Well, it's our final episode, and we have the exact right guest to help say goodbye to a podcast that focuses on music scholarship, and why it matters: William Cheng, whose work fundamentally reconsiders what musicology can be, by laying out a philosophy of care and repair. This conversation covers a large swath of Dr. Cheng's scholarship, including his foundational writing on music and video games, his public-oriented social justice advocacy, and his scrutiny of ethical questions around musi...
Musicology today could not exist without feminist musicology, and feminist musicology could not exist without Suzanne Cusick. Dr. Cusick's revolutionary work has scrutinized gender and sexuality in musical life for decades, and is foundational to musicology as we know it today. In this profound conversation, she reflects on her arc through the field, and what still needs to change. Show notes and more over at soundexpertise.org! Questions? Thoughts? Email soundexpertise00@gmail.com or tag Wi...
From its beginnings, the eugenics movement has looked to music: for foundational figures like Francis Galton and contemporaries like Charles Murray, the child-prodigy composer or violinist could serve to demonstrate that talent was innate and inherited, and thus could be bred. The horrendously racist implications of such a vision have long been understood, but the relationship between music and eugenicist thought has received scant attention. In this dark but important conversation, musicolog...
We did it! Sound Expertise recorded its first-ever live episode at the American Musicological Society conference in Chicago. It was a super-fun event with a raucous crowd. Please enjoy this thoughtful conversation with Jonathan Bailey Holland, dean of Northwestern's Bienen School of Music, about his path as a composer and what it means to oversee a music school at a transformative moment. Show notes and more over at soundexpertise.org! Questions? Thoughts? Email soundexpertise00@gmail.com o...
Naomi André is one of the most important scholars of opera today, best known for her landmark 2018 book Black Opera: History, Power, Engagement. But the study of opera and race is not where Professor Andre’s career began: her path through musicology has been incredibly fraught, because of who she is, and what she wanted to do as a scholar. This week's conversation is difficult but necessary, for registering how exclusionary the field of musicology once was, and what work still has to be done....