Karen and Irma chat about early drafts and tips for gaining momentum again after a break. Then Irma talks to Sophie Cunningham in her role as Chair of the Australian Society of Authors about the impact of AI, the closure of Meanjin, the ASA’s role with industry issues, the ways in which authors need to change their expectations around publishing, how the Stella Prize changed the literary landscape, but also why prizes can be devastating for the majority who don’t make the lists, why we need t...
Irma and Karen chat about the upcoming Ubud Readers & Writers Festival at which they will be recording interviews with several international writers, as well as some of the books they've been reading recently. Then both Karen and Irma chat to Craig Cormick about the pros and cons of big versus small publishers, how he’s got author gigs on cruise ships and what they’ve involved, how he’s managed to be such a prolific writer while having a full-time job as a science communicator and respons...
Irma and Karen chat about small regional writers’ festivals. Then Karen talks to Emily Maguire about how a high school teacher initially crashed her dreams of becoming a writer, how she became a feminist without realising it, how she avoids putting her own opinions into the heads of her characters, how she has learned to focus her anger when writing about feminist issues, how much joy she gains from teaching creative writing, the impact of AI on the writing world, and some very important life...
Irma and Karen talk about copyright, and the productivity commission’s recent recommendations regarding AI. Then Karen talks to Pip Williams about how she shifted from academic research to writing novels, how COVID lockdown inadvertently boosted sales of The Dictionary of Lost Words, how a genius promotions idea for The Bookbinder of Jericho turned into stunning window displays in bookshops, the process of watching her book become a stage play, how writing might be easier than reading f...
Karen and Irma chat about book to film adaptations, and recommend recent reads in their new Book Chat segment. Then Irma talks to Upswell Founder and Publisher Terri-ann White about the current state of the publishing industry and what needs to change, why she thinks too many books are being published, why she believes there is not enough risk-taking happening, the cult of the writer and its impact on the publicity demands placed on authors, how shame and guilt pervade the industry, the devas...
Karen and Irma chat about foreign rights deals, and Irma shares some shocking stats. Then Irma chats to Graeme Simsion and Anne Buist about how a conversation between them on their first wedding anniversary was pivotal in Anne’s career, the low of splitting with Graeme’s publisher after the three Rosie Project books, how they manage the process of planning and writing books together, why they think their book tour to 400 bookshops made no difference to sales, what does impact sales and tips f...
Irma and Karen chat about how a two-book deal was secured via an explosive Booktok profile. Then in a new occasional segment, Book Chat, they share recent reads they’ve enjoyed. Next Karen talks to Markus Zusak about his family of storytellers, how he used his writing heroes to develop his own voice, how The Book Thief arose from three separate ideas that came together like a volcanic eruption, how the success of that book impacted his life and future work, finding the right spark in writing,...
Karen and Irma chat about BookTok and book publicity. Then Irma talks to school librarian Helen Farch about how she became an Instagram superstar, why so many schools no longer have a teacher librarian or even a library, the issues faced in determining what is appropriate to buy in for kids, what kind of budgets government schools are working with, the controversies around books on sex and LGBTQI+ themes, how to engage reluctant readers, the gaps in children’s publishing, and the broad spectr...
Irma and Karen chat about finishing a draft of a novel. Then Karen talks to Favel Parrett about why she decided to give up being a postie and become an author, why she signed up for a writing course but didn’t finish, how her novel Past the Shallows changed her life and keeps on giving, why she likes school visits, how she received not one but two Antarctic Arts Fellowships, why she likes writing child characters, how she came to write about dingoes, how rewarding it can be to write for...
Karen and Irma talk about the intel Irma has gleaned from booksellers on her Shift book tour. Then Irma chats to Tania McCartney about how she made the transition from self-publishing to traditional publishing, creative burn-out and how to come out the other side, deciding to become an illustrator when she was already an established author, the idea that we should all ask for five things we are certain we’ll get a no to, why illustrators need greater recognition, the ways in which the c...
Irma and Karen chat about juggling jobs to survive while writing. Then Karen talks to Nardi Simpson about the creative crossover between making songs and writing books, why she decided to start writing novels, how writing helps her to explore larger questions, how her writing mentors inspired her, what she learned from the Year of the Novel course, how sending a story out into the world is like throwing a boomerang, how she opens herself to playing with ideas and language, why she no lo...
Karen and Irma chat about the challenges of being able to accept praise. Then Irma talks with Katherine Collette about how co-hosting The First Time podcast was life-changing, her most excruciating experience with the podcast, the excitement of overseas deals for her debut novel and the huge low that followed, how the US market differs from the ANZ market, the secrecy around book sales, the challenges in moving from writing books for adults to writing for kids, how to write humour on th...
Irma and Karen chat about the changing shape of the Australian publishing industry as small publishers are bought up by larger publishing houses. Then Karen talks to short-story maestro Cate Kennedy about how she came to be a writer and then a teacher of writing, how writing (and reading) a short story is like plunging deep into a diving pool, how her career took off after having a story published in a 9/11 commemorative edition of the New Yorker, how she wrote a novel because of an off...
Irma and Karen chat about their top books from the last 12 months. Then Karen chats with lifelong activist and former politician Bob Brown about why writing is so important to activism, why storytelling with intent is important, how he approached writing his memoir, why the practice of writing notes while out in nature is key, the ways in which writing fiction is important in getting people to think about other lives and issues, why he’s given up writing his speeches, the ways in which ...
Irma and Karen chat about writers festivals they’ve recently attended, as well as the joys and challenges of being a panel moderator and interviewing other authors. Then Karen talks to JP Pomare about how he didn’t know he was writing crime until it was marketed that way, why his goal is to transcend the genre, how he’s managed to publish seven books in six years, why we’re so fascinated with crime fiction, how writing an Audible original taught him valuable lessons about writing, why r...
Irma and Karen chat about the upcoming Ubud Writers and Readers Festival. Then Karen talks to Kylie Needham about how a short story turned into her debut novel, the joys and challenges of writing for television and the screen, the collaboration of the writers’ room and the vulnerabilities of the process, what writing scripts taught her about moving the narrative forward, whether authors should get involved with screen adaptions of their work, the inequality and sexism of television in t...
Irma and Karen chat about audio books. Then Karen speaks with Finegan Kruckemeyer about how he got his first break as a playwright, the difference between writing for young people and adult audiences, how much freedom there is in the parameters of commissioned works, why he acts out his scripts, why a school production of one of his plays blew him away far more than the professional production, how he goes about writing both comedy and big issues, why he doesn’t enter the rehearsal space, adv...
Irma chats to agent Jacinta di Mase about what agents do to earn their 15%, the intricacies of contracts – including rights reversion, world rights, backlists and rising royalties, how an agent can fight for an author over cover design and choosing a title, the dos and don’ts of submitting to agents, the extent of editorial feedback to expect from agents, how the submission process to publishers works, the ins and outs of foreign rights, what a co-agent is and why they’re important, how film/...
Karen and Irma chat about the ins and outs of contracts. Then Irma talks to Hilde Hinton about the way her work polarises people, how an argument with her brother (actor Samuel Johnson) led to her first novel, why Lego is an important part of her writing process, how novels can make space for important conversations about big topics like mental illness and suicide through joy rather than the sadness, how AI has revolutionised the way she researches, the ways in which writing her debut chang...
Irma and Karen reveal exciting new partnerships with Ubud Writers and Readers Festival and Writers Victoria. Then Karen chats with Beejay Silcox about literary criticism in Australia – what good critics endeavour to do, the blowback from a tough review, what is lacking in Australian criticism, the impact of shrinking page space, the inability to make a sustainable career out of criticism, and her deep regret over one particular review. And then on judging the Stella Prize – how the process ...