Sounds of Globalism-North America

The Sounds of Globalism six-day music festival took place at the University of North Carolina at Chapel Hill April 13-18, 2009 and featured folk and contemporary music from various regions around the world. The performances and discussions of the festival examined how traditional music plays a role in the cultural identities of these regions. Enjoy headline artists, including Naji Hilal, Pura Fe, Selkie Celtic Band, Mamadou Diabate, Sajaso, and Triangle Taiko along with student performances by the Arab Student Organization Dabkah Dance Team, Brevard’s The Mason Jar Drinkers, Andrew Magill and Erika Littman, Zankiliwa, Que Rico, Salsa Sentido and Jorge Izquierdo and Dina Castro. Discussions were led by Ahmed Fadaam, Glenn Henson, Ioana Sherman, Bouna Ndiaye, Dina Castro, and Aya Hayashi.

Sounds of Globalism - North America

This video features a performance by Pura Fe with an opening performance by Brevard’s The Mason Jar Drinkers and a discussion with Glenn Hinson. Pura Fe is the founding member of the internationally renowned native woman’s a capella trio, ‘Ulali,’ and is recognized for creating a new genre, bringing Native contemporary music to the forefront of the “mainstream” music industry. The Mason Jar Drinkers is an old time string band composed of Hunter Holmes on the guitar, Josh Carter on the mandolin, Steven Acker on the bass, and Michael Eleazer on the fiddle. The band members are all students at Brevard College in Brevard, N.C. Formed in October of 2007, the music of The Mason Jar Drinkers encompasses a large range of American vernacular music styles from the 1920’s and 1930’s, including old time, string band, jug band, blues and early jazz. The discussion was led by Glenn Hinson, professor in the Department of American Studies at the University of North Carolina at Chapel Hill. His research focus has long been African American expressive culture, with focused investigation of musical, poetic and belief systems in African American communities.

05-17
01:25:42

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