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When the Fox News Channel launched in 1996, critics called it disorganized, incompetent, and laughably inept. But it wouldn’t be a joke for long. During the 2000 election, Fox News would captivate the nation – and just maybe change the fate of American democracy. Want more from Slow Burn? Join Slate Plus to unlock full access to all seasons, including members-only bonus episodes from The Rise of Fox News. You'll also enjoy ad-free listening to all of your favorite Slate podcasts. Subscribe now by clicking "Try Free" at the top of the Slow Burn show page on Apple Podcasts. Or, visit slate.com/slowburnplus to get access wherever you listen. Season 10 of Slow Burn was written and reported by Josh Levin. It was executive produced by Lizzie Jacobs. Slow Burn is produced by Sophie Summergrad, Joel Meyer, and Rosie Belson with help from Patrick Fort, Jacob Fenston, and Julia Russo.  Derek John is Slate’s executive producer of narrative podcasts. This season was edited by Susan Matthews and Hillary Frey. Merritt Jacob is our senior technical director. Mix and sound design by Joe Plourde.  Our theme music was composed by Alexis Cuadrado. Derreck Johnson created the artwork for this season. Episode artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

Anita Hill’s accusations launched urgent and heated conversations about racism and sexual harassment. They also stoked an anger in Clarence Thomas that’s never stopped raging. Season 8 of Slow Burn is produced by Joel Anderson, Sophie Summergrad, Sam Kim, and Sofie Kodner. Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. This episode was edited by Josh Levin, Derek John, Sophie Summergrad, and Joel Meyer. Merritt Jacob is our senior technical director. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Clarence Thomas got nominated to the Supreme Court, his behavior during the 1980s would get put under a microscope. To understand who Thomas was then and who he is today, you need to hear how he treated the women he worked with. You also need to hear from the woman who knew him best during those critical years: his ex-girlfriend Lillian McEwen.  Season 8 of Slow Burn is produced by Joel Anderson, Sophie Summergrad, Sam Kim, and Sofie Kodner. Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. This episode was edited by Josh Levin, Derek John, Sophie Summergrad, and Joel Meyer. Merritt Jacob is our senior technical director. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

Clarence Thomas went to Yale Law School because he thought it was a good fit for his left-wing politics. But when he got there, it seemed like all the white liberals thought he was only there because he was Black. The sting Thomas felt fueled a lifelong resentment of affirmative action. It also drew him to a group of conservatives who helped sharpen his political beliefs. Season 8 of Slow Burn is produced by Joel Anderson, Sophie Summergrad, Sam Kim, and Sofie Kodner.   Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. This episode was edited by Josh Levin, Derek John, Sophie Summergrad and Joel Meyer. Merritt Jacob is Slate’s senior technical director. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

Growing up in Georgia, Clarence Thomas wanted to make his mark. His goal was to become his hometown’s first Black Catholic priest. But in the 1960s, he abandoned that dream. Instead, he embraced campus activism and the teachings of Malcolm X. Season 8 of Slow Burn is produced by Joel Anderson, Sophie Summergrad, Sam Kim, and Sofie Kodner. Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. Editorial direction by Josh Levin, Derek John, and Joel Meyer. Merritt Jacob is Slate’s senior technical director. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

Harry Blackmun wasn’t Richard Nixon’s first choice to fill a vacancy on the Supreme Court. But after Blackmun was confirmed, he got the assignment of a lifetime: writing the majority opinion in Roe v. Wade. His approach to that case would have consequences he never imagined. Season 7 of Slow Burn is produced by Susan Matthews, Samira Tazari, Sophie Summergrad, and Sol Werthan. Derek John is Sr. Supervising Producer of Narrative Podcasts. Editorial direction by Josh Levin, Derek John, and Johanna Zorn. Merritt Jacob is our Technical Director. Our theme music is composed by Alexis Cuadrado. Artwork by Derreck Johnson based on a photo provided by Robert Wheeler. The season’s reporting was supported by a grant from the International Women’s Media Foundation’s Howard G. Buffett Fund for Women Journalists. Learn more about your ad choices. Visit megaphone.fm/adchoices

Soon after Ann Hill arrived at Yale Law School in 1968, she realized she was pregnant. Her options were limited: she could give birth—or get an illegal abortion. The decision she faced inspired her to take on Connecticut’s abortion ban. The legal battle that followed would set the stage for Roe v. Wade. Season 7 of Slow Burn is produced by Susan Matthews, Samira Tazari, Sophie Summergrad, and Sol Werthan. Derek John is Sr. Supervising Producer of Narrative Podcasts. Editorial direction by Josh Levin, Derek John, and Johanna Zorn. Merritt Jacob is our Technical Director. Our theme music is composed by Alexis Cuadrado. Artwork by Derreck Johnson based on a photo provided by Robert Wheeler. The season’s reporting was supported by a grant from the International Women’s Media Foundation’s Howard G. Buffett Fund for Women Journalists. Learn more about your ad choices. Visit megaphone.fm/adchoices

Jack and Barbara Willke got their start on the Catholic speaking circuit talking about the pleasure of sex within marriage. Their daughter would convince them to shift their focus to another hot-button issue. The Willkes’ Handbook on Abortion, and the photographs they distributed along with it, would help kickstart the right-to-life movement. To see the cover of the Handbook on Abortion, some of the photos the Willkes used, and the brochure “Life or Death,” go to slate.com/handbook Season 7 of Slow Burn is produced by Susan Matthews, Samira Tazari, Sophie Summergrad, and Sol Werthan. Derek John is Sr. Supervising Producer of Narrative Podcasts. Editorial direction by Josh Levin, Derek John and Johanna Zorn. Merritt Jacob is our Technical Director. Our theme music is composed by Alexis Cuadrado. Artwork by Derreck Johnson based on a photo provided by Robert Wheeler. The season’s reporting was supported by a grant from the International Women’s Media Foundation’s Howard G. Buffett Fund for Women Journalists. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1970, 22-year-old Shirley Wheeler got an illegal abortion in Florida. When she refused to tell the police who performed the procedure, she was arrested and charged with manslaughter. In the months that followed, she’d be prosecuted and publicly condemned. She’d also become the unlikely face of the fight for reproductive rights. Season 7 of Slow Burn is produced by Susan Matthews, Samira Tazari, Sophie Summergrad, and Sol Werthan. Derek John is Sr. Supervising Producer of Narrative Podcasts. Editorial direction by Josh Levin, Derek John and Johanna Zorn. Mixing by Merritt Jacob and Kevin Bendis. Our theme music is composed by Alexis Cuadrado. Artwork by Derreck Johnson based on a photo provided by Robert Wheeler. The season’s reporting was supported by a grant from the International Women’s Media Foundation’s Howard G. Buffett Fund for Women Journalists. Learn more about your ad choices. Visit megaphone.fm/adchoices

Basketball star Isiah Thomas had an audacious plan to transform Detroit: asking criminals to stay on the good side of the law for 24 hours. Would “No Crime Day” set the city on a new path, or was it a recipe for failure? One Year is produced by Evan Chung, Sophie Summergrad, Sam Kim, Madeline Ducharme, and Josh Levin. Derek John is Sr. Supervising Producer of Narrative Podcasts and Merritt Jacob is Sr. Technical Director. Slate Plus members get to hear more about the making of One Year. Get access to extra episodes, listen to the show without any ads, and support One Year by signing up for Slate Plus for just $15 for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices

Robert F. Kennedy Jr.’s tenure as HHS Secretary has meant turmoil for the CDC: thousands of employees have either been let go, or are unclear on their employment status; leadership has been stepping down; and there was a shooting at their Atlanta building in August. The result is RFK being yelled at in the Senate, thousands of CDC employees calling for his resignation, and a country less prepared for the next pandemic.  Guest: Apoorva Mandavilli, science and global health reporter at the New York Times.  Want more What Next? Subscribe to Slate Plus to access ad-free listening to the whole What Next family and across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Sign up now at slate.com/whatnextplus to get access wherever you listen. Podcast production by Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme, and Rob Gunther. Learn more about your ad choices. Visit megaphone.fm/adchoices

An Inflation Reduction Act subsidy for electric vehicles is being shut down by the Trump administration at the end of September, and automakers are preparing for sales of EVs to slow. Can this nascent industry survive?  Guest: ⁠Ryan Felton⁠, reporter covering the automotive industry for the Wall Street Journal Learn more about your ad choices. Visit megaphone.fm/adchoices

This week: Tesla offered Elon Musk an incentive package worth a trillion dollars.   Felix Salmon, Elizabeth Spiers, and Emily Peck discuss Tesla's motivation and why Musk, already the richest man in the world, would be tempted by the outrageous number. Then, the big antitrust case against Google went out with a whimper, with the Judge ruling that they are a monopoly but they don’t need to break up the company if they follow a few new rules. The hosts discuss the logic behind the decision and what the ruling might signal to other companies. And finally, with the prospect of Trump’s tariffs being ruled illegal by the Supreme Court, traders are buying up tariff refund rights. So, Felix gets to nerd out about litigation finance.  In the Slate Plus episode: Tilting at Wind Turbines  Want to hear that discussion and hear more Slate Money? Join Slate Plus to unlock weekly bonus episodes. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Slate Money show page on Apple Podcasts and Spotify. Or, visit slate.com/moneyplus to get access wherever you listen. Podcast production by Jessamine Molli and Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today’s episode, hosts Candice Lim and Kate Lindsay are joined by Spitfire News writer Kat Tenbarge, who came to the defense of the Gaylor fandom (people who believe Taylor Swift is secretly queer) after they were accused of “crashing out” in light of her engagement to Travis Kelce. But who are the Gaylors, really? And why are they always the butt of the joke? Get more of ICYMI with Slate Plus! Join for exclusive bonus episodes of ICYMI and ad-free listening on all your favorite Slate podcasts. Subscribe from the ICYMI show page on Apple Podcasts or Spotify. Or, visit slate.com/icymiplus for access wherever you listen. This podcast is produced by Daisy Rosario, Vic Whitley-Berry, Candice Lim, and Kate Lindsay. Learn more about your ad choices. Visit megaphone.fm/adchoices

There is a “stuckness” to American political life right now, which has become a seemingly inexorable centrifuge of polarization, victimization and power grabbing. The constitution is brandished as sword and shield, and also as though it is the word of God. Americans, it seems, have lost the ability to think creatively and expansively about the constitution, and our ability to amend it. On this week’s Amicus, Dahlia Lithwick is in conversation with Jill Lepore, whose new book “We The People: A History of The U.S. The Constitution is a thorough and bold excavation of a central, but utterly neglected part of America’s constitutional scheme: the amendment process. In her book, and in this interview, Lepore challenges Americans to rekindle their constitutional imaginations and really think about what the act of mending, repairing, or amending has meant through the nation’s history, and could mean for a country on the brink.  Want more Amicus? Join Slate Plus to unlock weekly bonus episodes with exclusive legal analysis. Plus, you’ll access ad-free listening across all your favorite Slate podcasts. You can subscribe directly from the Amicus show page on Apple Podcasts and Spotify. Or, visit slate.com/amicusplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices