Secrets from the Green Room

Karen and Irma chat about AI dangers for writers, including scam emails and why publishers hate writers using AI proofreading software to 'polish' their work. Then Irma chats to Melanie Cheng about how a nosey friend resulted in an early pivotal moment, why she wrote in a secret for many years, and how winning a manuscript prize changed everything overnight, why her second book was so hard to write, the balance of having a public profile as an author and working as a GP, why she still h...

Irma and Karen talk about the importance of the major dramatic question in writing fiction, and what they’ve been reading lately in Book Chat. Then Karen talks to Alice Pung about Alice’s unusual process of writing her first book in close contact with a publisher, how writing as a young person with no filters contributed to her early success, how she writes non-fiction with fiction techniques and vice versa, why she finds writing non-fiction harder than fiction, how giving talks to bored 14-y...

Irma and Karen make an exciting announcement about the future of the podcast, then discuss a cautionary tale involving a freelance editor and AI. Then Karen talks to journalist and feminist author Virginia Haussegger about how she became a TV journalist and was sent to Darwin to make all her mistakes, how working on TV has both changed and not changed for women since the 1980s, the ways that deadlines help her to write, how book ideas strike her like meteorites, why counting her writing...

Irma and Karen talk about starting your novel with a bang to get readers’ attention. Then in our new occasional series, Karen talks to debut novelists Sarah Walker and Sam Elliott about the process of getting their first books published, how Sam bounced back from workplace bullying to write fiction, how Sarah got an overseas agent, the ways having an agent or winning an award helps with getting published, what Sam learned through podcasting that helped with publishing, and the news that made ...

Karen and Irma chat about how to decide on the POV(s) for a novel, and how to listen to what the book itself wants to be. Then Irma talks to Melbourne Writers Festival Director Veronica Sullivan and Sorrento Writers Festival Director Corrie Perkin about their pathways to becoming directors of two of Australia’s biggest festivals, the way they plan their programs, practical advice on what writers and their publishers can do to break into the festival circuit, what writers do wrong when pitchin...