Slate Race and Identity

Anita Hill’s accusations launched urgent and heated conversations about racism and sexual harassment. They also stoked an anger in Clarence Thomas that’s never stopped raging. Season 8 of Slow Burn is produced by Joel Anderson, Sophie Summergrad, Sam Kim, and Sofie Kodner. Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. This episode was edited by Josh Levin, Derek John, Sophie Summergrad, and Joel Meyer. Merritt Jacob is our senior technical director. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

When Clarence Thomas got nominated to the Supreme Court, his behavior during the 1980s would get put under a microscope. To understand who Thomas was then and who he is today, you need to hear how he treated the women he worked with. You also need to hear from the woman who knew him best during those critical years: his ex-girlfriend Lillian McEwen.  Season 8 of Slow Burn is produced by Joel Anderson, Sophie Summergrad, Sam Kim, and Sofie Kodner. Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. This episode was edited by Josh Levin, Derek John, Sophie Summergrad, and Joel Meyer. Merritt Jacob is our senior technical director. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

Clarence Thomas went to Yale Law School because he thought it was a good fit for his left-wing politics. But when he got there, it seemed like all the white liberals thought he was only there because he was Black. The sting Thomas felt fueled a lifelong resentment of affirmative action. It also drew him to a group of conservatives who helped sharpen his political beliefs. Season 8 of Slow Burn is produced by Joel Anderson, Sophie Summergrad, Sam Kim, and Sofie Kodner.   Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. This episode was edited by Josh Levin, Derek John, Sophie Summergrad and Joel Meyer. Merritt Jacob is Slate’s senior technical director. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

Growing up in Georgia, Clarence Thomas wanted to make his mark. His goal was to become his hometown’s first Black Catholic priest. But in the 1960s, he abandoned that dream. Instead, he embraced campus activism and the teachings of Malcolm X. Season 8 of Slow Burn is produced by Joel Anderson, Sophie Summergrad, Sam Kim, and Sofie Kodner. Josh Levin is the editorial director of Slow Burn. Derek John is Slate’s executive producer of narrative podcasts. Susan Matthews is Slate’s executive editor. Editorial direction by Josh Levin, Derek John, and Joel Meyer. Merritt Jacob is Slate’s senior technical director. Our theme music is composed by Alexis Cuadrado. Artwork by Ivylise Simones. Learn more about your ad choices. Visit megaphone.fm/adchoices

A middle-aged single dad in Chicago was outraged by all the cigarette billboards popping up in Black communities. In 1990, he picked up a paint roller and became an anti-tobacco vigilante. And he did it all under a secret identity. This episode was written by Josh Levin, One Year’s editorial director. One Year’s senior producer is Evan Chung. This episode was produced by Kelly Jones, Olivia Briley, and Evan Chung. It was edited by Joel Meyer and Derek John, Slate’s executive producer of narrative podcasts.  Merritt Jacob is our senior technical director. We had mixing help from Kevin Bendis. Join Slate Plus to get a special behind-the-scenes conversation at the end of our season about how we put together our 1990 stories. Slate Plus members also get to listen to all Slate podcasts without any ads. Learn more about your ad choices. Visit megaphone.fm/adchoices

Ten years after the atomic bombing of Hiroshima, 25 women who’d been disfigured by the blast came to the United States. Those Japanese survivors would go to the White House and end up on a bizarre proto reality TV show. They’d also put their lives in the hands of American doctors, hoping that risky, cutting-edge surgeries might repair their injuries and give them a chance for a fresh start. Josh Levin is One Year’s editorial director. One Year’s senior producer is Evan Chung. This episode was produced by Kelly Jones and Evan Chung, with additional production by Sophie Summergrad.  It was edited by Joel Meyer and Derek John, Slate’s executive producer of narrative podcasts.  Merritt Jacob is our senior technical director. Holly Allen created the artwork for this season. Join Slate Plus to get a bonus 1955 episode at the end of the season. Slate Plus members also get to listen to all Slate podcasts without any ads. Sign up now to support One Year. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Cannon Street All-Stars dreamed of playing in the 1955 Little League World Series. Their biggest obstacle didn’t come on the field. In the year that Rosa Parks refused to give up her seat on a public bus, these Black 12-year-olds became unlikely civil rights pioneers—and faced the wrath of a white society that wasn’t ready to change. Josh Levin is One Year’s editorial director. One Year’s senior producer is Evan Chung. This episode was produced by Kelly Jones and Evan Chung, with additional production by Sophie Summergrad.  It was edited by Joel Meyer and Derek John, Slate’s executive producer of narrative podcasts.  Merritt Jacob is our senior technical director. Join Slate Plus to get the first three episodes of One Year: 1955 right away—and a bonus 1955 story at the end of the season. Slate Plus members also get to listen to all Slate podcasts without any ads. Sign up now to support One Year. Learn more about your ad choices. Visit megaphone.fm/adchoices

In 1942, federal officials targeted a group of Black Americans who were allegedly hoping for a Japanese invasion. They uncovered a plot that included stockpiles of weapons and secret passwords—but was any of it true? This week, Joel Anderson tells the story of a shadowy organization in East St. Louis, Illinois, the group’s mysterious leader, and an alleged conspiracy against America during World War II. This episode of One Year was produced by Evan Chung, Sophie Summergrad, Sam Kim, Joel Anderson, Sol Werthan, and Josh Levin. Derek John is executive producer of narrative podcasts and Merritt Jacob is senior technical director. Slate Plus members get to hear more about the making of One Year. Get access to extra episodes, listen to the show without any ads, and support One Year by signing up for Slate Plus for just $15 for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices

Six months after Pearl Harbor, Japan launched another attack on the United States. This time, Axis forces actually invaded, turning the Aleutian Islands into a battleground. What the country did next, in the name of “protecting” Alaska’s indigenous people, is a shameful chapter of the war. And it’s one the nation has never fully reckoned with. This episode of One Year was produced by Evan Chung, Sophie Summergrad, Sam Kim, Sol Werthan, and Josh Levin. Derek John is senior supervising producer of narrative podcasts and Merritt Jacob is senior technical director. Slate Plus members get to hear more about the making of One Year. Get access to extra episodes, listen to the show without any ads, and support One Year by signing up for Slate Plus for just $15 for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices

Black residents of Indianola, Mississippi, were fed up with decades of separate-and-unequal classrooms. When a white outsider got hired as school superintendent, they decided to take a stand. This week, Joel Anderson tells the story of how their boycott of white businesses transformed the community and captivated the nation. One Year is produced by Evan Chung, Sophie Summergrad, Sam Kim, Madeline Ducharme, and Josh Levin. Mixing by Merritt Jacob. Derek John is Sr. Supervising Producer of Narrative Podcasts and Merritt Jacob is Sr. Technical Director. Slate Plus members get to hear more about the making of One Year. Get access to extra episodes, listen to the show without any ads, and support One Year by signing up for Slate Plus for just $15 for your first three months. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, Dan Kois sits in for Dana Stevens. First, the hosts discuss One of Them Days, a new buddy comedy starring Keke Palmer and SZA that’s quickly becoming a critical darling — and a box office success. Then, they dive into Asura, Japanese director Hirokazu Kore-eda’s Netflix show that’s about the dynamics between three sisters and is “totally uninterested in the rhythms of a TV show.” Finally, it’s time to explore the “manosphere.” The trio dissected a deftly reported package from Bloomberg, “The Second Trump Presidency, Brought to You by YouTubers.”  Also, we’re looking for a new Production Assistant! Please send your resume and two ideas for segments to culturegabfestassistant@gmail.com.  In the exclusive Slate Plus segment, the panel tackles modern TV title sequences and asks the age-old question: do you skip or play? This conversation was inspired by James Poniewozik’s article for The New York Times, “Why Do TV Title Sequences Have So Much… Stuff?”  Email us at culturefest@slate.com.  Endorsements: Dan: Playworld by Adam Ross.  Julia: A cookbook by Ben Mims, Crumbs: Cookies and Sweets from Around the World.  Steve: (1) Bar Merenda, a restaurant located right outside of Melbourne. (2) “For the Love of the World” by Daegan Miller for Poetry Foundation.  Kat: Calmly Writer Online, a distraction-free text editor.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

The Trump administration’s fight against diversity, equity and inclusion (DEI) programs is underway, and it’s proving to be even broader and further-reaching than anticipated. What’s at stake for these programs—and why are so many Americans glad to see them go? Guest: Farah Stockman, member of the New York Times Editorial Board, author of American Made: What Happens to People When Work Disappears Want more What Next? Join Slate Plus to unlock full, ad-free access to What Next and all your other favorite Slate podcasts. You can subscribe directly from the What Next show page on Apple Podcasts and Spotify. Or, visit slate.com/whatnextplus to get access wherever you listen. Podcast production by Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme and Rob Gunther. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this week’s show, Slate staff writer Nadira Goffe sits in for Stephen. First, the panel explores Babygirl and its kinks. The latest feature from Dutch writer-director Halina Reijn stars Nicole Kidman and Harris Dickinson, and is fascinated by sex (mostly, as a concept.) Then, the three puzzle over Nickel Boys and the film’s audacious use of first-person point-of-view in filmmaker RaMell Ross’ adaptation of Colson Whitehead’s Pulitzer Prize-winning novel, The Nickel Boys. Finally, what does a Hollywood smear campaign look like? The trio discusses the messy legal and PR conflict embroiling Blake Lively and former It Ends With Us co-star and director, Justin Baldoni.  In the exclusive Slate Plus segment, the panel checks in with Julia and production assistant Kat, as they share their experiences of the L.A. wildfires.   Email us at culturefest@slate.com.  Endorsements: Nadira: Transa by Red Hot Org. Specifically, “Is It Cold In The Water” performed by Moses Sumney and ANOHNI. Julia: Niksa sleep masks. Dana: Exploring your local college radio stations. She likes WFUV (owned by Fordham University) and Columbia University’s WKCR.  Podcast production by Vic Whitley-Berry. Production assistance by Kat Hong. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode: Lucy sits down with actress and author Mandy Gonzalez for a wide-ranging conversation about parenting, building a creative mom group, and enduring cancer treatment with your head held high. Mandy also answers questions from our own budding Broadway stars. Lucy also shares a quick update about her mom's cancer journey - and Care & Feeding's production schedule in the new year. Join us on Facebook and email us at careandfeedingpod@slate.com to ask us new questions, tell us what you thought of today’s show, and give us ideas about what we should talk about in future episodes. You can also call our phone line: (646) 357-9318. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get an ad-free experience across the network and exclusive content on many shows—you’ll also be supporting the work we do here on Care and Feeding. Sign up now at slate.com/careplus to help support our work. Podcast produced by Maura Currie. Learn more about your ad choices. Visit megaphone.fm/adchoices

On this episode: it’s the day after Christmas and the first day of Hanukkah — so we thought there would be no better time than now to sit down to talk about parenting, faith, and the cultural traditions that we adopt, and craft, for our kids. Zak is joined by Slate writer and friend of the show Aymann Ismail and interfaith relationship and parenting expert Susan Katz Miller.  Join us on Facebook and email us at careandfeedingpod@slate.com to ask us new questions, tell us what you thought of today’s show, and give us ideas about what we should talk about in future episodes. You can also call our phone line: (646) 357-9318. If you enjoy this show, please consider signing up for Slate Plus. Slate Plus members get to hang out with us on the Plus Playground every week for a whole additional grab-bag of content — and you’ll get an ad-free experience across the network. And you’ll also be supporting the work we do here on Care and Feeding. Sign up now at slate.com/careplus – or try it out on Apple Podcasts. Podcast produced by Maura Currie. Learn more about your ad choices. Visit megaphone.fm/adchoices

Slate Political Gabfest host David Plotz talks with author David Greenberg about his new book, John Lewis: A Life. They discuss how Lewis went from marching with Martin Luther King, Jr. to an iconic career as a politician, Lewis’s commitment to non-violence, how Greenberg uncovered never-before-seen documents, and more. Tweet us your questions @SlateGabfest or email us at gabfest@slate.com. (Messages could be quoted by name unless the writer stipulates otherwise.) Podcast production by Cheyna Roth. Learn more about your ad choices. Visit megaphone.fm/adchoices

After a tepid embrace of Beyoncé’s Cowboy Carter and a back-and-forth over Lil Nas X’s “Old Town Road,” country music fans are all in on Shaboozey’s “A Bar Song (Tipsy).” How has this hip-hop-inflected country hit perched atop the charts for a record-tying 19 weeks?  Guest: Chris Molanphy, chart analyst, pop critic, host of the Hit Parade podcast, and author of Slate's “Why Is This Song No. 1?” series and the book Old Town Road. Want more What Next? Join Slate Plus to unlock full, ad-free access to What Next and all your other favorite Slate podcasts. You can subscribe directly from the What Next show page on Apple Podcasts and Spotify. Or, visit slate.com/whatnextplus to get access wherever you listen. Podcast production by Elena Schwartz, Paige Osburn, Anna Phillips, Madeline Ducharme and Rob Gunther. Disclosure in Podcast Description: A Bond Account is a self-directed brokerage account with Public Investing, member FINRA/SIPC. Deposits into this account are used to purchase 10 investment-grade and high-yield bonds. As of 9/26/24, the average, annualized yield to worst (YTW) across the Bond Account is greater than 6%. A bond’s yield is a function of its market price, which can fluctuate; therefore, a bond’s YTW is not “locked in” until the bond is purchased, and your yield at time of purchase may be different from the yield shown here. The “locked in” YTW is not guaranteed; you may receive less than the YTW of the bonds in the Bond Account if you sell any of the bonds before maturity or if the issuer defaults on the bond. Public Investing charges a markup on each bond trade. See our Fee Schedule. Bond Accounts are not recommendations of individual bonds or default allocations. The bonds in the Bond Account have not been selected based on your needs or risk profile. See https://public.com/disclosures/bond-account to learn more. Learn more about your ad choices. Visit megaphone.fm/adchoices

All good things must come to an end. For now. After close to four years at Slate, A Word will be moving on. For today’s episode of A Word, Jason Johnson highlights some of the memorable conversations on the show, on issues from politics, police brutality, Afro-Futurism and more.  Want more A Word? Subscribe to Slate Plus to immediately access ad-free listening across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/awordplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

Many of the American musical genres that began in the Black community get taken over—artistically, financially, or both—by white Americans. Go-go, which traces its roots to the African-American neighborhoods in and around Washington, DC, is an exception. Now a new museum aims to preserve and amplify the essence of go-go, and extend its legacy to the next generation of fans. On today’s episode of A Word, Jason Johnson is joined by Natalie Hopkinson, chief curator of the Go-Go Museum and Cafe Washington, DC, and the author of “Go-Go Live: The Musical Life and Death of a Chocolate City.” They discuss the museum, the history go-go across the region, and its unique role in inspiring resistance to gentrification and erasure of the city’s Black heritage. Guest: Professor Natalie Hopkinson, writer and co-curator of the Go-Go Museum in Washington, DC. Podcast production by Kristie Taiwo-Makanjuola Want more A Word? Subscribe to Slate Plus to immediately access ad-free listening across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/awordplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices

On today’s episode of A Word, Jason Johnson is joined by Capital B reporter, Brandon Tensley to discuss Trump’s cabinet picks, and their potential impact on the Black community. Guest: Brandon Tensley, Capital B News reporter Podcast production by Kristie Taiwo-Makanjuola Want more A Word? Subscribe to Slate Plus to immediately access ad-free listening across all your favorite Slate podcasts. Subscribe today on Apple Podcasts by clicking “Try Free” at the top of our show page. Or, visit slate.com/awordplus to get access wherever you listen. Learn more about your ad choices. Visit megaphone.fm/adchoices