Sending Signals

My guess this episode is Juanita Stein of Howling Bells, whose debut self-titled album is celebrating it’s 20th anniversary with a first-time vinyl issue and special London show in November. The album was produced by Ken Nelson, known for his work with Coldplay and Gomez. As you’ll hear in our interview, the band emigrated from Australia to London with the hopes of working with him, but they had to wait until Ken was done working on Coldplay’s third album “X&Y”. Juanita joins me from her home in Brighton to discuss the transition from Australia to the UK, what Ken Nelson brought to the project, support tours, and the potential archival vacuum we might be facing from the early digital era. I hope you enjoy it!Instagram: @sendingsignalspodcast

This episode I’m joined by singer-songwriter Nicole Atkins, who’s about to release her 7th solo album “Drama” which was produced Wilco’s Pat Sansone, and features a duet with Chris Isaak, amongst other collaborators. The album is being released on Friday 18th September on Isaak’s Sun Records imprint, Wicked Game Records. Nicole grew up on the Jersey shore, in Neptune City, but now lives in Nashville, where the album was recorded. It continues her journey to “write modern songs that could be part of the Great American Songbook.” She was fantastic company and we have a wide-ranging conversation. I hope you enjoy it. I also wanted to mention; my debut novel is out now! It’s entitled “The End We Took For Granted”. It’s a missing person mystery set in 1997, against a backdrop of local bands, record shops, and small-town journalism. I’m really proud of it. It’s available on Amazon and there’s a link below. As a reminder the show is ad-free, and I have no sponsorship or crowd funding or anything, so if you want a tangible way to support me, please consider picking up a copy. In the UK the paperback in £7.99 and the Kindle version is only £1.99. Thanks! https://www.amazon.co.uk/dp/B0HCXBPMKT

This episode I’m very pleased to be joined once again by Marillion guitarist Steve Rothery, for his third appearance on the show.   We had a lot to discuss, primarily the release this month of his joint album with Steve Hackett, “The Roaring Waves”, which is out next Friday, and you’ll hear a little bit of it during the episode.   When we spoke, Marillion were about to play at Pompeii, so we discussed that, as well as the next Marillion album, finally due next year.   As you may know, I’ve been a fan of Marillion since I was 11 years old. They’re a very special band for me, so I’m really grateful to have had these conversations with Steve for the podcast. I hope you enjoy it too.   I also wanted to mention; my debut novel is out now! It’s entitled “The End We Took For Granted”. It’s a missing person mystery set in 1997, against a backdrop of local bands, record shops, and small-town journalism. I’m really proud of it.   It’s available on Amazon and there’s a link below. As a reminder the show is ad-free, and I have no sponsorship or crowd funding or anything, so if you want a tangible way to support me, please consider picking up a copy. In the UK the paperback in £7.99 and the Kindle version is only £1.99.   Thanks!   https://www.amazon.co.uk/dp/B0HCXBPMKT

  Hailing, of course, from Detroit, Martha Reeves is best known for fronting Motown group Martha and the Vandellas. When we spoke, she was about to turn 85 years old. In 1957 she joined a group called the Del-Phis, and by the early 60s was singing jazz and blues standards in clubs around Detroit. She ended up working as a secretary at Motown and soon found herself in front of the microphone. “Heat Wave” was the first million seller for the Vandellas, and various hit singles followed, including the fantastic “Nowhere To Run”, and their most famous song, “Dancing In The Street”.   Of course, in the decades since, her career has taken all sorts of twists and turns. She is back with a new single “To Know You Is To Love You”, which has also had a dance remix version recently released. Martha joined me from Detroit alongside her manager and producer Chris Roe, to discuss songs old and new.   Please come and find me on Instagram @sendingsignalspodcast  

100 episodes baby! This episode, I’m joined by Nick Heyward and Blair Cunningham of Haircut 100, very appropriately for my 100th episode. The band are back, with their first studio album since 1982’s masterpiece, “Pelican West”, that’s not counting a 1984 album they made without Nick. The new album is called “Boxing The Compass” and it is sensational. I caught them play a tour warm-up recently and they are on incredible form in that department too.   Nick Heyward is from Beckenham, and started playing in early incarnations of the band in 1977. They eventually became Haircut 100 and signed to Arista in 1981. The band were ill-prepared for the success that followed, Nick in particular not dealing well with the pressures of fame, and by early ‘83 he was out the band, later citing stress and depression among the reasons. He went on to have a solo career, and Haircut 100 have reunited several times in more recent years, but this is the first time they’re released a new record together.   Blair Cunningham is a world-class drummer, originally from Memphis, Tennessee. He’s one of 13 children, and remarkably, and very sadly, his brother Carl was the drummer for Stax band The Bar-Kays, and died in the same plane crash that killed Otis Redding. After the original dissolution of Haircut 100, he went on to drum for The Pretenders, Sade, Mick Jagger, and loads of others, and notably was a member of Paul McCartney’s band for a few years, so when he refers to “Paul” during our conversation, that’s who he means.   I had a great time with these guys. The conversation is all over the place, but it was loads of fun, and I hope that comes across.   Also, a particularly special thank you to everyone that listens regularly. I appreciate the selection of guests is idiosyncratic and diverse, so it means a lot that you’ve stuck around. The show continues to be a fully-independent podcast, with no advertising, and a one man operation. I book the guests, do the interviews, edit the show together, and run the socials. I love the control this gives me, but it brings its own challenges, especially as I want to make podcasts, not spend hours generating content on social media, and so the algorithm doesn’t help the show much. This means that anything you can do to help, telling your friends, following me on Instagram @sendingsignalspodcast, liking posts, leaving a star rating or review with your podcast provider; these things generally mean a lot to a show like mine.   Thank you all!