Rock That Doesn't Roll: The Story of Christian Music

In 2001, teen singing sensation Nikki Leonti was on her way to a promising Christian music career. She had two hit CCM records, and - as a pop princess who swore to refrain from premarital sex - the support of big evangelical media organizations like James Dobson’s Focus on the Family. But then, at age 18, the “purity girl” Leonti announced she was pregnant, and lost it all. With insight from author and podcaster Devi Abraham, journalist and producer Andrew Gill (Sound Opinions), and historian Leah Payne (God Gave Rock and Roll to You: a History of Contemporary Christian Music) explore how Christian music purity icons like Nikki Leonti, along with their fans, walked the tightrope of purity culture, lost their balance, and learned to put their lives back together again after they fell.   Do you have a Christian rock story to tell? Leave us a message at (629) 777-6336.If you want more seasons of Rock That Doesn’t Roll, you can support us on Patreon. https://www.patreon.com/rtdrYou can connect with us on Instagram or by emailing RTDRpod@gmail.comSign up for our Substack to keep up with show developments.Buy RTDR merch here.

In the 1990s, music critics argue that hip hop was in its golden age. Mainstream Top 40 charts were filled with hits from The Notorious B.I.G, Tupac Shakur, and Dr. Dre. But the Contemporary Christian charts lagged far, far behind. What took so long for holy hip hop to take off? With insight from Dr. Jonathan Calvillo (author of In the Time of Sky-Rhyming: How Hip Hop Resonated in Brown Los Angeles), journalist and producer Andrew Gill (Sound Opinions), and historian Leah Payne (God Gave Rock and Roll to You: a History of Contemporary Christian Music) follow the story of Christopher J. Cooper, aka Soup the Chemist, aka Super C, a groundbreaking figure in the Christian hip hop movement. It wasn’t easy, but as Soup the Chemist worked to carve out a place for Christian hip hop to thrive, he laid the foundation for future Christian hip hop artists like Propaganda and Lecrae. Do you have a Christian music story to tell? Leave us a message at (629) 777-6336. If you want more seasons of Rock That Doesn’t Roll, you can support us on Patreon. https://www.patreon.com/rtdr You can connect with us on Instagram or by emailing RTDRpod@gmail.com Sign up for our Substack to keep up with show developments. Buy RTDR merch here.

In 1999, ​singer-songwriter Jennifer Knapp was at the top of the Christian music world. Her debut album Kansas was gold-certified, she'd won four Gospel Music Association Dove Awards, and she was on tour with some of the top bands in the business. It seemed like Knapp was destined to be the ultimate ​rockstar poster child for evangelical teens - especially young women. But ​that frame was ​an uncomfortable​ fit for Knapp​. She was an adult convert, and the evangelical norms that young women learned from the world of CCM were new to her. Eventually, at the height of her fame, Jennifer ​moved across the globe, and disappeared from the world of CCM. Yet even when ​s​he thought her stint in Christian music was over, ​Jennifer's fans had other ideas. In this episode, journalist and producer Andrew Gill (Sound Opinions), and historian Leah Payne (God Gave Rock and Roll to You: a History of Contemporary Christian Music) follow Knapp’s story, and explore how, together with her fans, she’s making new meaning out of the ​Christian music of her past. Do you have a Christian rock story to tell? Leave us a message at (629) 777-6336. If you want more seasons of Rock That Doesn’t Roll, you can support us on Patreon. https://www.patreon.com/rtdr You can connect with us on Instagram or by emailing RTDRpod@gmail.com Sign up for our Substack to keep up with show developments. Buy RTDR merch here.

For 1990s and early aughts youth group alumni, Christian rock is often the source of embarrassment or shame - but does it have to be that way? The season finale of Rock That Doesn't Roll explores the idea that maybe, just maybe, the key to getting over angst about Christian rock isn't rejecting it or avoiding it, but coming to peace with the person you were when you fell in love with it. With insight from historian Randall J. Stephens (author, The Devil's Music), hosts Andrew Gill (producer, Sound Opinions) and Leah Payne (author, God Gave Rock & Roll to You) follow the story of David Bazan, a Pentecostal pastor's kid-turned-indie rocker who spent decades running from his CCM past. Along the way, Bazan founded Pedro the Lion, and gained critical acclaim, but his fraught relationship with evangelical Christianity and the world of Contemporary Christian Music haunted him. In the end, Bazan suggests that one way to make peace with a CCM past is to learn to be “the billy of your actual hills.” Thanks for joining us for the first season - it’s been an incredible journey. Do you have a Christian rock story to tell? Leave us a message at (629) 777-6336. If you want more seasons of Rock That Doesn’t Roll, you can support us on Patreon. https://www.patreon.com/rtdr You can connect with us on Instagram or by emailing RTDRpod@gmail.com Sign up for our Substack to keep up with show developments.

The late 90s and early aughts were a banner time for a really specific type of rock band - the are-they-or-aren't-they a Christian band, band. Sixpence None the Richer. Creed. Evanescence. Lifehouse. Owl City. Paramore. They all had different sounds, but they left listeners wondering: are they - or aren't they - “Christian music?” This week on Rock that Doesn't Roll: does an artist who identifies as Christian have to brand their music as such? With insight from David Dark (author, We Become What We Normalize), hosts Andrew Gill (producer, Sound Opinions) and Leah Payne (author, God Gave Rock & Roll to You) follow the story of Jon Foreman, a pastor’s kid from Carlsbad, California whose band Switchfoot created songs that resonated with youth group kids and climbed the Top 40 charts. Were they, or were they not, a Christian band? We explore efforts to rethink Christian music, and how mainstream superstars U2 led the way for bands like Switchfoot to wrestle with the marketing category of “Christian” - and find an enduring connection with their fans along the way. Did you ever love a Christian-ish band? Leave us a message at (629) 777-6336. If you want more seasons of Rock That Doesn’t Roll, you can support us on Patreon. https://www.patreon.com/rtdr You can connect with us on Instagram or by emailing RTDRpod@gmail.com Sign up for our Substack to keep up with show developments.

Who could a 1990s Christian rock aficionado turn to in order to find the latest and greatest releases? For mainstream music fans, tastemakers included record store clerks of 1990s indie music stores, or retail juggernauts like Tower Records and Wherehouse - the kind of superfans depicted by Jack Black in High Fidelity. But for many evangelical teens of the 1990s, record stores were not the place to find kid-tested, parent-approved music. For that, Christian teens usually had to go to Christian bookstores. There, among the Bibles and Precious Moments dolls and Christian-themed t-shirts, they found the records that defined their adolescence. Their guides on the journey? Bookstore Guys. This week on Rock that Doesn’t Roll: with insight from ethnomusicologist Andrew Mall (author, God Rock, Inc.), hosts Andrew Gill (producer, Sound Opinions) and Leah Payne (author, God Gave Rock & Roll to You) follow the story of John J. Thompson (True Tunes podcast), a Christian bookstore guy who dreamed of transcending the Christian bookstore and creating a music store - along with a thriving artistic community - for fans of critically-acclaimed Christian rock. Do you have a story to share about your Christian rockstar dreams? Leave us a message at (629) 777-6336. If you want more seasons of Rock That Doesn’t Roll, you can support us on Patreon. https://www.patreon.com/rtdr You can connect with us on Instagram or by emailing RTDRpod@gmail.com Sign up for our Substack to keep up with show developments.

For every 1990s Christian rock star who made it big, there were thousands of never-realized, would-be Christian rock dreams. With special insight from Christian music industry veteran promoter Chris Hauser, hosts Andrew Gill (producer, Sound Opinions) and Leah Payne (author, God Gave Rock and Roll to You) follow the CCM aspirations of comedian Kevin James Thornton and artist/faith leader Sunia Won Gibbs. The two Christian music fans hoped to find stardom and a sense of the divine, but found many trials and travails awaited those who took the stage as evangelical pop stars. Along the way, Sunia and Kevin discover that while not every aspiring CCM artist “made it,” the world of Christian music certainly made them. Do you have a story to share about your Christian rockstar dreams? Leave us a message at (629) 777-6336. If you want more seasons of Rock That Doesn’t Roll, you can support us on Patreon. https://www.patreon.com/rtdr You can connect with us on Instagram or by emailing RTDRpod@gmail.com. Sign up for our Substack to keep up with show developments.

For 1990s evangelical teens, punk, hardcore, and ska were a gateway to a passionate, edgy way to express their Christianity outside the mainstream. But was the music and the message enough to keep the evangelical faith? In episode two, hosts Andrew Gill (producer, Sound Opinions) and Leah Payne (author, God Gave Rock and Roll to You) follow three Christian punk rock stories from Dr. Bradley Onishi of Axis Mundi Media, author D.L. Mayfield, and Tim Whitaker of The New Evangelicals as they share their stories of loving, leaving, or holding on to evangelical Christianity - and the music that fueled their teenaged devotion. Do you have a story to share about the Christian ska, punk, or hardcore scene? Leave us a message at (629) 777-6336. If you want more seasons of Rock That Doesn’t Roll, you can support us on Patreon. https://www.patreon.com/rtdr You can connect with us on Instagram or by emailing RTDRpod@gmail.com

Christian rock has a lot of naysayers, but for evangelical teens of the 1990s, it was EVERYTHING. For most kids raised in conservative Christian households, mainstream music was forbidden - if teens were going to rock, they needed to do it God’s way. And the place to find Christian rock gods? Youth group. In the first episode of Rock that Doesn’t Roll, hosts Andrew Gill (producer, Sound Opinions) and Leah Payne (author, God Gave Rock and Roll to You) talk with comedian Steve Hernandez and author Tyler Huckabee finding music, meaning, and identity in 1990s youth group culture. Youth ministry consultant Mark Oestreicher explains the world of high-production youth groups, where rock shows reigned as the best way to draw a crowd of teens into evangelical churches. In this episode, the music of Delirious?, DCTalk, and Relient K bring kids in the doors of the youth group room. But it couldn’t always keep them. Steve and Tyler share their stories of loving - and in some cases leaving - the Christian rock scene that raised them. But even when you take the kid out of the youth group, it turns out that you may not be able to take the youth group music out of the kid. Do you have a story to share about rocking out to your favorite Christian band in youth group? Leave us a message at (629) 777-6336. If you want more seasons of Rock That Doesn’t Roll, you can support us on Patreon. You can connect with us on Instagram or by emailing RTDRpod@gmail.com

Buy tickets for our live show in Chicago on January 5!It's the second annual Rock That Doesn't Roll CCM Christmas Song Awards!Listen to find out what awards Amy Grant, Sarah Masen, Carman, Stryper and David Meece won this year.Do you have a song that deserves an award? Leave us a message at (629) 777-6336.If you want more seasons of Rock That Doesn’t Roll, you can support us on Patreon. https://www.patreon.com/rtdrYou can connect with us on Instagram or by emailing RTDRpod@gmail.comSign up for our Substack to keep up with show developments.Buy RTDR merch here.

Charlie Peacock is a renowned figure in the music industry for his solo albums, production work, songwriting and his record label RE:Think, which launched Switchfoot and Sarah Mason. Outside of the music industry spotlight he and his wife Andi Ashworth were creating a very unique space in Nashville called The Art House. Their experiences with The Art House inspired their recent book, "Why Everything That Doesn't Matter, Matters So Much: The Way of Love in a World of Hurt." Leah actually worked at The Art House more than 20 years ago, so we were eager to talk with Charlie and Andi about this book. To hear the full hour-long interview, visit our Patreon. In the Patreon-only version of this episode, Charlie also shares which collaborator he considers one of the best songwriters in the world.Do you have a Christian rock story to tell? Leave us a message at (629) 777-6336.If you want more seasons of Rock That Doesn’t Roll, you can support us on Patreon. https://www.patreon.com/rtdrYou can connect with us on Instagram or by emailing RTDRpod@gmail.comSign up for our Substack to keep up with show developments.Buy RTDR merch here.

Jordan Morris is a long time podcaster, comedy writer and creator and co-writer of the two-time Eisner-nominated graphic novel Bubble (based on the hit podcast). His new graphic novel, co-written with artist Bowen McCurdy is Youth Group. It draws on Jordan's real life experiences in a Orange County California youth groups in the 1990s, but adds literal demon hunting to the list of church-approved activities. In the Patreon-only version of this episode, he also shares a story about Christian summer camp and we share ideas for casting a film adaptation of Youth Group.Do you have a Christian rock story to tell? Leave us a message at (629) 777-6336.If you want more seasons of Rock That Doesn’t Roll, you can support us on Patreon. https://www.patreon.com/rtdrYou can connect with us on Instagram or by emailing RTDRpod@gmail.comSign up for our Substack to keep up with show developments.Buy RTDR merch here.

Second Sunday is one of our sibling podcasts with PRX's Big Questions Project. Second Sunday is about Black Queer folks finding, keeping and sometimes losing faith.Mark Miller is a graduate of Juilliard and Yale University with an expertise in choral conducting, sacred music, and voice. His hymns and anthems are sung by communities of faith throughout the world, and his album, Imagine the People of God, is available on iTunes. He believes that music, social justice, and the beloved community are inextricably tied. His story is about finding God and himself through music.The Second Sunday podcast is hosted by Esther and Darren Calhoun. Follow Esther @estheralready,https://www.instagram.com/estheralreadyFollow Darren @heydarren, https://www.instagram.com/heydarrenFollow Second Sunday @secondsundaypod, https://instagram.com/secondsundaypodSubscribe to the podcast, https://secondsundaypod.com

In this bonus episode Leah and Andrew talk with Blake Chastain, the first person to use "exvangelical" as a hashtag (and host of the Exvangelical podcast) about his book, "Exvangelical and Beyond: How American Christianity Went Radical and the Movement That's Fighting Back." He shares about his time as a "bookstore guy" and how the academic concepts of "counter public" and "hyperobject" are helpful in understanding what's happening in American evangelicalism. In the Patreon-only version of this episode, he also shares a story about a song that left him temporarily paralyzed at work once. Plus we discuss not one, but two different songs by Ray Boltz. Do you have a Christian rock story to tell? Leave us a message at (629) 777-6336.If you want more seasons of Rock That Doesn’t Roll, you can support us on Patreon. https://www.patreon.com/rtdrYou can connect with us on Instagram or by emailing RTDRpod@gmail.comSign up for our Substack to keep up with show developments.Buy RTDR merch here.

Today we're sharing an episode from another Big Questions Project podcast: Mother Is A Question. "This episode is called "Mother Is A Song," and we’re traveling to a place and time when mama was the muse–back when musicians in the U.S. were constantly singing about “the one who’s always true,” as one of these songs goes. One hundred years ago in the U.S., in the early days of recorded music, a lot of the songs people were listening to were about one particular person: mother. Thanks to Sarah Bryan, the Association for Cultural Equity, and to Dust to Digital for inspiring this episode.Mother is a Question is created by Natasha Haverty and Julia Metzger-TraberOur editor is Rob RosenthalOriginal Music by Raky Sastri and Julia Read"