This film works best as a raucous, high energy pastiche – but needed a script edit to bring out the plot’s true potential.
Warwick Thornton tackles the Western, a genre well suited to examining issues of race and colonisation. It's a reflective, often beautiful film.
A round table discussion on Paolo Sorrentino's TV series The Young Pope, starring Jude Law.
Joe Wright is a filmmaker who can make you almost forget you’ve seen it all before.
Newcomer Florence Pugh goes from a rosy cheeked teen bride to a woman capable of murder.
Williams and Plummer are barely on screen together, but they are the engine room of the film, powering it along even as it loses its way
Twin Peaks: The Return is one of my picks for binge watching over the summer.
Luca Guadagnino’s luscious but meandering film is a pastel hued, pop music reverie, but perhaps it's a little too in love with itself.
This starts well but soon transforms into a Truman style film about a sinister dystopia.
Shot in lush, wide screen 35mm celluloid, this world seems like a magical kingdom impervious to the everyday adult problems of poverty, forced evictions, drugs and prostitution, until of course the bubble bursts.
Breathe. The Star Wars franchise is in good hands with writer director Rian Johnson.
What makes Christmas movies tick?
A panel discussion on this week's AACTA Awards, and a look back over the Australian screen industry in 2017.
A look at the rise in French screen production, including a wonderful series set in downtown Paris about a group of passionate talent agents.
Unlike contemporary action movies like John Wick or most comic book blockbusters, Only The Brave doesn’t come with a side order of self-deprecation.
The Asia Pacific Screen Awards celebrate cinema from across the region in the broadest sense.
James Franco's The Disaster Artist is a tribute to one of the worst films ever made, The Room.
The plot bounces around indifferently like a ball in the penalty box refusing to go in.
The 1980s in Czechoslovakia were bleak years, but a film like The Teacher reminds us how petty and personal the abuses of Soviet communism could be.
A celebration of the work of film stills photographers, a professional category often overlooked, but integral to film publicity since the very beginning.