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Interviews with Sociologists about their New Books
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In this episode, Dr. Uzma Jamil introduces Tariq Modood on his new book “Essays on Secularism and Multiculturalism”.
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Kevin Vallier is Associate Professor in the Department of Philosophy at Bowling Green State University. His most recent book is titled Trust in a Polarized Age. You can follow him on Twitter @kvallier.
The "Why We Argue" podcast is produced by the Humanities Institute at the University of Connecticut as part of the Future of Truth project.
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This episode looks at the main types and categories of nomads, how they live, and the similarities and differences between them.
Music in this episode: Desert City by Kevin MacLeod. License.
All other sounds courtesy of the BBC Sound Effects Archive.
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Dr. Tim Hutchings is a sociologist of digital religion. His Ph.D. (Durham University, 2010) was an ethnographic study of five online Christian churches. Dr. Hutchings is interested in the relationship between religion, media and culture, with particular attention to digital forms of Christianity. His research has included studies of online worship; digital evangelism and formation; online community; digital publishing and e-reading; apps and games; and death and dying. His research led to the publication of his book Creating Church Online: Ritual, Community and New Media (Routledge, 2017).
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Jason Josephson-Storm is Professor of Religion and Chair of Science and Technology Studies at Williams College in Massachusetts. He received his Ph.D. in Religious Studies from Stanford University in 2006 and has held visiting positions in the US, France, and Germany. He has three primary research foci: Japanese Religions, European Intellectual History, and Theory more broadly.
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Dr. Duane Bidwell works to reduce suffering and promote abundant life in all of his teaching, writing, and research.
Experiences as chaplain, pastor, spiritual director, pastoral counselor, HIV/AIDS professional, and non-profit director inform his work as teacher-scholar-clinician. CST students have given him teaching and mentoring awards three times since 2014. He is an ordained minister of the Presbyterian Church (USA) and practitioner of Vipassana (insight meditation) in the Theravada Buddhist tradition.
His most recent book, When One Religion Isn’t Enough: The Lives of Spiritually Fluid People (Beacon, 2018), examines complex religious bonds–the experience of being formed by more than one religious tradition at the same time. The book builds on his work in transreligious pastoral theology and in Buddhist-Christian studies. Library Journal named it a Best Book 2018.
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Corey Brettschneider is Professor of Political Science at Brown University, and Visiting Professor of Law at Fordham University. His work is focused in democratic theory and constitutional law. His most recent book is titled The Oath and the Office: A Guide to the Constitution for Future Presidents.
The "Why We Argue" podcast is produced by the Humanities Institute at the University of Connecticut as part of the Humility and Conviction in Public Life project.
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In 2022, the U.S. Department of Homeland Security announced it was training “robot dogs” to help secure the U.S.-Mexico border against migrants. Four-legged machines equipped with cameras and sensors would join a network of drones and automated surveillance towers—nicknamed the “smart wall.” This is part of a worldwide trend: as more people are displaced by war, economic instability, and a warming planet, more countries are turning to AI-driven technology to “manage” the influx.
Based on years of researching borderlands across the world, lawyer and anthropologist Petra Molnar’s The Walls Have Eyes: Surviving Migration in the Age of Artificial Intelligence (New Press, 2024) is a truly global story—a dystopian vision turned reality, where your body is your passport and matters of life and death are determined by algorithm. Examining how technology is being deployed by governments on the world’s most vulnerable with little regulation, Molnar also shows us how borders are now big business, with defense contractors and tech start-ups alike scrambling to capture this highly profitable market.
With a foreword by former UN Special Rapporteur E. Tendayi Achiume, The Walls Have Eyes reveals the profound human stakes of the sharpening of borders around the globe, foregrounding the stories of people on the move and the daring forms of resistance that have emerged against the hubris and cruelty of those seeking to use technology to turn human beings into problems to be solved.
Additional resources can be found here.
Michael O. Johnston, Ph.D. is a Assistant Professor of Sociology at William Penn University. He is the author of The Social Construction of a Cultural Spectacle: Floatzilla (Lexington Books, 2023) and Community Media Representations of Place and Identity at Tug Fest: Reconstructing the Mississippi River (Lexington Books, 2022). His general area of study is at the intersection of space, behavior, and identity. He is currently conducting research about the negotiation that humans make between their identity and the spaces they inhabit. To learn more about Michael O. Johnston you can go to his website, Google Scholar, Twitter @ProfessorJohnst, or by email at johnstonmo@wmpenn.edu.
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Today’s book is: Sin Padres, Ni Papeles: Unaccompanied Migrant Youth Coming of Age in the United States (U California Press, 2024), a which explores how each year, thousands of youth endure harrowing unaccompanied and undocumented migrations across Central America and Mexico to the United States in pursuit of a better future. Drawing on the firsthand narratives of migrant youth in Los Angeles, California, Dr. Stephanie L. Canizales shows that while a lucky few do find reprieve, many are met by resource-impoverished relatives who are unable to support them, exploitative jobs that are no match for the high cost of living, and individualistic social norms that render them independent and alone. Sin Padres, Ni Papeles illuminates how unaccompanied teens who grow up as undocumented low-wage workers navigate unthinkable material and emotional hardship, find the agency and hope that is required to survive, and discover what it means to be successful during the transition to adulthood in the United States.
Our guest is: Dr. Stephanie L. Canizales, who is a researcher, author, and professor at the University of California, Berkeley, and the Faculty Director of the Berkeley Interdisciplinary Migration Initiative. She specializes in the study of international migration and immigrant integration, with particular interest in the experiences of Latin American migrants in the United States. Throughout her research and writing, Stephanie explores the role of immigration policy in shaping the everyday lives of migrant children and their families, how immigrants and the communities they arrive to (re)make one another mutually, and the meanings immigrants make of success and wellbeing within an increasingly unequal US society. She is the author of Sin Padres, Ni Papeles.
Our host is: Dr. Christina Gessler, the producer of the Academic Life podcast. She holds a PhD in history, which she uses to explore what stories we tell and what happens to those we never tell.
Playlist for listeners:
We Are Not Dreamers
Immigration Realities
The Ungrateful Refugee
Who Gets Believed
Reunited
Welcome to Academic Life, the podcast for your academic journey—and beyond! You can support the show by posting, assigning or sharing episodes. Join us again to learn from more experts inside and outside the academy, and around the world. Missed any of the 225+ Academic Life episodes? You’ll find them all archived here.
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Devotional Fanscapes: Bollywood Star Deities, Devotee-Fans, and Cultural Politics in India and Beyond (Rowman and Littlefield, 2023) examines how fans worship film stars as deities. Focusing on temples dedicated to Bollywood (Hindi cinema) stars and the artifacts produced by Hindi and Tamil cinema fans, Shalini Kakar illustrates how the fan constructs their identity as a devotee and that of the star as a deity. Extending her research from India to the US, Kakar highlights the transnational dimensions of this phenomenon to demonstrate the degree to which devotional fan practices (fan-bhakti) and fan artifacts can help us rethink art, religion, and politics. With its interdisciplinary approach, this book addresses how fan-bhakti is performed in the global landscape, in the process augmenting new religious models and identities based on the idea of the “cinematic sacred.”
For more information, go here.
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Cosplay, born from the fusion of ‘costume’ and ‘play’, transcends mere dress-up by transforming enthusiasts of TV shows, movies, books or video games into living embodiments of their cherished characters. Cosplay and the Dressing of Identity (Reaktion, 2024) by Dr. Vivian Asimos is a close exploration of the vibrant world of cosplay, showing what makes it so captivating for so many.
The book frames cosplay as an enactment and embodiment of mythology, revealing its inherent complexity, and providing valuable insight into cosplayers’ experiences. Exploring cosplay performances, the skills involved and its community, the book shows how cosplayers build a strong connection to the characters and stories they treasure, and ultimately how they are constructing their own identities.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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What can social spaces tell us about social relations in society? How do everyday social spaces like teashops, reading rooms and libraries reify-or subvert-dominant social structures like caste and gender?
These are the questions that Social Spaces and the Public Sphere:: A Spatial-history of Modernity in Kerala (Routledge, 2023) explores through a study of modern Kerala. Using archival material, discourse analysis, participant observation and personal interviews, this book traces the transformation of public spaces through the nineteenth and twentieth centuries. The volume focuses on how 'modernity' has also been a struggle for access to public spaces, and non-institutional spaces like teashops, markets, public roads, temple grounds, reading-rooms and libraries have all been crucial to how political culture was shaped, and how dominant hegemonies-caste, class or capital-have been challenged. It suggests that the secular public sphere that emerged in the last century in Kerala was a result of the constant negotiations between conflicting ideas which were put to test in these social spaces.
At a time when digital spaces are fast replacing physical ones, this book is a timely reminder of the struggles that led to the emergence of secular public spaces in Kerala. It contributes to similar studies on public space that have emerged from other parts of the world over the last decades. A major contribution to understanding modern India, this book will be of interest to scholars and researchers of social history, political science, political sociology, gender studies, linguistics, and South Asian studies.
DISCOUNT CODES: Routledge has offered two discount codes that you can use to purchase this book on their website. The discount codes are ESA03 (UK) and SMA24 (USA).
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Around the world, millions are forcibly displaced by conflict, climate change, and persecution. Some cross international borders, while others are displaced within their own countries. In We Wait for a Miracle: Health Care and the Forcibly Displaced (Johns Hopkins UP, 2023), Muhammad H. Zaman shares poignant stories across continents to highlight the health care experiences of refugees and forced migrants. For many of these people, health risks unfortunately become part of the fabric of everyday life as they navigate new countries that treat them with varying degrees of care and indifference.
Across widely varied local systems, countries of origin, health concerns, and other contexts, Zaman finds that barriers to health care share these key factors: trust, social network, efficiency of the health system, and the regulatory framework of the host environment. A combination of these factors explains difficulties in accessing health care across the geographic and geopolitical spectrum and challenges the existing global public health framework, which is based entirely on local context. In moving stories that span seven countries—Sudan, South Sudan, Uganda, Zimbabwe, Pakistan, Colombia, and Venezuela—Zaman shares the everyday struggles of refugees, the internally displaced, and the stateless in accessing the health care they need.
This unique look at an urgent global challenge addresses the issue of access for populations that are currently in distress due to civil war, economic collapse, or a conflict driven by external state actors. Organic social networks and trust, rather than top-down policies, are often what save the lives of migrants, refugees, and the stateless. Focusing on that trust—and its deficit—in camps, urban slums, hospitals, and clinics, Zaman combines personal and journalistic accounts of refugees with broad systemic analysis on global health care access to compare problems and solutions in different regions and provide holistic policy and practice recommendations for refugees, internally displaced persons, and stateless populations.
In this episode, Ibrahim Fawzy interviews Muhammad Zaman about the healthcare experiences of refugees, and the power of storytelling.
Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.
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In this incisive critique of the ways performances of allyship can further entrench white privilege, author Carrie J. Preston analyses her own complicit participation and that of other audience members and theater professionals, deftly examining the prevailing framework through which white liberals participate in antiracist theater and institutional “diversity, equity, and inclusion” initiatives.
Complicit Participation: The Liberal Audience for Theater of Racial Justice (Oxford UP, 2024) addresses immersive, documentary, site-specific, experimental, street, and popular theatre in chapters on Jean Genet’s The Blacks, Branden Jacobs-Jenkins’s An Octoroon, George C. Wolfe’s Shuffle Along, Lin-Manuel Miranda’s Hamilton, Anna Deavere Smith’s Notes from the Field, and Claudia Rankine’s The White Card. Far from abandoning the work to dismantle institutionalized racism, Preston seeks to reveal the contradictions and complicities at the heart of allyship as a crucial step toward full and radical participation in antiracist efforts.
In this episode, Ibrahim Fawzy interviews Carrie J. Preston about the intersections of theater, racial justice, and social activism, the concept of “complicit participation,” and allyship.
Ibrahim Fawzy is a literary translator and writer based in Boston. His interests include translation studies, Arabic literature, ecocriticism, disability studies, and migration literature.
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How do street-level bureaucrats in Austria’s public service deal with linguistic diversity? In this episode of the Language on the Move podcast, Ingrid Piller speaks with Dr Clara Holzinger (University of Vienna) about her PhD research investigating how employment officers deal with the day-to-day communication challenges arising when clients have low levels of German language proficiency.
For additional resources, show notes, and transcripts, go here.
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Life 24x a Second: Cinema, Selfhood, and Society (Oxford UP, 2023) highlights the life-sustaining and life-affirming power of cinema. Author Elsie Walker pays particular attention to pedagogical practice and students' reflections on what the study of cinema has given to their lives. This book provides multiple perspectives on cinema that matters for the deepest personal and social reasons-from films that represent psychological healing in the face of individual losses to films that represent humanitarian hope in the face of global crises. Ultimately, Walker shows how cinema that moves us emotionally can move us toward a better world.
Life 24x a Second makes the case for cinema as a life force in uplifting and widely relatable ways. Walker zeroes in on films that offer hope in relation to the Black Lives Matter movement (Imitation of Life, 1959, and BlacKkKlansman, 2018); contemporary feminism (Nobody Knows, 2004); rite-of-passage experiences of mortality and mourning (Ikiru, 1952, and A Star Is Born, 2018), and first-love grief (Call Me by Your Name, 2017, and Portrait of a Lady on Fire, 2019). Life 24x a Second invites readers to reflect on their own unique film-to-person encounters along with connecting them to others who love cinematic lessons for living well.
Peter C. Kunze is an assistant professor of communication at Tulane University.
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Tribe-state relations are a foundational element of authoritarian bargains in the Middle East, and in particular in the Gulf States. However, the structures of governance built upon that foundation exhibit wide differences. What explains this variation in the salience of kinship authority?
Through a case comparison of Kuwait, Qatar and Oman, in Kinship, State Formation and Governance in the Arab Gulf States (Edinburgh University Press, 2022) Dr. Scott Weiner shows that variation in tribal access to limited resources before state building can account for these differences. Its conclusions are based on seven months of archival research and interviews in Arabic and English, and reveal new details about state formation on the Arabian Peninsula.
This interview was conducted by Dr. Miranda Melcher whose new book focuses on post-conflict military integration, understanding treaty negotiation and implementation in civil war contexts, with qualitative analysis of the Angolan and Mozambican civil wars.
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What good is a good sense of humour especially when the humour may be ethically questionable? Although humour seems a valuable part of a good conversation and indeed a good life, jokes have never seemed more morally problematic than they do now. How can we then evaluate quips, gibes, pranks, teasing, light mockery, sarcasm when they can all too often be mean, deceitful, disrespectful, humiliating, cruel? And how is a moral philosopher to evaluate such dilemmas without taking himself and morality too seriously or too lightly?
In Wisecracks: Humor and Morality in Everyday Life (University of Chicago Press, 2024), David W. Shoemaker considers the interplay between humor and morality. With wit and evident joy, Shoemaker considers how "wisecracks" between family and friends are of ethical value despite how morally suspect they may appear. In arguing for the moral status of a wisecrack or a joke as partly resting on the wisecracker's intentions and motives, Shoemaker goes on to show just how complicated and sometimes unwarranted the moral complaints against humor are, despite what many may think. Wisecracks may remain, at the book's end, far from benign or an unalloyed good, but unlike in Plato's ideal republic, Shoemaker is convinced we need to keep them coming.
Damian Maher is a fellow by examination at All Souls College, University of Oxford.
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The Burning Forest: India's War Against the Maoists (Verso, 2019) by Nandini Sundar is an empathetic, moving account of what drives indigenous peasants to support armed struggle despite severe state repression, including lives lost, homes and communities destroyed.
Over the past decade, the heavily forested,mineral-rich region of Bastar in central India has emerged as one of the most militarized sites in the country. The government calls the Maoist insurgency the “biggest security threat” to India. In 2005, a state-sponsored vigilante movement, the Salwa Judum, burnt hundreds of villages, driving their inhabitants into state-controlled camps, drawing on counterinsurgency techniques developed in Malaysia, Vietnam and elsewhere. Apart from rapes and killings, hundreds of ‘surrendered’ Maoist sympathisers were conscripted as auxiliaries. The conflict continues to this day, taking a toll on the lives of civilians, security forces and Maoist cadres.
In 2007, Sundar and others took the Indian government to the Supreme Court over the human rights violations arising out ofthe conflict. In a landmark judgment, the Court in 2011 banned state supportfor vigilantism.
The Burning Forest describes this brutal war in the heart of India, and what it tells us about the courts, media and politics of the country. The result is a granular and critical ethnography of Indian democracy over a decade.
Nandini Sundar is a Professor of Sociology at the Delhi School of Economics, Delhi University, and has been visiting Bastar for over 25 years. Her first book, Subalterns and Sovereigns: An Anthropological History of Bastar (1854-1996) is an authoritative account of Bastar's colonial and post-colonial past.
Stuti Roy has recently graduated with an MPhil in Modern South Asian Studies from the University of Oxford.
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From The Wire to Intervention to Girls, postmillennial American television has dazzled audiences with novelistic seriality and cinematic aesthetics. Yet this television is also more perverse: it bombards audiences with misogynistic and racialized violence, graphic sex, substance abuse, unlikeable protagonists, and the extraordinary exploitation of ordinary people.
In Uncomfortable Television (Duke UP, 2024), Hunter Hargraves examines how television makes its audiences find pleasure through feeling disturbed. He shows that this turn to discomfort realigns collective definitions of family and pleasure with the values of neoliberal culture. In viscerally violent dramas, cringeworthy ironic comedies, and trashy reality programs alike, televisual unease trains audiences to survive under late capitalism, which demands that individuals accept a certain amount of discomfort, dread, and irritation into their everyday lives. By highlighting how discomfort has been central to the reorganization and legitimization of television as an art form, Hargraves demonstrates television’s role in assimilating viewers into worlds marked by precarity, perversity, and crisis.
Cory Barker is a faculty member in the Donald P. Bellisario College of Communications at Penn State University, where he teaches courses on film, television, and digital culture. Twitter. Newsletter.
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tanks
hi, I really liked the contents, it's a shame the hardware part, the recording damages a great deal on the quality, the speaking sounded far away and kind of breaking... hard to describe