Spotlight On

Today, the Spotlight shines On Andy McCluskey, the singer, songwriter, musician, and producer best known as the lead singer and bass guitarist of Orchestral Manoeuvres in the Dark (also known as OMD). Andy joined Spotlight On producer and guest host Michael Donaldson to discuss topics as varied as the political messages behind their latest work, post-modern society, Kraftwerk, and the Bauhaus art school.OMD is not working the nostalgia circuit, though no one would blame them if they were. Instead, they continue to release new music that fans and critics rate as among the best of their classics and already have plans to spend a large portion of 2025 on the road.Bauhaus Staircase, OMD’s latest album, and their recent EP, Kleptocracy, are out everywhere you get your music.(The musical excerpts heard in the interview are from the OMD album Bauhaus Staircase)–Dig DeeperVisit Orchestral Manoeuvres in the Dark at omd.uk.comPurchase OMD’s Bauhaus Staircase from The OMD Store or Qobuz, and listen on your streaming platform of choiceFollow OMD on Facebook, Instagram, Threads, YouTube, and Twitter (X)Kraftwerk changed my life: 20 artists pick their favourite Kraftwerk records of all timeThe Man in the Machine: How Oskar Schlemmer’s Triadic Ballet left its mark on David Bowie and New OrderDig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On JUNO Award-winning oud player and guitarist Gordon Grdina.Gordon’s work defies limitations, be they geographical, distance, time, or genre. He incorporates avant-garde jazz, free improvisation, indie rock, and Arabic tradition into his music.So much music, so many collaborators, and so much ground to cover in our talk. We made the most of our time together, exploring projects, processes, the fusion of musical traditions, appropriation, authenticity, and more.If you are open to the idea that music can be a tool for communication and understanding between people and peoples, Gordon Grdina will give you plenty to consider.(The musical excerpts heard in the interview are from Gordon Grdina’s The Marrow with Fathieh Honari and the Grdina/Lillinger album Duo Work)–Dig DeeperVisit Gordon Grdina at gordongrdinamusic.comPurchase Grdina/Lillinger’s album Duo Work from Qobuz or Bandcamp, and listen on your streaming platform of choicePurchase Gordon Grdina’s The Marrow with Fathieh Honari from Qobuz or Bandcamp, and listen on your streaming platform of choiceFollow Gordon Grdina on Instagram and FacebookGordon Grdina - Free Form Improvisation on OudDig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On trailblazing songwriter and now memoirist Steve Wynn.Steve first hit public consciousness in the early 1980s with his band The Dream Syndicate, frequently mentioned in the same breath as REM and The Replacements as the pioneers of American indie rock.The Dream Syndicate’s initial run did not outlast the decade that birthed them, but Steve’s career did, with over 30 years of solo albums and collaborations to his credit—including a relaunched Dream Syndicate in the early 2010s.Steve’s latest projects are something of a pair—I Wouldn’t Say It If It Wasn’t True, a memoir recounting his early life through the initial run of The Dream Syndicate, and Make It Right, a new album of music inspired by the writing and reflections for the book.Our conversation spanned Steve’s formative years, his musical relationships over time, his process, roads not taken, and a glimpse into his near-term future activities, which include a bunch of time on the road promoting the book and dates with the indie rock “supergroup” The Baseball Project.(The musical excerpts heard in the interview are from Steve Wynn’s album Make It Right)–Dig DeeperVisit Steve Wynn at stevewynn.netPurchase Steve Wynn’s memoir I Wouldn’t Say It If It Wasn’t True from Bandcamp or AmazonPurchase Steve Wynn’s album Make It Right from Fire Records, Qobuz, or Bandcamp, and listen on your streaming platform of choiceFollow Steve Wynn on Instagram, Facebook, YouTube, and Twitter (X)Dig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On the acclaimed and intriguing composer, bandleader, and improviser Graham Reynolds.The Austin-based Reynolds has composed for countless film, television, dance, and theatrical productions, serving most notably as the sonic collaborator of director Richard Linklater. He is also Artistic Director of the new music-focused non-profit Golden Hornet.Graham joined me on the occasion of his solo release from earlier this year, Music for Prophet (Parts 1–4), on Fire Records. We discussed the benefits of having a dedicated workspace at home and the importance of balancing practical tasks with creative ones. We explored the relationship between composition and improvisation in music, Graham’s feelings about live performance, our musical upbringings, the state of the arts and film, and, my favorite, the role of humor in music.(The musical excerpts heard in the interview are from Graham Reynolds' latest release, Music For Prophet)–Dig DeeperVisit Graham Reynolds at grahamreynolds.comPurchase Graham Reynolds' Music For Prophet at Fire Records, Qobuz, or Bandcamp; and listen on your streaming platform of choiceFollow Graham Reynolds on Facebook and InstagramGraham Reynolds | composer (IMDb)Golden Hornet | a composer laboratory for the 21st centuryAnother fearless collaboration: Graham Reynolds & Bill Burgess & Utah Hamrick at TEDxAustinDig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On pianist and composer Satoko Fujii, an incredibly unique and prolific artist.Satoko works at the intersection of jazz, contemporary classical, rock, and traditional Japanese music, composing for ensembles of many sizes and configurations. However, she is especially adept with the jazz orchestra format. For all of her efforts, Satoko is widely decorated as an improviser, composer, arranger, and band leader.Satoko has released over 100 albums as leader or co-leader, at a clip of several each year. Music seems to tumble out of her.The discussion you are about to hear was recorded back in late March of this year. Satoko was a thoughtful and generous conversationalist and provided insight into her creative and production process and her evolution as an artist. She also shared a bit about the unique challenge of making a life as an artist in Japan.(The musical excerpts heard in the interview are from the albums Jet Black by the Satoko Fujii Tokyo Trio and Unwritten by the quartet Kaze, also featuring Satoko Fujii)–Dig DeeperVisit Satoko Fujii at satokofujii.comPurchase Unwritten by Kaze (featuring Satoko Fujii) on Qobuz and Bandcamp and listen on your streaming platform of choicePurchase the Satoko Fujii Tokyo Trio’s Jet Black on Bandcamp and listen on Apple MusicFollow Satoko Fujii on Instagram, Facebook, Twitter (X), and YouTubeSatoko Fujii, a Pianist Who Finds Music Hidden in the Details of LifeDig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On the musician and producer David John Haskins, better known to the world as David J, bassist and co-founder of both post-punk goth band Bauhaus and, subsequently, Love and Rockets.As if having such a luminary visiting our podcast isn’t enough, today’s talk is guest-hosted by Spotlight On producer Michael Donaldson, who filled in for me for this and another special episode we will tell you about soon.David came by to talk about Tracks from the Attic (released on Independent Project Records), his career-spanning triple album made up of home demos recorded between 1984 and 2004, hand-selected for inclusion by the artist himself. He also discussed the Love and Rockets tour opening for Jane’s Addiction (which kicks off this week) and a lot of very, very interesting esoterica.(The musical excerpts heard in the interview are from David J’s album Tracks from the Attic)–Dig DeeperVisit David J at davidjhaskins.comPurchase David J’s Tracks from the Attic from Independent Project Records, Qobuz, or Bandcamp, and listen on your streaming platform of choiceFollow David J on Patreon, Facebook, Instagram, and Twitter (X)Love and Rockets (Bandcamp)The ultimate beginner’s guide to BauhausShiva SavesDig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight was meant to shine On drummer, percussionist, and composer Ches Smith, whose album Laugh Ash was released earlier this year on Pyroclastic Records. As we arranged to get together, Ches suggested we include Shara Lunon, the transdisciplinary poet, vocalist, composer, and improviser featured on the album.Laugh Ash is one of the most intriguing records I have encountered in quite some time, with its mix of form and improvisation, acoustic and synthetic, quiet and explosiveness.In addition to Ches and Shara, the album includes an all-star cast from today’s creative music scene: flutist Anna Webber, clarinetist Oscar Noriega, tenor saxophonist James Brandon Lewis, trumpeter Nate Wooley, violinist Jennifer Choi, violist Kyle Armbrust, cellist Michael Nicolas, and bassist/keyboardist Shahzad Ismaily.It is an exciting work and we had a great conversation. Enjoy.(The musical excerpts heard in the interview are from Ches Smith’s album Laugh Ash)–Dig DeeperPurchase Ches Smith’s Laugh Ash on Qobuz or Bandcamp, and listen on your streaming platform of choiceVisit Ches Smith at chessmith.com and follow him on Instagram and FacebookVisit Shara Lunon at sharalunon.com and follow her on InstagramChes Smith’s ‘Laugh Ash’ Is Exhilarating MusicChes Smith About ImprovisationListN Up Playlist: Shara LunonDig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today’s episode is a recording of our recent live event, which took place at The Royal Room in Seattle, WA, on June 22, 2024. The event, Improvisation in Music and Life, featured me in conversation with and performances by James Falzone’s Division Ensemble.The Division Ensemble is a group of master improvisers that includes James Falzone on clarinet, Ray Larsen on trumpet, Wayne Horvitz on piano, Abbey Blackwell on bass, and Rocky Martin on drums.During the live show, we explored the nature of improvisation in music and how its principles are relevant to all aspects of life. James and the band performed his compositions and a completely free, composed-in-the-moment piece.The music in this episode:G.F.O.P. (Falzone)There Is Often Another Way (Falzone)Brooklyn Lines (Falzone)Everything Is Now Equalized (an open improvisation) (Falzone/Larsen/Horvitz/Blackwell/Martin)Room 307 (Falzone)A Dream In Which Appeared Marc Chagall (Falzone)We are offering a poster, t-shirt, and mug based on the artwork from our live show, which is now available at spotlightonpodcast.com/store. Have a look.Special thanks to James Falzone and the members of his Division Ensemble: Ray Larsen, Wayne Horvitz, Abbey Blackwood, and Rocky Martin. Thank you to Aleida, Sheridan, Simon, Ben, and the entire team at the Royal Room. Thank you to David Gorman for the wonderful poster art. Thank you to Alyssa Seng, JazzED, and Tim Carey at Jazz Night School. And thank you to everyone who attended the live show.–Dig Deeper with the extensive show notes and links found at https://www.spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Modena, Italy-based sound artist and percussionist Riccardo La Foresta.Riccardo has spent the last several years exploring the Drummophone—an array of bass drums that create sound by being confronted with compressed air and which, in turn, produce complex acoustic drones. By combining the Drummophone with other electro-acoustic devices and changes in the air pressure in the room where it is set up, a generative system results, one that can create endless possibilities in sound.In this engaging conversation, we discussed Riccardo’s musical journey, his experimentation in percussion, and his exploration of new techniques and approaches to drumming. We also got into the evolution of drums and percussion instruments, the influence of acoustics on composition, and the potential for drumming education in conservatory settings.(The musical excerpts heard in the interview are from Riccardo La Foresta & James Ginzburg’s album Six and Forty​-​Six)–Dig DeeperVisit Riccardo La Foresta at riccardolaforesta.comPurchase Riccardo La Foresta & James Ginzburg’s Six and Forty​-​Six on Qobuz or Bandcamp, and listen on your streaming platform of choiceFollow Riccardo La Foresta on Instagram and YouTubeRiccardo La Foresta: playing drums without playing (video)Drummophone’s ManifestoThe Experimental Underbelly of Italian Electronic MusicRiccardo La Foresta: ‘Curating has taught me how to share’Dig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Berlin-based drummer, composer, and producer Janek van Laak.Janek grew up in post-reunification Berlin which gave birth to a vibrant culture of music and art. He joined me earlier this year, around the Sonar Kollektiv release of his debut solo album, Circle Of Madness, a work that makes me glad I do not own a record store because I have no idea where I would file it. That said, it might not get filed at all because it would be playing all day.Listeners will find jazz, improvisation, funk, some Berlin electronica, and more—sometimes all in the same song. Genre is not important when the music is this compelling.Janek was as much fun to talk to as his record is to listen to. Please enjoy both.(The musical excerpts heard in the interview are from Janek van Laak’s album Circle Of Madness)–Dig DeeperPurchase Janek van Laak’s Circle Of Madness on Qobuz or Bandcamp, and listen on your streaming platform of choice.Follow Janek van Laak on InstagramA Music Lover’s Guide to BerlinRhythm and Raga: Learn the basics of Indian musicWhat Makes John Bonham Such a Good Drummer?Liquid Brain Orchestra on SoundCloudThe 15 Loudest Bands in the WorldJanek van Laak: Fifteen Questions about DrummingDig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Seattle pianist and composer Bill Anschell.We’ve had award winners of all types on the podcast, but as far as I can remember, Bill is the first to have won an award for humor: in 2014, Bill was the winner of the inaugural Paul Desmond Award, the website All About Jazz’s celebration of the funniest jazz artists. We get to that and his satirical essay, “Careers in Jazz,” which is the all-time most-read piece on All About Jazz.As a much younger man, Bill left Seattle to study at Oberlin College and Wesleyan University. At Wesleyan, he worked with saxophone great Bill Barron and South Indian mridangam master T Ranganathan, developing an affinity for diverse and interesting rhythms that can be heard throughout his work.In Atlanta, Bill served as Jazz Coordinator for the Southern Arts Federation, the South’s regional arts agency. While building their jazz program, Bill made time to publish a book on grant writing and created JazzSouth, a syndicated radio show heard on more than 200 stations around the world. And he worked as a sideman around town and led his own trio. Bill is a celebrated composer and his tunes have been heard in shows like The West Wing, NCIS: LA, The Wire, and Yellowstone.Our talk touched on the evolution of jazz, the impact and legacy of fusion music, the integration of electronic music into jazz, Bill’s time in Atlanta, his potential upcoming projects, and more.(The musical excerpts heard in the interview are from Bill Anschell’s album Improbable Solutions)–Dig DeeperVisit Bill Anschell at billanschell.comPurchase Bill Anschell’s Improbable Solutions from billanschell.com or Qobuz, and listen to it on your streaming platform of choiceFollow Bill Anschell on Instagram and FacebookTop Five Funniest People In JazzCareers In Jazz - Bill AnschellDig into this episode’s complete show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On vocalist, composer, and improviser 王睿琪 Ruiqi Wang (pronounced as “Ray-Chee Wong”).Ruiqi Wang creates stunning experimental music, combining influences from jazz, contemporary Euro-classical music, and traditional Chinese music.Ruiqi Wang joined me earlier this year on the heels of the release of her debut album, Subduing the Silence, out through Orchard of Pomegranates. This profound, 36-minute album boasts an all-female cast of collaborators and expresses a musical vision seldom articulated in a debut work.In addition to composing, performing, and recording in a variety of contexts and projects, Ruiqi Wang is pursuing a Masters degree in Music Composition - Contemporary Jazz at the Bern Academy of the Arts in Switzerland.(The musical excerpts heard in the interview are from Ruiqi Wang’s album Subduing the Silence)–Dig DeeperVisit Ruiqi Wang at ruiqiwangsings.comPurchase Ruiqi Wang’s Subduing the Silence on Qobuz or Bandcamp, and listen on your streaming platform of choiceFollow Ruiqi Wang on Instagram, Facebook, and YouTubeCraft EnsembleAyelet Rose GottliebImprove Your Musical Concentration — John HollenbeckThe Center For Deep ListeningFifteen Questions: Ruiqi Wang Talks SoundBe sure to peruse this episode’s extensive show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On singer, songwriter, and multi-instrumentalist Paul Chastain.Paul is one half of the duo The Small Square, with drummer, percussionist, and vocalist John Louis Richardson. He is also a songwriter for and co-founder of the group Velvet Crush and has worked with Matthew Sweet, Roger McGuinn, Susanna Hoffs, the late Tommy Keene, and many others.Paul and John released the second record from The Small Square, Ours & Others, on Farm to Label Records in October 2023. While separated by a continent and ocean (Paul lives in Japan, John in Wisconsin), they co-produced the record and created a modern sound using modern techniques rooted in classic songwriting and musicianship in the Beatles, Beach Boys, and Big Star tradition.Enjoy!(The musical excerpts heard in the interview are from The Small Square’s album Ours & Others)–Dig DeeperPurchase The Small Square’s Ours & Others from Qobuz, Bandcamp, or directly from Farm to Label Records. You can also listen to the album on your streaming platform of choiceFollow The Small Square on Facebook and InstagramVelvet Crush | Trouser PressA beginners' guide to the heyday of power-pop, 1972–1986Paul Chastain Talks Synthesizers, Songwriting, and The Small Square’s ‘Ours & Others’Be sure to peruse this episode’s extensive show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. • Check out Spotlight On’s next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On musician, songwriter, journalist, and returning guest, Jeff Slate.Jeff joined us about two years ago and while that discussion was more focused on his work as a writer and cultural observer, this talk focuses on his music career.Based in New York City, Jeff has traveled quite an interesting road from his roots in the mid-80s post-punk world to rubbing shoulders and working with luminaries like Steve Jones of the Sex Pistols, Pete Townshend, Roger McGuinn, Jeff Tweedy, Willie Nile, Margo Price, and Sheryl Crow.Jeff has a new record out, The Last Day of Summer, featuring Dave Stewart, Duff McKagan, Earl Slick, as well as members of Paul Weller’s band and Noel Gallagher’s High Flying Birds. The album even boasts photos shot by famed rock photographer Bob Gruen.It was a real blast getting to know this side of Jeff’s life and work. He’s fun to spend time with and is someone who speaks his mind and who clearly cares. Check out Jeff’s music (links are in the show notes) and enjoy our talk.(The musical excerpts heard in the interview are from Jeff Slate’s album The Last Day of Summer)–Dig DeeperVisit Jeff Slate at jeffslatehq.comPurchase Jeff Slate’s album The Last Day of Summer on Qobuz or listen on your streaming platform of choiceFollow Jeff Slate on Instagram, Facebook, Twitter (X), and YouTubeJeff Slate visits Spotlight On in 2022James Honeyman-Scott: The Complete 1981 Pretenders InterviewBe sure to peruse this episode’s extensive show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. • Check out Spotlight On’s next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On bassist and vocalist Katie Ernst. In addition to many other things, Katie is one half of the duo Wayfaring with last week’s guest James Falzone.Katie is also co-leader of the Chicago-based jazz trio Twin Talk, and the indie rock band Edith Judith, and has garnered much acclaim for her Dorothy Parker poetry song cycle Little Words, which premiered at the Kennedy Center in Washington, DC.Katie is a working musician, performing as part of many jazz and improvised music ensembles in the Chicago area. She is also a committed educator, working with young musicians in her work as a teaching artist for the Jazz Institute of Chicago’s Jazz Masters Residency Program in Chicago Public Schools, and by serving on the faculty at Birch Creek Music Academy summer program.I was very fortunate to see Katie perform as part of Wayfaring earlier this year and even more fortunate to have this conversation. Enjoy.(The musical excerpts heard in the interview are from Twin Talk’s 2019 album Weaver and Wayfaring’s recent Intermezzo)–Dig DeeperVisit Katie Ernst at katieernst.comListen to music from Katie Ernst’s projects: Wayfaring, Twin Talk, and Edith JudithFollow Katie Ernst on Instagram, Facebook, and BandcampTwin Talk (website)Edith Judith – Bones And StructureKatie Ernst joins Iron & Wine on tourBe sure to peruse this episode’s extensive show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. • Check out Spotlight On’s next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines on clarinetist, penny whistle player, composer, improviser, and educator James Falzone.James and I have been collaborating on an upcoming live event, Improvisation in Music and Life, taking place on June 22 at the Royal Room in Seattle. This will be a unique program of performance and conversation between me and the five-piece James Falzone Division Ensemble. We will explore the nature of improvisation in music and how its principles can be useful in all aspects of life, not just for musicians. Tickets are available at theroyalroomseattle.com. We recorded this talk in person in a very special space at Cornish College, where James is both a Dean and Professor of Music. It was a thrill to consider that I passed through rooms where John Cage and Merce Cunningham likely met or spent time. James and I spoke for nearly two hours. His instinct to record in person on a Saturday in Seattle allowed us to go slow and let the conversation unfold. Enjoy! (The musical excerpts heard in the interview are from Six Artifacts, James Falcone’s new improvised collaboration with Lisa Cay Miller and Bonnie Whiting, as well as the song “Who Put the Blood” by Wayfaring)–Dig DeeperVisit James Falzone at allosmusica.orgPurchase music from James Falzone and Allos Documents on Qobuz or Bandcamp, and listen on your streaming platform of choiceFollow James Falzone on Instagram, Facebook, and YouTubeSpotlight On: Improvisation in Music and Life with the James Falzone Division EnsembleBe sure to peruse this episode’s extensive show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon.• Check out Spotlight On’s next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines on jazz pianist, composer, and educator Francesco Crosara.Francesco was born and raised in Rome, Italy, where both jazz and classical music came into his life early on, particularly through his mother, the influential jazz singer, broadcaster, and educator Lilian Terry. Lilian presented many of the most important names in American jazz, and some—like Max Roach, Abbey Lincoln, Chick Corea, and Dizzy Gillespie—influenced young Francesco’s artistic growth.We spoke in early March, several weeks after Francesco’s recent album, Circular Motion, was released on Origin/OA2 Records. The record consists of all original material, including a revisiting of his compositions dating back over 40 years.It was a treat to sit across the table from Francesco, in person, and talk about music, pianists, and his work as an educator and mentor. Enjoy our talk.(all musical excerpts heard in the interview are taken from Francesco Crosara’s album Circular Motion)–Dig DeeperVisit Francesco Crosara at francescojazz.comPurchase Francesco Crosara’s Circular Motion from Qobuz or Bandcamp, and listen on your streaming platform of choiceFollow Francesco Crosara on Facebook, LinkedIn, and YouTubeMusic Discovery Center (MDC)Listen: Bill Anschell and Francesco Crosara Piano Duo | KNKXBe sure to peruse this episode’s extensive show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. • Check out Spotlight On’s next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On legendary writer, vocalist and digital culture commentator, Ken Goffman, better known as R.U. Sirius.Most will know R.U. from his time as co-publisher and editor-in-chief of the 1990s cyberpunk magazine MONDO 2000. MONDO covered topics like transhumanism, virtual reality and smart drugs at a time when these things offered hope for a better or at least more interesting world, though the editorial tone always subversively poked at the soft white underbelly of technoculture. If Wired has become Kenny G, MONDO was Sun Ra, through and through.R.U. is author or coauthor of books including Counterculture Through the Ages: From Abraham to Acid House, Everybody Must Get Stoned: Rock Stars on Drugs, How to Mutate and Take Over the World, and nearly a dozen more.We covered a lot of ground, including but not only: online subcultures, societal repercussions of digital technologies, conspiracy theory, the shortcomings of transhumanism, post-scarcity philosophy, the limitations of irony, and a ton more. Music is a big part of the R.U. experience, as you will hear in our talk. He’s been a lyricist and composer for projects including Phriendz, Party Dogs and Mondo Vanilli. R.U.’s various works have served as a guidepost for me since I was a much younger man. It was a special treat to connect with him now, in this time of reckoning with what the digital and internet revolution has wrought, to talk about the state of life and affairs.(all musical excerpts heard in the interview are taken from R.U. Sirius’s Infinite Gesture (A Work in Progress)) –Dig DeeperVisit R.U. Sirius on his Bandcamp page and mondo2000.comFollow R.U. Sirius on Instagram, Twitter (X), Facebook, and LinkedInBe sure to peruse this episode’s extensive show notes at spotlightonpodcast.com–• Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. • Check out Spotlight On’s next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On returning guest, the innovative musician and composer Markus Reuter.Markus originally joined us for Episode 130 back in November 2022. He joins us now to discuss his project Sea of Hopeless Angels (Unsung Records), which began as several unedited studio solo improvisations by Markus on his electric touch guitar. Those recordings were turned over to mixer Stefano Castagna, whose sonic wizardry included not only mixing but fully collaborating with the recordings, adding new sounds and instruments as inspiration struck, including his own voice, various samples, bass, synthesizers, and other electronics.There are other inspirations at work in this project, but we will leave those to be revealed in the course of our discussion. It is important to mention the final collaborator for Sea of Hopeless Angels, though, and that is Aldo Grazzi, an Italian painter and video artist, who, back in the early 1980s, made visual experimentations interfacing a video camera with a cathode ray TV screen. The resulting video retains every imperfection of what was then state-of-the-art technology. All of the pieces on Sea of Hopeless Angels feature video accompaniment drawn from these videos, which are in the Grazzi archives, with two of them also accompanied by studio footage of Markus’ original performances.(all musical excerpts heard in the interview are taken from Markus Reuter and Stefano Castagna's album Sea of Hopeless Angels) -- Dig DeeperVisit Markus Reuter at markusreuter.comDownload Sea of Hopeless Angels on Qobuz or Bandcamp, and listen on your streaming platform of choice.Follow Markus Reuter on Instagram, Facebook, and YouTubeSea of Hopeless Angels visuals + videosBe sure to peruse this episode's extensive show notes at spotlightonpodcast.com-- • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice.• Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. • Check out Spotlight On's next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.

Today, the Spotlight shines On Berlin-based electronic music composer and performer Hainbach.I have come to view Hainbach as much an archeologist or audio specimen collector as he is a musician. While he makes beautiful music and soundscapes, they are often showcase pieces for the devices he works on, which include not only vintage and rare modular synthesizers but also tape machines, test equipment, and other industrial machinery. A particular highlight of his work is his YouTube channel, where Hainbach brings experimental music techniques and the history of electronic music to a wider audience, frequently displaying how he gets usable sounds from these forgotten devices. We have included a link to that in the show notes.He is a fun and creative human, someone I am grateful to have spent some time with.(all musical excerpts heard in the interview are taken from Hainbach's The One Who Runs Away Is the Ghost soundtrack) -- Dig DeeperVisit Hainbach at hainbachmusik.com and on his excellent YouTube ChannelPurchase Hainbach's music on Qobuz or Bandcamp, and listen on your favorite streaming platformFollow Hainbach on Patreon, Instagram, Facebook, TikTok, and Twitter (X)Meet the German Producer Making Music With Salvaged Nuclear Lab EquipmentBe sure to check out this episode's complete show notes at spotlightonpodcast.com-- • Did you enjoy this episode? Please share it with a friend! You can also rate Spotlight On ⭐️⭐️⭐️⭐️⭐️ and leave a review on Apple Podcasts. • Subscribe! Be the first to check out each new episode of Spotlight On in your podcast app of choice. • Looking for more? Visit spotlightonpodcast.com for bonus content, web-only interviews + features, and the Spotlight On email newsletter. You can also follow us on Instagram, Facebook, and Mastodon. • Check out Spotlight On's next live event at The Royal Room in Seattle on Saturday, June 22! More info here. Hosted on Acast. See acast.com/privacy for more information.