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Linger in the space between a poem being spoken and being heard.
Poetry Centered features curated selections from Voca, the University of Arizona Poetry Center’s online audiovisual archive of more than 1,000 recordings of poets reading their work during visits to the Center between 1963 and today. In each episode, a guest poet introduces three poems from Voca, sharing their insights about the remarkable performances recorded in our archive. Each episode concludes with the guest poet reading a poem of their own.
59 Episodes
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Radical Reversal is a program that installs performance and recording spaces in detention centers and correctional facilities where they conduct poetry workshops, seminars in music and music production, readings, and performances. Following up on a bonus episode from April 2023, Radical Reversal co-founder Randall Horton introduces us to poetry and music from five youth writers and performers at Jefferson County Youth Detention Center in Birmingham, Alabama. To watch readings by poets who...
Samyak Shertok curates poems that shift between image and narrative, between sound, silence, and simile as they create something wholly new. He introduces Joy Harjo testing the line between being an eyewitness and witnessing to (“Deer Dancer”), Li-Young Lee looking for the beloved everywhere (“Echo and Shadow”), and John Murillo braiding a complex tapestry from memory and remembering (“Upon Reading That Eric Dolphy Transcribed Even the Calls of Certain Species of Birds,”). To close, Shertok i...
Dawn Lundy Martin selects poems of urgency, tension, and devotion. She shares Daniel Borzutzky responding to massacres with a poem that must be written (“Written after a Massacre in the Year 2018”), francine j. harris negotiating what can be contained and what cannot (“in case”), and Ada Limón choosing astounding devotion ("State Bird"). Martin closes with an excerpt from “A Fable of the Regime,” which engages with the present, long moment of American history. Watch the full recordings of Bor...
Leila Chatti chooses poems illuminated by a heart left often to life here on Earth. She introduces us to Linda Gregg’s fierce and incandescent honesty (“There She Is”), Lucille Clifton’s embrace of lightness amidst struggle (“sorrows”), and Jane Hirshfield’s distillation of silence and attention (“The World Loved by Moonlight”). To close, Chatti reads her poem “I went out to hear”—an affirmation for choosing a life that includes both beauty and pain. Find the full recordings of Gregg, Clifton...
Samuel Ace introduces poems that speak to today with raw honesty, truthfulness, and bravery. He shares Angel Dominguez wrestling with atrocity and empathy (“Dear Diego, Tell me what you know of stars”), Ilya Kaminsky braiding complicity with grief for the future (“In a Time of Peace”), and Layli Long Soldier drawing us into the meaning of apology (“WHEREAS I heard a noise I thought was a sneeze”). Ace closes with a sound rendering of his poem “These Nights,” which considers acts of beauty ami...
Harmony Holiday selects poems that shed the skin of nostalgia, testing the boundaries of cruelty as they push toward clarity. She introduces Robert Hass accepting moments of error (“A Story About the Body”), Ai recognizing the humanity of the evil-doer (“Salome”), and Allen Ginsberg acknowledging his mother’s scars as he grieves (“Kaddish”). Holiday closes with her poem “Tale of the Sudden Sweetness of the Dictator,” which refuses sentimentality by telling a story in sharp detail. Listen to t...
In our fiftieth episode, Nicole Sealey chooses poems that speak to the lasting power of big ideas offered generously to one’s community. She shares Toi Derricotte forecasting the spirit of Cave Canem (“I say hello, oracle, kind mother...”), Cornelius Eady responding to racism with defiant love (“Gratitude”), and Patricia Smith reminding us that poetry is a life-affirming art (“Building Nicole’s Mama”). Sealey closes with her piece “The First Person Who Will Live to Be One Hundred and Fifty Ye...
Kwame Dawes introduces poems that interrogate loss and violence, transforming them in the flame of irony, elegy, and empathy. He discusses Lucille Clifton distilling “pure moments of tremendous poetry” (“lu 1958”), Michael S. Harper offering a haunting conclusion that serves as both memorial and gift (“We Assume: On the Death of our Son, Reuben Masai Harper”), and Terrance Hayes treading the line where outrage meets compassion (“Carolina Lullaby,” “A Poem That Does Nothing,” “The Poet Ai as D...
Mackenzie Polonyi selects poems that engender bell hooks’ idea of love as a verb—a mycorrhizal, persistent, and complicated act linking us to past and present, near and far. She discusses Lucille Clifton on the boundlessness of light (“i was born with twelve fingers”), Fady Joudah’s adaptation of Hussein Barghouthi on the music of what it means to be human (“I Dreamed You”), and Victoria Chang on questions for the generations we cannot meet (“Once you had to stand behind...”). Polonyi closes ...
Abigail Chabitnoy curates poems that dwell in fields of searching, connecting, and being. She introduces Michael Wasson communing with those who are no longer breathing (“Aposiopesis [or, The Field between the Living & the Dead]”), Jean Valentine considering the moment and its boundaries (“To my soul”), and Saretta Morgan writing into love over many years (“Dearth-light”). To close, Chabitnoy reads her poem “Signs You Are Standing at the End,” which enters its own field of imagining acros...
Diego Báez introduces us to three Gabriels connected by themes of reclamation and new beginnings. He shares Gabriel Dozal approaching the US-Mexico border with humor (“You Look at Crossers, You Look Just Like Them”), Gabriel Palacios unpacking narratives of inheritance and race (“The Friar’s Daughter’s Mother”), and Jimmy Santiago Baca experiencing the birth of his son, Gabriel (“Child of the Sun—Gabriel’s Birth (Sun Prayer)”). Báez closes by reading “Neuropathy with Lamb,” which reflects on ...
Valerie Hsiung selects poems that disorient as they open us to the vital, visceral present. She introduces Roberto Tejada and the poem as a breaking fever (“Kill Time Objective”), Jennifer Elise Foerster as a channel for a multiplicity of lost voices (“Hokkolen: I become the canyon, its dreaming eye”), and Mei-mei Berssenbrugge narrowing the senses to expand what remains (“Slow Down Now”). To close, Hsiung reads from her sequence “a-begging,” her voice responding to the room where she’s recor...
Geffrey Davis selects recordings that reveal the bold, risky, and relentless work of attention and connection that poetry undertakes. He shares Lisel Mueller pushing against the limits of human understanding (“What the Dog Perhaps Hears”), Carl Phillips exploring change as more than calamity (“Continuous Until We Stop”), and Ross Gay asserting that pain and grief live alongside gratitude (“Catalog of Unabashed Gratitude”). Davis closes by reading his poem “Inside the Charged Dark,” paying tri...
Vickie Vértiz curates poems that chart a path to a collective future where we can survive crises, connect with others, and see life’s beauty. She introduces Khadijah Queen looking to words as weapons amidst grief (“bloodroot,” “Dear fear…”), Lehua M. Taitano moving through the luminous ocean of time (“Queer Check-Ins”), and Angel Dominguez breaking through the world’s isolation (“What Does the Future Sing to You in Dreams”). Vértiz closes with her poem “Disco,” a celebration of discovery and ...
Eugenia Leigh introduces poems that speak from a particular moment into our own time, offering possibility amidst struggle. She shares John Murillo’s engagement with resistance and reality (“Enter the Dragon”), Monica Sok’s truth-telling about genocide (“Tuol Sleng”), and Angel Dominguez’s joyful protest against capitalism. Leigh closes with her poem “This City,” which ends with renewal. Watch the full recordings of Murillo, Sok, and Dominguez reading for the Poetry Center on Voca: John Muril...
Mary Jo Bang brings together poems united by astonishment at the continuation of a world that seems utterly self-destructive. She shares Claudia Rankine on the illusions of American optimism (“Don’t Let Me Be Lonely”), Srikanth Reddy on mortality and teaching literature (“Underworld Lit”), and Timothy Donnelly on the human experience of a polluted world (“In My Life”). She closes with her own “Cosmic Madonna,” an ekphrastic poem inspired by Salvador Dali. Watch the full recordings of Rankine,...
Olatunde Osinaike curates poems that meld comedy, cultural scrutiny, and self-imagination. He introduces Patricia Spears Jones clearing a path for desire (“Self-Portrait as Midnight Storm”), Morgan Parker pursuing feeling through description (“Magical Negro #217: Diana Ross Finishing a Rib in Alabama, 1990s”), and Ishmael Reed satirizing wealth and importance (“Sixth Street Corporate War”). Olatunde closes with his own self-identification, “Self-Portrait in Lieu of My EP.” Find the full recor...
Sawako Nakayasu selects poems that confront griefs personal and national, told directly and obliquely. She introduces Timothy Liu documenting the atrocities of Japanese imperialism (“A Requiem for the Homeless Spirits”), Daniel Borzutzky’s translation of Raul Zurita witnessing to the brutal crimes of the Chilean dictatorship (“Song for His Disappeared Love”), and Keith Waldrop conjuring a grief-riddled dream landscape (“An Apparatus”). Nakayasu closes with her own “Ant in a silvery tide,” a p...
Jake Skeets curates poems by Diné poets centering on translation and the way that the Diné language orients its speakers to the world, which exists before them. He shares Rex Lee Jim’s invocation of voice as what brings life (“Language”), Laura Tohe’s embodiment of meaning in rhythm and sound (“Niltsá Bi'áád, Female Rain” and “Niltsá Bika', Male Rain”), and Luci Tapahonso’s blending of Diné syntax with English (“Hills Brothers Coffee”). Skeets closes with his poem “Emerging,” which traces the...
Sally Wen Mao shares poems that trace her awakening as a poet, invoking teachers both in person and on the page. She introduces Claribel Alegría on how to express the unknowable and untraceable (“Savoir Faire”), Terrance Hayes on transformation as the role of poetry in the world (“The Deer”), and Bhanu Kapil on poetic language as a means of collapsing borders (“Humanimal”). Mao concludes with her poem “a dream or a fox,” written after Lucille Clifton’s “A Dream of Foxes.” Find the full ...
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