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Songcraft: Spotlight on Songwriters
Songcraft: Spotlight on Songwriters
Author: Scott B. Bomar, Paul Duncan
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© 2015-2025 Songcraft: Spotlight on Songwriters
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Songcraft is a bi-weekly podcast that brings you in-depth conversations with and about the creators of lyrics and music that stand the test of time. You probably know their names, and you definitely know their songs. We bring you their stories.
309 Episodes
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Grammy-winning producer and singer-songwriter Joe Henry gives us insight into his multi-faceted careerPART ONEPaul and Scott chat about their music-themed road trip and say R.I.P. to MTV. PART TWOOur in-depth conversation with Joe HenryABOUT JOE HENRYJoe Henry is a singer-songwriter who became a record producer as a protege of T Bone Burnett. He went on to win Grammy awards for his work with Solomon Burke, Ramblin’ Jack Elliott, The Carolina Chocolate Drops, and Bonnie Raitt. Additionally, he produced the final albums of the late Allen Toussaint, who credited Henry for ushering him out of retirement. Henry’s contribution to American music remains somewhat enigmatic. Joe’s own records often feature adventurous contributions by instrumentalists, such as one of only two cameos Ornette Coleman ever made with a singer, while his song “Stop” was reworked into Madonna’s hit pop single, “Don’t Tell Me.” The long list of artists Joe has produced includes Ani DiFranco, Aimee Mann, Bettye LaVette, Elvis Costello, Rodney Crowell, Aaron Neville, Hayes Carll, Joan Baez, The Milk Carton Kids, Rhiannon Giddens, and many others. As a songwriter he has collaborated with Rosanne Cash, Jakob Dylan, Loudon Wainwright III, Billy Bragg, Madonna, and many more, while releasing 17 studio albums as an artist. He received a Lifetime Achievement Award at the Americana Music Honors & Awards in 2025. Joe’s most recent album is Life and Time, a collaborative project with fellow songwriter Mike Reid. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2021 conversation with the late Todd Snider. ABOUT TODD SNIDERCelebrated singer-songwriter Todd Snider has continued the troubadour legacy of mentors like John Prine, Jerry Jeff Walker, and Ramblin’ Jack Elliott, while putting his uniquely clever, wry, sly, and often irreverent spin on folk, rock, country, and Americana. Launching his career on Jimmy Buffett’s Margaritaville Records, Snider has spent more than two decades touring relentlessly, both on his own and with legendary artists such as Emmylou Harris. Along the way he’s made a splash with fan favorite songs such as “Talking Seattle Grunge Rock Blues,” “Alright Guy,” “Can’t Complain,” “Beer Run,” “Statistician’s Blues,” and “Play a Train Song.” He has released well over a dozen albums, including The Devil You Know and Agnostic Hymns and Stoner Fables, both of which were named to Rolling Stone’s list of the Top 50 Albums of the Year. He also formed the group Hardworking Americans, and published a memoir called I Never Met a Story I Didn’t Like: Mostly True Tall Tales. His songs have been covered by Garth Brooks, Gary Allan, Mark Chesnutt, Tom Jones, Jerry Jeff Walker, Billy Joe Shaver, Elizabeth Cook, Warren Haynes, Loretta Lynn, and Elvis Costello. When we first spoke to him he'd recently released his experimental funk-influenced album called First Agnostic Church of Hope and Wonder. Snider died from complications with pneumonia on November 14, 2025. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Number one Funkateer Bootsy Collins takes us to Funk University! From his days in James Brown's group, to his work with Parliament/Funkadelic and Booty's Rubber Band, to his recent single that raises awareness about domestic violence, "the world's only rhinestone rock-star doll" tears the roof off the sucker and breaks it all down for us. Songcraft wants the funk! PART ONE:Paul and Scott discuss particularly recognizable bassists and chat about their expectations of what they thought Bootsy would be like before he landed the mother ship on Songcraft. PART TWO:Our in-depth conversation with the legendary Bootsy CollinsABOUT BOOTSY COLLINS:Named among the top 5 bassists of all time by Rolling Stone magazine, Bootsy Collins is one of funk and R&B’s most iconic musicians, singers, frontmen, producers, and characters. He started out playing sessions for King Records in his hometown of Cincinnati, Ohio, then kickstarted his career with James Brown’s backup band, The J.B.'s. He was credited as a songwriter on classic J.B.’s songs such as “The Grunt” and “These Are the J.B.’s.” In 1972, he joined George Clinton’s Parliament-Funkadelic, and is a co-writer of classics such as “Up for the Down Stroke,” “Chocolate City,” “P-Funk (Wants to Get Funked Up),” “Give Up the Funk (Tear the Roof Off the Sucker),” “Mothership Connection,” “Dr. Funkenstein,” and “Flash Light.” In 1976, Bootsy’s Rubber Band captivated audiences with his flashy star-shaped glasses and bass, and hits such as “I’d Rather Be With You” and the chart-topping “Bootzilla.” Since then, Bootsy has launched Bootzilla Productions and Funk University to help mentor younger creatives to reach their full potential. His inescapable influence on pop culture can be heard in the music of Snoop Dogg, Outkast, Dr. Dre, Flea of Red Hot Chili Peppers, Rick James, Prince, Daft Punk, Primus, Thundercat, and in Childish Gambino’s Grammy-winning platinum hit “Redbone,” which paid homage to “I’d Rather Be With You.” Bootsy is a member of the Rock and Roll Hall of Fame, and the National Rhythm & Blues Hall of Fame. His latest album is called Album of the Year #1 Funkateer. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2021 conversation with Richard Marx. ABOUT RICHARD MARX:Grammy-winning performer Richard Marx has sold more than 30 million albums as an artist, but if you only know him from late 1980s ballads such as “Hold on to the Nights” and “Right Here Waiting,” you only know part of the story. A prolific songwriter, Marx has landed fourteen songs at the top of various Billboard charts, and has written a #1 single in each of the last four decades. His genre-crossing songwriting success includes “What About Me” and “Crazy,” which Kenny Rogers carried to the top of the Adult Contemporary and Country charts, respectively; “Edge of a Broken Heart,” a hit for the female metal band Vixen; “This I Promise You,” a Top 5 pop single for NSYNC that stayed at #1 on the Adult Contemporary Chart for 13 weeks; Josh Groban’s debut single “To Where You Are,” which also reached #1; and “Dance With My Father,” which Richard wrote with the song’s performer, Luther Vandross, and which earned the pair the prestigious Grammy Song of the Year award in 2004. Additionally, Richard has scored three major hits with Keith Urban: the Top 5 “Everybody,” and the #1 singles “Better Life” and “Long Hot Summer.” Despite all his songwriting success, however, Marx is best known as a singer and performer who today jokes about his 80s hairstyle and of-the-era drum sounds. But the songs are undeniable, all of which Marx wrote and produced himself. His debut self-titled album yielded four Top 5 singles: “Don’t Mean Nothing,” “Should’ve Known Better,” “Endless Summer Nights,” and “Hold on to the Nights.” His follow-up, 1989’s Repeat Offender, was even more successful, going quadruple-platinum and earning two number one Billboard pop singles, “Satisfied” and “Right Here Waiting,” in addition to the Top 5 “Angelina.” More hits followed, including “Keep Coming Back,” “Hazard,” “Take This Heart,” “Now and Forever,” and “Until I Find You Again.” In addition, Richard’s songs have been integral to a number of successful film soundtracks. He earned a Grammy nomination for his contributions to St. Elmo’s Fire; scored a Top 10 pop hit with “Surrender to Me,” which Ann Wilson of Heart and Robin Zander of Cheap Trick recorded for the movie Tequila Sunrise, and wrote “At the Beginning,” a hit duet for the film Anastasia that Richard performed with Donna Lewis. Over the course of his career, Richard’s songs have been recorded by Barbra Streisand, The Tubes, Sarah Brightman, Monica, Natalie Cole, Michael Bolton, Paulina Rubio, Emerson Drive, Chicago, Billy Ray Cyrus, Vince Gill, Kenny Loggins, LeAnn Rimes, Celine Dion, Julio Iglesias, Berry Manilow, Daughtry, Vertical Horizon, Lifehouse, Dave Koz, Jennifer Nettles, Ringo Starr, and many others. His memoir, Stories to Tell, is available from Simon & Shuster. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
From "King Tut" to the top of the bluegrass charts! Grammy and IBMA award-winning banjoists and songwriters Steve Martin and Alison Brown join us to chat about their respective careers and their first full-length collaborative album, Safe, Sensible and Sane. PART ONEPaul and Scott chat about how impressed they are with all the various hats Alison Brown and Steve Martin wear, while also trying to wrap their heads around the seeming complexity of the banjo. PART TWOOur in-depth conversation with Steve Martin and Alison BrownABOUT STEVE MARTIN AND ALISON BROWNThough he began his career as a stand-up comedian, Steve Martin has released more musical albums than comedy albums. Between 2009 and 2017 he issued six, many of which were collaborations with Steep Canyon Rangers, Edie Brickell, or both. They all reached number one on the bluegrass chart, and nearly all appeared on the Billboard 200. He has been nominated for 15 Grammy awards and has won five, including Best American Roots Song, Best Bluegrass Album, and Best Country Instrumental Performance for his appearance on “Foggy Mountain Breakdown” alongside Earl Scruggs, Vince Gill, Albert Lee, and Glen Duncan on the 2001 album Earl Scruggs and Friends. Martin’s latest album, his seventh bluegrass chart topper, is called Safe, Sensible and Sane, and is a collaboration with fellow banjoist Alison Brown.Brown first came to prominence as a member of Alison Krauss and Union Station and, in 1991, became the first woman to win the International Bluegrass Association’s Banjo Player of the Year award. After a stint as Michelle Shocked’s band leader she launched a solo career blending bluegrass, jazz, Latin, and Celtic influences. She has received two Grammy nominations for Best Bluegrass Album, and two for Best Country Instrumental Performance, one of which she won for “Leaving Cottondale,” a collaboration with Bela Fleck. In 2015 Alison received the Distinguished Achievement Award from the International Bluegrass Music Association for the furtherance of bluegrass music. She and Martin first collaborated on “Foggy Mountain Breaking” from her 2023 album, On Banjo. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2020 conversation with Stax legend David Porter.ABOUT DAVID PORTER Named one of Rolling Stone magazine’s “100 Greatest Songwriters of All Time,” Porter is best known for his songwriting partnership with Isaac Hayes that helped define the sound of Memphis’s legendary Stax Records. As the first African American staff songwriter at Stax, Porter, along with his partner, wrote and produced songs such as “B-A-B-Y” for Carla Thomas, “Your Good Thing (Is About to End)”—an R&B hit for Mable John that later became a pop and R&B smash for Lou Rawls, and his own recording of “Can’t See You When I Want To.” Hayes and Porter are best known, however, for their work with Sam & Dave, including such classic hits as “You Don’t Know Like I Know,” “You Got Me Hummin’,” “Hold On! I’m Comin’” (which later became a country hit for Waylon Jennings and Jerry Reed), “Soul Man” (which became a hit a second time thanks to the Blues Brothers), “I Thank You” (which was later covered by ZZ Top), and “When Something is Wrong with My Baby” (which was reimagined as a memorable duet between Otis Redding and Carla Thomas, a country hit for Sonny James, and an adult contemporary hit for Linda Ronstadt and Aaron Neville). The list of artists who’ve covered Porter’s songs includes Aretha Franklin, Bruce Springsteen, William Bell, Melissa Ethridge, Bonnie Raitt, Garth Brooks, Etta James, Celine Dion, Wilson Pickett, George Benson, Dusty Springfield, Jerry Lee Lewis, The Staple Singers, Solomon Burke, James Brown, Eric Clapton, B. B. King, Tina Turner, Jackie Wilson, and more. His songs have been used as samples in countless recordings by artists such as Jay-Z, Eminem, Wu-Tang Clan, The Notorious B.I.G., Justin Bieber, Mariah Carey, and others. A highly celebrated giant among celebrated songwriters, Porter was inducted into the Songwriters Hall of Fame in 2005. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Grammy-winning singer/songwriter Shawn Camp pulls back the curtain on his varied career, including his latest album of songs that were composed with the legendary Guy Clark.PART ONEScott and Paul talk about how technology is changing the songwriting game, and other old man complaints. PART TWOOur in-depth conversation with Shawn Camp ABOUT SHAWN CAMPSinger/songwriter Shawn Camp has written chart-topping hits such as “Two Pina Coladas” by Garth Brooks, “How Long Gone” by Brooks & Dunn, “Would You Go With Me” by Josh Turner, and “River of Love” by George Strait. Additionally, he has written charting singles for Blake Shelton, Billy Currington, Hal Kechum, Wade Hayes, the duo of Sammy Kershaw and Lorrie Morgan, and others. With a foundation in bluegrass and roots music, Shawn became a trusted collaborator of legends such as Loretta Lynn, Guy Clark, and John Prine. He wrote two songs, including the title track, of Willie Nelson’s 2022 album, A Beautiful Time, which won the Grammy for Country Album of the Year. Camp has also earned Grammy awards for his production work on Guy Clark’s final album, My Favorite Picture of You, and for his work as a member of the bluegrass group The Earls of Leicester. Other artists who’ve recorded Shawn Camp songs include Randy Travis, Patty Loveless, Alan Jackson, Kenny Chesney, Rhett Akins, Gary Allan, John Anderson, Gene Watson, Porter Wagoner, and Emmylou Harris. Shawn’s latest album as a solo artist—his first in almost 20 years—is The Ghost of Sis Draper. The theme album is based around a collection of songs co-written with Guy Clark and is available on Truly Handmade Records, which is dedicated to preserving and building upon Clark’s legacy. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2019 conversation with Emily Saliers of Indigo Girls. ABOUT EMILY SALIERSSinger-songwriter Emily Saliers is best known as one half of Indigo Girls, which NPR called “one of the finest folk duos of all time.” The Georgia-raised musical icon is the sole writer of some of the group’s best-known titles, including “Closer to Fine,” “Hammer and a Nail,” “Galileo,” “Least Complicated,” “Power of Two,” “Get Out the Map,” and others. With fifteen studio albums to their credit, Indigo Girls are Grammy award winners and winners of the Pell Award for Lifetime Achievement in the Arts. They’ve earned seven gold, four platinum, and one double platinum award for album sales and have collaborated with REM, Joan Baez, Brandi Carlile, P!nk, and Rage Against the Machine’s Tom Morello. In addition to her work with Indigo Girls, Saliers and her father, a retired theology professor, co-wrote the book A Song to Sing, a Life to Live: Reflections on Music as Spiritual Practice. In recent years she released her debut solo album, Murmuration Nation, and has remained an impassioned activist and advocate for causes close to her heart. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Whitney Phillips, Grammy-nominated songwriter and member of the ensemble cast of the Netflix show Hitmakers, talks about life as a modern-day pop writerPART ONEPaul and Scott dive into the idea of a "perfect song" and discuss some examples of songs they think just might fit into that elusive category.PART TWOOur in-depth conversation with Whitney PhillipsABOUT WHITNEY PHILLIPSWhitney Phillips is a Grammy-nominated songwriter and vocal producer known for her genre-blurring versatility and sharp pop instincts. Originally from Seattle and now based in Los Angeles and Nashville, she has spent over a decade shaping global hits and collaborating with some of the world’s most iconic and emerging artists—including Ariana Grande, Justin Bieber, Jennifer Lopez, Teddy Swims, Selena Gomez, Anderson .Paak, John Legend, NeedToBreathe, Lil Wayne, Christina Aguilera, Fifth Harmony, Kylie Minogue, Bebe Rexha, and Celine Dion. She co-wrote the Billboard Hot 100 No. 1 single “Stuck with U” by Justin Bieber and Ariana Grande—the first major hit to emerge from the pandemic era and a groundbreaking proof of concept that chart-topping songs could be written entirely over Zoom. She also contributed “Love U Different” to Bieber’s Justice, which earned a 2022 Grammy nomination for Album of the Year. In 2019, her song “Bad Boy” with K-pop powerhouse Red Velvet made history as the first K-pop track to debut on Spotify’s New Music Friday U.S. playlist, marking a pivotal moment in the genre’s global crossover.A proud member of the Recording Academy and a vocal advocate for songwriters’ rights, Whitney has spoken on Capitol Hill, testifying in support of creators and playing a key role in the fight to uphold increased streaming royalties for songwriters. She is also a member of the cast of the Netflix show Hitmakers, which follows an ensemble cast of elite songwriters as they travel the world attending writing camps for today’s biggest artists—offering an inside look at the stories, stakes, and creative alchemy behind the hits. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2022 conversation with Roland Orzabal. ABOUT ROLAND ORZABAL AND TEARS FOR FEARS:Roland Orzabal and Curt Smith formed Tears for Fears in Bath, England, in 1981 and have gone on to sell 30 million albums worldwide. Their major breakthrough in the UK came in 1982 with the Top 5 single “Mad World” and the subsequent platinum-selling album The Hurting. They gained major steam in the US with their sophomore album Songs From the Big Chair, which included the hit singles “Everybody Wants to Rule the World,” “Shout,” and “Head Over Heels.” Featured in the book 1001 Albums You Must Hear Before You Die, Songs From the Big Chair reached #1 and was certified five times Platinum by the RIAA. Tears for Fears’ follow-up single “Sowing the Seeds of Love” was another massive hit, but Curt departed the group not long after. Following a couple of albums with Orzabal at the helm, the duo reunited for the Everybody Loves a Happy Ending album in 2004. Now, after a long wait of 17 years, Roland and Curt have just released their seventh studio album The Tipping Point, and are embarking on a major tour. Even as they bring us new music, their legacy is well-established as one of the most unique and influential British groups to emerge in the last few decades. Their songs have been covered or sampled by Gary Jules, Adam Lambert, Lorde, Kanye West, Drake, and many others. And, in 2021, the band was honored with the Outstanding Song Collection honor at the Ivor Novello Awards in London. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2020 conversation with David Crosby and our 2023 conversation with Graham Nash. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Americana Award winner and Grammy nominee Hayes Carll chats about the development of his songwriting and the highly personal nature of his latest album, We're Only Human. PART ONEPaul and Scott talk about the unfortunate history of songs about rock & roll.PART TWOScott's in-depth conversation with Hayes CarllABOUT HAYES CARLLSinger, songwriter, and Americana mainstay Hayes Carll hit the scene in 2002 with his independently released debut album, Flowers & Liquor. The follow-up, Little Rock, featured songs co-written with Ray Wylie Hubbard and Guy Clark, and became the first self-released album to top the Americana chart. Moving to Lost Highway Records for his third album, Hayes won Song of the Year for “She Left Me for Jesus” at the Americana Music Awards. Soon after, he was honored with the Americana Music Association’s Emerging Artist of the Year recognition. As he continued to release new music, other artists began recording Hayes’s songs, including Kenny Chesney, Brothers Osborne, and Lee Ann Womack, whose recording of “Chances Are” earned Hayes a Grammy nomination for Best Country Song. To date, he has released nine studio albums, two of which—Lovers and Leavers and What It Is, hit the top 10 on Billboard’s folk album charts. His most recent album, We’re Only Human, was released this summer. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2021 conversation with Dan Wilson. ABOUT DAN WILSONSongwriter, singer, musician, producer and acclaimed visual artist Dan Wilson is a Minnesota native and Harvard graduate who launched his music career with the band Trip Shakespeare, which was signed to A&M Records. He went on to co-found the rock band Semisonic, whose platinum-selling Feeling Strangely Fine album yielded the singles “Secret Smile,” “Singing in My Sleep,” and “Closing Time,” a chart-topping hit that earned Dan a Grammy nomination for Best Rock Song. He went on to reinvent himself as a behind-the-scenes hitmaker, earning a Song of the Year Grammy for co-writing “Not Ready to Make Nice” with the group then known as The Dixie Chicks, and writing three songs on Adele’s multiplatinum 21 album: “Don’t You Remember,” “One and Only,” and “Someone Like You,” which became an international hit and earned Dan an Album of the Year Grammy for his production work. Wilson has also found success in Nashville, co-writing Dierks Bentley’s number one hit “Home” and earning yet another Album of the Year Grammy nomination for Taylor Swift’s Red LP, for which he co-wrote and produced the song “Treacherous.” Dan’s long list of collaborators includes Carole King, Rachel Yamagata, Jason Mraz, Gabe Dixon, Weezer, Keith Urban, Josh Groban, James Morrison, P!nk, Leann Rimes, John Legend, Chris Stapleton, Panic! At the Disco, Cold War Kids, Noah Cyrus, Leon Bridges, Celine Dion, and many others.In addition to his acclaimed Words and Music by Dan Wilson solo concerts, he launched a social media series called Words & Music in Six Seconds. The series, which focuses on “forging collaborative relationships, seeking a community, testing out ideas in front of an audience, and writing better songs,” was turned into a deck of 75 cards, designed by Dan, that distill his insights from nearly three decades of writing, performing, and collaborating with the world’s greatest musical artists. You can get your own set and find out more about Dan’s amazing career at danwilsonmusic.com. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Five-time Grammy winner, ACM Poet's Award honoree, and Nashville Songwriters Hall of Famer Mary Chapin Carpenter opens up about her process and reflects on her approach to the craft. PART ONE:Paul and Scott geek out hard on Elvis and legendary songwriter Doc Pomus. PART TWO:Our in-depth conversation with Mary Chapin CarpenterABOUT MARY CHAPIN CARPENTERMary Chapin Carpenter is a five-time Grammy award-winning singer, songwriter and performer who has been nominated 18 times in categories ranging from country to Americana to folk to general Record of the Year. Making a name for herself with hits such as “Down at the Twist and Shout,” “He Thinks He’ll Keep Her,” and “Shut Up and Kiss Me,” she has won two CMA Female Vocalist of the Year awards, two ACM awards, and is one of only a small handful of women who have been inducted into the Nashville Songwriters Hall of Fame. Additionally, she received the Americana Music Association’s “Spirit of Americana Free Speech Award” and was honored with the Academy of Country Music’s Poets Award in 2023. Her most recent album, Personal History, which was released this summer, is her most autobiographical project to date. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2017 conversation with Vince Gill. ABOUT VINCE GILLMulti-instrumentalist, singer, and songwriter Vince Gill launched his solo career in the mid-1980s, hitting the Top 10 on Billboard’s country singles chart a remarkable 25 times. All but one of those hits was written or co-written by Gill, and a dozen of his compositions have been nominated for either CMA Song of the Year, ACM Song of the Year, or the Best Country Song Grammy. These include “When I Call Your Name,” “Look At Us,” “Pocket Full of Gold,” “When Love Finds You,” “High Lonesome Sound,” “If You Have Forever in Mind,” “Feels Like Love,” and “Threaten Me With Heaven.” “Go Rest High on That Mountain” won both the CMA Song of the Year and the Best Country Song Grammy, while “I Still Believe in You” won the Best Country Song Grammy, as well as both the CMA and the ACM’s Song of the Year awards. Though he’s won four in total, Vince is the only songwriter to ever win three consecutive Song of the Year awards from the CMA. He has won more Grammy awards, with over 20 trophies, than any male country performer in history. These include two Best Country Song wins, as well as a 2017 win for Best American Roots Song for “Kid Sister,” which was recorded by Gill’s band, The Time Jumpers. He has won eight ACM awards and 18 CMA awards, including Vocalist of the Year five years in a row and Entertainer of the Year two years in a row. Other highlights from his long list of hit singles include the #1 hits “Don’t Let Our Love Start Slippin’ Away,” “One More Last Chance,” and “Tryin’ to Get Over You.” In addition to writing his own material, Vince’s songs have been recorded by Loretta Lynn, Bob Seger, John Denver, Mary Chapin Carpenter, John Prine, Willie Nelson, Michael McDonald, LeAnn Rimes, and Alabama, who topped the country charts with his “Here We Are.” Vince was inducted into the Nashville Songwriters Hall of Fame in 2005, and the Country Music Hall of Fame in 2007. In 2014, he was named a BMI Icon, one of only twelve country writers ever honored with the prestigious award. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
The All-American Rejects frontman discusses the evolution of his songwriting process and what it means for him to embrace his art. PART ONEPaul and Scott talk about their upcoming music-themed road trip.PART TWOOur in-depth interview with Tyson Ritter of The All-American RejectsABOUT TYSON RITTERTyson Ritter is best known as the lead vocalist, bassist, and primary lyricist of The All-American Rejects. Formed in Stillwater, Oklahoma, in 1999, the band quickly rose to prominence in the early 2000s with their infectious blend of pop-punk and emo rock. Their self-titled debut album, released in 2002, featured the hit single "Swing, Swing," which propelled them into the mainstream. It was followed by the 2005 album Move Along, which achieved three chart-topping singles - "Dirty Little Secret," "Move Along," and "It Ends Tonight." In 2007 the group earned the ASCAP Vanguard Award. The following year saw the release of the When the World Comes Down album, featuring the smash hit "Gives You Hell” - the band’s most successful single to date, reaching number 4 on the Billboard Hot 100. The All-American Rejects’ fourth studio album, Kids in the Street, was released in 2012, showcasing a more mature sound while still retaining their signature style. After taking a hiatus, the band returned to the studio in 2024. Their most recent single, "Sandbox," was released earlier this year. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2019 conversation with Valerie Simpson of Ashford & Simpson. ABOUT VALERIE SIMPSONSix-time Grammy nominee Valerie Simpson is best known as one half of the songwriting, production and performing duo of Ashford and Simpson, which she formed with musical partner and eventual husband Nick Ashford after they met at a church in Harlem, New York, in the early 1960s. After early successes with Aretha Franklin’s recording of “Cry Like a Baby” and Ray Charles’ recordings of “Let’s Go Get Stoned” and “I Don’t Need No Doctor,” Nick and Valerie signed with Motown Records, first as songwriters, where their early successes included the hit singles “Ain’t No Mountain High Enough” and “Your Precious Love,” recorded by Marvin Gaye and Tammi Terrell. They soon began both writing and producing for the duo, with hits such as “Ain’t Nothing Like the Real Thing,” “You’re All I Need to Get By,” “Good Lovin’ Ain’t Easy to Come By,” and “What You Gave Me.” Additional writing and production credits at Motown came with hits by The Supremes, The Marvelettes, The Miracles, Gladys Knight, and Diana Ross, who found success with “Reach Out and Touch (Somebody’s Hand)” “Remember Me,” “Surrender,” and a remake of “Ain’t No Mountain High Enough” that topped both the pop and R&B charts. In addition to writing #1 hits such as Quincy Jones’s “Stuff Like That” and Chaka Khan’s “I’m Every Woman” after their Motown period, Ashford and Simpson began releasing their own recordings as a duo, landing nearly 40 songs on the Billboard R&B singles chart. Their list of Top 10 hits as artists, includes “It Seems to Hang On,” “Found a Cure,” “Love Don’t Make it Right,” “Street Corner,” “Outta the World,” “Count Your Blessings,” “I’ll Be There For You,” and “Solid.” Ashford and Simpson were the recipients of the ASCAP Founder’s Award, which is the highest honor bestowed by the organization. They were inducted into the Songwriters Hall of Fame, named among Rolling Stone Magazine’s 100 Greatest Songwriters of All Time, and provided the inspiration for the establishment of the Soul Train Ashford & Simpson Songwriter’s Award. Following Nick’s untimely death in 2011, Valerie has continued to write, record, and even appear on Broadway in the acclaimed musical Chicago. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Two-time Grammy winner and songwriting superhero Patty Griffin joins us for a wide-ranging discussion about her craftPART ONEReflecting on the lives of recently-departed songwriters Alan Bergman and Ozzy Osbourne, which might be the only time those two were discussed in the same conversation! PART TWOOur in-depth conversation with Patty GriffinABOUT PATTY GRIFFINPatty Griffin is a singer’s singer and a songwriter’s songwriter. With a catalog of finely-crafted selections that includes “Let Him Fly,” “One Big Love,” “Top of the World,” “Rain,” “Long Ride Home,” “Heavenly Day,” “Up to the Mountain,” “Ohio,” and many others, she has carved out a space as one the most respected artists and songwriters of the last 30 years. The seven-time Grammy nominee and two-time winner blends folk, blues, and other roots music traditions into her own unique style. Patty has received the Americana Music Association’s Lifetime Achievement Award for Songwriting, and her songs have been covered by a long list of artists that includes The Chicks, Solomon Burke, Linda Ronstadt, Emmylou Harris, Miranda Lambert, Kelly Clarkson, Bette Midler, Martina McBride, Maura O’Connell, and others. Patty’s eleventh, and most recent, studio album is called Crown of Roses. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
We're celebrating our 10th anniversary all year by digging in the vaults to re-present classic episodes with fresh commentary. Today, we're revisiting our 2023 conversation with Robert De Leo of Stone Temple Pilots. ABOUT ROBERT DE LEORobert De Leo is best known for his work in Stone Temple Pilots. Collaborating with lyricist and vocalist Scott Weiland, Robert wrote or co-wrote the music for many of the group’s classic songs, including “Plush,” “Creep,” “Wicked Garden,” “Vaseline,” “Interstate Love Song,” “Big Bang Baby,” “Down,” “Hollywood Bitch,” and “Between the Lines.” Outside of their music in Stone Temple Pilots, Robert and his brother Dean have also written and recorded songs for their band Talk Show, as well as Army of Anyone, which is a collaboration with Filter frontman Richard Patrick. Since the death of Weiland and subsequent lead singer Chester Bennington, the De Leo brothers and drummer Eric Kretz continue to make music as Stone Temple Pilots with current vocalist Jeff Gutt. At the time of our conversation, Robert had released his debut solo album, Lessons Learned, a deeply personal collection of original songs. Featuring a handful of guest singers, it’s a different sound than listeners might expect from De Leo, exploring the vibes of Laurel Canyon, Americana, roots music, and a healthy dose of one of Robert’s musical heroes, Glen Campbell. In this episode you’ll hear a lot of great new music and gain a deeper appreciation for some of the amazing Stone Temple Pilots catalog as Robert grabs his guitar and breaks down some of those classics in mind-blowing depth. This is one of our favorite Songcraft conversations, and you definitely won’t want to miss it. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
Rock & Roll Hall of Famer Dave Mason chats about his early days in Traffic, writing the classic "Feelin' Alright?", working with Delaney & Bonnie, and so much more. PART ONEScott and Paul chat about Dave Mason's unique role in the rock & roll pantheon.PART TWOOur in-depth conversation with Dave Mason.ABOUT DAVE MASONAfter recording background vocals with The Spencer Davis Group on such hits as "Gimme Some Lovin'" and "I'm a Man," Dave Mason became a founding member of the British rock group Traffic alongside Steve Winwood, Jim Capaldi, and Chris Wood. He wrote some of the band’s best-known songs, including “Hole in My Shoe” and “Feelin’ Alright?” which went on to be covered in a memorable version by Joe Cocker. After touring and recording with Delaney & Bonnie (who recorded Dave’s song “Only You Know and I Know”), he joined an early version of Eric Clapton’s Derek & The Dominos. Dave soon left to pursue a solo career, beginning with the Alone Together album. He has released three Gold-certified solo albums and one Platinum album, Let It Flow, which featured the hit “We Just Disagree.” In addition to his solo releases and a duet album with Mama Cass Elliot, Dave has appeared on such legendary recordings as “Street Fighting Man” by the Rolling Stones, “All Along the Watchtower” by Jimi Hendrix, “Listen to What the Man Said” by Paul McCartney and Wings, as well as George Harrison’s All Things Must Pass album. In the 1990s Dave spent time as a member of Fleetwood Mac, contributing original songs to the band’s Time album in 1995. He has recorded with Michael Jackson, Graham Nash, Stephen Stills, Donovan, Phoebe Snow, and many others. Dave was inducted into the Rock & Roll Hall of Fame as a member of Traffic and, in 2024, published his memoir, Only You Know and I Know. Hosted by Simplecast, an AdsWizz company. See pcm.adswizz.com for information about our collection and use of personal data for advertising.
























This is a great podcast, but the hosts seem to often forget the craft in Songcraft.
I'll just be over here mourning the loss of a potential Whiskey Lullaby by The Chicks 😭😭😭 Brad Paisley and Allison Krauss is special but dang! The Chicks would have killed it too.
Crazy I went into this episode expecting to be unfamiliar with all his work and here comes a song I heard on country radio as a kid, a cover of a cover, She's All I Got by Tracy Byrd. Wild.
Thank you for exposing the faces behind the songs we love. The interviews are great and intros are humorous. Keep up the good work!