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Past Present Future
Author: David Runciman
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Past Present Future is a bi-weekly History of Ideas podcast with David Runciman, host and creator of Talking Politics, exploring the history of ideas from politics to philosophy, culture to technology. David talks to historians, novelists, scientists and many others about where the most interesting ideas come from, what they mean, and why they matter.
Ideas from the past, questions about the present, shaping the future. Brought to you in partnership with the London Review of Books.
New episodes every Thursday and Sunday.
158 Episodes
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Our political films season has reached the late 1980s with Do The Right Thing (1989), Spike Lee’s searing take on racial tension on a Brooklyn block on a boiling hot summer’s day. How does a fight over pizza turn into a full-blown riot? With everyone feeling exploited, who is really to blame? And where do Martin Luther King Jr. and Malcom X – not to mention Jesse Jackson Jr. – fit in?
Out now: two new bonus episodes on PPF+ to accompany this series: Shoah part one and Shoah part two, exploring Claude Lanzmann’s path-breaking, harrowing, unforgettable 9-hour documentary about the Holocaust. Sign up to PPF+ to get all our bonus episodes plus ad-free listening https://www.ppfideas.com/join-ppf-plus
Next time: Fight Club w/ Helen Lewis
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Today’s great political film is Akira Kurosawa’s epic of war and deception Kagemusha (1980). Set in late sixteenth-century Japan it tells the story of a thief tasked with impersonating a warlord. Can physical resemblance translate into political authority? How far does the conspiracy need to go? And who in the end is the real criminal?
Out now: two new bonus episodes on PPF+ to accompany this series: Shoah part one and Shoah part two, exploring Claude Lanzmann’s path-breaking, harrowing, unforgettable 9-hour documentary about the Holocaust. Sign up to PPF+ to get all our bonus episodes plus ad-free listening https://www.ppfideas.com/join-ppf-plus
Next time: Spike Lee’s Do The Right Thing
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Today’s great political film is Chantal Akerman’s Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (1975), voted the greatest film of all time in the 2022 Sight and Sound poll. A classic of feminist cinema it is also a film about the meaning of time and the illusions of choice. How can a movie which shows a woman peeling potatoes in real time have you on the edge of your seat? If the personal is the political, what do three days in the life of a Belgian housewife tell us about the true nature of power?
Coming this weekend on PPF+: two new bonus episodes to accompany this series: Shoah part one and Shoah part two, exploring Claude Lanzmann’s path-breaking, harrowing, unforgettable 9-hour documentary about the Holocaust. Sign up to PPF+ to get all our bonus episodes plus ad-free listening https://www.ppfideas.com/join-ppf-plus
Next time in our regular slot: Kagemusha (1980)
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Today’s episode is a conversation between David and the former politician Chris Smith (long-time MP and Secretary of State for Culture, Media and Sport in Tony Blair’s first government) about The Candidate (1972), the first great political film of the 1970s. How does its portrayal of the compromises of running for office hold up today? Is it a cynical film or an inspiring one? And what lessons does it have for politics in the age of Trump?
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Next time: Jeanne Dielman, 23 Quai du Commerce, 1080 Bruxelles (voted the greatest film of all time in the 2022 Sight and Sound critics’ poll)
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We resume our series on the great political films with Costa-Gavras’s Z (1969), the quintessential late 60s movie about assassination, conspiracy, street politics and police brutality. How could a film shot in Algeria and starring French actors so faithfully reconstruct a recent Greek political killing? How did it capture the spirit of the times? And what does it say about the relationship between politics as violence and politics as story-telling?
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Next time: The Candidate (1972) w/Chris Smith
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For the last episode in this season of great political films David explores Gillo Pontecorvo’s The Battle of Algiers (1966), which changed the face of political movie-making forever. Filmed to look like archive footage, featuring actual participants in the events it describes, and showing both sides of the vicious contest between insurgents and counter-insurgents, it humanises a horrifying conflict. It also raises the question: where is the line between realism and rage?
Coming on Saturday: a new bonus episode to accompany this series in which David talks to Helen Thompson about Apocalypse Now, the ultimate film about war and madness. Sign up now to PPF+ to get this and all our bonus episodes plus ad-free listening https://www.ppfideas.com/join-ppf-plus
To get our free fortnightly newsletter with guides, writing and clips exploring the themes of these episodes join our mailing list https://www.ppfideas.com/newsletters
Looking for Christmas presents? We have a special Christmas gift offer: give a subscription to PPF+ and your recipient will also receive a personally inscribed copy of David’s new book The History of Ideas. Find out more https://www.ppfideas.com/gifts
Next time: Gary Gerstle on the 2024 Presidential Election
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This episode is about two great films on the same dark theme: David talks to American historian Jill Lepore about Stanley Kubrick’s Dr Strangelove and Sidney Lumet’s Fail Safe, which appeared within a few months of each other in 1964. Both films explore what might happen if America’s nuclear defence system went rogue. One is grimly hilarious; the other is utterly terrifying. Which packs the biggest punch today?
Looking for Christmas presents? We have a special Xmas gift offer: give a subscription to PPF+ and your recipient will also receive a personally inscribed copy of David’s new book The History of Ideas. Find out more https://www.ppfideas.com/gifts
Next time: The Battle of Algiers
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For today’s great political film David discusses Luchino Visconti’s The Leopard (1963) with the Italian historian of ideas Lucia Rubinelli. How did a communist aristocrat from Milan come to make a film about a Sicilian prince? How did Burt Lancaster get cast in the leading role? Is this a political film or a film against politics? And what is the real meaning of the celebrated line: ‘If we want things to stay as they are, things must change…’?
Looking for Christmas presents? We have a special Christmas gift offer: give a subscription to PPF+ and your recipient will also receive a personally inscribed copy of David’s new book The History of Ideas. Find out more https://www.ppfideas.com/gifts
Next time: Dr Strangelove & Fail Safe w/ Jill Lepore
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Today’s great political film is John Frankenheimer’s masterpiece of Cold War paranoia The Manchurian Candidate (1962), which came out the week of the Cuban Missile Crisis. It’s a 1960s movie about 1950s fears: brainwashing, the Korean War, McCarthyism, all shot through with Kennedy-era anxieties about sexual potency and psychoanalysis. Who’s a Soviet agent? Who’s a mummy’s boy? And it managed to anticipate what was coming next in American politics: the age of assassination.
A new bonus episode to accompany this series is out now: David explores why so many American presidents choose High Noon as their favourite film. Sign up now to PPF+ for just £5 per month or £50 a year and get all our other bonuses plus ad free listening too. https://www.ppfideas.com/join-ppf-plus
To get our free fortnightly newsletter with guides, writing and clips exploring the themes of these episodes join our mailing list https://www.ppfideas.com/newsletters
Next time: The Leopard w/ Lucia Rubinelli
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In today’s episode David discusses Michael Powell and Emeric Pressburger’s The Life and Death of Colonel Blimp (1943), a great patriotic anti-war film made in the depths of WWII. Why did Churchill want the film’s production stopped and was he right to suspect it was about him? What does the film say about the politics of nostalgia and the illusions of heroism? And how is Blimp’s moustache like Kane’s Rosebud?
A new bonus episode to accompany this series is out on Saturday: David explores why so many American presidents choose High Noon as their favourite film. Sign up now to PPF+ for just £5 per month or £50 a year and get all our other bonuses plus ad free listening https://www.ppfideas.com/join-ppf-plus
To get our free fortnightly newsletter with guides, writing and clips exploring the themes of these episodes join our mailing list https://www.ppfideas.com/newsletters
Next time: The Manchurian Candidate
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Orson Welles’s Citizen Kane (1941) is many people’s favourite film of all time, including Donald Trump’s. Why does Trump love it so? What does he get right and what does he get wrong about the trajectory of the life of Charles Foster Kane? What does the film reveal about the relationship between celebrity, influence and political power? And why is Rosebud not the real mystery at the heart of this story?
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Next time: The Life and Death of Colonel Blimp
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Today’s great political film is Frank Capra’s Mr Smith Goes to Washington (1939), a much-loved tale of the little guy taking on the corrupt establishment. But there’s far more to it than that, including an origin story that suggests Jefferson Smith (James Stewart) might not be what he seems. From filibusters to fascism, from the New Deal to America First, from Burton K. Wheeler to Harry S. Truman, this is a heart-warming film that still manages to go to the dark heart of American politics.
To hear our bonus episode on Philip Roth’s The Plot Against America (in which Burton K. Wheeler becomes America’s Hitler) sign up now to PPF+ for just £5 per month or £50 a year and get all our other bonuses plus ad free listening https://www.ppfideas.com/join-ppf-plus
Next time: Citizen Kane
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For the first episode in our new series David explores Jean Renoir’s La Grande Illusion (1937), a great anti-war film that is also a melancholy meditation on friendship between enemies, love across borders, and the inevitability of loss. What, in the end, is the great illusion: war itself, or the belief that we can escape its baleful consequences?
Our bonus episode with Chris Clark on how Europe’s elites sleepwalked into war in 1914 is available on PPF+. Sign up now for just £5 per month or £50 a year to get 24 bonus episodes a year plus ad-free listening https://www.ppfideas.com/join-ppf-plus
Next time: Mr Smith Goes to Washington
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For episode four of our series on the history of thinking about thinking machines, David and Shannon discuss a very different sci-fi sensibility: Becky Chambers’ Monk & Robot series (A Psalm for the Wild-Built (2021) and A Prayer for the Crown-Shy (2022)). What would it mean for robots to ‘wake up’? How might robots teach humans about the nature of care and about the care of nature? And where do robots fit into a neurodiverse world? Plus: robots vs octopi.
There is another bonus episode to accompany this series available from Saturday on PPF+: David and Shannon talk about where AI is really taking us, sorting the reality from the hype. Sign up now for just £5 per month or £50 a year for 24 bonus episodes. https://www.ppfideas.com/join-ppf-plus
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Next time: Gary Gerstle on the current state of the American election.
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Today’s episode in our series on the history of thinking about thinking machines explores the novel that inspired Blade Runner: Philip K. Dick’s Do Androids Dream of Electric Sheep? (1968). David talks to Shannon Vallor about what the book has that the film lacks and how it comprehensively messes with the line between human and machine, the natural and the artificial. What is the meaning of the electric sheep?
To hear a bonus episode on Mary Shelley’s Frankenstein to accompany this series sign up now to PPF+ and get ad-free listening and all our other bonuses too: £5 per month or £50 a year for 24 bonus episodes. https://www.ppfideas.com/join-ppf-plus
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Next time: Becky Chambers’ Monk & Robot series.
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In today’s episode in our series on the history of thinking about thinking machines, David and Shannon discuss Isaac Asimov’s 1955 short story ‘Franchise’, which imagines the American presidential election of 2008 as decided by one voter and a giant computer. Part prophecy, part parody: have either its predictions or its warnings about democracy come true? How does the power of technology shape contemporary politics? And why was Asimov’s vision of the future so reactionary?
To hear a bonus episode on Mary Shelley’s Frankenstein to accompany this series sign up now to PPF+ and get ad-free listening and all our other bonuses too: £5 per month or £50 a year for 24 bonus episodes. https://www.ppfideas.com/join-ppf-plus
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Next time: Philip K. Dick’s Do Androids Dream of Electric Sheep?
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For the first episode in our new series on the history of thinking about thinking machines, David talks to philosopher Shannon Vallor about Fritz Lang’s Metropolis (1927). The last great silent film is the most futuristic: a vision of robots and artificial life, it is also about where the human heart fits into an increasingly mechanised world. Is it prophetic? Is it monstrous? And who are the winners and losers when war is declared on the machines?
To hear a bonus episode on Mary Shelley’s Frankenstein to accompany this series sign up now to PPF+ and get ad-free listening and all our other bonuses too: £5 per month or £50 a year for 24 bonus episodes. https://www.ppfideas.com/join-ppf-plus
Next time: Isaac Asimov’s ‘Franchise’
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Our Great Political Fictions re-release concludes with a musical: Lin-Manuel Miranda’s wildly popular and increasingly controversial Hamilton (2015). What does it get right and what does it get wrong about America’s founding fathers? How fair is it to judge a Broadway musical by the standards of academic history? And why does a product of the Obama era still resonate so powerfully in the age of Trump and Biden?
Find out more about Past Present Future on our new website www.ppfideas.com where you can also join PPF+ to get bonus episodes and ad-free listening.
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The penultimate episode in our Great Political Fictions re-release is about Curtis Sittenfeld’s American Wife (2008), which re-imagines the life of First Lady Laura Bush.One of the great novels about the intimacy of power and the accidents of politics, it sticks to the historical record while radically retelling it. What does the standard version leave out about the Bush presidency? How does an ordinary life become an extraordinary one? And where is the line between fact and fiction?
Tomorrow: Lin-Manuel Miranda’s Hamilton
Find out more about Past Present Future on our new website www.ppfideas.com where you can also join PPF+ to get bonus episodes and ad-free listening.
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Today’s Great Political Fiction is Alan Hollinghurst’s The Line of Beauty (2004), which is set between Thatcher’s two dominant general election victories of 1983 and 1987. A novel about the intersection between gay life and Tory life, high politics and low conduct, beauty and betrayal, it explores the price of power and the risks of liberation. It also contains perhaps the greatest of all fictional portrayals of a real-life prime minster: Thatcher dancing the night away.
Tomorrow: Curtis Sittingfield’s American Wife
Find out more about Past Present Future on our new website www.ppfideas.com where you can also join PPF+ to get bonus episodes and ad-free listening.
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Um, isn't Dr. Strangelove (the character) supposed to be based, at least partly, on Werner von Braun?
I think you missed a crucial point about the illicit scrabble game: in Gilead, women (except, it is revealed at some point, aunts) aren't allowed to read.
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Way too much personal politics
This is a banal, surface-level discussion.
This guest's ... monotone ... and stilted ... delivery is ... so annoying because ... he ... sounds kind ... of like ... this.
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As far as I know, there's no contextual evidence (letters, drafts, contemporaneous commentary) that Baum intended The Wizard of Oz as an allegory of the gold standard. That theory was first advanced decades after the book was published, and has been championed by some and ridiculed by many. Remember that, unlike Animal Farm, tWoO was written for children. It was part of his project to write a truly American "fairy tale." Any political allegory would have likely gone over his child readers heads.
It's worth noting that Jane Austen did have a long fallow period, about ten years, and that it corresponds to a time when she didn't have a stable living situation. She wrote her first three novels before she was 25. Then her family moved from her childhood home and were almost constantly on the move for the next ten years; during that time she doesn't seem to have done any serious writing. It was only after her family settled at Chawton Cottage that she began writing again, producing three novels and beginning a fourth over the next seven years. So while she didn't have money and a room of her own, she apparently did need a stable home to be able to write.
Informative and entertaining. I will pass this on to my friend, a vintner in Oregon, who trained as an economist and computer programmer in the GDR before escaping to the West.