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New Books in Science Fiction
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Bestselling and award-winning science fiction authors talk about their new books and much more in candid conversations with host Rob Wolf.
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Today I talked to Benjamin Resnick about his novel Next Stop (Simon and Schuster, 2024)
A hole opens in the universe and suddenly consumes a building, then a neighborhood, and then the entire country of Israel. Conspiracies and antisemitic paranoia simmer, violence erupts, and life for Jews around the globe becomes even more hate filled. But Ethan and Ella, both Jewish, meet and fall in love in an unnamed American city. Their relationship has its challenges, including those involving Ella’s seven-year-old son, but their biggest struggle is trying to survive. Then thousands of airplanes disappear, borders close, and the world unravels more. Drones and robotic dogs patrol the streets and Jews are forced to live in a single neighborhood, slyly named after the historical Pale of Settlement. Some Jews escape to underground cities and others are join militias and resistance efforts, but Ella and Ethan are trying to find things to smile about in this thought-provoking, dystopian novel about cultural memory, societal crisis, and living in an upside-down world.
Benjamin Resnick is a writer and the rabbi of the Pelham Jewish Center. Before joining the PJC in 2021, he served as Rav Beit HaSefer at Solomon Schechter Day School of Metropolitan Chicago and as Rabbi and Education Director at Congregation Ahavas Achim in Newburyport, Massachusetts. Resinick majored in Literary Arts at Brown University in 006 and was ordained at the Jewish Theological Seminary in 2014. He has written nonfiction for multiple publications, including the Washington Post, The Forward, Tablet, Modern Judaism and My Jewish Learning. Benjamin is married to journalist Philissa Cramer, who is currently editor-in-chief of the Jewish Telegraphic Agency. They have two boys, Jonah and Gabriel. In his free time, he enjoys gardening, playing squash, and the Chicago Cubs.
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It's been almost five years since a wrathful extraterrestrial called Rex perpetrated a mass shooting that caused hundreds of millions of people to take their own lives. The world has mourned its losses and moved on, trying to adhere to The Pledge to save themselves from more violence. But when a solar storm conceals the dangerous activities being done at the hotel, Tia must figure out who these strangers are and what they are doing before the shooting's anniversary.
Are these strange and beautiful people adhering to The Pledge? Or are they creating their own violent and nefarious rules in order to change the world? Tia has only days to determine whose side they are on-not to mention, whose side she is on-but first, she must stay alive.
CK Westbrook’s books are spellbinding and most enchanting. Just when you think you are reading a sci fi book filled with fantastical stories about extra-terrestrial characters who can control all things earthly, it dawns on you that the author is trying to convey something very important about our planet.
A woman of many talents—a mystery writer, an environment expert on space and space debris and someone with a superb imagination—CK Westbrook knows how to tell a story which is what makes her books come to life.
As she begins introducing new characters in The Aftermath (4 Horsemen, 2024) who were not known to readers previously, I felt as though I knew what Tia was experiencing as she walked down the street with row-houses in a neighborhood that was reminiscent of her childhood, or was it? Where did she grow up and what does growing up mean in Tia’s world? As the story unfolds these questions become very relevant.
Will there be a fifth book? Will readers have an opportunity to learn more about Rex, Kate, Sinclair, Tia and Ian? I hope with great anticipation that there will be other “teachers” CK Westbrook introduces us to so we can learn more about ourselves, space and her fantasy world that is peppered with truth and fiction. Westbrook crafted a world that feels both post-apocalyptic and very real to the present. And oh man, when that big reveal hits... watch out. - P.C. Nottingham, sci-fi author of the Earthquake War series
Westbrook has created an imaginative and surprising post-shooting world with suspenseful twists, while providing fascinating commentary on society through the revelations and choices Tia, the main character, confronts. - Chelsea Henderson, author of Glacial, The Inside Story of Climate Politics
Westbrook’s books are spellbinding and enchanting. - Karyne Messina, Ed.D. author, psychoanalyst, and podcast host for The New Books Network.
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When three people in Philadelphia inhale dust developed by a scientist who has discovered parallel universes, they are transported into an interdimensional no-man's-land that is populated by supernatural beings. From there, they go on to an alternate-future version of Philadelphia—a frightening dystopian nation-state in which citizens are numbered, not named. How will they escape? In The Heads of Cerberus and Other Stories (MIT Press, 2024), introduced by Dr. Lisa Yaszek, you will find this world-bending story as well as five others written by Francis Stevens, the pseudonym of Gertrude Barrows Bennett, a pioneering science fiction and fantasy adventure writer from Minneapolis who made her literary debut at the precocious age of 17.
Often celebrated as “the woman who invented dark fantasy,” Bennett possessed incredible range; her groundbreaking stories—produced largely between 1904 and 1919—suggest that she is better understood as the mother of modern genre fiction writ large. Bennett's work has anticipated everything from the work of Philip K. Dick to Superman comics to The Hunger Games, making it as relevant now as it ever was.
Francis Stevens (Gertrude Barrows Bennett, 1884-1948) was the first American woman to publish widely in fantasy and science fiction. Her five short stories and seven longer works of fiction, all of which appeared in pulp magazines such as Argosy, All-Story Weekly, and Weird Tales, would influence everyone from H.P Lovecraft to C.L. Moore.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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A different kind of Star Trek television series debuted in 1993. Deep Space Nine was set not on a starship but a space station near a postcolonial planet still reeling from a genocidal occupation. The crew was led by a reluctant Black American commander and an extraterrestrial first officer who had until recently been an anticolonial revolutionary. DS9 extended Star Trek’s tradition of critical social commentary but did so by transgressing many of Star Trek’s previous taboos, including religion, money, eugenics, and interpersonal conflict. DS9 imagined a twenty-fourth century that was less a glitzy utopia than a critical mirror of contemporary U.S. racism, capitalism, imperialism, and heteropatriarchy.
Thirty years after its premiere, DS9 is beloved by critics and fans but remains marginalised in scholarly studies of science fiction. Drawing on cultural geography, Black studies, and feminist and queer studies, A Different Trek: Radical Geographies of Deep Space Nine (University of Nebraska Press, 2023) by Dr. David Seitz is the first scholarly monograph dedicated to a critical interpretation of DS9’s allegorical world-building. If DS9 has been vindicated aesthetically, this book argues that its prophetic, place-based critiques of 1990s U.S. politics, which deepened the foundations of many of our current crises, have been vindicated politically, to a degree most scholars and even many fans have yet to fully appreciate.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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n this special Star Trek Day episode on the New Books Network, hosted by Dessy Vassileva from Vernon Press, we celebrate over 55 years of Star Trek with a deep dive into the book Star Trek: Essays Exploring the Final Frontier (Vernon Press, 2023). Co-editors Emily Strand and Amy H. Sturgis join the discussion to explore how Star Trek has shaped science fiction and contributed to broader academic and cultural conversations around speculative fiction.
The anthology, unlike many works that focus on specific parts of the franchise or narrow perspectives, offers a multidisciplinary look at Star Trek, with contributions from scholars across disciplines. From the franchise’s 1966 debut to its latest incarnations, the book covers its influence on fandom, its philosophical and societal implications, and its exploration of contemporary issues such as post-humanism and conspiracy theories in Voyager. The co-editors emphasize Star Trek’s unique ability to address diverse topics and inspire action, both in academic circles and fan communities.
The origins of the book trace back to an invitation from Vernon Press, when Emily approached Amy for a collaboration that eventually resulted in two separate volumes—one on Star Wars and one on Star Trek. Both books have garnered significant academic interest, and the co-editors aimed to create works accessible to scholars, students, and fans alike.
In this episode, Amy and Emily also reflect on their personal journeys into science fiction, from Amy’s early exposure to Star Trek through her family, to Emily’s adult discovery of the franchise after a passion for speculative fiction ignited by Harry Potter. Their conversation highlights Star Trek’s ability to continue resonating with global audiences, addressing issues of diversity, social justice, and human potential in an ever-evolving narrative universe.
Listeners interested in the sister volume on Star Wars can check out the related podcast episode here: Star Wars: Essays Exploring a Galaxy Far, Far Away.
Vernon Press – Bridging Scholarly Ideas and Global Readership
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In The People of the Ruins (originally published in 1920), Edward Shanks imagines England in the not-so-distant future as a neo mediaeval society whose inhabitants have forgotten how to build or operate machinery. Jeremy Tuft is a physics instructor and former artillery officer who is cryogenically frozen in his laboratory only to emerge after a century and a half to a disquieting new era. Though at first Tuft is disconcerted by the failure of his own era's smug doctrine of Progress, he eventually decides that he prefers the post civilised life. But, when the northern English and Welsh tribes invade, Tuft must set about reinventing weapons of mass destruction.
One of the most critically acclaimed and popular postwar stories of its day, The People of the Ruins captured a feeling that was common among those who had fought and survived the Great War: haunted by trauma and guilt, its protagonist feels out of time and out of place, unsure of what is real or unreal. Shanks implies in this seminal work, as Dr. Paul March-Russell explains in the book's introduction, that the political system was already corrupt before the story began, and that Bolshevism and anarchism—and the resulting civil wars—merely accelerated the world's inevitable decline.
A satire of Wellsian techno-utopian novels, The People of the Ruins is a bold, entertaining, and moving postapocalyptic novel contemporary readers won't soon forget.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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For years, fans have been clamoring for novels about the Horus Heresy - the bloody civil war that set Space Marine against Space Marine and nearly spelled the end of mankind at the hands of the traitor Horus. False Gods takes the epic story onwards as Horus struggles to keep his armies in line and the seeds of his downfall are sown.
Join us as we speak with Graham McNeill about one of his several contributions to the Horus Heresy series, False Gods!
Graham McNeill, currently a freelance writer, has written for Games Workshop and for Riot Games in Los Angeles. His Horus Heresy novel, A Thousand Sons, was a New York Times bestseller, and Empire, the second novel in the Sigmar trilogy, won the 2010 David Gemmell Legend Award for best fantasy novel. You can visit Graham’s website here: https://graham-mcneill.com/
Michael Morales is Professor of Biblical Studies at Greenville Presbyterian Theological Seminary, and the author of The Tabernacle Pre-Figured: Cosmic Mountain Ideology in Genesis and Exodus, and Who Shall Ascend the Mountain of the Lord?: A Biblical Theology of Leviticus, and Exodus Old and New: A Biblical Theology of Redemption, and Numbers 1-19, Numbers 20-36. He can be reached at mmorales@gpts.edu
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'Star Wars' is a global phenomenon that in 2022 celebrated its 45th year of transmedia storytelling, and it has never been more successful than it is today. More 'Star Wars' works than ever are currently available or in simultaneous development, including live-action and animated series, novels, comics, and merchandise, as well as the feature films for which the franchise is best known. 'Star Wars' fandom is worldwide, time-tested, and growing; academic interest in the franchise, both inside and outside of the classroom, is high. This accessible and multidisciplinary anthology covers topics across the full history of the franchise.
With a range of essays by authors whose disciplines run from culture and religious studies to film, feminism, and philology, Star Wars: Essays Exploring a Galaxy Far, Far Away (Vernon Press, 2023) speaks to academics in the field, students in the classroom, and anyone looking to broaden their understanding and deepen their appreciation for 'Star Wars'.
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In his new story collection Convergence Problems (DAW Books, 2024), Wole Talabi investigates the rapidly changing role of technology and belief in our lives as we search for meaning, for knowledge, for justice; constantly converging on our future selves. In “An Arc of Electric Skin,” a roadside mechanic seeking justice volunteers to undergo a procedure that will increase the electrical conductivity of his skin by orders of magnitude. In “Blowout,” a woman races against time and a previously undocumented geological phenomenon to save her brother on the surface of Mars. In “Ganger,” a young woman trapped in a city run by machines must transfer her consciousness into an artificial body and find a way to give her life purpose. In “Debut,” Nairobi-based technical support engineer tries to understand what is happening when an AI art system begins malfunctioning in ways that could change the world. The sixteen stories of Convergence Problems, which include work published for the first time in this collection, rare stories, and recently acclaimed work, showcase Talabi at his creative best: playful and profound, exciting and experimental, always interesting.
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It’s the UConn Popcast, and today we discuss Netflix’s new screen adaptation of Chinese science fiction author Liu Cixin’s Three Body trilogy. We discuss the battle between the eye and the idea in film and television science fiction, and whether the new show strikes a successful balance. We consider some of the challenges involved in adapting this distinctively Chinese literary work for a non-Chinese audience, and what might have been lost in doing so. And we think more broadly about the genre of hard science fiction: to whom does it appeal and what is it trying to accomplish?
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Sixteen-year-old Odile is an awkward, quiet girl vying for a coveted seat on the Conseil. If she earns the position, she'll decide who may cross her town's heavily guarded borders. On the other side, it's the same valley, the same town. Except to the east, the town is twenty years ahead in time. To the west, it's twenty years behind. The towns repeat in an endless sequence across the wilderness.
When Odile recognizes two visitors she wasn't supposed to see, she realizes that the parents of her friend Edme have been escorted across the border from the future, on a mourning tour, to view their son while he's still alive in Odile's present.
Edme--who is brilliant, funny, and the only person to truly see Odile--is about to die. Sworn to secrecy in order to preserve the timeline, Odile now becomes the Conseil's top candidate. Yet she finds herself drawing closer to the doomed boy, imperiling her entire future.
A breathlessly moving "unique take on the intersection of fate and free will" (Nikki Erlick, author of The Measure), The Other Valley (Astria Books, 2024) is "a stellar debut, full of heartbreak and hope wrapped up in gorgeous prose" (Christina Dalcher, author of Vox).
Scott Alexander Howard lives in Vancouver, British Columbia. He has a PhD in philosophy from the University of Toronto and was a postdoctoral fellow at Harvard, where his work focused on the relationship between memory, emotion, and literature. The Other Valley is his first novel.
Jan Zwicky, The Long Walk
Morgan Talty, Fire Exit
Lily Wang, Silver Repetition
Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
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Kalpavigyan—science fiction written to excite Bengali speakers about science, as well as to persuade them to evolve beyond the limitations of religion, caste, and class—became popular in the early years of the twentieth century. Translated into English for the first time, in The Inhumans and Other Stories (MIT Press, 2024) you'll discover The Inhumans (1935), Hemendrakumar Roy's satirical novella about a lost race of Bengali supermen in Uganda. Also included are Jagadananda Ray's “Voyage to Venus” (1895), Nanigopal Majumdar's “The Mystery of the Giant” (1931), and Manoranjan Bhattacharya's “The Martian Purana” (1931). The stories were selected and translated by Dr. Bohdisattva Chattopadhyay.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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At the moment when Voyager 1 is launched into space carrying its famous golden record, a baby of unusual perception is born to a single mother in Philadelphia. Adina Giorno is tiny and jaundiced, but she reaches for warmth and light. As a child, she recognizes that she is different: She possesses knowledge of a faraway planet. The arrival of a fax machine enables her to contact her extraterrestrial relatives, beings who have sent her to report on the oddities of Earthlings.
For years, as she moves through the world and makes a life for herself among humans, she dispatches transmissions on the terrors and surprising joys of their existence. Then, at a precarious moment, a beloved friend urges Adina to share her messages with the world. Is there a chance she is not alone?
Marie-Helene Bertino's Beautyland (FSG, 2024) is a novel of startling originality about the fragility and resilience of life on our Earth and in our universe. It is a remarkable evocation of the feeling of being in exile at home, and it introduces a gentle, unforgettable alien for our times.
Marie-Helene Bertino is the author of the novels PARAKEET (New York Times Editors’ Choice) and 2 A.M. AT THE CAT’S PAJAMAS (NPR Best Books 2014), and the story collection SAFE AS HOUSES (Iowa Short Fiction Award). Her work has appeared in The New York Times, Electric Literature, Tin House, McSweeneys, and elsewhere. She has been awarded The Frank O’Connor International Short Story Fellowship in Cork, Ireland, The O. Henry Prize, The Pushcart Prize, fellowships from MacDowell, Hedgebrook Writers Colony, The Center For Fiction NYC, and Sewanee Writers Conference. Her work has twice been featured on NPR’s “Selected Shorts” program. She currently teaches in the Creative Writing program at Yale University.
Recommended Books:
Tea Obreht, The Morning Side
Diana Khoi Nguyen, Root Fractures
Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro Against World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
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What if HIV started spreading in the early 1500s rather than the late 1900s? Without modern medicine, anybody who catches HIV is going to die. In Wages of Sin (Caezik SF & Fantasy, 2024), by Dr. Harry Turtledove, a patriarchal society reacts to this devastating disease in the only way it knows how: it sequesters women as much as possible, limiting contacts between the sexes except for married couples. While imperfect, such drastic actions do limit the spread of the disease.
The ‘Wasting’ (HIV) has caused devastating destruction throughout the known world and severely limited the development of technology as well, creating a mid-nineteenth century England and London almost unrecognisable to us. This is the world Viola is born into. Extremely intelligent and growing up in a house full of medical books which she reads, she dreams of travelling to far-off places, something she can only do via books since her actions and movements are severely restricted by both law and custom.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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A slender novel of epic power, Orbital (Atlantic Monthly Press, 2023) deftly snapshots one day in the lives of six women and men hurtling through space--not towards the moon or the vast unknown, but around our planet. Selected for one of the last space station missions of its kind before the program is dismantled, these astronauts and cosmonauts--from America, Russia, Italy, Britain, and Japan--have left their lives behind to travel at a speed of over seventeen thousand miles an hour as the earth reels below. We glimpse moments of their earthly lives through brief communications with family, their photos and talismans; we watch them whip up dehydrated meals, float in gravity-free sleep, and exercise in regimented routines to prevent atrophying muscles; we witness them form bonds that will stand between them and utter solitude. Most of all, we are with them as they behold and record their silent blue planet. Their experiences of sixteen sunrises and sunsets and the bright, blinking constellations of the galaxy are at once breathtakingly awesome and surprisingly intimate. So are the marks of civilization far below, encrusted on the planet on which we live.
Profound, contemplative and gorgeous, Orbital is an eloquent meditation on space and a moving elegy to our humanity, environment, and planet.
Samantha Harvey is the author of five novels, The Wilderness, All Is Song, Dear Thief, The Western Wind and Orbital. She is also the author of a memoir, The Shapeless Unease.
Her novels have been shortlisted for the Orange Prize for Fiction, the Guardian First Book Award, the Walter Scott Prize and the James Tait Black Prize, and longlisted for the Man Booker Prize, among many others. She lives in Bath, England, and teaches Creative Writing at Bath Spa University.
Recommended Books:
Jenny Erpenbeck, Kairos
Allen Rossi, Our Last Year
Miranda Pountney, How to Be Somebody Else
Chris Holmes is Chair of Literatures in English and Associate Professor at Ithaca College. He writes criticism on contemporary global literatures. His book, Kazuo Ishiguro as World Literature, is under contract with Bloomsbury Publishing. He is the co-director of The New Voices Festival, a celebration of work in poetry, prose, and playwriting by up-and-coming young writers.
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On a slow autumn afternoon, an atmospheric physicist working at the Malta Weather Station receives a surprising email from a colleague working in the United Kingdom: something troubling has apparently been detected during one of their research flights. The ensuing meteorological mystery is the starting point for the science fiction novella The Clouds (Routledge, 2023). Alongside the novella, this book features three essays written by the same author that discuss in a more explicit and conventional way three philosophical ideas showcased in The Clouds:
the expressive use of fictional games within fictional worlds;
the possibility for existential meaning within simulated universes; and
the unnatural narratological trope of "unhappening."
With its unique format, this book is a fresh reflection on the mediatic form of philosophy and a compelling argument for the philosophical value of fiction.
Rudolf Inderst is a professor of Game Design with a focus on Digital Game Studies at the IU International University of Applied Science, department lead for Games at Swiss culture magazine Nahaufnahmen.ch, editor of “DiGRA D-A-CH Game Studies Watchlist”, a weekly messenger newsletter about Game Culture and curator of @gamestudies at tiktok.
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It’s been over a decade since a mysterious cataclysm caused a permanent blackout that toppled infrastructure and thrust the world into anarchy. Evan Whitesky led his community in remote northern Ontario off the rez and into the bush, where they’ve been living off the land, rekindling their Anishinaabe traditions in total isolation from the outside world.
As new generations are born, and others come of age in the world after everything, Evan’s people are in some ways stronger than ever. But resources in and around their new settlement are beginning to dry up, and the elders warn that they cannot afford to stay indefinitely.
Evan and his fifteen-year-old daughter, Nangohns, are elected to lead a small scouting party on a months-long trip to their traditional home on the north shore of Lake Huron—to seek new beginnings, and discover what kind of life—and what dangers—still exist in the lands to the south.
Moon of the Turning Leaves (William Morrow, 2023) is Waubgeshig Rice’s exhilarating return to the world first explored in the phenomenal breakout bestseller Moon of the Crusted Snow: a brooding story of survival, resilience, Indigenous identity, and rebirth.
Waubgeshig Rice is an author and journalist from Wasauksing First Nation. He’s written four books, most notably the bestselling novel Moon of the Crusted Snow, published in 2018. He graduated from the journalism program at Toronto Metropolitan University in 2002, and spent most of his journalism career with the Canadian Broadcasting Corporation as a video journalist and radio host. He left CBC in 2020 to focus on his literary career. In addition to his writing endeavours, Waubgeshig is an eclectic public speaker, delivering keynote addresses and workshops, engaging in interviews, and contributing to various panels at literary festivals and conferences. He speaks on creative writing and oral storytelling, contemporary Anishinaabe culture and matters, Indigenous representation in arts and media, and more. He lives in Sudbury, Ontario with his wife and three sons.
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Set in the wasteland of post-apocalyptic Las Vegas, Jarret Keene's, Hammer of the Dogs (University of Nevada Press, 2023), is a literary dystopian adventure filled with high-octane fun starring twenty-one-year-old Lash. With her high-tech skill set and warrior mentality, Lash is a master of her own fate as she helps to shield the Las Vegas valley's survivors and protect her younger classmates at a paramilitary school holed up in Luxor on the Las Vegas Strip. After graduation, she'll be alone in fending off the deadly intentions and desires of the school's most powerful opponents. When she's captured by the enemy warlord, she's surprised by two revelations: He's not the monster her headmaster wants her to believe and the one thing she can't safeguard is her own heart. Hammer of the Dogs celebrates the courageousness of a younger generation in the face of authority while exploring the difficult choices a conscionable young woman must make with her back against a blood-spattered wall. It's a story of transformation and maturity, as Lash grapples with her own identity and redefines the glittering Las Vegas that Nevada is known for.
Rebekah Buchanan is a Professor of English and Director of English Education at Western Illinois University. Her research focuses on feminism, activism, and literacy practices in youth culture, specifically through zines and music.
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Under the direction of founding editor Joshua Glenn, the MIT Press’s Radium Age series is reissuing notable proto–science fiction stories from the underappreciated era between 1900 and 1935. In these forgotten classics, science fiction readers will discover the origins of enduring tropes like robots (berserk or benevolent), tyrannical supermen, dystopian wastelands, sinister telepaths, and eco-catastrophes. With new contributions by historians, science journalists, and science fiction authors, the Radium Age book series will recontextualize the breakthroughs and biases of these proto–science fiction classics, and chart the emergence of a burgeoning genre.
This interview was conducted by Dr. Miranda Melcher whose forthcoming book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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My Heart Is Human (Space Wizard Science Fantasy, 2023) by Reese Hogan is about a human and robot who come to occupy the same body.
The body belongs to Joel Lodowick, a single parent and trans man whose only wish, at the story’s outset, is to raise his five year old daughter in peace. The robot is Acubens, who has been warehoused for nearly 10 years until Joel tries to activate him.
At first, Joel is excited for the advantages Acubens’ conjoined consciousness confers, like the ability to get a much higher paying job with Acubens’ ability to make any numeric calculations with dizzying speed. But when Acubens—professing to have only Joel’s best interests at heart—threatens to erase Joel’s memory as part of an “upgrade,” Joel gets more than he bargained for.
Complicating their relationship is the fact that in this near future world, all technology has been outlawed. If the authorities discover Acubens has been reactivated—and worse, that Acubens is taking up more and more space in Joel’s mind—they both risk being destroyed.
Reese Hogan is a transmasc science fiction author of four novels. His short fiction has been published in The Decameron Project, A Coup of Owls, and on the Tales to Terrify podcast, as well as in two anthologies. In addition to writing, Reese enjoys singing in the local gay men’s chorus and running. He lives with his two children in New Mexico.
Find out more about Rob Wolf and Brenda Noiseux.
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love this! I love space opera the best.
The Jade City episode was excellent and I've added the book to my must-read list. Looking forward to catching up on the other podcast episodes.