Listen to Ori Gersht speak about his novel Ham’s Heaven (Warbler Press, 2025). Inspired by the true story of the first great ape in space, it explores the friendship of an ape and his trainer to examine what we do with animals in the name of progress. Drawing on careful research and echoing the existential questions of Kafka’s “Report to an Academy,” Ham’s Heaven takes us on a journey that is as thrilling as deeply moving—a testament to the bonds that define us, and the progress that so often divides us. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
Ofer Ashkenazi is a Professor of History and the director of the Richard Koebner-Minerva Center for German History at the Hebrew University of Jerusalem. While on sabbatical, in 2025-2026 he is the Mosse Visiting Professor at the University of Wisconsin-Madison. He is the co-author of the recently published monograph Still Lives: Jewish Photography in Nazi Germany (2025) , as well as Anti-Heimat Cinema (2020); Weimar Film and Jewish Identity (2012); and Reason and Subjectivity in Weimar Cinema (2010). He edited volumes and published articles on various topics in German and German-Jewish history including Jewish youth movements in Germany; the German interwar anti-war movement; Cold War memory culture; Jewish migration from and to Germany; and German-Jewish visual culture. Thomas Pegelow Kaplan is a Professor of History and the Louis P. Singer Endowed Chair in Jewish History at the University of Colorado Boulder in the United States. His research focuses on the linguistic, visual, and cultural history of Nazi Germany, modern German-Jewish history, historiography and historical theory, transnational history, and global protest movements in the twentieth century. His recent publications include Taking the Transnational Turn: The German Jewish Press and Journalism Beyond Borders, 1933-1943 [in Hebrew] (Yad Vashem Publications, 2023) and Holocaust Testimonies: Reassessing Survivors’ Voices and their Future in Challenging Times (with Wolf Gruner, Miriam Offer, and Boaz Cohen (Bloomsbury, 2025). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
In Tales of Militant Chemistry (U of California Press, 2025), Alice Lovejoy tells the untold story of film as a chemical cousin to poison gas and nuclear weapons, shaped by centuries of violent extraction. The history of film calls to mind unforgettable photographs, famous directors, and the glitz and hustle of the media business. But there is another tale to tell that connects film as a material to the twentieth century's history of war, destruction, and cruelty. This story comes into focus during World War II at the factories of Tennessee Eastman, where photographic giant Kodak produced the rudiments of movie magic. Not far away, at Oak Ridge, Kodak was also enriching uranium for the Manhattan Project--uranium mined in the Belgian Congo and destined for the bomb that fell on Hiroshima. While the world's largest film manufacturer transformed into a formidable military contractor, across the ocean its competitor Agfa grew entangled with Nazi Germany's machinery of war. After 1945, Kodak's film factories stood at the front lines of a new, colder war, as their photosensitive products became harbingers of the dangers of nuclear fallout. Following scientists, soldiers, prisoners, and spies through Kodak's and Agfa's global empires, Lovejoy links the golden age of cinema and photography to colonialism, the military-industrial complex, radioactive dust, and toxic waste. Revelatory and chilling, Tales of Militant Chemistry shows how film became a weapon whose chemistry irrevocably shaped the world we live in today. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
In the late twentieth century, artists were on the front lines of the culture wars. Leaders of the Christian Right in the U.S. made a national spectacle out of feminist and queer art, blasting it as sacrilegious or pornographic--and sometimes both. On the bully pulpits of television and talk radio, as well as in the halls of Congress, conservatives denounced artists ranging from Robert Mapplethorpe and Judy Chicago to Marlon Riggs and David Wojnarowicz. Conservatives, alarmed by shifting sex and gender norms, collided with progressive artists who were confronting sexism, homophobia, and racism. In Provoking Religion: Sex, Art, and the Culture Wars (Oxford University Press, 2025), Anthony Petro offers a compelling new history of the culture wars that places competing moralities of gender and sexuality alongside competing visions of the sacred. The modern culture wars, he shows, are best understood not as contests pitting religious conservatives against secular activists, but as a series of ongoing historical struggles to define the relationship between the sacred and the political. Through captivating case studies of "subversive" artists, Provoking Religion illuminates the underside of the culture wars, revealing how progressive artists and activists rendered from those most apparently profane aspects of human life-the stuff of conservatives' worst nightmares--their own haunting visions of the sacred. Anthony M. Petro is Associate Professor in the Department of American Studies at University of Notre Dame (effective fall 2025). His first book, After the Wrath of God: AIDS, Sexuality, and American Religion, was a finalist for the Religion Newswriters Association's book award for nonfiction. An early chapter from this book also won the 2012 LGBTQ Religious History Award from the LGBTQ Religious Archives Network. In 2019-2020, Petro was a member of the School of Historical Studies at the Institute for Advanced Study in Princeton, NJ. Clayton Jarrard is a graduate student at NYU's XE: Experimental Humanities & Social Engagement program. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
The legendary Magnum photo agency has long been associated with heroic lone wolf male photographers such as Robert Capa and Henri Cartier-Bresson, roaming the world in search of the “decisive moment” – the perfect shot that captured the essence of a major news story. Nadya Bair’s highly original book The Decisive Network: Magnum Photos and the Postwar Image Market (University of California Press 2020) argues that this idealized portrayal of Magnum occludes the larger networks within which these photographers operated, including the crucial roles performed by often female office staff, by picture editors and corporate clients. She sets out to show that right from the outset, Magnum was also a business operation, one that pioneered modern ideas of branding borrowed from advertising agencies and commercial partners. Drawing on extensive archival work and including numerous images of photo page spreads, The Decisive Network presents Magnum in a novel and distinctive light, as the framer of new global imaginaries that reflected the evolution of post-war capitalism. Nadya Bair is an assistant professor of art history at Hamilton College For digital explorations of the Magnum network, see Nadya’s fascinating website. Duncan McCargo is an eclectic, internationalist political scientist and literature buff: his day job is directing the Nordic Institute of Asian Studies at the University of Copenhagen. Learn more here, here, here, and here. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
Bruce Harvey is a historian and photographer based in Syracuse, NY, who works at the intersection of memory, place, and public history. As an independent consultant, he helps both public and private clients document historic sites--shaping how we remember, preserve, and sometimes say goodbye to the built environment. In this episode, Bruce reflects on what drew him to historical consulting, the art of managing complex projects, and the deeper philosophical questions that animate his work: What do we choose to remember? And why? We discuss the beauty and impermanence of old buildings and landscapes, Bruce’s social mission of preserving memory for future generations, and the unique challenges of working in a field where history, economics, and policy meet. Along the way, he shares insights from his work with the Historic American Buildings Survey (HABS), the Historic American Engineering Record (HAER), and the Historic American Landscapes Survey (HALS), programs with their own rich histories rooted in New Deal ideals of public service and economic recovery. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
In Too Good to Get Married: The Life and Photographs of Miss Alice Austen (Fordham University Press, 2025) by Dr. Bonnie Yochelson, explore Gilded Age New York through the lens of Alice Austen, who captured the social rituals of New York’s leisured class and the bustling streets of the modern city. Celebrated as a queer artist, she was this and much more.Alice Austen (1866–1952) lived at Clear Comfort, her grandparent’s Victorian cottage on Staten Island, which is now a National Historic Landmark. As a teenager, she devoted herself to photography, recording what she called “the larky life” of tennis matches, yacht races, and lavish parties.When she was 25 and expected to marry, Austen used her camera to satirize gender norms by posing with her friends in their undergarments and in men’s clothes, “smoking” cigarettes, and feigning drunkenness. As she later remarked, she was “too good to get married.” Austen embraced the rebellious spirit of the “New Woman,” a moniker given to those who defied expectations by pursuing athletics, higher education, or careers. She had romantic affairs with women, and at 31, she met Gertrude Tate, who became her life partner. Briefly, Austen considered becoming a professional photographer. She illustrated Bicycling for Ladies, a guide written by her friend Violet Ward, and she explored the working-class neighborhoods of Manhattan to produce a portfolio, “Street Types of New York.” Rejecting the taint of commerce, however, she remained within the confines of elite society with Tate by her side.Although interest in Austen has accelerated since 2017, when the Alice Austen House was designated a national site of LGBTQ history, the only prior book on Austen was published in 1976. Copiously illustrated, Too Good to Get Married fills the need for a fresh and deeply researched look at this skillful and witty photographer. Through analysis of Austen’s photographs, Yochelson illuminates the history of American photography and the history of sexuality. This interview was conducted by Dr. Miranda Melcher whose book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. You can find Miranda’s interviews on New Books with Miranda Melcher, wherever you get your podcasts. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
Chris Stowers, longtime photographer, credits a fellow journalist for the title of his latest memoir, Shoot, Ask...and Run (Earnshaw, 2025). The journalist’s advice to a young Chris, just starting out, went like this. Shoot: Take the photo when the opportunity arises. Then, if someone notices that you took a photo, “ask” for permission to use the photo. Finally, if the subject seems annoyed, “run”...particularly if he or she has a gun. Shoot, Ask...and Run is the second memoir from Chris Stowers, who previously joined the podcast to talk about his first memoir, Bugis Nights (Earnshaw: 2023). Chris is a photojournalist based in Asia. He has traveled, lived and worked in more than seventy countries. His work has appeared in most major international newspapers and magazines, among them: Time, Newsweek, The Economist, Forbes, Businessweek and The New York Times. Listen to Chris’s first interview, on Bugis Nights! You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books. Follow on Twitter at @BookReviewsAsia. Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
A haunting image of an unnamed Native child and a recovered story of the American West In 1868, celebrated Civil War photographer Alexander Gardner traveled to Fort Laramie to document the federal government’s treaty negotiations with the Lakota and other tribes of the northern plains. Gardner, known for his iconic portrait of Abraham Lincoln and his visceral pictures of the Confederate dead at Antietam, posed six federal peace commissioners with a young Native girl wrapped in a blanket. The hand-labeled prints carefully name each of the men, but the girl is never identified. As The Girl in the Middle: A Recovered History of the American West (Princeton University Press, 2025) goes in search of her, it draws readers into the entangled lives of the photographer and his subjects. Martha A. Sandweiss paints a riveting portrait of the turbulent age of Reconstruction and westward expansion. She follows Gardner from his birthplace in Scotland to the American frontier, as his dreams of a utopian future across the Atlantic fall to pieces. She recounts the lives of William S. Harney, a slave-owning Union general who earned the Lakota name “Woman Killer,” and Samuel F. Tappan, an abolitionist who led the investigation into the Sand Creek massacre. And she identifies Sophie Mousseau, the girl in Gardner’s photograph, whose life swerved in unexpected directions as American settlers pushed into Indian Country and the federal government confined Native peoples to reservations. Spinning a spellbinding historical tale from a single enigmatic image, The Girl in the Middle reveals how the American nation grappled with what kind of country it would be as it expanded westward in the aftermath of the Civil War. Martha A. Sandweiss is professor emerita of history at Princeton University, where she is founding director of the Princeton & Slavery Project. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
In The People of the Book and the Camera: Photography in the Hebrew Novel (Syracuse UP, 2022), Amihay offers a pioneering study of the unique nexus between literature and photography in the works of Hebrew authors. Exploring the use of photography--both as a textual element and through the inclusion of actual images-- Amihay shows how the presence of visual elements in a textual work of fiction has a powerful subversive function. Contemporary Hebrew authors have turned to photography as a tool to disrupt narratives and give voice to marginalized sectors in Israel, including women, immigrants, Mizrahi Israelis, LGBTQ+ individuals, second-generation Holocaust survivors, and traumatized army veterans. Amihay discusses standard novels alongside graphic novels, challenging the dominance of the written word in literature. In addition to providing a poetic analysis of imagetext pages, Amihay addresses the social and political issues authors are responding to, including gender roles, Zionism, the ethnic divide in Israel, and its Palestinian minority. In exploring these avant-garde novels and their authors, Amihay elevates their significance and calls for a more expansive definition of canonical Hebrew literature. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
Over the past decade Micaiah Carter has established himself as one of the most exciting and admired young photographers working in the field of portraiture and fashion. With a vision all his own, Carter's images are preternaturally sophisticated. His lighting is intentional but not attention-seeking, and his subjects always seem fully themselves, whether he’s photographing a celebrity, a musician, or a family member. Micaiah’s portraits are sincere, dignified representations of the sitters while staying true to his distinctive aesthetic. His stylized ideas and assiduous attention to color and light have culminated in a body of work that feels timeless and pertinent at the same time. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
Photography emerged in the 1840s in the United States, and it became a visual medium that documents the harsh realities of enslavement. Similarly, the photography culture grew during the Civil War, and it became an important material that archived this unprecedented war. Deborah Willis's The Black Civil War Soldier: A Visual History of Conflict and Citizenship (New York University Press, 2021) contains rarely seen letters and diary notes from Black men and women and photographs of Black soldiers who fought and died in this war. These ninety-nine images reshape African American narratives. The Black Civil War Soldier offers an opportunity to experience the war through their perspectives. N'Kosi Oates is a Ph.D. candidate in Africana Studies at Brown University. Find him on Twitter at NKosiOates. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
They call it Spanish Harlem or sometimes just El Barrio. But for over a century, East Harlem has been a melting pot of many ethnic groups, including Puerto Rican, Dominican, Cuban, and Mexican immigrants, as well as Italian, Jewish, and African American communities. Though gentrification is rapidly changing the face of this section of upper Manhattan, it is still full of sites that attest to its rich cultural heritage. Now East Harlem native Christopher Bell takes you on a tour of his beloved neighborhood. He takes you on three separate walking tours, each visiting a different part of East Harlem and each full of stories about its theaters, museums, art spaces, schools, community centers, churches, mosques, and synagogues. You'll also learn about the famous people who lived in El Barrio, such as actress Cecily Tyson, opera singer Marian Anderson, portrait artist Alice Neel, incomparable poet Julia De Burgos, and King of Latin Music Tito Puente. Lavishly illustrated with over fifty photos, Walking East Harlem: A Neighborhood Experience (Rutgers University Press, 2024) points out not only the many architectural and cultural landmarks in the neighborhood but also the historical buildings that have since been demolished. Whether you are a tourist or a resident, this guide will give you a new appreciation for El Barrio's exciting history, cultural diversity, and continued artistic vibrancy. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
Perhaps no American landscape is as iconic as the rainbow rocks of Arizona's Grand Canyon. Yet, as the geographer Yolonda Youngs argues, the Grand Canyon many people think they know is but one sliver of the story of the wider Grand Canyon as a historical and physical place. In Framing Nature: The Creation of an American Icon at the Grand Canyon (U Nebraska Press, 2024), Youngs, a Cal State - San Bernardino professor, tracks the history of the canyon from the perspective of spatial, physical, and visual culture studies. In doing so, she shows how the ways we think of a place shape how humans use that place. In the case of the Grand Canyon, that means the "classic" perspective that people recognize of the canyon from the south rim, means that changes to the riparian landscape hundreds of feet below often go unnoticed. Wider changes in American visual culture, including the development of postcards, film, and television, also shaped tourist expectations - visitors expecting to see rapids, for instance, rather than the fern groves and waterfalls which also form critical parts of the wider Grand Canyon environment. As the cliche goes, a picture is worth a thousand words, and in the example of the Grand Canyon, those same storytelling pictures also shape use in ways that continue up through the present day. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
An expressive book of prose and photographs that reveals the powerful ways our everyday places support our shared belonging. Where would you take someone on a guided tour of your neighborhood? In The Cities We Need: Essential Stories of Everyday Places (MIT Press, 2024), photographer and urbanist Gabrielle Bendiner-Viani introduces us to the complex, political, and eminently personable stories of residents who answered this question in Brooklyn, New York, and Oakland, California. Their universal stories and Bendiner-Viani’s evocative images illuminate what’s at stake in our everyday places—from diners to churches to donut shops. In this culmination of two decades of research and art practice, Bendiner-Viani intertwines the personal, historical, and photographic to present us with placework, the way that unassuming places foster a sense of belonging and, in fact, do the essential work of helping us become communities. In this unique book, Bendiner-Viani makes visible how seemingly unimportant places can lay the foundation for a functional interconnected society, so necessary for both public health and social justice. The Cities We Need explores both what we gain in these spaces and what we risk losing as they are threatened by gentrification, large-scale development, and most recently the COVID-19 pandemic. Ultimately, Bendiner-Viani shows us how to understand ourselves as part of a shared society, with a shared fate; she shows us that everyday places can be the spaces of liberation in which we can build the cities we need. Gabrielle Bendiner-Viani is a visual urbanist and cofounder of the interdisciplinary studio Buscada. She is the author of Contested City, a finalist and honoree for the Brendan Gill Prize. A widely exhibited photographer, she holds a doctorate in environmental psychology from the Graduate Center, CUNY. Caleb Zakarin is editor at the New Books Network. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
In a masterpiece of historical detective work, Sarah Lewis exposes one of the most damaging lies in American history. There was a time when Americans were confronted with the fictions shoring up the nation’s racial regime and learned to disregard them. The true significance of this hidden history has gone unseen—until now. The surprising catalyst occurred in the nineteenth century when the Caucasian War—the fight for independence in the Caucasus that coincided with the end of the US Civil War—revealed the instability of the entire regime of racial domination. Images of the Caucasus region and peoples captivated the American public but also showed that the place from which we derive “Caucasian” for whiteness was not white at all. Cultural and political figures ranging from P. T. Barnum to Frederick Douglass, W. E. B. Du Bois to Woodrow Wilson recognized these fictions and more, exploiting, unmasking, critiquing, or burying them. To acknowledge the falsehood at the core of racial order proved unthinkable, especially as Jim Crow and segregation took hold. Sight became a form of racial sculpture, vision a knife excising what no longer served the stability of racial hierarchy. That stability was shaped, crucially, by what was left out, what we have been conditioned not to see. Groundbreaking and profoundly resonant, The Unseen Truth: When Race Changed Sight in America (Harvard University Press, 2024) shows how visual tactics have long secured our regime of racial hierarchy in spite of its false foundations—and offers a way to begin to dismantle it. Sarah Lewis is the founder of Vision & Justice and the John L. Loeb Associate Professor of the Humanities and Associate Professor of African and African American Studies at Harvard University. She is the author of The Unseen Truth: When Race Changed Sight in America (Harvard University Press), the bestseller, The Rise: Creativity, the Gift of Failure, and the Search for Mastery (Simon & Schuster), Lewis is the editor of the award-winning volumes, “Vision & Justice” by Aperture magazine and the anthology on the work of Carrie Mae Weems (MIT Press). She is the organizer of the landmark Vision & Justice Convening at Harvard University, and co-editor of the Vision & Justice Book Series, launched in partnership with Aperture. Her awards include the Infinity Award, the Andrew Carnegie Fellowship, a Cullman Fellowship, the Freedom Scholar Award (ASALH), the Arthur Danto/ASA Prize from the American Philosophical Association, and the Photography Network Book Prize. Her writing has been published in the New Yorker, the New York Times, Artforum, and the New York Review of Books, and her work has been the subject of profiles from The Boston Globe to the New York Times. Lewis is a sought-after public speaker, with a mainstage TED talk that received over three million views. She received her BA from Harvard University, an MPhil from Oxford University, an MA from Courtauld Institute of Art, and her PhD from Yale University. She lives in New York City and Cambridge, MA. Reighan Gillam is Associate Professor in the Department of Latin American, Latino, and Caribbean Studies at Dartmouth College. Her research examines the ways in which Afro-Brazilian media producers foment anti-racist visual politics through their image creation. She is the author of Visualizing Black Lives: Ownership and Control in Afro-Brazilian Media (University of Illinois Press). Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
Joseph Heathcott discusses his latest book, Global Queens: An Urban Mosaic (Fordham University Press, 2023), an engaging hybrid of text and visual that features a trove of his personal photography of urban spaces throughout NYC's most diverse borough. Including: airports, overgrown yards, possibly the last living speakers of indigenous languages, the Queens Public Library, racial covenants and civil resistance in early real estate development, and much more that, like the borough itself, is centerless, mundane, surprising, vibrant, challenging, and beautifully contradictory. Joseph Heathcott is Chair of Urban and Environmental Studies at The New School. His work has appeared in a wide range of venues, including books, academic journals, magazines, exhibits, and juried art shows. His most recent books include Urban Infrastructure: Historical and Social Dimensions of an Interconnected World; The Routledge Handbook of Infrastructure Design: Global Perspectives from Architectural History; and Capturing the City: Photographs from the Streets of St. Louis, 1900-1930. Tyler Thier is a writing administrator, adjunct professor, and freelance critic. His research is concerned with violent writings and controversial media -- namely, content produced by hate groups and other extremists. He writes a lot about visuals (specifically "bad" or otherwise maligned pieces of pop culture) and how they shape our social realities. For better and worse. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
Queer Obscenity: Erotic Archives in Dictatorial Spain (Stanford University Press, 2024) takes us inside the archive to demonstrate how the incongruities of the Primo de Rivera (1923–1930) and Franco (1939–1975) regimes were manifested in the regulation of erotic material cultures. Focusing on amateur pornographers and their confiscated and censored erotica, this book adds a rich complexity to both the history and theory of pornography, demonstrating that surveillance depends entirely on documenting intimacy and preserving transgression. This book sheds new light on the production, consumption, and circulation of pornography and erotica in Spain over the course of the twentieth century, drawing connections between intimate queer desires, preservation, and erasure. Javier Fernández-Galeano is Ramón y Cajal postdoctoral fellow at Universitat de València in Spain. Tatiana Klepikova is a postdoctoral fellow at the University of Regensburg, where she leads a research group on queer literatures and cultures under socialism. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
Losing a pet has always been a unique kind of pain. No set rituals exist to help provide closure when pets die, there are no readily shared passages from spiritual texts, no community of compassion to surround the mourner and help alleviate grief. And there is a sense of taboo, that it is somehow socially incorrect to mourn an animal as one would a person and feel the pain so intensely. Faithful Unto Death: Pet Cemeteries, Animal Graves, and Eternal Devotion (Thames & Hudson, 2024) by Dr. Paul Koudounaris confronts this taboo by telling the stories of people who have memorialised their beloved animals. The book addresses the moral and spiritual prejudices that have historically surrounded animals, and reveals how, in the face of these prejudices, a movement started in the nineteenth century to treat pets with dignity even in death. It is a fight that is still far from over, but the triumphs that are revealed as the book unfolds, found in burial grounds small to grand and on monuments humble to huge, possess the power to touch everyone who has ever cared for an animal companion. In tracing the historical evolution of pet cemeteries through the stories of the people and pets that have been integral to their development, this book reveals both similarities in the way we mourn animal companions and a stunning cultural diversity. From humble Cherry in London to pets of the rich and powerful, this is a history filled with inspiration, wild eccentricity, and eternal love. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography
The Loneliness Room: A Creative Ethnography of Loneliness (Manchester University Press, 2024) by Dr. Sean Remond is a remarkably unique book takes the conceit of the loneliness room to show how everyday artistic practice opens up loneliness to new definitions and new understandings. Refusing to pathologise loneliness, the book draws on the creative submissions supplied by its participants to demonstrate that being lonely can mean different things to different people in differing contexts. Filled with the photographs, paintings, videos, songs, and writings of its participants, The loneliness room is a deeply moving account of loneliness today. This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars. Learn more about your ad choices. Visit megaphone.fm/adchoices Support our show by becoming a premium member! https://newbooksnetwork.supportingcast.fm/photography