REVOLUTIONS PER MOVIE

My guest this week is Doug Gillard (Guided By Voices, Nada Surf, Death Of Samantha), who picked the film, Ghost On The Highway: A Portrait of Jeffrey Lee Pierce & The Gun Club, to discuss.We also talk about our experiences recording for Guided By Voices, the night GBV played Austin City Limits, Doug’s first songs he wrote when he was 5 years old, the influence of cartoon/bubble gum rock on Doug, the TV shows Night Flight and Pop Clips, Doug's Homestead Records band Death of Samantha, Dream Syndicate, the Ohio rock trait of putting on a show bigger than your actual audience size, out-weirding each other in the late 80s music scene, how The Gun Club were the authentic sound of Americana, singing in the key of Jeffrey Lee Pierce, guitarist Kid Congo Powers, filmmaker Alison Anders, how this doc never could get a proper release and can’t use The Gun Club music in it, the trauma underlining the doc, Doug’s experience opening for The Gun Club, Jeffrey playing the trumpet backwards, touring with Brian Jonestown Massacre, Peter Case, joining fanclubs, The Cramps, guitarist Ward Dotson, Yo La Tengo, The Liquor Giants, the iconic cover artwork of the band, Debby Harry singing with The Gun Club, how the members of the band kept getting pulled back into the band over and over again, drummer Terry Graham escaping the band while on tour in the middle off the night through a window, writing record reviews for Slash Magazine, why Lemmy from Motorhead is in this documentary and more!So let's walk with the beast on this week's episode of Revolutions Per Movie!!!DOUG GILLARD:douggillard.bandcamp.comguidedbyvoices.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

How better to ring in the start of the holiday season than with two of my favorite music film obsessives, musician Chaki (The Funk Wizard) & comedy writer/artist/filmmaker Rachel Lichtman of Programme 4, who brought to my attention the 1970 TV spectacular The 5th Dimension Special: An Odyssey In The Cosmic Universe Of Peter Max.We discuss how this special got on Rachel’s radar, Chaki seeing a restored version of this in a theater with the members of The 5th Dimension in atttendance, what’s the story behind The Glass Industries sponsorship of this special and how they created a ‘real band,' The Glass Bottle, the PBS ‘fake band’ Mulligan Stew, what it was like being a groovy extra in tv/movies during the hippie days, hippies in advertising, Dickie Goodman of Mr. Shark fame writing the music for The Glass Bottle, Rachel’s The 5th Dimension crime show on Programme 4, Dionne Warwick, the obsession within The 5th Dimension to get their vocal harmonies absolutely right, Marilyn McCoo & Solid Gold, the Bee Gee’s Idea TV Special, the steady hand of director John Moffitt (who also directed Mr. Show episodes), how the special was shot in studio 8H in NYC and not in Burbank, Peter Max’s brand of psychedelic art--where art and commerce meet, the weird vibe of Peter Max’s acting in this special, how the Laugh-In writers did not hit the psychedelic needs of this special, Artie Johnson’s problematic and offensive comedy characters in this special, Glen Campbell and Flip Wilson’s much needed energetic turns in this special, the song and the performance of 'Puppet Man', why the children in this special freak us out, the haunting littering commercials made for this special, Chris’s first time seeing the musical Hair, the legendary arrangement of 'Aquarius' banging into 'Let The Sun Shine In.  Also, Rachel gives a massive update regarding the future of Programme 4, and Chaki hints at his new collaboration with El Vez entitled “Fuck Ice”.  THE 5th DIMENSION SPECIAL:Obsolete Video: https://www.youtube.com/watch?v=mjC3xB7egmY&t=3292sRACHEL LICHTMAN:https://www.programme4.tv/contactCHAKI:https://chaki.bandcamp.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. Hosted on Acast. See acast.com/privacy for more information.

Hey everyone...welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault!And what could be more timely for this Thanksgiving week than a listen back to my episode with DAVID PASQUESI (Strangers With Candy, Lodge 49, At Home With Amy Sedaris, Veep, TJ & Dave) about the Thanksgiving concert that was to become THE LAST WALTZ!!! Enjoy!(EPISODE 53 originally aired Sept 12th 2024)ORIGINAL SHOW NOTES:This week, we talk to actor, writer, and improviser DAVID PASQUESI (Strangers With Candy, Lodge 49, At Home With Amy Sedaris, Veep, TJ & Dave) about Martin Scorsese’s concert film about THE BAND, THE LAST WALTZ !!!We discuss David’s connection with The Band and the the sadness inherent in the film, how every member of The Band can be the coolest depending on which way you’re watching, how the film can be tainted by their history, how David discovered and watched the entire evening of music and what’s missing from the film, marveling in how long the night actually lasted and imagining what the turkey dinner tasted like, Scorsese’s secretive approach to intially making the film, how they got all these masters of cinematography to participate, The Staple Singers &Van Morrison, how the first song seen in the film is the last song they performed that night, The Basement Tapes, Chris’s family’s 3 generation admiration of David’s work & how David uses silence in his work, how The Band seemed small town-ish while being one of the biggest rock bands in the world, the debate on who wrote the actual lyrics, how heavily Scorsese storyboarded and prepared for this film, how they had to transform the Filmore to film the concert, the song Stage Fright and if David ever gets that when performing, Joni Mitchell stealing the show, gettting Neil Young’s rare ability to smile and his cocaine nose booger removal techinolgoy, the accidents that happen in this film and why they are magical, the band/gang mentality vs. being a loner, the fear of public humilation, Dylan’s decision at the last minute that he didn’t want to be filmed for the movie and how they got him to change his mind, the endless end of night jams with Ringo and Ron Wood, Scorsese’s flawed Rolling Stones film and more!So let’s fill up on a turkey, waltz, and dance to The Band on this week’s episode of Revolutions Per Movie!!!DAVE PASQUESI:https://www.davidpasquesi.com/https://www.tjanddave.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.SOCIALS:@revolutionspermovieBlueSky: @revpermovie Hosted on Acast. See acast.com/privacy for more information.

My guest this week is Michael Layne Heath (critic, author & compiler of My Week Beats Your Year: Encounters With Lou Reed), who brings us the Lou Reed & John Cale performance film Songs For Drella to discuss.We also talk about Michael starting the first D.C. Punk zine in 1977, reading about bands before hearing them, The Slickee Boys, Tommy Keene & Razz, Vintage Violence zine, The Cramps playing D.C., Creem Magazine, Cale recording his album Fear, the import bins at local record stores, treating press interviews as art pieces, Lou Reed's control of a crowd, the genesis of Songs For Drella, how by the end of the project they didn’t want to work together, the differences between the film versions of the songs and the album versions, the dream sequence in the film, fictionalizing Warhol’s life in this work, the very telling non-verbal interactions between Cale and Reed in this film, how the film was misplaced for years after its initial VHS release and then found during the making of the Todd Haynes VU doc, where Lou and John were at the time of this project, Lou’s defense for doing Honda/American Express commercials, Robert Quine, Warhol’s work ethic, The Warhol Museum, and we also reenact the classic and combative Lou Reed interview with the Australian press core!MICHAEL LAYNE HEATH:https://hatandbeard.com/products/my-week-beats-your-year-encounters-with-lou-reed?variant=40376865194050https://www.furious.com/perfect/vintageviolence.html?curator=MusicREDEFREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

This week I'm joined by author and music critic Keith Cameron (Mudhoney: The Sound and the Fury From Seattle, 168 Songs of Hatred and Failure: A History of Manic Street Preachers), who picked the documentary I’M NOW: THE STORY OF MUDHONEY to dive into.We discuss our relationship with the British musical weeklies and how Keith ended up working for them, the power of Radio One DJ John Peel, Keith trying to get his favorite bands on the cover of the NME, the Mudhoney riot at the School of Oriental & African Studies in 1989 (where Mark Arm invited the entire audience onstage before the first note), cracking Green River, seeing Mudhoney’s 2nd show opening for White Zombie, the brilliance and haphazardness of SubPop, Jack Endino asking the band if they really wanted to sound like they did while recording them, Mudoney saving SubPop’s label at their lowest point, how Caroline records wanted to polish up Mudhoney, the follies of indie labels & the notion of selling out, Mark Arm as a world class lyricist, Keith visiting Seattle & interviewing Nirvana at the time they were kicking out Dan Peters of Mudhoney and replacing him with Dave Grohl, touring with Nirvana vs. Pearl Jam, the handheld camera tour footage of the band, Keith spending time in Mudhoney's childhood locations, Matt Lukin leaving the band and Guy Maddison replacing him, the obstacles and triumphs of continuing to making music for nearly 40 years and more!So let's collectively make the stage collapse on this week's episode of Revolutions Per Movie!!!Keith Cameron:https://keithcameron.co.uk/about-me/https://www.mojo4music.com/author/keith-cameron/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

My guest this week is JASON POLLARD, the co-director of OL' DIRTY BASTARD: A TALE OF TWO DIRTYS.We discuss the filmmaking influence of Jason's father (the Peabody and Emmy-winning Sam Pollard) on Jason’s own film work, being on the set of Spike Lee films as a young kid, what it was like for Jason to co-direct A Tale Of Two Dirtys with his father, analog vs digital editing, the lore of the grease pencil in the editing world, the cliffhanger editing that an A&E documentary demands, how modern day self-documentation of our lives on cellphones has changed the face of documentaries, Jason's first exposure to Wu Tang Clan, the exploitive nature of the music industry, MTV News attitude towards rap music in the 1990s, what it was like for Jason to work with the family and estate of ODB and more!REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Hey everyone...welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault!On this early episode of Revolutions Per Movie, I was joined by VERA DREW (writer, director, and star of THE PEOPLE'S JOKER), who picked a film that had a massive influence on her art, Pink Floyd: The Wall. It seems totally incredible that at the time of recording this episode, there was a legal battle between the release of her film and DC Comics, trying to squash its release. In the end, goodness prevailed, Vera's incredible film was released to worldwide praise and awe. I can't wait to see what Vera brings to us next (although we do discuss her remaking The Wall...yes! YESSS!!!)(Episode 8 originally aired on Nov 2nd, 2023).The original podcast show notes:This week, we talked about Pink Floyd: The Wall with actor/director/writer Vera Drew (The People’s Joker, Tim & Eric, Sasha Baron Cohen’s ‘Who Is America?’). We discussed how both the album and the film ended up being one of her biggest inspirations in making her film, how Pink Floyd has influenced her life immensely (including her name change), the battle over the release of The People’s Joker, copyright law and fair use, the band Negativland, working with child actors, as well as her time working with Tim & Eric.Join us as we ask…is there anybody out there...is there anybody out there…is there anybody out there…on this week’s episode of Revolutions Per Movie!Vera Drew:veradrew.comwww.thepeoplesjoker.comwatch.eventive.org/weirdweekend@VeraDrew22REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

This week, my guest is the legend PAUL ROESSLER (The Screamers, Nervous Gender, 45 Grave, Twisted Roots, Pat Ruthensmear, Nina Hagen), who came on to discuss the video documentation by Target Video of the early L.A. punk bands Nervous Gender & The Screamers!!!  We discuss Paul's childhood classical musical training and how his sister Kira (Black Flag, dos) had to fight through the family dynamic, befriending Pat and Darby of the Germs as a teenager, the mysterious high school UNI HIgh and all its weird 70s experimental trappings (from scientology to teachers yelling at students), how 'The Ark'—a prog rock opera composed by a young Paul Roessler—broke some musicians’ minds who tried to play it, Darby turning on Paul and what bands were the lightning bolt moment for him, what an amazing musician Pat Smear is, seeing the Germs' first show, how The Screamers were known locally before they even had their first show, Paul's entryway into joining The Screamers. hippies turning punk, how Joe Rees and Target Video started documenting The Screamers and why the band didn't ever make a proper record during their existence, being the youngest member in a band, Paul’s instrumentation and equipment in a keyboard-driven band, the hilarious story of David Byrne and Brian Eno borrowing The Screamers' drumset, their Population One film, how Paul joined Nervous Gender and also broke his toe his first time seeing them, how Nervous Gender were one of the most confrontational Queer art bands ever, not following other people's expectations or rules when making music, why Twisted Roots was formed with Kira and Pat, plus having a band with three out-of-sync synths alongside an amplified street sign and an 8 year old drummer!  So come roll some dice on a piece of metal as we amplify it beyond your ears' limits on this week's Revolutions Per Movie!PAUL ROESSLER:paulroessler1.bandcamp.comTHE SCREAMERS:www.youtube.com/watch?v=3_wVMr0psEUhttps://www.youtube.com/watch?v=Cnh8OeMeN0UNERVOUS GENDER:https://www.youtube.com/watch?v=TCp6TuqJ4-oREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovie Hosted on Acast. See acast.com/privacy for more information.

My guest this week is JIM RULAND (Author of Corporate Rock Sucks: The Rise And Fall of SST Records and co-author of My Damage: Keith Morris, Rumors Of My Demise: Evan Dando) who discusses the incredible SST RECORDS VHS TAPE: THE TOUR w/ Hüsker Dü, minutemen, The Meat Puppets, Saccharine Trust & SWA!!We talk about Jim’s exposure to the iconic SST Records label (who put out records by Black Flag, The Meat Puppets, Sonic Youth, Dinosaur Jr., minutemen, The Dicks, Negativland), unknown songs on mixtapes, how SST created the blue print for independent U.S. labels with their mailorder, catalogs & hype, how anti-authority the label was, the ubiquitous police presence trying to shut down the label, how the suburbs changed the L.A. punk rock scene, how Black Flag and D.O.A. set the map for punk rock touring, when the label started to frustrate their bands, Target Video, Throbbing Gristle, why the band SWA was hard to crack, the spoken word world of SST, Greg going to jail for Black Flag, Jack Brewer and Joe Baiza of Saccharine Trust, when punk bands started doing un-ironic covers, how this might be one of the greatest Meat Puppets performances of all times, Up On The Sun, the house producers SPOT and Ethan James, Husker Du recording Zen Arcade and some of the myths surrounding it, the singularity of Minutemen, the Black Flag Benefit For Cats, working with Keith Morris on his book, the character of Hermosa Beach and the vibe of South Bay, Saint Vitus, Side Two of My War, Zoogt RIft, Negativland, the SST radio show and more!So let's grow our hair out and slow everything down on this week's Revolutions Per Movie!The Tour Video: https://www.youtube.com/watch?v=ZrtLTf5KE68The Book: https://www.jimruland.net/?page_id=2561REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

As I head past my 2nd anniversary for Revolutions Per Movie, what would be more appropriate than my first-ever Revolutions Per Movie live show back in 2023 with the one and only Peter Buck of R.E.M.!!! Two magical things kicked off before we even got on stage: 1) Peter bought everyone's food and drink for anyone who walked out of REMbyMTV and went to the snack bar, and 2) Peter asked if I could get the audience to sing the Darth Vader theme song as he walked to the stage (because of the cape he was wearing). So enjoy and thanks for supporting the show. (Episode 19 originally aired Jan. 18th 2024).THE ORIGINAL SHOW NOTES:This week’s episode was recorded in front of a live audience on Dec. 5th, 2023, at Cinema 21 in Portland, Oregon. Peter Buck of R.E.M. joined us to discuss the documentary R.E.M. by MTV, his early years devouring music, moving to Athens, his first impressions of his bandmates, the surprises of seeing Michael grow as a performer, their relationship with the press, answering fan mail (including Chris reading a letter written to the band in 1984), what influenced songs like Harbourcoat, Michael’s approach to Man On The Moon and so much more.We also raised over $4900 for The Jeremy Wilson Foundation, which supports musicians and music industry workers in Oregon during times of medical or health-related challenges. Find out more at thejwf.orgREMHQ.comLive Recording Engineer by Gus Berry Cinema21.comREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

This week, my guest is the legendary FRANK CONNIFF (of Mystery Science Theater 3000 fame!!!), who picked the equally legendary Jacques Demy film, The Young Girls Of Rochefort!, to discuss as his music film!!We discuss Frank’s introduction into the MST3K world, how their show grew through grass roots and tape trading, the process of how MST3K would put together a show every week, the lack of cable tv in the US when their show first came on, how MST3K felt like being in a band for Frank, how he picked the films for their show and what the failsafes for jokes were, Ed Wood, can a movie like The Young Girls Of Rochefort get riffed on, actor Jack Webb’s anti-hippie stance, The Umbrellas Of Cherbourg, Criterion laser discs, Frank accidentally coming across Rochefort on tv, how Demy's films could transport you emotionally with just a color, the incredible Michele Legrand score that is relentlessly non-stop fantastic, how the film casually drops in a serial killer storyline, Catherine Deneuve and her real-life sister Françoise Dorléac's performances in the film together, West Side Story and actor George Chakiris, how they shot two different versions of Rochefort at the same time (one in French and one in English), how sexy everyone looks in the film, the surprise of Gene Kelly showing up in this film and his later fllm roles including Viva Knievel & Xandau and more!So let's turn around on a moment's notice and suddenly leap into the air as soon as someone beautiful has just passed us on the street on this week's Revolutions Per Movie!!!FRANK CONNIFF: https://frankconniff.com/https://dumb-industries.com/themadsarebackhttps://dumb-industries.com/store/books/frank-conniffYOUNG GIRLS OF ROCHEFORT: French Language Version: https://archive.org/details/the-young-girls-of-rochefortEnglish Language Version (rare workprint found of part of the film): https://archive.org/details/the-young-girls-of-rochefort-english-reelREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

This week, I talk to Seth Neblett (the son of the queen of funk, Mallia Franklin of Parliament-Funkadelic & Parlet & author of his new book Mothership Connected: The Women of Parliament-Funkadelic). We talk about how Seth was convinced by Bootsy Collins to tell his mother and the women of P-Funk's stories, how he initially assumed this tale was going to be told as a documentary, Mallia Franklin's appearance in the Don Letts docuemntary Tales Of Dr. Funkenstein, Seth (at age 6) being taken by his grandmother to go watch his mom perform with Parliament/Parlet for the first time, how he was able to narrow down this immense story from all the hudnreds of characters in this group's varied history, the strgggles with having your Mom be a recording and touring star, how Mallia Franklin brought elements to the band that changed music FOREVER, George Clinton and his initial band The Parliments, how Mallia's vocals are all over their recoridngs from Maggot Brain to Atomic Dog, the vast age diffrerences within the band, Mallia being called "the geiger counter" because her musical institncts were so incredible on who to bring into the p-funk world (like Bootsy Collins & Junie Morrison), how we often take a documentary's storytelling a the truth, being the "Dog & Cat Lady", why you can see so many full concert footage from Parliment's heyday, Neil Bogart of Casblanca Records and the courting of Mallia Fraklin, the genesis of the female-led spin off groups Parlet and Brides Of Funkenstein, why George Clinton put all various bands on diffferent record labels, how Geroge often didn’t want his various bands to get bigger than him, how young the members of P-Funk were and how they often were not prepared for the psychological components of being part of it, Seth's thoughts on following up the book with a documentary vs a narritave series, how the women of P-Funk were not being invited to the induction ceremonies of the Grammys and Rock and Roll Hall Of Fame, who should play his mom in the movie version of this story and more.So let's celebrate the queens of P-Funk forever on this week's episode of Revolutions Per Movie.SETH NEBLETT: Book: https://utpress.utexas.edu/9781477332672/Youtube channel: https://www.youtube.com/@sethneblett7268REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovie Hosted on Acast. See acast.com/privacy for more information.

Welcome to this surprise bonus episode of Revolutions Per Movie with one of the universe's most unique and passionate creators--actor/musician/director/artist/author, Crispin Glover!!!We discuss Crispin's 1989 album The Big Problem ≠ The Solution. The Solution = Let It Be, working with David Lynch and staring into the eyes of Werner Herzog, the economics of making art, Crispin's It? trilogy, and why his new film No! YOU'RE WRONG. or: Spooky Action at a Distance is not part of it, the creation of Crispin's first book and how his slideshow presentations come to be, how Crispin had never heard the word 'dude' until he was in the film River's Edge, his beautiful direction of the Willard music video, his discovery of surrealism, how Crispin scores his films, Wendy Carlos, how he used hand-cranked cameras and hand processing for his latest film, the script and shooting of River's Edge, why Crispin loves touring his films, can music be used to find a character's traits in a performance, why editing is his favorite part of making his films and how radically he changed the final edit of his new film, how his new film took over 10 years to make, his collaborator David Brothers' incredible art direction in Crispin's films, Sean Lennon doing a voice in his latest film and so much more...So please join me as I talk to an absolute icon and cultural hero of so many of us on this week's Revolutions Per Movie.SEE CRISPIN GLOVER AND HIS NEW FILM:https://crispinglover.com/slideshow.htmlREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

This week I'm joined by author and documentary filmmaker Grant McPhee, who directed three amazing films about the Scottish underground music scenes (Big Gold Dream, The Glasgow School, Teenage Superstars).  We discuss the differences between writing his book Postcards From Scotland and making these films, the UK press and their relationships with Scottish bands, the turmoil at the early Jesus & Mary Chain shows, both Postcard & Fast Product Records influencing Factory & Rough Trade records, how The Bay City Rollers were a massive influence on the early indie music scene, the genesis and integrity of Teenage Fanclub, early Scottish post-punk bands Josef K and Scars, choosing Kim Deal of The Breeders & Robert Foster of The Go-Betweens to narrate the films, the stress of making documentaries, the supportiveness of the Scottish music scenes, The Vaselines & Captain America being massive influences on (and friends) of Nirvana, BMX Bandits, Orange Juice and Soup Dragons changing their sounds, Stephen Pastel's ears getting sunburned after a haircut and more!So let's start a musical riot in under 12 minutes on this week's revolutions per movie!GRANT McPHEE:https://grantmcpheedirector.com/https://omnibuspress.com/products/postcards-from-scotland-scottish-independent-music-1983-1995ALL THREE FILMS ARE STREAMING ONLINEREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

This week, Jay Ferguson & Chris Murphy of the legendary Canadian band Sloan join me to discuss their 30+ year recording career (with the same four original band members!) as well as their charming and extensive videography.We also discuss how Sloan carves out space for all four songwriters on each record and the democracy within the band's ethos, the recent 'fake' movie trailers they've made for their new record, the challenges of getting all the band members on the same page to make a music video, the mystery behind Andrew’s hypnotic performances (the ‘less is more’ factor), their significant work archiving their visual and audio legacy, the band’s visual demands for the 'Coax Me' video that initially were not met, the early batch of music videos filmed during their first trip to NYC and their CBGB show in 1992, sticking to their guns when Geffen Records executives didn't get their 2nd album (the stone-cold classic Twice Removed), the film tributes within their videos from Easy Rider to Privilege and To Sir With Love, The MTV of Canada: Much Music, the difficulties in working with other film directors, did Andrew actually cry when he was pushed in the "Losing California" video, the range of budgets on their music videos, The Rolling Stones and their "Start Me Up" video, Sloan's short film comedy classic ‘THE EMPEROR SLAPS BACK’, bands not coming to your hometown to perform, how the band has had to adapt to keep going for the last 30 years and so much more!So quiet on the set... shhh, please don’t set off the 'Reverb Siren' in Jay's living room... during this week's episode of Revolutions Per Movie!SLOAN:https://sloanmusic.com/https://www.youtube.com/@sloanmusic/featuredREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Welcome to this special bite-sized Bonus Episode of Revolutions Per Movie with Linus O’Brien, director of “Strange Journey: The Story Of Rocky Horror", which documents the cult phenomenon created by his father, Richard O’Brien. We talk about Richard’s curious charisma, his personal struggles & his accidental creation of Rocky Horror, Drag Race's Trixie Mattel’s early life-changing experience with the film, how Rocky screenings continue to provide a safe space for everybody to be their authentic self, Tim Curry and Susan Sarandon, Rocky Horror being the longest running theatrical release in the history of film (and how the Clinton St Theater continued to run the movie to an empty theater during the pandemic so the run wouldn't be broken), the amazing archival footage of teenage Michael Stipe of R.E.M. speaking in the afterglow of the movie while dressed as Frank-N-Furter, 70s newscasters trying to crack the whys of Rocky, the live shadowcasts and toast & rice, and how the legacy of Rocky Horror boils down to two words: community and connection.  So please support this great film in person this weekend when it’s being independently released in theaters all over the world, and continue to support indie!GET TICKETS TO STRANGE JOURNEY (in theaters this Friday Sept. 26th):https://rockyhorrordoc.com/LINUS O'BRIEN:https://www.instagram.com/linus.obrienREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

The Second Anniversary Show w/ Kate Pierson of The B-52sThis week, I am honored to celebrate the second anniversary of Revolutions Per Movie with one of my top musical heroes: the one and only Kate Pierson of The B-52s!!!We discuss the influence of Fellini on Kate & The B-52s (who were originally going to call themselves 'Fellini's Children'), the early sounds and films that made a young Kate Pierson into who she is, film noir, the protest folk music of her first band 'The Sun Donuts', what drew Kate to Athens, GA; Kate finding her unique singing style, French New Wave films, how The B-52s were not allowed to play bars in Athens and instead opted for house parties, the early jobs of the band members, how Club 57 and The Mudd Club in NYC embraced the band, how much a wig cost back in 1978, how the band worked out the vocal phrasing and melody parts of the three vocalists, Jeremy Ayers being a pied piper of the Athens scene, The Plastics, the original house that The B-52s bought and lived in together, why there were no early B-52s music videos until Whammy, Kate's first music equipment and her amazing guitar parts, how different it is making music videos now vs. in the 80s and so much more.So let's dance this mess around on this week's episode of Revolutions Per Movie!KATE PIERSON:https://www.katepierson.com/https://www.theb52s.com/showsREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

This week, I am joined by the Oscar and Emmy-nominated filmmaker Eddie Schmidt (Chain Camera, This Film Is Not Yet Rated, Twist Of Faith), who chose to discuss the Tim Robbins/John Cusack music video comedy TAPEHEADS.We talk about how this film was omnipresent in every video rental store, how Eddie's background in improv comedy helped him with his career in documentary filmmaking, Eddie’s amazing documentary THIS IS NOT YET RATED about the unfair and corrupt film rating board here in the U.S., the difficulties in starting to make a documentary, the similarities between Tapeheads and Eddie's life as a young filmmaker, how Tapeheads flopped upon its theatrical release but found a home on the Boston Midnight Movie circuit, My Dinner With Jimi, how this film pre-dates Wayne’s World by 4 years, making early movies as kids, the fashion style of the characters in the film, how fully committed the actors were to the comedy in this film, artists’ lofts depicted in movies, Roscoe’s House Of Chicken, how Chris had forgotten that he had seen this film many many many times until rewatching it, Devo, Fishbone, Circle Jerks & Jello Biafra's participation in the film, making art during the Reagan era, Eddie’s real life Tapeheads moment with John Cusack, the fake music videos in the film,  claymation, The Blender Children portrayed by The Lords of the New Church, Susan Terrell, the uncredited Courtney Love appearance, Bachelor Party, how the film industry and indie film has changed over the years, the beauty of indie movie theaters in the 80s, our love of film soundtrack albums and more.So let's dump some paint on our music video stars and make a million on this week's Revolutions Per Movie!EDDIE SCHMIDT:@getschmidtREVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss.Revolutions Per Movies releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

Hey everyone...welcome to our bi-monthly ENCORE PRESENTATION of classic REVOLUTIONS PER MOVIE episodes from the vault! On this episode, I was joined by GARY JARMAN of the UK band THE CRIBS, who discussee a film that completely changed his life (along with his brothers) and absolutely informed his leap into making music--the documentary NIRVANA: LIVE! TONIGHT! SOLD OUT! It's a beautiful, heartfelt episode...Enjoy!(Episode 20 originally aired on Jan. 25th, 2024). The original show notes: This week, we talk to Gary Jarman of the UK band The Cribs, who chose a film so close to his (and his brother’s) heart, NIRVANA LIVE! TONIGHT! SOLD OUT!  We discussed the massive influence this VHS tape had on the Jarman family and their future in rock, from their decision not to play encores to their affinity for putting noise into their melodies. We also discuss what it was like to come from such a small town where they had never seen anything on a punk level before, the concept of selling out, writing music or lyrics first, saving up stationary store coupons to buy Nirvana cassettes, Britpop, opening for Nirvana the day their album went gold, sabotaging your own live show, dealing with tabloids and the British music press, fantasizing about destroying the Top Of The Pops studio, not playing encores & the endless search for “the next Nirvana.”So come dive into the drum set on this episode of Revolutions Per Movie!GARY JARMAN:cribs.comNew episodes of Revolutions Per Movies are released every Thursday, and if you like the show, please subscribe, rate, and review it on your favorite podcast app.The show is also a completely independent affair, so the best way to support the show is through our Patreon at patreon.com/revolutionspermovie, where you can get weekly bonus episodes and exclusive goods sent to you just for joining.patreon.com/revolutionspermovie@revolutionspermvoieBlueSky: @revpermovieTheme by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.comArtwork by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.

This week, I am joined by LARRY CRANE (producer, engineer, owner of Jackpot! Recording Studio & founder/editor of Tape Op Magazine & Pink Floyd superfan), who chose the classic music film PINK FLOYD: LIVE AT POMPEII to discuss!!!We discuss the genesis of the film and all the different versions of this film (including the super frustrating screensaver version of Live At Pompeii), Chris's recent accidental hallucinatory viewing of the film and its many jump scares, Larry building Jackpot! Recording Studios & his early studio Laundry Rules, why artists often can't stop reworking their older bodies of work, Larry's gateway into Pink Floyd, The Benson Echorec piece of equipment used throughout this performance, Joe Boyd and the UFO Club, Larry building fuzz boxes without a switch on it, why the film is both wonderful and frustrating for Larry, the secret weapon of band member Richard Wright in this film, bands that spend over a year making an album, the accidental two-bass recording of 'One Of These Days', Syd Barrett's body of work, democracies within rock bands, monster drummer Nick Mason, is the film made for future scholars of the band or stoners, artists who don't suffer foolish questions, rock bands with zero body fat, Jonathan Richman doing an opening set before movies, and Larry getting an email for our episode from Alan Parson (the engineer of Dark Side Of The Moon) that solves a lingering question we've always had about the film!Overhead the albatross, hangs motionless upon the air (right?!?) on this week's episode of Revolutions Per Movie!AND OF COURSE THEY RELEASED YET ANOTHER VERSION OF PINK FLOYD LIVE AT POMPEII AFTER WE RECORDED THIS...HA! GET IT HERE:https://shop.pinkfloyd.com/collections/live-at-pompeiiLARRY CRANE: https://tapeop.comhttps://jackpotrecording.com/REVOLUTIONS PER MOVIE:Host Chris Slusarenko (Eyelids, Guided By Voices, owner of Clinton Street Video rental store) is joined by actors, musicians, comedians, writers & directors who each week pick out their favorite music documentary, musical, music-themed fiction film or music videos to discuss. Fun, weird, and insightful, Revolutions Per Movie is your deep dive into our life-long obsessions where music and film collide.The show is also a completely independent affair, so the best way to support it is through our Patreon at patreon.com/revolutionspermovie. By joining, you can get weekly bonus episodes, physical goods such as Flexidiscs, and other exclusive goods.Revolutions Per Movie releases new episodes every Thursday on any podcast app, and additional, exclusive bonus episodes every Sunday on our Patreon. If you like the show, please consider subscribing, rating, and reviewing it on your favorite podcast app. Thanks!SOCIALS:@revolutionspermovieBlueSky: @revpermovieTHEME by Eyelids 'My Caved In Mind'www.musicofeyelids.bandcamp.com ARTWORK by Jeff T. Owenshttps://linktr.ee/mymetalhand Hosted on Acast. See acast.com/privacy for more information.