POP ART

TELL ME ABOUT THE RABBITS, GEORGE: Join me and screenwriter Joshua Montcalm (Dark Web: Cicada 3301) as we talk rabbits; dirty disgusting rabbits; six-foot tall anthropomorphized rabbits in the WTF cult classic Donnie Darko and the Golden Age Jimmy Stewart classic Harvey. “Deus ex machina”. At one time or the other, we’ve all had imaginary friends. Sometimes they were human, sometimes they weren’t. Sometimes nice, sometimes not. And sometimes, just sometimes, they’re six foot tall anthropomorphized Leporidae lagomorpha, Sounds like it’s time for Episode 63 of Pop Art, the podcast where my guest chooses a movie from popular culture, and I’ll select a film from the more art/classic/indie side of cinema with a connection to it. For this episode, I am happy to welcome as my guest, screenwriter Joshua Montcalm, who has chosen as his film the WTF cult classic Donnie Darko, while I have chosen the Jimmy Stewart golden age classic, Harvey, both films about someone who interact with a six foot tall anthropomorphized rabbit, And in this episode we answer such questions as: What did the director of Harvey do that got him to leave Germany and come to the US? What the hell does Donnie Darko even mean and is it Determinism v. Existentialism? Why did Jimmy Stewart suggest Harvey have wider shots at times? Who is the linguist that said that “cellar door” was the most beautiful phrase in the English language? Why did both films have trouble making their money back? Wouldn’t it be great to be drunk 24 hours a day? What did Kevin Smith say about Richard Kelly? Check out Joshua’s film Dark Web: Cicada 3301 at https://www.imdb.com/title/tt8110246/?ref_=nm_flmg_wr_2and on Hulu Check out my blog at https://howardcasner.wordpress.com/ My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss

HIGH AND LOW: Join me and actor, writer, producer Thomas Goersh (the award winning short film Unhappy) as we talk The Big Blue and Wings. “I was just trying to get one more Heine for you” As Petula Clark sang in her hit song: My love is warmer than the warmest sunshine, softer than a sigh/My love is deeper than the deepest ocean, wider than the sky…Sounds like it’s time for Episode 60 of Pop Art, the podcast where my guest chooses a movie from popular culture, and I’ll select a film from the more art/classic/indie side of cinema with a connection to it. This time, I am happy to welcome as my guest, actor, screenwriter, TV host, festival and film director,Thomas Goersch, who has chosen as his film French director Luc Besson’s game changing The Big Blue, while I have chosen the film that won the first Oscar for best picture, Wings, both films about friends becoming rivals and rivals becoming friends in the highly tense and dangerous worlds of free diving and World War I fighter pilots. And in this episode, we ask such questions as: Where is the nudity in Wings? What are the differences between the true story and the film of The Big Blue? What was unique about the aerial scenes in Wings? What is an “It” girl or guy? Why wasn’t The Big Blue not shown in Italy for years? What is the Cinema du Look? What was the end of French Cinema as know it? Look for Thomas’ short film Unhappy at a film festival near you. And check out his IMDB page at https://www.imdb.com/name/nm1591928/?ref_=tt_ov_dr Check out my blog at https://howardcasner.wordpress.com/ My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss Meanwhile, like, follow or comment on my podcast. I’d love to know what you think. And check out the other episodes.

STRANGER DANGER. “I left the cucumbers behind” Our mothers always warned us. Always wear clean underwear. Always finish the food on your plate, there are children starving in other countries. Never pick up strangers. But do we listen to her? Of course, not. And because of that, we have to pay the penalty. Sounds like the perfect time for Episode 40 of Pop Art, the podcast where my guest chooses a movie from popular culture and I’ll select a film from the more art/classic side of cinema with a connection to it. For my listeners, please like, follow or comment. For this episode, I welcome writer/producer/director Robert Brody, who has chosen the Nicole Kidman, San Neill, Billy Zane three-handed thriller Dead Calm, and I have chosen Roman Polanski’s freshman feature, the Polish arthouse classic Knife in the Water, both about a couple who pick up a stranger and find themselves in sexual and physical conflict while on a boat at sea. And in this episode, we answer such questions as: Why do you never ask Billy Zane to go boating? Who dubbed the voice of the hitchhiker in Knife in the Water and why? What are the technical accuracies and inaccuracies of both movies? How and why did they change the ending to Dead Calm? What is significant about Knife in the Water and the Oscars? Why didn’t Polanski remake Knife in the Water in Hollywood? And be sure and stay tuned to the end where Robert very generously gives me a wonderful recommendation for my coverage service. Thank you, Robert.

“Stick this is your trophy case.” It’s November, and to paraphrase Alfred Lord Tennyson, in fall a young man’s fancy turns to thoughts of…sports, or, since one of our films is British, sport. And since we are still in quarantine, what better idea that to combine sports with prison. Sounds like the perfect time for Episode 32 of Pop Art, the podcast where my guest chooses a movie from popular culture and I’ll select a film from the more art/classic side of cinema with a connection to it. For this episode, I am happy to welcome back a previous guest, film enthusiast, creator of the Film a Day blog, and host of the LAMBCast podcast Richard Kirkham, who has chosen the Robert Aldrich directed Burt Reynolds vehicle, The Longest Yard, and I have chosen the angry young man Tony Richardson drama, The Loneliness of the Long Distance Runner, both about sports and prisons. And in this episode we answer such questions as: What was the alternative ending for The Longest Yard? Which people associated with the movies are part of long film dynasties? What did Aldrich think of Reynolds and what did Reynolds think of Aldrich? How does James Bond and Alfred Hitchcock fit in? What is the difference between James and Edward Fox? Who started the crazy old ladies films? What is an angry young man and what do they want? Meanwhile, check out Richard’s Film a Day blog at http://kirkhamclass.blogspot.com/ And the LAMBCast at http://www.largeassmovieblogs.com/

POP ART says FAMILY PLOTS: Yes, believe it or not, the latest episode of Pop Art, the podcast where we find the pop culture in art and the art in pop culture, is now up. I can’t believe it myself, and yet…it’s true. Get ready for Episode 123. “All happy families are happy in the same way; all unhappy families are unhappy in their own way.” Let’s see if that rapscallion Leo Tolstoy is correct. This time around I am joined by the most enthusiastic Andy Goulding of Blueprint Review as we discussed Ron Howard’s Parenthood and Wes Anderson’s The Royal Tenenbaums.   As a side note, I could use a lot more followers and reviews. So, give a guy a break and rhapsodize poetic while talking about how much you love what I have to say.   Andy and I especially had a great discussion on comparing the modernist approach of Howard and the post-modern/metamodern approach of Anderson; what films reflected our family life growing up; the racial aspects and attitude toward women in both; and many other discussions. It was a great time.   Also check out Andy at The Blueprint Review at https://blueprintreview.co.uk/author/madmanmundt/And Spoiler: Reviewing movies, books & TV shows in their entirety at https://podcasts.apple.com/us/podcast/spoiler-reviewing-movies-books-tv-shows-in-their-entirety/id1042430544  Check out my blog at https://howardcasner.wordpress.com/   My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss

QUE SERA, SERA, What will be, will be, is what they say. However, what I say is that finally, Episode 122 of Pop Art is now up. Yes, Pop Art, the podcast where we find the pop culture in art and the art in pop culture.  So get out those second amendment rights, as Jason Soto of the Rabbit Hole Podcasts and I discuss Goldie Hawn and Chevy Chase in Foul Play and Jimmy Stewart and Doris Day in Hitchcock’s remake of his own film The Man Who Knew Too Much, two movies about ordinary people woh get swept up in an assassination plot.  As a side note, I could use a lot more followers and reviews. So give a guy a break and rhapsodize poetic while talking about how much you love what I have to say.  Jason and I especially had a great discussion on paranoia and conspiracy in films, comparing the two versions of the Hitchcock film, and praising Dudley Moore’s breakout performance.  Also check out the Rabbit Hole Podcast at https://rabbitholepodcasts.com/author/whateverjasonsoto/ It is a virtual treasure trove of goodies to listen to when it comes to pop culture.  Check out my blog at https://howardcasner.wordpress.com/  My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss   Be sure to like, follow or comment on my podcast. I’d love to know what you think. And check out the other episodes.

I was late for Christmas, but I made it just in time for this holiday. So, without further ado…  I HEAR MUSIC WHEN THERE’S NO ONE THERE: Episode 122, Music and Lyrics/Once  “You seem angry - click your pen!” For these two films, Richard Kirkham (of the Lambcast and A Movie a Day blog) has agreed to be my annual Valentine’s Day guest. We have chosen the two films above, both love stories revolving around songwriters.   Richard and I especially had a great discussion on such topics as why we like rom coms; which do we prefer, rom coms or rom drams; what are some of the familiar tropes that we like; the career of Drew Barrymore and Hugh Grant; and which songs do we prefer. Check it out.  Also check out Richard Kirkham The Lambcast https://largeassmovieblogs.com/ on which I am a frequent guest  And Richard’s blog A Movie A Day https://kirkhamclass.blogspot.com/    Check out my blog at https://howardcasner.wordpress.com/  My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss  Be sure to like, follow or comment on my podcast. I’d love to know what you think. And check out the other episodes.

A DISH BEST SERVED COLD: “One God, that I can understand; but one wife? That is not civilized” For these two films, I and a newcomer to Pop Art, Sammy Juliano (author of Paradise Atop the Hudson, Irish Jesus of Fairview, and other novels), discuss two films revolving around revenge.     Sammy and I especially had a great discussion on such topics as why revenge fascinates us. How satisfying is revenge. The directors William Wyler and Marlon Brando. And, oh, that chariot race. Check it out.     Also check out Sammy’s books on Amazon, including his most recent one, Mikey’s Absolution https://www.amazon.com/stores/Sammy-Juliano/author/B09NCN9JQW?ref=dbs_a_mng_rwt_scns_share&isDramIntegrated=true&shoppingPortalEnabled=true     Check out my blog at https://howardcasner.wordpress.com/     My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss     Be sure to like, follow or comment on my podcast. I’d love to know what you think. And check out the other episodes.

CHRISTMAS CAN BE CRIMINAL: Episode 120, In Bruges/We’re No Angels     “Geez, he swears a lot, doesn't he?” For these two films, I and my annual holiday guest, Jay Cluit of the Deep Blue Sea Podcast, discuss two films revolving around escaped prisoners hiding out during the holidays.     Jay and I especially had a great discussion on such topics as what is it about dark comedy that we love? Who gives the best performance? Has Martin McDonagh gone four for four? Check it out.     Also check out Jay’s The Deep Blue Sea Podcast at: https://podcasts.apple.com/us/podcast/deep-blue-sea-the-podcast/id1522738259       Check out my blog at https://howardcasner.wordpress.com/     My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss     Be sure to like, follow or comment on my podcast. I’d love to know what you think. And check out the other episodes.

POP ART SAYS: HAPPY HALLOWEEN. THE GIRLNAPPERS: Episode 118, 10 Cloverfield Lane/The Collector     “I’m sorry, but no one’s looking for you”. For these two films, I and my annual Halloween guest, Lisa Leahey discuss two films revolving around women being abducted and held prisoner.     We especially had a great discussion on such topics as why do abduction films seem to usually focus on women? What is it about apocalyptic and alien invasion films these days? Who is William Wyler? Where does Beauty and the Beast come in? Check it out.   Also check out Lisa Leahey’s sites, both at Rabbit Hole Podcasts:   https://rabbitholepodcasts.com/the-gift-of-horror/   https://rabbitholepodcasts.com/pictures-and-conversations/\   Check out my blog at https://howardcasner.wordpress.com/   My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss   Be sure to like, follow or comment on my podcast. I’d love to know what you think. And check out the other episodes.

POP ART SAYS “WE’RE BACK”: I AM SPARTACUS–Episode 116, Total Recall/General della Rovere     “Consider this a divorce”. For these two films, I and Bubbawheat (Nate Winthrow) of the Fight Club Minute, had a great time discussing two films that ask the same question: are you who you are? Are you who you think you are? Or are you who others think you are?     We especially had a great discussion on such topics as modern trends in sci-fi films, the directors Roberto Rossellini and Paul Verhoeven, and the question posed above—who are we?     I highly recommend checking out Bubbawheat’s The Fight Club Minute at https://rabbitholepodcasts.com/fight-club-minute/?fbclid=IwY2xjawFhYvZleHRuA2FlbQIxMAABHabC_Oj7cyrjZjbcTmWGipcCMz9rKGJV-A4gQ4plRj-bS9CnakgFvFp9CA_aem_37hJ3PNyt-HGxrWCe0r3MA   And his blog, Flights, Tights and Movie Nights https://flightstightsandmovienights.com/?fbclid=IwY2xjawFhYxZleHRuA2FlbQIxMAABHYbVJhuZr5W_5C7uGeqLyFBbIRkIB9L04wpn5J_gblEnrPPAk9h9qWNXeQ_aem_Ef9c5eMkE6rXbPsgART81Q   And It’s Time to Rewind https://podcasters.spotify.com/pod/show/bubbawheat     Check out my blog at https://howardcasner.wordpress.com/     My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss     Be sure to like, follow or comment on my podcast. I’d love to know what you think. And check out the other episodes.

POP ART SAYS: JUST WHEN YOU THINK YOU’RE OUT–Episode 115, The Fantastic Mr. Fox/Straight Time     “Because I’m going to get caught”. For this episode, I and Todd Liebenow of Forgotten Filmcast, had a great time discussing two films in which ex-cons try to go the straight and narrow…or do they?     We especially had a great discussion on such topics as movies about ex-cons; how attitudes town ex-cons has changed over the movie years; existentialism; the female characters and how they are portrayed.     I highly recommend checking out Todd’s Forgotten Filmcast, https://www.podomatic.com/podcasts/forgottenfilmcast always a good discussion on overlooked or forgotten films.     Check out my blog at https://howardcasner.wordpress.com/     My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss     Be sure to like, follow or comment on my podcast. I’d love to know what you think. And check out the other episodes.

POP ART SAYS: A METHOD TO THEIR MADNESS– Episode 114, May December/A Dream of Passion.   I am slowly getting the latest episodes of Pop Art up. There are reasons I am behind, but hopefully I will get back to normal soon.   “I don’t think we have enough hot dogs”. For these two films, I and The Vern of Cinema Recall,  had a great time discussing two films in which actors, in order to help them create the characters they are working on, seek out either the person the film is based on (the Mary Kay Letourneau case for May December) or someone that resembles the role they are playing (a woman who murdered her children ala Medea for A Dream of Passion).    We especially had a great discussion on such topics as the trope of a male teen having sex with an older woman and the different way that is treated when it comes to female and gay teens; whether either actor really achieved their goal; and some talk about camp and kitsch. So, join us for this great discussion.   I highly recommend checking out The Vern’s various blogs and vlogs, especially Cinema Recall at https://www.cinemarecall.net/     Check out my blog at https://howardcasner.wordpress.com/     My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss     Be sure to like, follow or comment on my podcast. I’d love to know what you think. And check out the other episodes.

OH, FRABJOUS DAY. CALLOOH! CALLAY!” HE CHORTLED IN HIS JOY.     Yes, that’s right. Pop Art is back and:     POP ART SAYS: AT LONG LAST LOVE– Episode 113, Ghost/Madly, Truly, Deeply     Yes, this is the Valentine’s Day episode and, yes, it is very, very late. This is due to the good (an incredible vacation to Sydney and New Zealand) and bad (getting Covid the day we were flying back). So, thanks for your patience to my regular listeners. As for those who aren’t regular listeners, please become so, so that I can thank you for your patience.     “Ditto”. For these two films, I and Richard Kirkham of such vlogs and blogs like The Lambcast and The Strother Martin Film Project, had a great time discussing two romantic dramas about lovers coming back from the afterlife to interact with those left behind.     We especially had a great discussion not only as to why such films are so popular, but whether there is a difference between films where the ghost is a man or a woman (we thought there might very well be). Both films came out the same year, but thematically and stylistically, they are so very different. But only one has Alan Rickman in it.     So, join us with this great discussion where after death your loved ones may come back, whether you want them to or not.     I highly recommend checking Richard Kirkham’s various blogs:     The Lambcast https://largeassmovieblogs.com/category/podcasts/lambcast     The Strother Martin Film Project https://strothermartinfilmproject.wordpress.com/     A Movie a Day https://kirkhamamovieaday.com/       Check out my blog at https://howardcasner.wordpress.com/     My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss     Be sure to like, follow or comment on my podcast. I’d love to know what you think. And check out the other episodes.

POP ART SAYS: Good Help is Hard to Find – Episode 112, Parasite/La Ceremonie First, this is very late and out of order, but it’s been one of those past couple of months. So apologies all around. However, welcome to a great discussion with screenwriter Jennifer van Sijll, author of the book used in classrooms everywhere, Cinematic Storytelling: ⁠The 100 Most Powerful Film Conventions Every Filmmaker Must Know⁠.   “They are nice because they are rich”. For these two films, we had a great discussion as to how servants have been dramatized over the years in movies. Class conflict. The Korean and French new wave. The greatness of both directors. And many other topics.     So, join us with this great discussion where not only can good help can be hard to find, it can be deadly. And always, ALWAYS, check their references.     I highly recommend checking out van Sijll’s book Cinematic Storytelling which can be found at Amazon at https://www.amazon.com/s?k=cinematic+storytelling+by+jennifer+van+sijll&i=stripbooks&crid=1MGTP7A19BGAK&sprefix=cinematic+story%2Cstripbooks%2C98&ref=nb_sb_ss_fb_1_15     Check out my blog at https://howardcasner.wordpress.com/     My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss     Be sure to like, follow or comment on my podcast. I’d love to know what you think. And check out the other episodes. On ITUNES https://podcasts.apple.com/us/podcast/pop-art/id1511098925, Anchor: https://anchor.fm/howard-casner, and Spotify https://open.spotify.com/show/5jX4noVGArDJdmcFtmrQcG, Sticher: https://www.stitcher.com/podcast/pop-art, Google Podcasts: https://podcasts.google.com/..., Breaker: https://www.breaker.audio/pop-art, Pocketcasts: https://pca.st/vfjqj6j6, Radiopublic: https://radiopublic.com/pop-art-GExxNband other streaming sites

POP ART SAYS MERRY XMAS: I know, I know, I’m coming down the chimney late on this one. I’ve been slowed down by some various health issues, and the holidays, though I’m feeling a lot better now, thanks for asking. I hope I don’t get coal in my stocking for this.   But on to Pop Art, the podcast where we find the pop culture in art and the art in pop culture. It’s the podcast where my guest chooses a movie from popular culture, and I’ll select a film from the more art/classic/indie/foreign side of cinema with a connection to it.     LONESOME HIGHWAYS: “I just forgot the number to 9-1-1!” For episode 113, I welcome back my annual Christmas guest, Jay Cluitt (of The Deep Blue Sea podcast), who really loves holiday movies. We have chosen to discuss two Christmas adjacent horror films: Wind Chill and Dead End. Blizzards, stalled cars, dead ends, getting lost, ghosts, dead people. What is worse than coming home for Christmas? It’s the drive home for Christmas.   In this episode we discuss why Christmas adjacent films are so popular. We also discuss the rise of Christmas horror films; just what is it with that? Jay liked Dead End more than Wind Chill, but both are quite scary and we certainly agree Emily Blunt was great. In the end, we learned the moral of the story is that if you come across a baby carriage on a lonely road, do not, DO NOT, stop. Drive off.   Check out Jay’s The Deep Blue Sea podcast https://www.spreaker.com/user/11106493/bodies-atrest?fbclid=IwAR330zZ_q9ywDj5o6FBwaU_JJ8dTfCnDF7O3k8AhggE2av3ufcvsEoHWzwk     Check out my blog at https://howardcasner.wordpress.com/     My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss     Be sure to like, follow or comment on my podcast. I’d love to know what you think. And check out the other episodes. On ITUNES https://podcasts.apple.com/us/podcast/pop-art/id1511098925, Anchor: https://anchor.fm/howard-casner, and Spotify https://open.spotify.com/show/5jX4noVGArDJdmcFtmrQcG, Sticher: https://www.stitcher.com/podcast/pop-art, Google Podcasts: https://podcasts.google.com/..., Breaker: https://www.breaker.audio/pop-art, Pocketcasts: https://pca.st/vfjqj6j6, Radiopublic: https://radiopublic.com/pop-art-GExxNband other streaming sites

POP ART 111 says SOAPY SALES: Join me and my guest Sam Homrig (attorney by day, murder mystery host by night as well as co-host of “The Cabot Cove Confab Podcast”, “The Columbo Confab Podcast”, and “The Best Picture Podcast”)   “We were just playing a game called Photography. You turn off the lights and see what develops.” Lies, deceit, adultery, murder, teen sex, drugs, abortion by proxy, incest by proxy, illegitimate children, coded gay characters…Sounds like it’s time for Episode 111 of Pop Art, the podcast where we find the pop culture in art and the art in pop culture. It’s the podcast where my guest chooses a movie from popular culture, and I’ll select a film from the more art/classic/indie/foreign side of cinema with a connection to it.   For this episode, I am happy to welcome as my guest, Sean Homrig, who has chosen as his film Ang Lee’s dissection of suburban life in 1970s Connecticut, The Ice Storm, while I have chosen Mark Robson’s dissection of small town New England life in the 1940s, Peyton Place, both soap opera looks at small towns.     And in this episode, we answer such questions as: What scandal made Peyton Place one of the top grossing movies of that year? Why are soap operas so appealing? What rating from the Catholic Church was given to Peyton Place? What are the anachronisms and historical inaccuracies of both films? What Cannes award did The Ice Storm receive? What changes from the book did they make in bringing Peyton Place to the screen? What is inaccurate about the death in The Ice Story? How many Oscar acting nominations did Peyton Place receive?   Be sure and check out Sean’s various podcasts, “The Cabot Cove Confab Podcast”, “The Columbo Confab Podcast”, and “The Best Picture Podcast”.   Check out my blog at https://howardcasner.wordpress.com/   My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss   Be sure to like, follow or comment on my podcast. I’d love to know what you think. And check out the other episodes.

HAPPY HALLOWEEN   NEW EPISODE: POP ART 110 says CURSES, FOILED AGAIN: Join me and my annual Halloween guest Lisa Leaheey as we talk The Ring and Curse of the Demon.   “Seven days.” Don’t you hate when this happens? You’re going about your day. Minding your own business. You watch a video and the phone rings telling you, you only have seven days to live. Or, someone secretly passes you a curse in runes giving you only a certain amount of time before you die. It is just so annoying…Sounds like it’s time for Episode 110 of Pop Art, where we find the pop culture in art and the art in pop culture. It’s the podcast where my guest chooses a movie from popular culture, and I’ll select a film from the more art/classic/indie/foreign side of cinema with a connection to it. And this episode is my yearly Halloween one. For this episode, I am happy to welcome back film lover and horror enthusiast, and my annual guest for my Halloween episode, Lisa Leaheey, who has chosen as her film the American remake of the Japanese horror film The Ring, while I have chosen Jacques Tournier’s Night of the Demon, both films about an object that if passed to someone only gives that person a certain amount of time to live.   And in this episode, we answer such questions as: Which is better, suggesting a monster or showing it? What are the differences between the Japanese and American version of The Ring? What is the difference between the English and American release of Night of the Demon? What was the original ending to The Ring and what happened to it? Why is Night of the Demon called Curse of the Demon in the US? What did screenwriter Charles Bennett say he would do to the producer of Night of the Demon if he saw him in his driveway? Where do The film The Burbs, Rocky Horror Picture Show and Rear Window fit in? What does the name Samara reference?     Check out Lisa’s podcasting at The Rabbit Hole Podcast, including the new Rabbit Hole Book Club section https://rabbitholepodcasts.com/pictures-and-conversations/   And Lisa and Jason Soto’s podcast Between the Scares where they are covering every Blumhouse film https://rabbitholepodcasts.com/between-the-scares/   Check out my blog at https://howardcasner.wordpress.com/   My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss     Be sure to like, follow or comment on my podcast. I’d love to know what you think. And check out the other episodes.

ANIMAL CRACKERS. Join me and screenwriter and book author C. Courtney Joyner as we talk Alfred Hitchcock’s The Birds and Byron Haskin’s The Naked Jungle, two nature horror films.   “They're coming! They're coming!” Sharks, Piranha, Spiders, Frogs, Snakes, Wolves, Lions and Tigers and Bears, oh my…Sounds like it’s time for Episode 109 of Pop Art, where we find the pop culture in art and the art in pop culture. It’s the podcast where my guest chooses a movie from popular culture, and I’ll select a film from the more art/classic/indie/foreign side of cinema with a connection to it. For this episode, I am happy to welcome as my guest, screenwriter and book author C. Courtney Joyner, who has chosen as his film Alfred Hithcock’s classic The Birds, while I have chosen Byron Haskin’s guilty pleasure The Naked Jungle, both films about animals attacking humankind.   And in this episode, we answer such questions as: What is nature horror? How did they produce the sounds of the ants in The Naked Jungle? How do both films differ from their source material? Why did Eleanor Parker get top billing in The Naked Jungle? What is the best written scene in The Birds? Where was The Naked Jungle filmed? What did Daphne du Maurier think of The Birds? What was the Mad Magazine version of The Birds called?   Check out Courtney’s IMDB page at https://www.imdb.com/name/nm0003676/?ref_=fn_al_nm_1 as well as his film commentaries and writings on film   Check out my blog at https://howardcasner.wordpress.com/   My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss

PEEK A BOO: Join me and blogger and film lover James S. Wilson as we talk two masterpieces, Alfred Hitchcock’s Rear Window and Krzysztof Kieslowski’s A Short Film About Love, two films about voyeurs and voyeurism.     “Why would a man leave his apartment three times on a rainy night with a suitcase and come back three times?” You’re alone in your own apartment. Doing your thing. Maybe you’ve murdered someone. Or maybe you’re having sex. When suddenly you get this feeling…Am I…being watched? Probably…Sounds like it’s time for Episode 108 of Pop Art, where we find the pop culture in art and the art in pop culture. It’s the podcast where my guest chooses a movie from popular culture, and I’ll select a film from the more art/classic/indie/foreign side of cinema with a connection to it. Today, I am happy to welcome as my returning guest, blogger and film enthusiast, James S. Wilson, who has chosen as his film one of Alfred Hitchcock’s masterpieces, Rear Window, while I have chosen one of Krzysztof Kieślowski’s masterpieces, A Short Film About Love, both films about voyeurs and voyeurism.   And in this episode, we answer such questions as: Who slept on the set of Rear Window while it was being made? Why did Kieslowski decide not to use different directors for each entry in The Dekalog? Who is Bess Flowers? Why did Kieslowski expand A Short Film About Love into a feature film? Who is Ross Bagdasarian and what is his contribution to children’s culture? How does both Hitchcock and Kieslowski’s Catholicism influence their films? Who played Jeff’s agent in Rear Window? What are the differences between the source materials and the final feature for both films?   Check out James’s blog Blogging by Cinema-light at http://bloggingbycinemalight.blogspot.com/   Check out my blog at https://howardcasner.wordpress.com/     My books, More Rantings and Ravings of a Screenplay Reader, The Starving Artists and Other Stories and The Five Corporations and One True Religion can be found at https://www.amazon.com/s?k=howard+casner&ref=nb_sb_noss   Be sure to like, follow or comment on my podcast. I’d love to know what you think. And check out the other episodes.