. The book frames Lacan's thought in the history of philosophy and explains it through jokes, films, and popular culture. In this light, Lacan becomes a thinker of philosophical importance in his own right, on a par with Jean-Paul Sartre and Simone de Beauvoir. Lacan's great contribution is the introduction of the unconscious into subjectivity, which results in a challenge to both the psychoanalytic establishment and to philosophers. The Cambridge Introduction to Jacques Lacan provides readers with a way of understanding the nature of Lacan's contribution.
Todd McGowan teaches theory and film at the University of Vermont. He is the author of Embracing Alienation, The Racist Fantasy, Emancipation After Hegel, Capitalism and Desire, and Only a Joke Can Save Us, among other books. He is also the cohost of the Why Theory podcast with Ryan Engley.
Helena Vissing, PsyD, SEP, PMH-C is a Licensed Psychologist practicing in California and Associate Professor at California Institute of Integral Studies. She can be reached at contact@helenavissing.com. She is the author of Somatic Maternal Healing: Psychodynamic and Somatic Treatment of Trauma in the Perinatal Period (Routledge, 2023).
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William Muldoon was an infamous athlete whose prowess, savvy, and chicanery across his six-decade career led him to wealth, cultural importance, and political power. Muldoon, the child of poor Irish immigrants, began wrestling in the 1870s and quickly became one of the most famous athletes of the post–Civil War era. He started acting and modeling as his popularity grew, making him one of the first sports stars to achieve crossover success. After a triumphant stint rehabilitating fallen boxing heavyweight champion John L. Sullivan in 1889, he retired from the ring and began a new career as a fitness impresario, founding an elite gymnasium and remaking himself as a health authority in the press. He became trainer to the rich, famous, and politically powerful, which led to his appointment as chair of the New York State Athletic Commission in the 1920s. From this position, Muldoon exerted his influence over the rules of boxing and wrestling and weaponized his power to maintain segregation in sport.
The Last Gladiator: William Muldoon and the Making of American Sports (U Texas Press, 2025) is a deep, insightful dive into Muldoon’s life and impact, demonstrating the significance of this often-controversial figure in the development of American sports, professional wrestling, and physical and popular culture.
Paul Knepper covered the New York Knicks for Bleacher Report. His first book was The Knicks of the Nineties: Ewing, Oakley, Starks and the Brawlers That Almost Won It All. His next book, Moses Malone: The Life of a Basketball Prophet, will be out on November 1. You can reach Paul at paulknepper@gmail.com and follow him on Twitter @paulieknep.
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In Jón Leifs and the Musical Invention of Iceland (Indiana University Press, 2019), Árni Heimir Ingólfsson provides a striking account of the dramatic career of Iceland's iconic composer. Leifs (1899–1968) was the first Icelander to devote himself fully to composition at a time when a local music scene was only beginning to take form. He was a fervent nationalist in his art, fashioning an idiosyncratic and uncompromising 'Icelandic' sound from traditions of vernacular music with the aim to legitimize Iceland as an independent, culturally empowered nation.
In addition to exploring Leifs's career, Ingólfsson provides detailed descriptions of Leifs's major works and their cultural contexts. Leifs's music was inspired by the Icelandic landscape and includes auditory depictions of volcanos, geysers, and waterfalls. The raw quality of his orchestral music is frequently enhanced by an expansive percussion section, including anvils, stones, sirens, bells, ships' chains, shotguns, and cannons.
Largely neglected in his own lifetime, Leifs's music has been rediscovered in recent years and hailed as a singular and deeply original contribution to twentieth-century music. Jón Leifs and the Musical Invention of Iceland enriches our understanding and appreciation of Leifs and his music by exploring the political, literary and environmental contexts that influenced his work.
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Lady Charlotte Schreiber, Extraordinary Art Collector (Lund Humphries, 2025) emphasises Lady Charlotte Schreiber (1812-1895) — also known as Lady Charlotte Guest, née Bertie — as one of the most significant women in the history of collecting. An extraordinary collector, historian and philanthropist, Charlotte subverted gendered norms and challenged Victorian conventions. This new study establishes Charlotte’s contribution to ceramic history and cultural education, and demonstrates her influential role in transnational artistic networks.
Charting Charlotte’s eventful life, Dr. Caroline McCaffrey-Howarth focuses on her identity as a renowned connoisseur, whose donation of thousands of objects to the Victoria & Albert Museum and the British Museum marked a pioneering move for a female benefactor. Lady Charlotte Schreiber, Extraordinary Art Collector presents unique insight into the social and cultural world of Victorian England and the role of women within this.
This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts.
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In a world increasingly dominated by visual and electronic noise, Robert Waxler and David Beckman's You Say, I Say: Staying Alive with Literature, Language, and Friendship (Rivertown Books, 2025) captures the enduring power of literature-not to resolve the great questions of human existence, but to help us explore those questions in ways that are eye-opening, life-changing, and profound. In September, 1962, two 18-year-old freshmen at Brown University named Bob Waxler and David Beckman first crossed paths. They quickly discovered they had a lot in common, especially an abiding fascination with language, literature, and the life of art. Four years later, as college seniors, they collaborated on a small book of poems, which brought them a flurry of attention, then faded into memory as the two friends began separate life journeys-Bob becoming a professor of literature at a Massachusetts college, David working as an advertising and promotion writer in New York with sidelines as a poet, playwright, and actor. In 2014, an article in the Brown alumni journal rekindled their connection. It sparked an exchange of emails that gradually blossomed into this book-an extended dialogue between two old friends on poetry, life, the passage of time, and the power of the written word. In You Say, I Say, Waxler and Beckman trade observations, opinions, questions, and arguments about the ways in which literature transforms, challenges, disturbs, and inspires us. Spurred by lifetimes largely dedicated to "deep reading," they debate the meaning and value of works ranging from Dante's Inferno and Shakespeare's King Lear to Tolstoy's Death of Ivan Ilych; the poems of Wordsworth, Blake, Coleridge, and Keats; and the works of T.S. Eliot, Kafka, Beckett and Joyce. They often uncover new and surprising facets of classic works in the glare of post-modern experience. And they even exchange a couple of new poems-their own work-triggering reflections on the creative process and its many unexpected twists. Along the way, Waxler and Beckman delve into questions that have haunted generations of readers and critics. And they reveal, directly and indirectly, how encounters with literature have shaped their intellects and their lives.
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Twice Blessed (Fordham University Press, 2025) is a memoir that explores the depths of love, resilience, and the true meaning of family. Stefanie Mercado Altman, Claire Altman, and Stan Altman share an intimate and inspiring story about the bonds that define us, from adoption to caregiving and beyond. When Stefanie was adopted by Claire and Stan, their family was built on love and trust rather than biology. As they navigated the joys and struggles of parenting, they faced challenges that tested their resilience, including Stefanie’s search for identity and connection with her birth mother, Rosa, a gifted artist whose struggles with AIDS cast a long shadow.From the highs of new beginnings to the heartbreak of loss, Twice Blessed captures the complexities of relationships and the sacrifices made in the name of love. The story unfolds with warmth, humor, and honesty, offering a powerful perspective on what it means to belong. Through Stefanie’s journey of self-discovery and the family’s steadfast devotion, the book paints a vivid portrait of compassion and perseverance.To learn more about Twice Blessed visit TwiceBlessed.org.
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Born in Amsterdam in 1946, Professor Shulamit Reinharz grew up amid the lingering shadows of wartime trauma, an experience that shaped her later academic path and her role in the creation of the Hadassah-Brandeis Institute. With Hiding in Holland: A Resistance Memoir (Amsterdam Publishers, 2024), she has crafted a unique form of Holocaust memoir, describing it as a “piano duet” between her father’s extensive writings and her own historical commentary. The result is a careful interplay between memory and historical verification.
The interview also explored Reinhart’s research in Gunzenhausen, the Bavarian town where her father’s story began before he was forced into exile. Today, with no Jewish residents since 1939, Gunzenhausen has become a setting for remembrance projects that Reinhart has actively supported. She spoke of Emmy Hetzner, a retired teacher who initiated a project with her ninth-grade students to research the town’s Jewish history, resulting in a comprehensive online archive. Reinhart’s own involvement with a German-Jewish Dialogue Group has led to symbolic but important acts of reconciliation, such as proposals to mark Jewish names on war memorials with Magen Davids, recovering neglected synagogue stones, and supporting a tree-planting initiative where one tree is dedicated to each Jewish family whose descendants have returned.
Central to Hiding are the interwoven themes of love, education, and hiding. Reinharz recounted how her father’s independence on a Dutch farm enabled him to master the language and build trust with locals. Later, in Amsterdam, he honed useful skills as an auto mechanic, participated in resistance activities, and nurtured enduring bonds. His relationship with Reinharz’s mother, which began in a Zionist youth group in Munich, sustained them despite being separated during periods of hiding. Their commitment to one another was paralleled by friendships with individuals like Laura Dorlacher and the Schroden couple, recognized as Righteous Gentiles, who risked everything to protect him.
Reinharz also reflected on the role of education during the Nazi era, describing how teachers indoctrinated students into antisemitic ideology, extending propaganda beyond the classroom into public rituals and community life. In this way, education became an instrument of hatred, embedding prejudice in young generations.
As the conversation concluded, Reinharz turned to her next project, which will tell her mother’s story as a two-time refugee. Unlike Hiding in Holland, which is built on her father’s testimony, the new work will examine her mother’s displacements across Germany, Holland, and the United States, offering a gendered perspective within Holocaust studies.
The exchange illuminated how Reinharz’s scholarship bridges her roles as academic, daughter, and custodian of memory. Hiding in Holland, already a finalist for the National Jewish Book Award in Holocaust memoirs, stands as both a historical document and a meditation on love, friendship, resilience, and the responsibility to preserve stories across generations.
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“My name has become a horror to all those who want slavery,” declared Jean‑Jacques Dessalines as he announced the independence of Haiti, the most radical nation‑state during the Age of Revolution and the first country ever to permanently outlaw slavery. Enslaved for the first thirty years of his life, Dessalines (c. 1758–1806) joined the revolution that abolished slavery within the French colony. Then he became a general in the colonial army of the new French Republic. When it was discovered that France once again supported slavery, Dessalines declared war on his former allies. Fighting under the slogan “Liberty or Death,” his army forced the French to evacuate in late 1803. At the start of the new year, Dessalines declared independence from France and became the leader of a free Haiti.A hero to Haitians for centuries, Dessalines is portrayed abroad as barbarous and violent. Yet this caricature derives not from facts—as Dr. Julia Gaffield demonstrates with extensive new research—but from the fears of contemporary enslavers. Showcasing the man behind the myths, Dr. Gaffield reveals Dessalines’s deep suffering, warm friendships, and unwavering commitment to destroying slavery, racism, and colonialism, and his bold insistence on his people’s right to liberty and equality.
Our guest is: Dr. Julia Gaffield, who is associate professor of history at William & Mary. She is the author of Haitian Connections in the Atlantic World: Recognition after Revolution; and of I Have Avenged America: Jean-Jacques Dessalines and Haiti’s Fight for Freedom (Yale UP, 2025). She lives in Williamsburg, VA.
Our host is: Dr. Christina Gessler, who is a writing coach and a developmental editor. She is the producer of the Academic Life podcast, and writes the show’s newsletter here
Playlist for listeners:
The First and Last King of Haiti: The Rise and Fall of Henry Christophe
We Refuse: A Forceful History of Black Resistance
The Social Constructions of Race
Never Caught
Living Resistance
We Take Our Cities With Us
Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by downloading and sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 275+ Academic Life episodes? Find them here. And thank you for listening!
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Revolution: Prince, the Band, the Era (Backbeat Books, 2025) is a detailed exploration into the era of Prince's most prolific and groundbreaking music made with considerable inspiration and performed by a unique cadre of musicians he gathered and relentlessly drove to be the sonic, visual, and ideological reflection of his evolving vision. Although being the most self-contained, versatile, and prolific artist of his era, Prince reveled in the band, a multi-racial, intergender unit that acted as both family and loyal acolytes that embodied his ethos, expressed his pathos, and lifted him to rarified heights of pop dominance. This is the story of the genre-shifting, multi-media, trailblazing Prince & the Revolution from their humble inception to their precipitous rise in celebrated hit singles, albums, films, and tours to their controversial and shocking demise.
James Campion is a columnist, essayist, and associate editor for the pop culture magazine The Aquarian Weekly, where he's reported on and interviewed rock stars and reviewed concerts and albums for thirty years. He has also authored three previous books on music: Shout It Out Loud: The Story of KISS's Destroyer and the Making of an American Icon (2015), Accidentally Like a Martyr: The Tortured Art of Warren Zevon (2018), and Take a Sad Song: The Emotional Currency of Hey Jude (2022).
James Campion’s website.
Bradley Morgan is a media arts professional in Chicago and author of U2's The Joshua Tree: Planting Roots in Mythic America (Backbeat Books, 2021) and Frank Zappa's America (LSU Press, 2025). He manages partnerships on behalf of CHIRP Radio 107.1 FM and is the director of its music film festival. His forthcoming book is U2: Until the End of the World (Gemini Books, October 2025).
Bradley Morgan on Facebook and Bluesky.
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Hadi Abdullah's Critical Conditions: My Diary of the Syrian Revolution (DoppelHouse Press, 2025), translated by Alessandro Columbu, is no ordinary diary. It’s a testimony written in the heat of events (demonstrations in Daraa and Homs, the bombardments of Aleppo, sieges, and funerals). Through Hadi’s words, we glimpse the Syrian revolution not through statistics, but through the eyes of someone who was there, who risked his life to record what others tried to silence.
Alessandro’s translation conveys not only the urgency of testimony but also the rhythms of protest chants, the tenderness of Syrian idioms, and the weight of memory. In this episode, we sit down with translator Alessandro Columbu to discuss the challenges of translating a voice born of crisis, the role of grassroots media in preserving truth, and what it means to convey such words into English at a moment when Syria’s story is still unfolding.
Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.
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In his literary biography, Philip Roth: Stung by Life (Yale UP, 2025), Steven J. Zipperstein captures the complex life and astonishing work of Philip Roth (1933–2018), one of America’s most celebrated writers. Born in Newark, New Jersey—where his short stories and books were often set—Roth wrote with ambition and awareness of what was required to produce great literature. No writer was more dedicated to his craft, even as he was rubbing shoulders with the Kennedys and engaging in a spate of famous and infamous romances. And yet, as much as Roth wrote about sex and self, he viewed himself as socially withdrawn, living much like an “unchaste monk” (his words).
Zipperstein explores the unprecedented range of Roth’s work—from “Goodbye, Columbus” and Portnoy’s Complaint to the Pulitzer Prize–winning American Pastoral and The Plot Against America. Drawing on extensive archival materials and over one hundred interviews, including conversations with Roth about his life and work, Zipperstein provides an intimate and insightful look at one of the twentieth century’s most influential writers, placing his work in the context of his obsessions, as well as American Jewishness, freedom, and sexuality.
Interviewee: Steven J. Zipperstein is the Daniel E. Koshland Professor in Jewish Culture and History at Stanford University.
Host: Schneur Zalman Newfield is an Associate Professor of Sociology and Jewish Studies at Hunter College, City University of New York, and the author of Degrees of Separation: Identity Formation While Leaving Ultra-Orthodox Judaism (Temple University Press). Visit him online at ZalmanNewfield.com.
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