Sessions at the Art Work House

VIDEO VERSION (HIGHLY RECOMMENDED): https://youtu.be/bAUZaq8U5Gk Dorian Iten, the master of values himself, visits the Work House! He spends some time with us to talk about how to use realistic light and shadow to bring your illustrations alive, walking us through some tips and techniques he has learned throughout his artistic journey and years of teaching.

Adam Duff, also known by his mentorship program and YouTube channel Lucidpixul, comes to the Work House to talk about some of the emotional and mental sides of being an artist. We take a look at some of the most common issues and solutions that artists struggle with, some mental tips and tricks for artists who are self-teaching, and some of the common mental blocks that self taught artists tend to run into.

James Patel, a Concept Artist and Entertainment Design Instructor who has contributed to projects such as Valorant and 7 Days to Die, visits the Work House to talk about lessons learned from studying at a competitive art school. We take a look at how they can apply to personal journeys outside art school, how he has applied them in his career, and how he teaches them to help his students land jobs at studios like Marvel and Skybound.

Zeronis, former Lead Concept Artist at Riot games and well-known anime artist, swings by the Work House to hang out and chat about the twists and turns his  artistic journey has taken so far. We take a look at how he got to where he is, as well as what he would do differently if he had the chance to do it all again.

Gabriele Gabba - a Visdev Artist and Art Director on projects for clients such as Netflix and Disney, hangs out at the Work House to talk about how to get hired as a professional artist, even if you are coming from a self-taught or non-traditional background. He also talks about some of the lessons and pitfalls he sees repeated in his students at One on One Art School.

Meagan and Michael Blessing of Blessing Fine Art join us at the Work House to talk about how to find creative direction in your work, how to develop that direction into a marketable body of work, and some of the lessons they've learned over a combined twenty years of fine art industry experience.