Sound Off with Katy Henriksen

Today’s guest is multidisciplinary artist JJJJJerome Ellis. Through music, text, performance, video, and photography he researches relationships among blackness, disabled speech, divinity, nature, sound, and time. He has a remarkable new solo piano album out this December on NNA Tapes called Compline in Nine Movements. Recorded in one take back in 2017, it’s a longform improvisation on a theme Ellis developed with longtime collaborator James Harrison Monaco. Listen in to hear Ellis discuss the new album, disability rights, time and the value of public school music education as well as music from the album. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today’s guest is harpist Bridget Kibbey, who’s been described as the Yo-Yo Ma of the harp. She has a new album out tomorrow on the wonderful label Pentatone called Crossing The Ocean. She commissioned contemporary composers who span the globe to write music specifically for her resulting in a mesmerizing kaleidoscope of sounds that meld the classical to folkloric traditions. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today’s guest is cellist and arts leader Amanda Gookin. Her Forward Music Project, launched in 2015, commissions new multimedia works for solo cello that elevate stories of feminine empowerment through raw performances and educational initiatives. The new music site I Care If You Listen describe it as “a premier example of feminist advocacy done right.” Host Katy Henriksen talks to Gookin all about arts advocacy, trauma, and finding agency through cello in a society that tells girls that they can’t. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today’s guest is composer/violist Jessica Pavone, a NYC based artist whose new album Clamor, is out in October. The album, which features string ensemble and bassoon, includes works that are inspired by women’s inventions created out of a desire to circumvent the limitations to their freedoms, including the See Saw, 17th century, Korean women invented the standing see-saw to help them see what lay outside. These women weren’t allowed to leave their homes, so the see-saw gave them the ability to peek out the walls of their property, if even for just a second. In addition to the interview, you'll hear from the forthcoming album. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today’s guest is the South African percussionist Tumi Mogorosi. His album Group Theory: Black Music, out on the label Mushroom Hour Half Hour was one of Katy's favorites in 2022. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guest is Damon Locks, bandleader for the genre-shattering Black Monument Ensemble. The group released the critically acclaimed album NOW in April of 2021 on the International Anthem label. It’s a viscerally poignant, joyous album created outside in the swelter of Chicago summertime at the height of lockdown, a tumultuous moment that coincided with the national protest movement following the police murder of George Floyd. From the power of gospel and its roots in the Civil Rights era to the distinct power of music for community building and imagining a better future, Katy discusses this and so much more. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today’s guest is pipa virtuoso Wu Man. She’s carved out such an impressive career collaborating with orchestras worldwide and through performing as a founding member of Yo-Yo Ma’s Silk Road Ensemble and collaborating with the Kronos Quartet. She’s an inspiration in what cross-cultural musical collaborations can be. Learn more about your ad choices. Visit megaphone.fm/adchoices

Today's guest is guitarist Kaki King, who lands herself on those 100 top guitarist lists dominated by men. Rolling Stone has described her as “a genre unto herself.” I spoke to her when she released Modern Yesterdays, her 9th studio album, out now on Cantaloupe Records. I can’t wait to share our vibrant discussion on her earliest guitar memories, finding her distinct musical voice and what it’s like to be a female guitar virtuoso in a famously dude bro arena. Learn more about your ad choices. Visit megaphone.fm/adchoices

Arooj Aftab discusses her Grammy-winning recording Vulture Prince. Born in Saudi Arabia, Aftab moved back to her parents’ native Pakistan when she was 11 and eventually made her way to Berklee College of Music in Boston, before moving to New York City to find her way as a genre-blurring composer, bandleader and musician. The track “Mohabbat” won Best Global Music Performance in 2022 and also landed on a playlist of Barack Obama’s. Learn more about your ad choices. Visit megaphone.fm/adchoices

Luminary Lonnie Holley released Broken Mirror: A Selfie Reflection with Matt White in 2022. The amalgam of afro-futurism and cosmic southern funk make for a rollicking time for a juxtaposition for two artists that make for surprising collaborators. Holley, born in Birmingham, Alabama, in 1950, has dedicated his life to improvisational creativity in the form of both sound and visual art. White, a Virginia-based producer and musician who’s worked with the likes of Bon Iver’s Justin Vernon, Sharon Van Etten & the Mountain Goats. “I am an African-American, colored, Black or from the negros that were brought to America on slave ships,” says Holley. “So when I do something like ‘I Snuck Off the Slave Ship’ or ‘Broken Mirror Reflections,’ [those were] two different pieces of music, but aren’t we still bound by those conditions? We’re bound by slavery and we’re bound by the fear of the broken mirror.” Learn more about your ad choices. Visit megaphone.fm/adchoices

We're thrilled to bring you a new season, starting June 22nd! Learn more about your ad choices. Visit megaphone.fm/adchoices

Spend time with Caroline Shaw and some of her music in Sound Off's season finale. A composer and multi-instrumentalist, Shaw became the youngest person to ever receive a Pulitzer Prize for music for her "Partita for 8 Voices." She was only 30 at the time. Orange, an album with the Attacca Quartet, garnered a Grammy in 2020. A polymath collaborator, she's involved in creating music with so many notable musicians, including the unexpected Kanye West, whose music rests far outside the realms of contemporary classical music. Join host Katy Henriksen and Shaw in conversation on the creation of Orange, her deep love of the string quartet tradition and what's keeping her going during the pandemic, as well as experience some of Shaw's music. Learn more about your ad choices. Visit megaphone.fm/adchoices

Join host Katy Henriksen for insight into the genre-bending world Oracle Hysterical, a music group whose tagline is part rock band part book club that occupies the fluid space between classically inclined song cycle and art rock concept album. Henriksen speaks with baroque bass/viola da gamba member Doug Balliet about the connection between Schumann's classical song cycle "Dichterliebe" to The Beatles' Sgt. Pepper's Lonely Heart Club Band, about what it's like to play the Baroque viola da gamba for crowds more attuned to indie rock and how his band turned an issue of a literary journal into a song cycle with the help of chamber ensemble A Far Cry. Learn more about your ad choices. Visit megaphone.fm/adchoices

In today's episode of Sound Off I talk with composer, singer and instrumentalist Nathalie Joachim. She's a Julliard-trained flutist, half of the flute & electronics duo Flutronix and creator of the Grammy-nominated Fanm d’Ayiti featuring the Spektral Quartet, an album described by WNYC’s New Sounds host John Schaefer as "a kind of chamber folk electronic celebration of the voices of Haiti.” Learn about how a listening station at Tower Records informs her unclassifiable sounds as much as both her conservatory training and her Haitian grandmother have, as well as spend time with some of her music. Learn more about your ad choices. Visit megaphone.fm/adchoices

In this episode Katy talks to Anthony McGill, principal clarinetist of the New York Philharmonic. He's the first African-American to hold a principal chair in the orchestra's history. In response to the murder of George Floyd and the protests that erupted surrounding police violence against Black people he launched the #taketwoknees initiative on social media. He’s also in an incredible trio with his brother, flutist Demarre McGill and pianist Michael McHale, as the McGill/McHale Trio. In addition to #taketwoknees, we discuss what it's like to be a symphony musician in the time of Covid-19 and how this time away from the concert hall could reset our ears to make music anew when we're finally able to return. Learn more about your ad choices. Visit megaphone.fm/adchoices

William Brittelle is a Brooklyn-based composer who enlisted a rock band, a chamber symphony and a children's chorus to create Spiritual America, an elaborate album that delves deep into his roots of growing up in what he describes as a pretty typical North Carolina home. Raised as a Christian and wanting to date the cheerleader, Brittelle secretly created his own worlds, composing songs and poems in his bedroom studio. In this episode I talk to Bill about how he formed what he describes as his genre-fluid compositional style, what it was like to work with rockers Wye Oak and being drawn equally to the Late Romantic stylings of Chopin piano ballads and over-the-top 1980s hair metal. https://www.williambrittelle.com/ Learn more about your ad choices. Visit megaphone.fm/adchoices

Qasim Naqvi is a drummer and composer based in Brooklyn. As the drummer for acoustic trio Dawn of Midi, he’s toured with Radiohead. As a film score composer his sounds have been featured on HBO, The Sundance Channel and at art institutions such as The Guggenheim. He composes for contemporary chamber ensembles like yMusic and for symphony orchestras. He’s also an analog synths wizard. In this episode I talk to Qasim about how his lifelong pursuit of music began with a middle school crush, how composing with analog synths is like working with an improvising performer and so much more. Plus! I get to play some full tracks handpicked from his recordings. Learn more about your ad choices. Visit megaphone.fm/adchoices

Although British composer Ethel Smyth's The Prison, which premiered in 1931, draws comparisons to Gustav Mahler and Richard Wagner, this groundbreaking composer saw none of their acclaim, thanks to misogyny. A new--and world premiere--recording of this undefinable work for orchestra, chorus and vocal soloists from James Blachly leading the Experiental Orchestra and Chorus with soloists Sarah Brailey and Dashon Burton, released last month on Chandos, attempts to rectify that wrong.https://www.chandos.net/products/catalogue/CHAN%205279 Learn more about your ad choices. Visit megaphone.fm/adchoices

Missy Mazzoli made history in 2018 when the Metropolitan Opera commissioned her, alongside Jeanine Tesori, as the first ever women composers to write for the organization. As a trailblazing woman composer she’s a founding member of Luna Composition Lab, an organization dedicated to giving women and non-binary composers the professional development and mentorship opportunities they need for success in this highly competitive, and highly male-oriented, field. Mazzoli just released her opera Proving Up on Pentatone.https://www.kaufmanmusiccenter.org/ftm/luna-lab/http://www.missymazzoli.com/http://www.pentatonemusic.com/missy-mazzoli-vavrek-proving-up-opera-omaha-rountree-international-contemporary-ensemble? Learn more about your ad choices. Visit megaphone.fm/adchoices

Despite both growing up in Southern California leading somewhat parallel lives, it wasn’t until a classical music festival that Thomas Flippin and Christopher Mallet formed Duo Noire. In this episode they speak with Katy about the importance of programming women composers, racial representation in their art form and what it’s like to be black classical guitarists as the U.S. confronts systemic racism. Learn more about your ad choices. Visit megaphone.fm/adchoices