Reclaim Your City

 A true legend and pioneering figure of techno, US sound architect and Geophone label owner Mike Parker breaks in on the RYC waves with a very special set full with his idiosyncratically dark, obsessive, inch-perfectly chiselled 4x4 wares. Before Boiler Room and co. were even a thing, a pioneering platform going by the name of Studio R° used to broadcast techno sets by prominent artists from a secret location in Berlin. This iconic, vinyl-only mix is Parker’s Studio R° set from 2013, now fully remastered for your listening pleasure. Building atmospheres unlike any other, brooding and transcending in equal measure, Parker has laid the foundation to an exceptionally rich body of work. Master of the industrial vocab, peeping towards Detroit but with his defining spin on the early days genre, Parker entices us down the path of steely monumentality and laser-precise mind control. Just as typically mazy, his present mix conjures up all traits of quality Parker material: 909-powered propulsion, enslaving acid whorls, Escher-like fractals. Wild, wild ride ahead.

A much talented purveyor of widescreen electronic epics and mind-expanding techno sceneries, Vera Logdanidi has been trading some of the finest dubs out there, including some outstanding pieces of work for Rhythm Büro, Semantica or On Board Music. All in spacious reverbs and atmospheric deconstructionism, her mixes as much as her own productions seek diffuse effect rather than impactful punch, altering mindsets through carefully orchestrated movements rather than flexing muscles. An origami-like unfolding of mesmerising sequences, ushering us amidst lush forests of sound and distinctive emotional apexes, Vera’s mix is a safe, welcoming haven, here to harbour us from the surrounding crass that threatens to devour the last crumbs of peace and solace in our hearts. 

 Coming up next with a solid two hours of shape-shifting electronics and exploratory techno-scaping, Giegling alum ATEQ pulls out the kaleidoscopic vision and minute sound design on this truly hypnotic ride. Known for his elegantly balanced mixes and hauntingly immersive productions, the Pale Product co-founder treats us to a heavenly mind-trip, brimming with eerily opaque floor narratives, non-formulaic rhythms and abstract-leaning grooves from outer space. Hold tight for gravity-defying, sonic stunts and deeply cinematic submersion, here comes ATEQ with a serious slice of otherworldly techno escapism.

Dutch techno pioneer Jeroen Schrijvershof, alias Jeroen Search, needs no introduction. To those who’ve been living under a rock for the past three decades, just google his name and you’ll be drawn into an endless sea of links, vids, bios, event pages, and all kinds of past and present prowesses vouching for the man’s incredible career so we’ll leave it at that. Having graced the grooves of our record label with the magnetic ‘Enigma’ EP back in 2022, the man is now back with a much anticipated podcast - made up of 100% OG Jeroen material - that shall have a tsunami of modular signals, chiselled 909 onslaughts and Ubik-uitous floor narratives break loose to entrancing effect. Better buckle your belt, for when Jeroen Search steps on the gas, you simply don’t want to end up flying through the windshield. So to speak. 

Back to Georgia and Tbilisi this week with the one and only Hamatsuki, resident DJ at the infamous Bassiani. Exponent of a versatile DJing style that runs the gamut from rugged techno wares to propulsive acid, via liquid electro, techno, house and everything in between, Hamatsuki treats us to a wild and effusive two hours of radical obliqueness, steering us constantly into murky waters, where life swarms and the metamorphic magic happens. Stacking crazy frantic wares one after the other in a Fantasia-like symphony of broken grooves, raging uptempo and hair-raising buildups, here comes one of Tbilisi’s key figures with a massive, uncompromising blast-off of a set. Sonic boom inbound. 

Lovers of non-formulaic electronics and immersive experiences, get ready for a mind-expanding treat with Jin Synth at the controls. From extreme, noise-adjacent bursts of sound to serene soundscaping bordering on ASMR therapeutics, the London-based artist knows how to craft ambiences unlike any other. Beatless or percussion-forward, manipulating tension and release as a true groove surgeon, Jin Synth entices us down the path of exquisite minutiae and poetry in motion. Like woven in silken thread, her mixes boast both laser-like precision and the most impressive level of control at every point in time, resulting in a hauntingly cinematic, all around hypnotic display. Enslaving. 

You know our love for Georgia’s seemingly infinite pool of talented musicians, and here’s another emerging one many of you may not know of yet, but should definitely keep an eye (and ear) on: Boya. Up with a shape-shifting electronic and techno set, the Tbilisi-based DJ and Morevi Records affiliate flaunts the breadth of his talent through a versatile selection and impeccable mixing maneuvers. The result is a two-hour jaunt into the more techno-friendly side of his very own multiverse. From springy uptempo rides to detours into more nuanced, dubbed-out sonics, through genre-unbound meanderings and muscular house flexions, the wide scope of Boya’s mix keeps beckoning us towards the unknown with every bar. Expect the unexpected. 

Regularly rocking the house at seminal German nights including ://aboutblank, the late Griessmuehle, Paloma and many more, Berlin-based DJ and BINÄR label owner PAREKA drops by our virtual office to serve up a frankly pumping two-hour sample of his own techno multiverse. All in on the chiselled breaks, haunting ostinatos and clinical warehouse destroyers, PAREKA has us walking the tightrope betwixt pure no-prisoner ruggedness, straight brutalist sound architecture and a further experimental spin stretching from dub techno to Birmingham-esque detours. Hold your breath and shut your eyes wide, for the ride promises to drill a serious hole in your head and rewire your brain circuits upside-down. 

A well furnished pool of electronic talents, Georgia keeps on gracing us with thrilling voices and exciting projects. Next up in our podcast series, Tbilisi’s Rodnevs sheds a further bright light on the Georgian scene as he deploys a two-hour maze of a multi-faceted mix. Spanning the widest array of influences and signatures, the young producer entices us down the road of techno eclecticism, blending polyrhythmic vibrancy with a deadeye sense for supposedly unobvious combinations and permutations. The result is a mix unlike any other, an uncanny place of sound where classic early techno grammar rubs shoulders with hypermodern downtempo drifts and further mesmeric subterranean dubs. Just let it sink in. 

Actively pushing hard-boiled techno wares and heavyweight floor artillery for breakfast, German jockey and producer Markus Suckut punches in with two hours of unrelenting dance floor hoodoo on our next installment. With a rather extensive catalogue of big-room rippers under his belt - including choice outings on Odd Even, Primordial State (a label he co-operates alongside Sven Eickhoff) and his own imprint, SCKT, Suckut pumps out a massively smashing two-hour mix for us, packed with his textbook industrial-leaning punch, a certain taste for laser-guided 4x4 stunts and further off-axis grooves straight out techno's outer space. Hop in for a mind-bending dive into a fractal-like torrent of raving material, honed and polished to deadly effect. 

Trader of hypnotic grooves and raging big-room cavalcades, Berlin's Sanna Mun embodies the spirit of untiring sound exploration. Responsible for a handful head-turning platters on Ø [Phase]'s Modwerks label, Clone's Repetitive Rhythm Research outlet and her own imprint, Katabasis Records, Sanna has been dishing out boundary-pushing slabs one after the other. Sitting at the junction of proper DJ-friendly pragmatism, depth-plumbing escapology and shape-shifting experimentality, her sound tells a tale of unabridged soul-search through music, taking techno on a bumpy ride across the many facets of its known history and sonic alphabet, to better tweak it into an immersively intimate, multi-dimensional fable of brutalist kicks, layered textures and enthralling atmospheres.  

Gracing our podcast with a nasty two hours of punishing beats, rhythmic escapism and straight out uplifting rave sirens, Amsterdam's JSPRV35 cuts a path of destruction in our latest RYC podcast number. Trading hi-impact uptempo wares and no-nonsense floor artillery, the emerging DJ and producer has us swinging to rugged 4x4 monster jams and more left-of-centre sonics, astutely shifting gears betwixt proper big-room momentums and further atmospheric uplift. The result is an extended tableau of both inch-perfectly engineered functionality and soulful curation, primed for both peak time traction and pulsating daydreaming. The unadulterated spirit of rave coming in full blast. 

A distinctively talented name to have emerged from the German scene the past half decade, Dennis Strobel alias Peryl is the kind of producer obsessed by textures and sound design, and his modular-centric compositions sure do translate his deep, thorough vision of club music potentialities to captivating effect. From granular tension to sleek, streamlined beds of synth effervescence, onto bursts of polished machine assault and inch-perfectly balanced architectonics, Peryl’s live performances serve up a wealth of boundary-pushing ideas and plot-twists, wrong-footing expectations to better submerge his audience into the experience of sound itself, making each performance a truly unique and memorable moment. Brace yourself for a mind-boggling ride across pulsating membranes and spellbinding envelopes. 

Fabric resident duo Tapefeed steps in with a two-hour epic jaunt into their shape-shifting, floor-efficient mindset. Having recently launched their own record label, Inveterate, the pair drops by with the heavyweight wares and mind-expanding transitions on this podcast. Lithely moving the cursor from hi-impact material to laser-guided brain hacks, Tapefeed treats us to a deluge of galloping grooves, frenzied dubs and no-nonsense analogue hoodoo, swiftly shifting gear from Birmingham-style tempi to more straightforward big-room buildups. Dashing across all 909 blazing, their set harnesses the hydraulic power of a tsunami so you better buckle up for the fierce drenching ahead. 

Active since the late ‘90s, Amsterdam-based DJ and producer Dimi Angélis needs no introduction. Boasting a catalogue of the highest order with releases for countless spearheading techno outlets including MORD, Axis, Warm Up, Construct Re-Form, KEY and his own imprint, ANGLS, Dimi has been laying down slab after slab of uncompromising rave material, naturally bridging the gap between trance-inducing big room sonics, sizzling machine funk and left-of-centre divagations into further abstract, noise-adjacent territories. Rugged to the bone, his sound is a call to creative arms, blurring the frontier between full-fledged floor functionality and the deep, intimate expression of the inner turmoils of our age. Enter the room for two hours of seditious, no-bs techno with a true-school, future-facing edge. Slam-dunking the status quo 💯🔥 

Taking over our next instalment, Tokyo's sensation Elli Arakawa punches in the series with two hours of full-immersion atmospheric techno and deep, dubbed-out folds. Running the gamut elegantly from textured tapestries of sound to kaleidoscopic 4x4 wares, through acid-drenched extrapolations and further poetic drifts across spacious sonic wildlands, Arakawa's mix eases us in an ambiguous realm where sheer DJ functionality rubs shoulders with ethereal abstraction and hyperconscious escapology. One for the lovers of breath-holding dives and riveting techno panoramas. 

A surefire provider of deep, complex weapons for the dance floor and beyond, French-born, Berlin-based artist Kangding Ray has been minting some of the most strikingly unique techno records in recent memory. His body of work for some of the most reputed record labels out there, including Raster Noton, Stroboscopic Artefacts and his own outlet, ara, cuts an introspective path, halfway modular-leaning escapology and beat-driven abstraction. From his background in architecture, his musical approach retains that fondness for structure and the creation, or re-creation of space, both as an actual object and a mental projection. Immerse yourself into KR's minutely designed headspace with this two-hour deep and intimate audio dive. 

Cutting-edge techno with a vision, breaksy meanders and dreamy electro blends, that’s what’s on the menu of our next podcast installment as Canada-born, UK-based jockey and producer B.Traits takes over the waves for two hours of genuinely versatile, genre-unbound sonic exploration. Championing a lithe mix of hi-NRG house and next-level techno expression that sends us straight back to her mighty BBC1 days, the In.Toto boss heaves us headlong into an effervescing hodgepodge of multidirectional, where rabid snare onslaughts and high-impact programming intertwine to shape a mind-expanding floor narrative. Generous and inch-perfectly engineered, here comes B.Traits with a proper panoramic view into her ever sharp, shape-shifting musical headspace. 

Celebrating our 600th podcast in proper massive fashion, we’re no short of psyched to welcome the man, the legend James Ruskin for a much anticipated two-hour round of implacable warehouse-sized dance floor obliteration. Ever since he first stepped into the scene in 1991, the Croydon-born and based groove doctor has been dishing out some of the most impressively rugged and haunting uptempo material with uncompromising poise and style. From Tresor to his own seminal record label, Blueprint, which still leads the way in terms of both grade A curation and time-transcending impact, Ruskin keeps writing the future of techno with unadulterated spirit, as attested by his RYC transmission, fusing the finest of techno’s potential for abstract-leaning sonic exploration and riotous rhythmic firepower. As we inexorably ram in deep into tomorrow’s full-fledged dystopia all guns blazing, be sure to turn this on full blast. 

Stepping up with the hypnotic, heavy-duty wares all set at knocking your senses askew, Belgian producer Peter Van Hoesen lands us a monster of a live set. Responsible for some seriously mind-expanding sorties on the likes of Tresor, Vlek and his self-operated outlets Time To Express & Center 91 over the past 15 years, Van Hoesen has established himself as one of the scene’s driving forces when it comes to integrating these cinematic ambiences into an effervescing mesh of pulsating 4x4 rhythms and a millefeuille of layered envelopes acting like quicksands. Recorded on the occasion of his latest live performance at Tresor on May 10, this particular live harnesses that deep-diving energy elemental to Van Hoesen’s intricate engineering of hi-velocity dynamics and rippling dub interplays, ushering us headlong into a bright, merciless furnace of sound. Checkmate.