Slate Culture

When the Fox News Channel launched in 1996, critics called it disorganized, incompetent, and laughably inept. But it wouldn’t be a joke for long. During the 2000 election, Fox News would captivate the nation – and just maybe change the fate of American democracy. Want more from Slow Burn? Join Slate Plus to unlock full access to all seasons, including members-only bonus episodes from The Rise of Fox News. You'll also enjoy ad-free listening to all of your favorite Slate podcasts. Subscribe now by clicking "Try Free" at the top of the Slow Burn show page on Apple Podcasts. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 10 of Slow Burn was written and reported by Josh Levin. It was executive produced by Lizzie Jacobs. Slow Burn is produced by Sophie Summergrad, Joel Meyer, and Rosie Belson with help from Patrick Fort, Jacob Fenston, and Julia Russo.  Derek John is Slate’s executive producer of narrative podcasts. This season was edited by Susan Matthews and Hillary Frey. Merritt Jacob is our senior technical director. Mix and sound design by Joe Plourde.  Our theme music was composed by Alexis Cuadrado. Derreck Johnson created the artwork for this season. Episode artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

For the two years leading up to May 21, 1979, gay activists followed the rules. They engaged in civil debates. They sought justice at the ballot box. They peacefully mourned the assassination of Harvey Milk. But the verdict in Dan White’s murder trial changed everything. (If you—or anyone you know—are in crisis, contact the National Suicide Prevention Lifeline, anytime: Dial 988 or visit 988lifeline.org.) Subscribe to Slate Plus to immediately unlock all episodes of Slow Burn: Gays Against Briggs. Your subscription also gets you ad-free access to all your favorite Slate podcasts, plus other member exclusive content. Join now on Apple Podcasts by clicking “Subscribe” at the top of our show page. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 9 of Slow Burn was written and produced by Christina Cauterucci. Slow Burn is produced by Sophie Summergrad, Kelly Jones, and Joel Meyer. Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. Merritt Jacob is our senior technical director. We had engineering help from Patrick Fort and Madeline Ducharme. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones, based on an image of Silvana Nova and a poster designed by Larry Hermsen and the Too Much Graphics Collective. Learn more about your ad choices. Visit megaphone.fm/adchoices

On election night in 1978, gays and lesbians in California braced themselves for the statewide vote on Proposition 6. Less than a month after the results came in, a pair of killings shocked San Francisco and the nation. Subscribe to Slate Plus to immediately unlock all episodes of Slow Burn: Gays Against Briggs. Your subscription also gets you ad-free access to all your favorite Slate podcasts, plus other member exclusive content. Join now on Apple Podcasts by clicking “Subscribe” at the top of our show page. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 9 of Slow Burn was written and produced by Christina Cauterucci. Slow Burn is produced by Sophie Summergrad, Kelly Jones, and Joel Meyer. Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. Merritt Jacob is our senior technical director. We had engineering help from Patrick Fort and Madeline Ducharme. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones, based on an image of Silvana Nova and a poster designed by Larry Hermsen and the Too Much Graphics Collective. Learn more about your ad choices. Visit megaphone.fm/adchoices

As Election Day approached, the campaign to defeat Proposition 6 faced formidable odds. John Briggs’ fundraising juggernaut was churning out cash, and public opinion polls were solidly in his favor. To turn the tide, gay rights activists unveiled a powerful symbol and gambled on the support of an improbable ally: Ronald Reagan. (If you—or anyone you know—are in crisis, contact the National Suicide Prevention Lifeline, anytime: Dial 988 or visit 988lifeline.org.) Subscribe to Slate Plus to immediately unlock all episodes of Slow Burn: Gays Against Briggs. Your subscription also gets you ad-free access to all your favorite Slate podcasts, plus other member exclusive content. Join now on Apple Podcasts by clicking “Subscribe” at the top of our show page. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 9 of Slow Burn was written and produced by Christina Cauterucci. Slow Burn is produced by Kelly Jones, Joel Meyer, and Sophie Summergrad.  Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. Merritt Jacob is our senior technical director. We had engineering help from Patrick Fort and Madeline Ducharme. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones, based on an image of Silvana Nova and a poster designed by Larry Hermsen and the Too Much Graphics Collective.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In the early days of the anti-Briggs campaign, a Richard Pryor comedy set turned into a public fiasco and laid bare longstanding divisions in the gay community. With the movement low on cash and running out of time, thousands of gay Californians decided their only option was to tell the world who they really were.  (If you—or anyone you know—are in crisis, contact the National Suicide Prevention Lifeline, anytime: Dial 988 or visit 988lifeline.org.) Subscribe to Slate Plus to immediately unlock all episodes of Slow Burn: Gays Against Briggs. Your subscription also gets you ad-free access to all your favorite Slate podcasts, plus other member exclusive content. Join now on Apple Podcasts by clicking “Subscribe” at the top of our show page. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 9 of Slow Burn was written and produced by Christina Cauterucci. Slow Burn is produced by Kelly Jones, Joel Meyer, and Sophie Summergrad.  Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. Merritt Jacob is our senior technical director.  We had engineering help from Patrick Fort and Madeline Ducharme. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones, based on an image of Silvana Nova and a poster designed by Larry Hermsen and the Too Much Graphics Collective.  Learn more about your ad choices. Visit megaphone.fm/adchoices

After decades of wandering and job-hopping, Harvey Milk found his purpose as a gay community leader with growing political ambitions. But his historic election was just the beginning. As John Briggs’ gay teacher ban gained momentum, it was up to Supervisor Milk and his allies to figure out how to stop him.  Subscribe to Slate Plus to immediately unlock all episodes of Slow Burn: Gays Against Briggs. Your subscription also gets you ad-free access to all your favorite Slate podcasts, plus other member exclusive content. Join now on Apple Podcasts by clicking “Subscribe” at the top of our show page. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 9 of Slow Burn was written and produced by Christina Cauterucci. Slow Burn is produced by Kelly Jones, Joel Meyer, and Sophie Summergrad.  Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. Merritt Jacob is our senior technical director. We had engineering help from Patrick Fort and Madeline Ducharme. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones, based on an image of Silvana Nova and a poster designed by Larry Hermsen and the Too Much Graphics Collective.  Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1977, John Briggs was a small-time state senator with big dreams. But Briggs’ plan to ban gay and lesbian teachers from California schools changed the arc of his life and career. Suddenly, he was a right-wing hero, and a villain of the gay rights movement. And his message seemed to be catching on all over the country. Season 9 of Slow Burn was written and produced by Christina Cauterucci. Slow Burn is produced by Kelly Jones, Joel Meyer, and Sophie Summergrad.  Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. Merritt Jacob is our senior technical director. We had engineering help from Patrick Fort and Madeline Ducharme. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones, based on an image of Silvana Nova and a poster designed by Larry Hermsen and the Too Much Graphics Collective. Learn more about your ad choices. Visit megaphone.fm/adchoices

In the 1970s, San Francisco became a welcoming home for tens of thousands of new gay residents—and a modern-day Sodom for the American right. With a moral panic sweeping across the United States, a Florida orange juice spokeswoman inspired an ambitious California politician to launch his own campaign against lesbians and gays—one that would change the course of U.S. history.  (If you—or anyone you know—are in crisis, contact the National Suicide Prevention Lifeline, anytime: Dial 988 or visit 988lifeline.org.) Season 9 of Slow Burn was written and produced by Christina Cauterucci. Slow Burn is produced by Kelly Jones, Joel Meyer, and Sophie Summergrad.  Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. Merritt Jacob is our senior technical director. We had engineering help from Patrick Fort and Madeline Ducharme. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones, based on an image of Silvana Nova and a poster designed by Larry Hermsen and the Too Much Graphics Collective. Learn more about your ad choices. Visit megaphone.fm/adchoices

Before 1990, there had never been a documented case of a patient getting HIV from a health care worker. Kimberly Bergalis changed that. Her claim that she’d been infected by her dentist would captivate and terrify the country. And the dentist, David Acer, would be made into a villain without America ever knowing who he really was. This episode was written by Kelly Jones and Josh Levin, One Year’s editorial director. One Year’s senior producer is Evan Chung. This episode was produced by Kelly Jones and Evan Chung, with additional production by Olivia Briley.  It was edited by Joel Meyer and Derek John, Slate’s executive producer of narrative podcasts. Merritt Jacob is senior technical director. We had mixing help from Kevin Bendis. We had production help this season from Jabari Butler. Join Slate Plus to get a special behind-the-scenes conversation at the end of our season about how we put together our 1990 stories. Slate Plus members also get to listen to all Slate podcasts without any ads. Learn more about your ad choices. Visit megaphone.fm/adchoices

Robert Mapplethorpe was one of the most famous photographers in the world—and one of the most controversial. When his work came to Cincinnati in 1990, it would be at the center of a vicious fight over obscenity and the First Amendment, one that threatened the future of art in America. This episode of One Year was written by Evan Chung, One Year's senior producer. It was produced by Kelly Jones and Evan Chung, with additional production by Olivia Briley. It was edited by Josh Levin, One Year’s editorial director, with Joel Meyer and Derek John, Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Join Slate Plus to get a special behind-the-scenes conversation at the end of our season about how we put together our 1990 stories. Slate Plus members also get to listen to all Slate podcasts without any ads. Learn more about your ad choices. Visit megaphone.fm/adchoices

In March 1990, a story broke that shocked the nation: George H.W. Bush had banned broccoli from Air Force One. The frenzy that came next would change the fate of a vegetable—and maybe even alter the course of a presidency. This episode was written by Olivia Briley and Josh Levin, One Year’s editorial director. One Year’s senior producer is Evan Chung. This episode was produced by Olivia Briley and Kelly Jones.  It was edited by Joel Meyer and Evan Chung. Derek John is Slate’s executive producer of narrative podcasts.  Merritt Jacob is senior technical director. Join Slate Plus to get a special behind-the-scenes conversation at the end of our season about how we put together our 1990 stories. Slate Plus members also get to listen to all Slate podcasts without any ads. Learn more about your ad choices. Visit megaphone.fm/adchoices

A middle-aged single dad in Chicago was outraged by all the cigarette billboards popping up in Black communities. In 1990, he picked up a paint roller and became an anti-tobacco vigilante. And he did it all under a secret identity. This episode was written by Josh Levin, One Year’s editorial director. One Year’s senior producer is Evan Chung. This episode was produced by Kelly Jones, Olivia Briley, and Evan Chung. It was edited by Joel Meyer and Derek John, Slate’s executive producer of narrative podcasts.  Merritt Jacob is our senior technical director. We had mixing help from Kevin Bendis. Join Slate Plus to get a special behind-the-scenes conversation at the end of our season about how we put together our 1990 stories. Slate Plus members also get to listen to all Slate podcasts without any ads. Learn more about your ad choices. Visit megaphone.fm/adchoices

Pizza Hut’s adventure in the Soviet Union was unlike any restaurant opening before or since. It involved a fleet of submarines, a very special pizza topped with tuna and salmon, and a casual dining spot on a mission to change the world. This episode was written by Kelly Jones and Josh Levin, One Year’s editorial director. One Year’s senior producer is Evan Chung. This episode was produced by Kelly Jones and Evan Chung, with additional production by Olivia Briley.  It was edited by Joel Meyer and Derek John, Slate’s executive producer of narrative podcasts. Merritt Jacob is our senior technical director. Join Slate Plus to get a special behind-the-scenes conversation at the end of our season about how we put together our 1990 stories. Slate Plus members also get to listen to all Slate podcasts without any ads. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this show we explore three different AI and machine-generated music technologies; vocal emulators that allow you to deep fake a singer or rapper’s voice, AI-generated compositions and text-to-music generators like Google Music LM and Open AI’s Jukebox, and musical improvisation technologies. We listen to the variety of music these technologies generate, and two guitarists face off against an AI in improvised guitar solos.  Along the way, we talk to philosophers of music Robin James and Theodore Gracyk about what musical creativity is and whether machines are more or less creative than human musicians, and Barry gives his take on each of the technologies and what they mean for the future of musical creativity. Learn more about your ad choices. Visit megaphone.fm/adchoices

Curtis is setting aside a large chunk of money to donate to charity, and it is up to us to persuade him where he should donate it. Luckily, philosophers, economists, and the nonprofit world has been thinking a lot about this issue in recent years. On this episode, effective altruism’s defenders and critics try to persuade Curtis of where he should donate. Who is the most effective in persuading an ordinary person as to the right way to donate to charity? And do the recent scandals involving effective altruism’s biggest donor implicate its philosophical foundations?  We start with arguments that you should always try to save the most lives possible, no matter where they are on the planet. We then hear a critic of that view, who argues that local giving can also be a good. We then turn to the view that we should save humans from extinction from threats like pandemics, nuclear war, and AI takeover. And finally, we hear from a critic of that view, who says we should not blow future risks out of proportion.  Guests include philosophers Richard Yetter-Chappell (Miami), Savannah Pearlman (Indiana), Shakeel Hashim (Center for Effective Altruism), and Seth Lazar (Australia National University). Learn more about your ad choices. Visit megaphone.fm/adchoices