DiscoverSwitched on Pop
Switched on Pop

Switched on Pop

Author: Vox

Subscribed: 19,381Played: 197,429
Share

Description

What makes pop songs so catchy? Musicologist Nate Sloan & songwriter Charlie Harding pull back the curtain on how pop hits work their magic on our ears & our culture. You’ll fall in love with music you didn’t even know you liked.

144 Episodes
Reverse
Men singing high is so ubiquitous in modern pop that we might take it granted, never pausing to ask: has it always been this way? Estelle Caswell, who makes the Emmy-winning Earworm series for Vox, decided to find out, and she stops by to share results from her painstaking study of male falsetto in pop music from 1958 to today. Some of her findings may surprise, like 1996 was the peak year for falsetto, Justin Timberlake doesn't sing as you high at might think, and falsetto has been around as long as pop itself. Learn more about your ad choices. Visit megaphone.fm/adchoices
NPR's Sam Sanders stops by to break down the tracks that Switched On listeners have been loving. Swedish dancefloor confessionals, songs that stop time, the specificity of Lana Del Rey, and the awkwardness of descending fourths: it's all on the table in this freewheeling conversation of deep musical nerdiness. Songs DiscussedTove Lo ft Kylie Minogue - Really don’t like uCamila Cabello - LiarAce of Base - All That She WantsTyler the Creator - EARFQUAKETaylor Swift - Cruel SummerLana Del Rey, Ariana Grande, Miley Cyrus - Don’t Call Me AngelLana Del Rey - Happiness is a butterflyKing Princess - ProphetKim Petras - Hillside BoysIDK - PornoJai Paul - Str8 Outta MumbaiJai Paul - Genevieve (Unfinished)Many thanks to everyone who called in for this one: Amanda, Jackie, Melanie, Alec, Madeleine, John B, Steve, Courtney, Julia, Zach, Lee, Tara, Habbi, and of course - John from Baltimore.For more of Sam's great takes on culture, check out It's Been a Minute with Sam Sanders. Learn more about your ad choices. Visit megaphone.fm/adchoices
Dallas Taylor, host of the stellar sound design series Twenty Thousand Hertz, stops by to fill Nate in on the science and style of mastering: the subtle art that explains why Metallica had to re-release a controversial album, Kanye sounds so crisp, and why the best pop really pops.  Songs DiscussedLizzo - JuiceKanye West - HeartlessLed Zeppelin - Stairway to heavenPink Floyd - MoneyDaft Punk - Get LuckyMetallica - The Day That Never ComesDJ Jazzy Jeff & The Fresh Prince - He's the DJ, I'm the RapperThe Beatles - Lucy In The Sky With DiamondsIntrigued by mastering? Get your fix with the Twenty Thousand Hertz episode The [Compressed] History of Mastering.We are conducting an audience survey to better serve you. It takes no more than five minutes, and it really helps out the show. Please take our survey here: https://voxmedia.iad1.qualtrics.com/jfe/form/SV_ewVXHPZIsQNlxCR?Source=noteLearn more about your ad choices. Visit megaphone.fm/adchoices
Jazz 1959

Jazz 1959

2019-09-2400:51:151

Charlie's out on parental leave, which means no one is here to stop Nate from going off the rails. And you know what means... JAZZ! As soon as dad left the room, Nate enlisted his favorite journalist, jazz and sports writer Natalie Weiner, to come on the show and discuss her incredible 1959 Project — a day-by-day chronicle of jazz during one of its most pivotal years. We listen to classic 1959 albums Miles Davis's Kind of Blue and Dave Brubeck's Take Out, discuss the complex legacy of Billie Holiday, and dig into some of the year's forgotten gems. Sixty years later, jazz is no longer the cultural juggernaut is once was — but it still has much to teach us about pop culture of the present. Playlist:•Miles Davis - So What•Dave Brubeck - Take Five•Billie Holiday - Blue Moon•Billie Holiday - Billie's Blues•Erykah Badu - On & On•Amy Winehouse - There Is No Greater Love•Muriel Roberts - Sleigh Ride•Terry Pollard - Laura•Willene Barton and her Trio - Rice Pudding Check out the 1959 and 2019 jazz cuts we're listening to.We are conducting an audience survey to better serve you. It takes no more than five minutes, and it really helps out the show. Please take our survey here: https://voxmedia.iad1.qualtrics.com/jfe/form/SV_ewVXHPZIsQNlxCR?Source=noteLearn more about your ad choices. Visit megaphone.fm/adchoices
The pace of new music releases these days is dizzying. Sometimes it’s like watching someone do a magic trick--we *swear* those songs weren’t there a second ago! But then, there they are, popping up in batches right out of thin air. Of course, behind each individual release sits months of decision-making by the artist: who to collaborate with and when, how to structure the musical product of that collaboration, what to call it, how to release it, when, and on what platform. The list is long, and each of those choices has a big impact on how we hear the song.The Verge’s Dani Deahl recently sat down with reigning Princess of Pop, Charli XCX, to discuss how she approaches those decisions, and how that approach is bucking long-established norms in popular music. In this special bonus episode of Switched on Pop, Dani rings up Charlie (not XCX) to recap that conversation and put Charli (XCX)’s artistry in context. Via Dani, we learn that for Charli collaboration is more than just an artistic choice; and release strategy is much more than a major label playbook. There’s a total freedom in the way Charli releases music, and we love it. Huge thanks to Dani for bringing us this peek into her world.Songs discussed:Charli XCX - Boom ClapCharli XCX, Christine and the Queens - GoneCharli XCX ft. Lizzo - Blame It On Your LoveLizzo - Truth HurtsCatch the rest of Dani’s conversation with both Charli/es in the newest episode of The Verge’s ‘Future of Music’ video series,We are conducting an audience survey to better serve you. It takes no more than five minutes, and it really helps out the show. Please take our survey here: https://voxmedia.iad1.qualtrics.com/jfe/form/SV_ewVXHPZIsQNlxCR?Source=noteLearn more about your ad choices. Visit megaphone.fm/adchoices
For most parents, “Baby Shark” is the nightmare that will not end. Ever since the South Korean educational company Pinkfong released the song earlier this year, it’s almost impossible to avoid. The infectious children’s tune has more than 2.3 billion views on YouTube and made it onto the Billboard Top 40 list. So what makes this song so catchy and irresistible to children? And how do the rest of us cope with the unavoidable hit while keeping our sanity?Andrea Silenz, host of the parenting podcast The Longest Shortest Time, and Charlie explore the phenomenon that is “Baby Shark.Songs DiscussedPinkfong - Baby SharkFrank Zappa - Baby SnakesStevie Wonder - Isn’t She Lovely Suzanne Vega - Tom’s DinerBaby Shark/ Tom’s Diner mashup “Baby Diner”The Weeknd - I Can’t Feel My FaceRadioheadPinkfong - The Penguin DancePinkfong - Lions in LoveDrake - God’s PlanMicheal Jackson - Billie JeanWhitney Houston - I Wanna Dance With SomebodyBruno Mars - Uptown FunkBeastie Boys - Brass MonkeyVanilla Ice - Ice Ice BabyJosh Groban - River The Beatles - All You Need Is LoveHarry Potter theme Raffi - Baby Beluga Learn more about your ad choices. Visit megaphone.fm/adchoices
Ross Golan is no stranger to Switched on Pop. This week, the songwriter and host of the hit podcast And The Writer Is… joins Charlie for a BONUS episode (cue siren) about the surprising lessons learned from a collective seven years behind the interview mic. Tune in as Ross and Charlie discuss the infinite shelf-life of classic songwriting techniques, the happy accidents behind some of your favorite hit songs, and the essential qualities of a good listener. Find more Ross on Switched on Pop in Episode 58, ‘What’s to Love About Ed Sheeran?’, and catch more of And The Writer Is… when Season 5 premiers this Monday, September 9th — anywhere you listen to podcasts. Episodes discussed:#80 How to ‘Make Me Feel’ with Lizzo#123 What BTS’s “Boy With Love” ft. Halsey Can Teach Us About K-pop#99 Entering Beard Phase (with Mike Posner)#107 How Streaming Changed the Sound of PopSongs Discussed:Lizzo - Truth HurtsSister Nancy - Bam BamPaul Anka - Put Your Hand on My ShoulderBTS ft. Halsey - Boy with LuvAriana Grande - Break FreeLearn more about your ad choices. Visit megaphone.fm/adchoices
On this very special episode, we join forces with the hilarious podcast OFF BOOK. When our powers combine, Zach and Jess of Off Book, plus their killer backing band of Scott, Dana and Brett create an improvised musical, while Nate and Charlie break down the sound and structure of a Broadway show. Stay tuned for deep thoughts about what separates pop music from musicals, wild speculation about the origin of the word “vamp,” and an ENTIRE FREAKING MUSICAL COMPOSED FROM SCRATCH that will make you laugh your face off. This is not one to miss.Find more episodes of Off Book on their website h.earwolf.com/off, or anywhere you find podcasts.Learn more about your ad choices. Visit megaphone.fm/adchoices
"Make Me Feel," is the first hit from Janelle Monáe's 2018 album Dirty Computer,  and a sensual song about the fluidity of desire. In the pre-chorus, the singer proudly expresses that she is a "sexual bender." Fans have embraced the song for breaking free of normative sexual expectations. But these non-binary statements aren't limited to the lyrics. The message is reinforced with musical concepts drawn from the blues, Prince and Michael Jackson. To help break down this track, Nate and Charlie are joined by singer/rapper Lizzo. She and Monáe both collaborated with Prince, making Lizzo uniquely qualified to unwind his influence on the song. We also discuss Lizzo's song "Truth Hurts" and her podcast "Good As Hell" where she talks to the queens of hip hop. Hands down, Lizzo is one of the most talented, knowledgable and fun guests. You don't want to miss this episode.Songs DiscussedJanelle Monáe - Make Me FeelMichael Jackson - The Way You Make Me FeelMichael Jackson - Beat ItFats Domino - Blueberry HillPrince - KissYing Yang Twins - Wait (The Whisper Song)Lizzo - Truth HurtsSister Nancy - BamDon't miss Lizzo's podcast "Good As Hell" on SpotifyLearn more about your ad choices. Visit megaphone.fm/adchoices
Today we're revisiting an episode inspired by a pair of classic VH1 shows: “Behind the Music” and “Where Are They Now?”Our subjects are two songs representing the lunatic fringe of 90s culture, “Cotton Eyed Joe” and “How Bizarre.”In the course of our musicological investigation, we uncover dark truths about these seemingly anodyne hits that will make you question everything you know about pop music.And in the end, we reach a definitive answer to a perennially vexing question: “WTF was 90s music so weird?”Songs DiscussedRednex:Cotton Eye JoePop in an OakThe Way I MateCotton Eyed Joe:Fiddlin John CarsonBob Wills and his Texas PlayboysKaren DaltonChieftainsNina SimoneOMC:How BizarreRight OnLearn more about your ad choices. Visit megaphone.fm/adchoices
loading
Comments (16)

cbeautyam

I never thought I would see you guys cover K-Pop.

Jul 11th
Reply

tbh

"bragging about her songwriting prowess" oh my god give me a break she didn't produce the song!!

Jun 28th
Reply

Seluvaia Po'Uha

great song

Jun 5th
Reply

Byron Drake

It's like Pearl Jam got famous, then you get Days of the New and Stabbing Westward ect...

Jun 4th
Reply

mattters

to wit: fuck no

Jun 2nd
Reply

Tone Ravnå Bjørnstad

buuuut- the original of Don't Kill My Vibe by Norwegian young artist Sigrid is sooo much stronger vocally 😮! (+ she wrote the song)

May 12th
Reply

Steven G

I liked your comments and explanations. Looking very much forward to the next episodes. I think I can learn a lot about how music is created and what the magic behind the songs is.

May 5th
Reply

Whitney Rodden

Cool concept! Another great episode, guys.

Apr 2nd
Reply

Whitney Rodden

Post Malone journey LMAO

Mar 28th
Reply

Amanda Please

this discussion is so well done. They analyzed great angles with a really broad perspective. I think these guys are great at communicating and listening, especially when it comes deconstructing complex controversies in music and pop culture.

Mar 21st
Reply (2)

Eoin G

No NIN - Closer? For shame

Feb 28th
Reply

Dave Lawlis

A mere two songs from one decade does not a deep dive make. Anyway to sum it up, the music industry completely dropped the ball and failed to cash in on "alternative" music and college rock in the 1980s. Encouraged by Nirvana's popularity they basically went apeshit in the 90s, taking any act that wasn't quite mainstream and flinging them like so many turds at the wall in the hopes that some of them would stick.

Sep 20th
Reply

Julie McLaughlin

it's a clicky pen, with which she'll write your name. duhhh.

Aug 2nd
Reply

Sofia Zepeda

The episode on "The Deep" was amazing!

Jun 15th
Reply
loading
Download from Google Play
Download from App Store