Puccini – Neil Kurtzman

Comments and reviews of opera, music, and medicine

Turandot – Three Endings

Puccini’s last opera, Turandot, was left unfinished at his death in 1924. There were notes about the composer’s plans for the conclusion of the work that was almost complete. All that was lacking was the final scene, during which Calaf (the Unknown Prince) and Turandot declare their love. He’s already done so, but she has...

07-18
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Puccini 100 Years After

Sunday was the 100th anniversary of the death of the last great master of Italian opera – Giacomo Puccini. So great is the composer’s hold on opera’s audience that of the seven most performed operas at the Met three are by Verdi, three by Puccini – the remaining one is Carmen. There is nothing I...

11-26
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Finale 42 – Tosca

Puccini’s Tosca has been an audience favorite since its premiere in 1900. It has everything one could ask for in an opera: beautiful and dramatically apt music, a gripping story that wastes not a line or note, and one of opera’s most spectacular endings. Tosca, an operatic diva, jumps from the parapet of the Castel...

10-31
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Puccini’s Edgar – Not Even a Cigarillo

Puccini’s second opera Edgar (accent on the second syllable) was first performed at La Scala in 1889. It was adapted from a verse play by Alfred de Musset. Set in 14th century Flanders it describes the contrast between the saintly and virginal Fidelia and the wildly sensual Tigrana. Not surprisingly Tigrana lights the passion fires...

08-22
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Le Villi – The Emergence of a Genius

Puccini’s first work for the stage was Le Villi (best translated as The Fairies). It is based on the same story as Adam’s ballet Giselle. Puccini’s opera, with dancing, takes little more than an hour. It is a slender work with only three characters – Gulielmo the head forester, Anna his daughter, and Roberto her...

08-11
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Finale 36 – Act II La Rondine

La Rondine (The Swallow) is the 8th of Puccini’s 12 operas. It is the least performed of his mature works. It was commissioned in 1913 by Vienna’s Carltheater. They wanted a lighter and more entertaining opera in the style of Strauss’s Der Rosenkavalier. The result was more in the style of Lehar with touches of...

12-21
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