Leah Thomas, known online as @Greengirlleah, is an environmentalist, writer, and founder of the nonprofit organization Intersectional Environmentalist. Leah rose to prominence in 2020 after her viral post calling for racial justice within environmentalism helped spark a global movement, and has since used her vast platform to advocate for climate, race, and social justice. She is the author of The Intersectional Environmentalist and the host of the Green Girl Crafts Club, where she continues to create joyful, inclusive spaces that reimagine what sustainability could look like for all communities.
Behind the glamour of couture week, away from the spotlight of the runway shows, lies the quiet brilliance of the artisans. These skilled craftsmen pour their expertise and passion into every stitch, bead, feather, and flower that adorns each runway creation. Few understand the importance and artistry of this better than Christelle Kocher. After graduating from Central Saint Martins in London, Kocher spent over a decade in the luxury fashion industry, working with renowned brands such as Bottega Veneta, Dries Van Noten, Chloé, Sonia Rykiel, Martine Sitbon, and Emporio Armani. In 2010, she took on the role of Artistic Director at Lemarié, and joined the Fashion Métiers d'art in 1996, where she worked closely with artisans to craft some of the most intricate couture textiles. This experience proved transformative, honing her understanding of both the technical and creative sides of luxury fashion.In this conversation, Kocher reflects on the beauty and importance of handmade traditions, staying inspired, sustainability and its impact on the industry and the future legacy of Lemarié.
In Conversation with ODDA Digital, Josh and Jack explore the layers of grief that shape the journey of their characters, the thrill of the cowboy life, the shirtless scenes and the heartfelt conversations that make Ransom Canyon both an exciting and deeply emotional Western.
Lumi Tan is a curator, and her job involves more than just spotting new talent. At the heart of her practice is listening to the needs and wants of artists and audiences alike, and creating a synergy between narratives, cultural commentary, and innovation. As the curator of the Focus section at Frieze New York, Tan aimed to showcase a diverse range of artistic practices and create a conversation around uniqueness, storytelling, and identity—highlighting each artist and gallery’s own voice. Lumi Tan talked to ODDA Digital about her keen eye for art, the challenges of the industry today, and the importance of listening to artists to create a meaningful curatorial practice. Her insights offer a thoughtful look into how curators can shape the future of art by fostering dialogue, trust, and experimentation within the creative community.
Tahir Karmali is a multidisciplinary artist, but before that he was an immigrant, and his work is deeply influenced by the complexity of displacement and the fragility of walls. For Frieze New York, Karmali references martyrdom and the eroticized imagery of Saint Sebastian, blurring the lines between suffering and sensuality. What emerges is an exploration of vulnerability and resilience, told through fragments of walls that hold more than just structure—they hold feeling, memory, and meaning. In a Conversation with the artist, he tells us about his inspirations, his practice and the romantic yet political meaning behind each installation.
Hubert Marot’s artistic expression knows no boundaries: He began his journey in photography by graduating from Gobelins, l'École de l'image, in 2009, marking the start of his intricate and evolving artistic path. Conversations with Marot offer a glimpse into his unique universe, where his projects emerge through a meticulous process of refinement, research, and selection. The inspiration never stems from a specific experience, image, or location. It can range from objects such as inner tubes, featured in his recent exhibition in Paris, to still lifes, a recurring theme he has been exploring lately. However, it’s the demanding and curated gaze he applies to the object in almost an obsessive way that defines his signature. At the same time, this obsession causes a feeling of unease and restlessness, driving him to endless self-questioning and resulting in continuous experimentation with various expressive forms.
Harry Nuriev talks about his collaboration with Jimmy Choo for Salone del MobileJimmy Choo and Crosby Studios have joined forces to transform its Sant’Andrea boutique into an immersive space where design, fashion, and memory converge. The result is a powerful installation imagined by Harry Nuriev, the architect and creative director, known for his bold use of materiality and his ability to blur the lines between art and function. Nuriev’s concept is rooted in the archive of Jimmy Choo, treating each shoe as both a brushstroke and a pixel in a larger visual tapestry. Glass becomes more than just a material—it acts as a threshold between the viewer and the object, evoking the layered tension of window displays and museum vitrines.What unfolds is not only a celebration of almost 30 years of Jimmy Choo’s iconic designs, but also a reflection on time itself—its intimacy, its distance, and its power to shape emotion. In this conversation, we dive into Nuriev’s process, his obsession with archives, and the subtle tension between feeling and function in his work.
With superhero series under her belt and moody, drama films on the horizon, Erin Moriarty reflects on how staying grounded, present, and in control has served her in entertainment.
Nicklas Skovgaard is an exploration of the self and a deep understanding of the human experience. His brand started as a way to find calmness and peace and now transcends mere garments. After working in the interior design industry, a sick leave and a career change led Nicklas to create unexpected combinations and explore new paths. As he learned to weave by himself, he created the first braids of this new journey with a simple loom, where every thread woven is a declaration of self-love and self-discovery, representing the quest for expression and creation. We sat down with Nicklas in his studio in Copenhagen, to discuss his brand, his inspiration for Madonna and his mom, the subtle dance between art, craft, and the dreamlike narrative that de!nes his label.
One early January morning, while the snow was still falling down in Paris, Stephanie D’heygere cleared her throat on camera. In her hand was a mug of tea to keep her company. Beyond the view presented on screen, a sunflower-shaped lamp stood tall on what seemed like a fireplace behind her. It seems that the flora and beautiful objects that ornament Stephanie will never escape her immediate periphery. This idea of beauty–one that seeps into and away from the jewelry designer–is done with ease. Second nature even. As such, it only makes sense that beauty holds no structural meaning at her namesake label, D’heygere. The designs are first conceptualized with a unique story, holding multi-functionality at the heart of each piece that exits D’heygere’s atelier door
Paramount Pictures' is set to release "Mean Girls" theatrically on January 12, 2024, from directors Arturo Perez Jr. and Samantha Jayne. The husband and wife filmmaker duo will be making their feature directorial debut with their delicious take on the hilariously classic 2004 comedy. The duo meets with ODDA ahead of the film's release to talk about their approach on adding their own spin to the story, their casting process, and how they became entangled with Tina Fey.
Focused on a diverse range of brands, as well as a diverse group of consumers, Tomorrow amplifies the voices of designers within the fashion market. Co-founder and CEO, Stefano Martinetto, sits down to discuss the trajectory of this market and the domain that they are intent on pursuing. Reflecting on the vision of Tomorrow, aimed at being the “independent record label” for fashion brands, Martinetto also reminisces on his humble beginnings in the industry. Having started as a designated sandwich maker and fitting “mannequin” for his father’s showroom during his teenage years, he has worked his way up to create a company that supports and elevates the purpose-driven and value-oriented entrepreneurial creatives of tomorrow.
If there is a brand that has successfully achieved subjective ambiguity, whereby anyone viewing is able to place themselves, their emotions or their desires into carefully curated collections, it is Completedworks. Using sustainable materials to establish shape and structure, Completedworks hones into the expressive nature of its pieces to capture the indefinite aura of movement. Emerging as a jewelry line in 2013 before expanding into the realm of homeware, Completedworks founder and Artistic Director, Anna Jewsbury, places her community and family at the forefront of her creative vision–a vision that she continues to refine and elevate a decade later. Jewsbury gets comfortable with ODDA to speak about first impressions, the processes of planning and execution and the importance of “future-proofing” in modern society.
we explored the process that creates the world’s finest cotton. During our time there, we explored the SUPIMA Cotton Gin and the farms where the long staple fibres are birthed. In turn, we were educated on the processes of cotton production and the levels of surety placed to ensure its best classing.
we explored the process that creates the world’s finest cotton. During our time there, we explored the SUPIMA Cotton Gin and the farms where the long staple fibres are birthed. In turn, we were educated on the processes of cotton production and the levels of surety placed to ensure its best classing.
Kizzy Edgell is a British-based actor who made their acting debut last year in Netflix’s “Heartstopper,” the hit LGBTQ+ show based on the popular graphic novel of the same name. Ahead of the premiere of the second season on August 3, we invited Edgell to meet with us to not only celebrate the success of their show and their character Darcy, but to celebrate Pride, as Edgell identifies as non-binary. SAG-AFTRA members are currently on strike; as part of the strike, union actors are not promoting their film and TV projects. This interview was conducted prior to the strike.
Fin Argus is a Los Angeles based actor, musician, and performer who most recently can be seen on screen as Lucas in Season 3 of Max’s “The Other Two.” Last year, they starred in Peacock’s reimagining of “Queer As Folk'' and previously had a breakout role in the Disney+ feature film “Clouds.” They meet with ODDA to talk about celebrating Pride, his ideal type, and what’s on the horizon.
Shae Detar is a model-turned-artist who currently splits her time between New York City and a house in the woods an hour and twenty minutes outside of the city. She most recently released her debut book, “Another World,” taking quite an interesting look at the female form through photos. DeTar meets with ODDA to talk about her main inspirations, interning with Zac Posen, and committing to being an artist until her dying day.
Artist Darcy Miro’s metal work has straddled the line between sculpture, jewelry, glass, fashion, and functional objects. Her pieces have earned a place in museum collections like the Museum of Art and Design and captivated collaborators like architects Tod Williams and Billie Tsien, who worked with Darcy on the façade of the American Folk Art Museum. She meets with ODDA to discuss her practice and what’s next for her.