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New Books in South Asian Studies

New Books in South Asian Studies
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Interviews with Scholars of South Asia about their New Books
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In this episode, Dr. Pierce Salguero sits down with David Gordon White, a distinguished indologist and scholar of Tantra. Our conversation focuses on David’s most recent project tracing the transregional histories of spirits, gods, demons, and their associated rituals across Eurasia. Along the way, we dive into an intellectual conversation about dog-headed men, angry goddesses, alchemical mercury, body-snatching yogis, the origins of Dracula, and much, much more.
If you want to hear scholars and practitioners engaging in deep conversations about the dark side of Asian religions and medicines, then subscribe to Black Beryl wherever you get your podcasts. You can also check out our members-only benefits on blackberyl.substack.com. Enjoy the show!
Resources mentioned
David Gordon White, Daemons are Forever (2021)
David Gordon White, Myths of the Dog-Man (1991)
David Gordon White, The Alchemical Body (1997)
David Gordon White, Kiss of the Yogini (2006)
David Gordon White, Sinister Yogis (2011)
Michel Strickmann, Chinese Magical Medicine (2002)
Michel Strickmann, Mantras et Mandarins (1996)
David Gordon White, “Three Shades of Tantric Yoga,” in Oxford Handbook of Tantric Studies (2024)
David Gordon White, "Were-Creatures of the Eurasian Ecumene," Journal Asiatique(2020)
David Gordon White, "Dracula’s Family Tree," Gothic Studies (2021)
Pierce Salguero is a transdisciplinary scholar of health humanities who is fascinated by historical and contemporary intersections between Buddhism, medicine, and crosscultural exchange. He has a Ph.D. in History of Medicine from the Johns Hopkins School of Medicine (2010), and teaches Asian history, medicine, and religion at Penn State University’s Abington College, located near Philadelphia. www.piercesalguero.com.
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In Postcolonial Bollywood and Muslim Identity: Production, Representation, and Reception (Oxford UP, 2024), Nadira Khatun explores the contentious Muslim identity in contemporary India as reflected in recent Bollywood films. She argues that the approach towards Muslim identity in Bollywood films are influenced by the changing political landscape from Nehruvian India to the rise of BJP, which views Hindus and Muslims as separate religious communities instead of recognizing the syncretic culture manifesting in Hindu-Muslim unity. By analyzing the representation of Muslims in various films like Roja, Fanna, Mission Kashmir, Black Friday, New York, A Wednesday, Sarfarosh, she shows that the militant portrayal of Muslims is good for commercial success as opposed to a secular image. Overall, the study problematizes Muslim identity formation in Bollywood against the backdrop of nationalism and communalism in India.
Author: Dr. Nadira Khatun, Associate Professor of Communications, Xavier University, India
Host: Dr. Nilanjana Paul, Associate Professor of History, Department of History, The University of Texas Rio Grande Valley. She is the author of Bengal Muslims and Colonial Education, 1854-1947: A Study of Curriculum, Educational Institutions and Communal Politics, Routledge, 2022.
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John joins Lori Allen and Ajantha Subramanian for the roundup episode of the second series of Violent Majorities, focusing on long-distance ethnonationalism. Looking back at their conversations with Peter Beinart on Zionism and Subir Sinha on Hindutva, Lori begins by asking whether Peter underestimates the material entanglements keeping Jewish American support for Israel in place. Ajantha wonders if a space has been opened up by Zionism’s more naked dependence on coercion and brute force. When John expresses puzzlement about the fervent ethnonationalism of minorities within a pluralistic society Lori and Ajantha point out that a sense of minority vulnerability may heighten the allures of long-distance ethnonationalism.
The three explore various questions. Does the successful rise of Hindu ethnonationalism in the UK stem from a perceived contrast between benign Hinduism and dangerous Islam? Does the need for popular ratification through electoral democracy limit the scope of long-distance ethnonationalism? Is there a limit to how effectively Zionists and Hindutvites in the US and UK can wield claims to wounded religious minority sentiment while benefiting from from the hollowing out of democratic institutions? And finally, the three ask if the ominously successful assimilation of Zionism into American right-wing politics may also start working for Hindutva.
Mentioned in the episode:
Isabella Hammad, Recognizing the Stranger
Azad Essa, Hostile Homelands
Recall This Book with Shaul Magid on Meir Kahane
Ben Lorber on masculinist “Bronze-Age” Zionism
Recallable Books:
Lori singles out The Palestinians: From Peasants to Revolutionaries, (1979) by Rosemary Sayigh, anthropologist and oral historian. It explores the ways Palestinian nationalism and organized resistance to their dispossession and oppression took hold in the refugee camps of Lebanon.
Ajantha’s choice is Ayad Akhtar’s Homeland Elegies, published in 2020, a readable, poignant, and edgy account of US empire, Islam, and race and the challenges of being an South Asian American Muslim. She also recalls the film Mississippi Masala from 1991, a compelling take on race and class dynamics in the US Indian diaspora.
John proposes Paul Breines’ Tough Jews and Gita Mehta’s Karma Cola–to which Ajantha adds Hanif Kureshi’s Buddha of Suburbia.
Listen and Read Here.
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The years leading up to the independence and accompanying partition of India mark a tumultuous period in the history of Bengal. Representing both a major front in the Indian struggle against colonial rule, as well as a crucial Allied outpost in the British/American war against Japan, Bengal stood at the crossroads of complex and contentious structural forces - both domestic and international - which, taken together, defined an era of political uncertainty, social turmoil, and collective violence. While for the British the overarching priority was to save the empire from imminent collapse at any cost, for the majority of the Indian population the 1940s were years of acute scarcity, violent dislocation and enduring calamity. In particular there are three major crises that shaped the social, economic and political context of pre-partition Bengal: the Second World War, the Bengal famine of 1943, and the Calcutta riots of 1946.
Hungry Bengal: War, Famine and the End of Empire (Oxford UP, 2015) examines these intricately interconnected events, foregrounding the political economy of war and famine in order to analyze the complex nexus of hunger, war and civil violence in colonial Bengal at the twilight of British rule.
NBN Host: Sohini Majumdar teaches history at University of San Francisco and Santa Clara University.
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An astonishing variety of murals greet visitors to the temples and palaces of southern India. Beautiful in execution and extensive in scope, murals painted on walls and ceilings adorn the most important spaces of early modern religious and political performance. Scene by scene, histories of holy sites, portraits that incorporate historical figures into mythic landscapes, and Tamil and Telugu inscriptions that evoke the imagined topographies of devotional poetry unfold before the mobile spectator. Body, History, Myth reconceives the relationship between art and devotion in South India by describing how the extraordinary sensory experience of a viewing body in motion unfurls a sacred narrative exquisitely designed to teach, impress, and inspire.
Anna Lise Seastrand offers new insights into the arts of early modern southern India, bringing to life one of the most culturally vibrant yet least understood periods in Indian art. She shows how temple visitors become active participants in the paintings through their somatic engagement with visual stories and devotional landscapes. Seastrand highlights the significance of textuality in early modern South Asia by examining the status of professional scribes and the prominence given to authorship of religious literature and art. Her insights are presented alongside new translations of the texts that accompany mural paintings.
Featuring a wealth of stunning images published here for the first time, Body, History, Myth: Early Modern Murals in South India (Princeton UP, 2024) provides a multidimensional reading of temple art that fundamentally reframes the artistic, intellectual, religious, and political histories of early modern India.
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What is Hinduism?
For centuries, that question was particularly thorny, both for local Indians and for colonial outsiders. People inside and outside the country tried to define what Hinduism was. Missionaries grappled with Hindu practices, finding both similarities and dangerous differences with their own Christian faith. The East India Company adopted several Hindu rituals to keep the peace, much to the chagrin of officials back in London.
And, increasingly, Indians began to define what Hinduism meant as part of a broader political awakening.
Manu Pillai tells that story in his latest book Gods, Guns and Missionaries: The Making of the Modern Hindu Identity (Allen Lane: 2024)
Manu Pillai is the author of the critically acclaimed The Ivory Throne: Chronicles of the House of Travancore (HarperCollins: 2016), Rebels Sultans: The Deccan from Khilji to Shivaji (Juggernaut: 2018), The Courtesan, the Mahatma, and the Italian Brahmin: Tales from Indian History (Context: 2019) and False Allies: India's Maharajahs in the Age of Ravi Varma (Juggernaut: 2021). Former chief of staff to Shashi Tharoor MP, Pillai is also a winner of the Sahitya Akademi Yuva Puraskar (2017) and holds a PhD in history from King’s College London. His essays and writings on history have appeared in various national and international publications.
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How to dwell in a forest alongside giants, avoid disturbing a living god, assist an animal with their manners, and help an elephant cross the road. The Presence of Elephants: Sharing Lives and Landscapes in Assam (Routledge, 2024) is an anthropological consideration of coexistence, grounded in people’s everyday interactions with Asian elephants. Drawing on two years of ethnographic fieldwork in Assam, Northeast India, this book examines human-elephant copresence and how minds, tasks, identities, and places are shared between the two species. Sharing lives and landscapes with such formidable beings is a continuously shifting and negotiated exchange inherently composed of tensions, asymmetries, and uncertainties – especially in the Anthropocene when breakdowns in communication increasingly have a violent effect. Developing a multifaceted picture of human-elephant relations in a postcolonial setting, each chapter focuses on a different dimension of encounter, where elephants adapt to human norms, people are subject to elephant projects, and novel interspecies possibilities emerge at the threshold of nature and society. Vulnerability is a common experience intensified in contemporary human-elephant relations, felt through the elephant’s power to disrupt and transform human lives, as well as the risks these endangered animals are exposed to. This book will be of interest to scholars of multispecies ethnography and human-animal relations, environmental humanities, conservation, and South Asian studies.
Rituparna Patgiri is an Assistant Professor of Sociology at the Department of Humanities and Social Sciences, Indian Institute of Technology (IIT), Guwahati. Her research interests lie in the areas of food, media, gender and public. She is also one of the co-founders of Doing Sociology. Patgiri can be reached at @Rituparna37 on Twitter.
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Can we write women’s authorial roles into the history of industrial cinema in South Asia? How can we understand women’s creative authority and access to the film business infrastructure in this postcolonial region?
In Women’s Transborder Cinema: Authorship, Stardom, and Filmic Labor in South Asia (University of Illinois Press, 2024), Esha Niyogi De draws on rare archival and oral sources to explore these questions from a uniquely comparative perspective, delving into examples of women holding influential positions as stars, directors, and producers across the film industries in India, Pakistan, and Bangladesh.
Author Esha Niyogi De is a senior lecturer in the Writings Programs division at the University of California, Los Angeles. She is the co-editor of South Asian Filmscapes: Transregional Encounters (2020) and author of Empire, Media, and the Autonomous Woman: A Feminist Critique of Postcolonial Thought (2011).
The episode is hosted by Ailin Zhou, PhD student in Film & Digital Media at University of California - Santa Cruz.
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In times of extreme violence, what explains peace in some places? This book investigates geographic variation in Hindu-Muslim violence in Gujarat in 2002, an event witnessed closely by the author. Dhattiwala compares peaceful and violent towns, villages, and neighborhoods to study how political violence spreads. A combination of statistical and ethnographic methods unpack the mechanisms of crowd behavior, intergroup relations, and political incentives. She analyzes macro-level risk factors to provide a close understanding of the behavior of people who participated in the violence, were targeted by it and, often, compelled to carry on living alongside their perpetrators. Keeping the Peace systematically demonstrates the implicit political logic of the violence. Most of all, by moving up close to the people caught in the middle of violence, the author highlights the interplay between politics, the spatial environment, and the cognitive decision-making processes of individuals.
Raheel Dhattiwala is an independent social scientist based in India (D.Phil. in Sociology; Oxford University) and honorary member of the South Asia Institute, University of Heidelberg (formerly, Baden-Württemberg Fellow 2023-24).
Vatsal Naresh is a Lecturer in Social Studies at Harvard University. His recent publications include co-edited volumes on Negotiating Democracy and Religious Pluralism (OUP 2021) and Constituent Assemblies (CUP 2018).
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This special issue of Nidān: International Journal for Indian Studies
is the product of a collective experiment with materials that are assembled, imagined, and agentive in the context of South Asian religions. The articles are available here.
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Indian literature is not a corpus of texts or literary concepts from India, argues Preetha Mani, but a provocation that seeks to resolve the relationship between language and literature. In this episode, we discuss Mani’s 2022 publication, The Idea of Indian Literature: Gender, Genre, and Comparative Method, which won the MLA Aldo and Jeanne Scaglione Prize for South Asian Studies, received the ACLA René Wellek Prize Honourable Mention for best overall book in comparative literature, and was shortlisted for the MSA First Book Prize.
In The Idea of Indian Literature : Gender, Genre, and Comparative Method, Mani examines the paradox that a single canon, here being Indian literature, could be written in multiple languages. Examining canonical Hindi and Tamil short stories from the crucial decades surrounding decolonization, Mani contends that Indian literature must be understood as indeterminate, propositional, and reflective of changing dynamics between local, regional, national, and global readerships. The homogenising term ‘Indian Literature’ is re-visited via an in-depth historical and literary investigation of multilingualism in pre- and post-Independent India.
Dr. Preetha Mani is an Associate Professor of South Asian Literatures at Rutgers University, where she specialises in modern Hindi, Tamil, and Indian literatures. Her research interests include translation studies, feminist and postcolonial theory, and world literature. At Rutgers, Preetha is an active member of the South Asian Studies Program and Critical Translation Studies Initiative, and serves on the executive committees of the Centre for Cultural Analysis and the Institute for Research on Women.
This interview was hosted by Zana Mody, an English DPhil student at the University of Oxford, who works on postcolonial Indian literature and art. X: @mody_zana
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Pakistan’s history since independence is…complicated. Partition wrecked the economy, leaving all the economic infrastructure in India. Democracy was weak, as the military launched multiple coups to overthrow the civilian government. The country was split into an unsustainable two halves–with one declaring independence as Bangladesh by the Seventies.
Professor Tahir Kamran covers Pakistan’s history–starting in pre-history and traveling all the way to the present day–in his book Chequered Past, Uncertain Future: The History of Pakistan (Reaktion, 2024)
Tahir Kamran is Head of the Department of the Liberal Arts at Beaconhouse National University, Lahore, Director of the Khaldunia Centre for Historical Research and the editor of the Pakistan Journal of Historical Studies. His books include Colonial Lahore: A History of the City and Beyond (Oxford University Press: 2017).
You can find more reviews, excerpts, interviews, and essays at The Asian Review of Books, including its review of Chequered Past, Uncertain Future. Follow on Twitter at @BookReviewsAsia.
Nicholas Gordon is an editor for a global magazine, and a reviewer for the Asian Review of Books. He can be found on Twitter at @nickrigordon.
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The Hare Krishnas have long been associated with American hippie culture and New Age religious movements. But they have developed deeply rooted communities in India and throughout the world over the past 50 years. Known officially as the International Society for Krishna Consciousness (ISKCON), this once-marginal religious community now wields vast economic assets, political influence, and a posh identity endorsed by Indian business tycoons and Bollywood celebrities.
Bringing Krishna Back to India (Oxford UP, 2024) examines this globalized religious community in Mumbai, India's business and entertainment capital, where ISKCON draws Indians from diverse backgrounds to adopt a socially conservative Krishna bhakti identity amidst a neoliberal megacity and the city's famed cosmopolitanism. As ISKCON fashions devout religious identities amidst urban spaces, such as college campuses, corporate wellness retreats, and Bollywood celebrity events, it promotes a religious Hindu modernity that reflects elite urban Indian aspirations and aesthetic
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From being a fringe political party in 2013 to sweeping nearly half of the state s forty-two Lok Sabha seats in 2019, the BJP has gained ground in West Bengal, aided partly by the RSS s exponential growth during Mamata Banerjee's chief ministerial tenure (2011 onwards). With a consistent and concerted criticism of the TMC, the saffron camp managed to create a strong wave of anti-incumbency. So much so that the BJP s prospects of forming the next government in Bengal in 2021 seemed to have brightened considerably, while the Left, which had ruled Bengal for over three decades, appears to have been reduced to a fringe political entity. However, the controversy over the Citizenship Amendment Act and the National Register of Citizens, combined with Banerjee s course-correction drive, designed by strategist Prashant Kishor, indicate that she might yet script a turnaround, with Bengal turning into the laboratory of a unique political experiment.
Mission Bengal: A Saffron Experiment (HarperCollins India, 2020) documents the BJP s extraordinary rise in the state and attempts to look at these developments in the historical context of Bengal from the rise of Hindu nationalism and Muslim separatism in the nineteenth century, the Partition and its fallout, the impact of developments in Bangladesh, the influence of leftist ideals on the psyche of the Bengali people, to the demographic changes in the state over the past few decades.
About the Author:
Snigdhendu Bhattacharya is a Kolkata-based journalist who has reported for different national media houses including the Hindustan Times, The Wire and Outlook. He has been writing on politics, security, history, socio-economic and cultural affairs since 2005. His book Lalgarh and the Legend of Kishanji: Tales from India’s Maoist Movement was published in 2016.
About the Host:
Stuti Roy has recently graduated with an MPhil in Modern South Asian Studies from the University of Oxford.
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In Indian languages from Sanskrit to Marathi, yoga has an enormous range of meanings, though most often it refers to philosophy or methods to control the mind and body. The Yoga of Power: Political Thought and Practice in India (Columbia UP, 2025) argues for a wider understanding, demonstrating that yoga has long expressed political thought and practice. The political idea of yoga names the tools of kings, poets, warriors, and revolutionaries. It encodes stratagems for going into battle and for the demands of governance. This idea suggests routes to self-rule even when faced with implacable obstacles, and it defines righteous action amid the grime and grief of politics and war.
Surya Namaskar 1928 by Raja of Anundah.
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The Incarcerations: Bk-16 and the Search for Democracy in India (OR Books, 2024) pulls back the curtain on Indian democracy to tell the remarkable and chilling story of the Bhima Koregaon case, in which 16 human rights defenders (the BK-16) – professors, lawyers, journalists, poets – have been imprisoned, without credible evidence and without trial, as Maoist terrorists.
Alpa Shah unravels how these alleged terrorists were charged with inciting violence at a year’s day commemoration in 2018, accused of waging a war against the Indian state, and plotting to kill the Indian Prime Minister, Narendra Modi. Expertly leading us through the case, Shah exposes some of the world’s most shocking revelations of cyber warfare research, which show not only hacking of emails and mobile phones of the BK-16, but also implantation of the electronic evidence that was used to incarcerate them. Through the life histories of the BK-16, Shah dives deep into the issues they fought for and tells the story of India’s three main minorities – Adivasi, Dalits and Muslims – and what the search for democracy entails for them.
Essential and urgent, The Incarcerations reveals how this case is a bellwether for the collapse of democracy in India, as for the first time in the nation’s history there is a multi-pronged, coordinated attack on key defenders of various pillars of democracy. In so doing, Shah shows that democracy today must be not only about protecting freedom of expression and democratic institutions, but also about supporting and safeguarding the social movements that question our global inequalities.
About the Author:
Alpa Shah is the Professor of Social Anthropology at Oxford, with a Fellowship at All Souls College. She has written and presented for BBC Radio 4 Crossing Continents and From Our Own Correspondent. She is a twice-finalist for The Orwell Prize for Political Writing for her 2018 book Nightmarch: Among India’s Revolutionary Guerrillas and her 2024 book The Incarcerations: BK-16 and the Search for Democracy in India.
About the Host:
Stuti Roy has recently graduated with an MPhil in Modern South Asian Studies at the University of Oxford.
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Contested Childhoods: Caste and Education in Colonial Kerala (Cambridge UP, 2024) traces a complex history of caste, race, education, and Christian missions in colonial south India. It draws upon the vast Protestant Christian missionary archives of the London Missionary Society, the Church Missionary Society, and the Basel German Evangelical Missionary Society to showcase the processes of negotiation, tensions, and underlying violence in the encounters between European 'outsiders' and local populations on the question of education. It examines the interplay of caste and education in reshaping ideas and norms of modern childhood and lower-caste community building in the regions of Travancore, Cochin, and Malabar. Set against a comparative historical perspective, the book argues for a greater focus on subaltern histories, especially the meanings and practices associated with educating poor, lower-caste children within the confines of formal schooling and beyond.
Divya Kannan teaches in the Department of History, School of Humanities and Social Sciences, Shiv Nadar University, India. She is a historian of South Asia with particular interests in histories of childhood and youth, gender and sexuality, empires and colonial violence, histories of education, curriculum and pedagogy, Christian missions, and public and oral histories.
Khadeeja Amenda is PhD candidate in the Cultural Studies in Asia programme at the Department of Communication and New Media, National University of Singapore, Singapore.
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Handbook of Indian History (Springer, 2024) comprehensively examines the extensive history of India by focusing on the unifying themes of history. The profound analysis of special events and impactful personalities of Indian history form the core of the book. Handbook of Indian History includes articles on cultural, social, and political history of India, topics of religion, philosophy, gender, language and literature, providing a vast array of knowledge on India. The book introduces India from the beginning to the current day, providing depth and breadth of subjects to understand the history of India. The book is beneficial to anyone interested in learning about India, including students, researchers, and general readers.
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Chandigarh is the shared capital city of the Indian states of Punjab and Haryana, built under the leadership of modernist and brutalist architect Le Corbusier, as an emblem of the postcolonial Indian nation state as visualized by the first Indian prime minister Jawaharlal Nehru. It was a repudiation of the imperialist architectural style, and for Le Corbusier a personal revenge project after his dissatisfactions with how he was treated during his planning for the United Nations building in New York. Vikramaditya Parakash says that it is a misconception that Chandigarh was built as a blueprint for a future utopia, when in fact it was built as a city where multiple ideas of futurity are put into play.
Dr. Vikramaditya Prakash (B.Arch, MA, Phd) works on modernism, postcoloniality and global history. Recent books include One Continuous Line: Art, Architecture and Urbanism of Aditya Prakash and Le Corbusier’s Chandigarh Revisited: Preservation as Future Modernism. An ACSA Distinguished Professor, Vikram teaches at University of Washington, Seattle, is host of the ArchitectureTalk podcast, and co-design lead of O(U)R: Office of (Un)certainty Research.
Image: © 2025 Saronik Bosu. An interpretation of the Gandhi Bhawan at Punjab University, Chandigarh.
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In Ayesha Jalal’s latest work Muslim Enlightened Thought in South Asia (Routledge, 2024) readers are introduced to the “roshan khayali” (enlightened thought) of South Asian Muslim thinkers spanning from the mid-nineteenth century to the present. In the course of eleven chapters Jalal highlights the contributions of diverse Muslim voices to debates about reason, religion, liberality, belonging, and ideology. Familiar South Asian Muslim figures including Mirza Ghalib, Sayyid Ahmad Khan, Muhammad Iqbal, and Fazlur Rahman are brought into conversation with perhaps lesser known intellectuals such as the mid-nineteenth century author Nazir Ahmad, or the twentieth-century artist Syed Sadequain Ahmed Naqvi.
Broad themes covered in the book include how these Muslims articulated notions of religion as faith (iman) as compared to religion as identity, South Asian Muslim contributions to global theories of modernity, reason, and “enlightened” thought, how thinkers within Muslim roshan khayali discourse constructed notions of gender and women’s autonomy, and the role of literature and the visual arts in genealogies of South Asian Muslim intellectual thought.
Dr. Ayesha Jalal is the Mary Richardson Professor of History at Tufts University (USA). She was awarded the MacArthur “Genius” Fellowship in 1998. She is the author of numerous books and research articles, including The Sole Spokesman: Jinnah, the Muslim League and the Demand for Pakistan (1985), Self and Sovereignty: Individual and Community in South Asian Islam Since 1850 (2000), and Modern South Asia: History, Culture, Political Economy (with Sugata Bose, 2022).
Dr. Jaclyn Michael is Assistant Professor of Religion at the University of Tennessee at Chattanooga (USA). She is the author of several articles on Muslim cultural representation, performance, and religious belonging in India and in the United States.
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