DiscoverStart writing plays - Audio
Start writing plays - Audio
Claim Ownership

Start writing plays - Audio

Author: The Open University

Subscribed: 31Played: 72
Share

Description

In this album, some of our current and most well-respected playwrights offer an insight into the mechanics and beauty of writing for the stage. Contributors include Alan Ayckbourn, David Edgar, Bryony Lavery and Willy Russell, who discuss their own work and the pleasures and pitfalls of crafting a script. All of the fundamental topics, from character and structure to dialogue and editing, are covered in detail in a series of entertaining and insightful interviews. This material forms part of The Open University course A176 Start writing plays.
8 Episodes
Reverse
Start writing plays

Start writing plays

2009-07-0700:48

A short introduction to this album.
How do you find your starting point? Playwrights discuss the start of the creative process from developing simple ideas to narratives.
Developing a play

Developing a play

2009-07-0709:34

What are the best practices to apply when developing a dramatic idea? This discussion ranges from wider issues such as genre to more technical aspects of the art.
Crafting characters is an integral aspect of playwriting - the rhythm and patterns of their speech, their narrative development and even whether they’re on-stage.
How to write dialogue

How to write dialogue

2009-07-0709:55

Dialogue is all about listening and the interpretation of speech. Here, it is highlighted how dialogue can alter the pace economy of a play.
The structure of plays

The structure of plays

2009-07-0707:57

Arguably the key tool in the playwright’s arsenal, all aspects of structure are touched upon here, along with a few invaluable tips of the trade.
The editing process

The editing process

2009-07-0705:38

This is where a play really comes together. Playwrights discuss approaches to editing their work and writing with actors in mind.
Politics and the stage

Politics and the stage

2009-07-0706:31

How political should your drama be? Is tackling politics the same as tackling current issues?