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Syxx Nyne FM

Syxx Nyne FM

Author: Syxx Nyne Productions

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NYC’s Loudest Voice in Independent Media. Based in the concrete jungle, Pipebomb Radio NYC is a digital hub dedicated to the creators, hustlers, and visionaries shaping New York culture. Whether it’s deep-dive artist spotlights or live streetwear drops, we provide a platform for the voices that define the city. Authenticity isn't optional—it's our frequency.

74 Episodes
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Ricky brings a high-energy mix of rock and metal, listener requests, and unfiltered commentary to Pipe Bomb Radio NYC. From hard-hitting opinions to a packed music lineup featuring Blondie, Bob Dylan, Radiohead, Metallica, and more, this episode keeps the conversation lively and the music coming.Support this podcast at — https://redcircle.com/pipebomb-radio-nyc/exclusive-content
A late-night oldies-themed edition of Pipe Bomb Radio NYC, mixing listener requests, classic rock, pop, soul, and nostalgia-heavy commentary from the host.Music cue timestamps (approximate starts)00:16 — Elton John, “Bennie and the Jets”09:40 — Chuck Berry, “Johnny B. Goode”11:39 — Huey Lewis and the News, “The Power of Love”16:11 — Boston, “More Than a Feeling”26:23 — Jimmy Soul, “If You Wanna Be Happy”28:32 — The Beach Boys, “Surfin’ U.S.A.”34:13 — ZZ Top, “Legs”45:13 — Adam Ant, “Goody Two Shoes”46:37 — Santana, “Black Magic Woman”48:42 — Gary Lee, “The Rodeo Song”56:01 — Dion, “Runaround Sue”59:05 — Rod Stewart, “Tonight’s the Night”62:02 — Tears for Fears, “Everybody Wants to Rule the World”75:44 — Johnny Cash, “I Walk the Line”78:23 — Leo Sayer, “You Make Me Feel Like Dancing”82:16 — The Dell-Vikings, “Come Go with Me”103:43 — Stevie Wonder, “Superstition”107:19 — The Jackson 5, “ABC”110:12 — Bee Gees, “How Deep Is Your Love”116:29 — The Monkees, “I’m a Believer”119:50 — Led Zeppelin, “Ramble On”123:53 — Frankie Valli and the Four Seasons, “Sherry”132:09 — Unidentified music cue134:11 — The Rolling Stones, “Beast of Burden”137:27 — Smokey Robinson & the Miracles, “The Tears of a Clown”139:40 — John Cougar Mellencamp, “Jack and Diane”148:27 — Bobby Vee, “Take Good Care of My Baby”151:22 — Edwyn Collins, “A Girl Like You”154:57 — Queen, “Somebody to Love”163:09 — “The Woman in You” (artist attribution is unclear in the recording)166:40 — Frank Sinatra, “I’ve Got You Under My Skin”Around 170:00 — The Romantics track (no clean start marker captured)179:49 — Billy Joel, “Piano Man”185:03 — Jimmy Cliff, “You Can Get It If You Really Want”187:34 — The Crickets, “That’ll Be the Day”194:10 — The Rembrandts closing track (title not stated)Support this podcast at — https://redcircle.com/pipebomb-radio-nyc/exclusive-content
The school system is rewinding, social media influencers are getting way too entitled, and the Master of Mayhem is not holding back. This Pipe Bomb Radio NYC live stream turns a stacked 2006 playlist into a full-throttle rant about penmanship, social media platforms, Regents exams, and the kind of online behavior that makes common sense look extinct.Pain Train PIPEBOMB anchors the chaos solo, using a marathon of tracks from Kelly Clarkson, Justin Timberlake, Shinedown, Evanescence, Shakira, Eminem, and more to frame a show that swings from music nostalgia to unfiltered commentary. The episode also spotlights listener requests and shoutouts from Bernard, Janet, the Bear of Texas, and other regulars helping keep the live energy moving.You’ll hear the host break down:Why schools are backtracking from digital learning into pen-and-paper basicsHow platforms flag content as “unoriginal” and force workaround fixesWhy Regents testing and penmanship debates hit a nerveWhat’s driving his frustration with overprivileged social media influencersHow a live radio show keeps adapting across TikTok, Kick, 69 FM, and moreThe result is part throwback radio party, part live-wire monologue, and part survival guide for anyone trying to keep a broadcast alive while the rules keep changing. If you like your music blocks loud and your commentary even louder, this episode delivers exactly that.Essential listening if you want a fast-moving mix of 2006 hits, live requests, platform drama, and the kind of no-filter broadcasting that only Pipe Bomb Radio NYC can pull off.Support this podcast at — https://redcircle.com/pipebomb-radio-nyc/exclusive-content
Late-night radio gets loud, unfiltered, and brutally honest when the Master of Mayhem turns a music set into a full-blown culture rant. If you like 90s and 2000s throwbacks mixed with zero-filter commentary, this one is made for you.What starts as a gritty overnight broadcast quickly becomes a wild ride through Pipe Bomb Radio NYC—with tracks from **Four Non Blondes, Radiohead, Roxette, Smash Mouth, Michael Jackson, Blackstreet, Lauryn Hill, Shaggy, UB40, Tom Petty, Nelly, and Run-D.M.C.** woven into nonstop personality. But the real hook is the chaos between songs: a fired-up, deeply opinionated host calling out dating double standards, money games on first dates, and the modern nonsense that makes him say what a lot of people are thinking but won’t say out loud.You’ll hear the Master of Mayhem push back on the idea that a man should bankroll an entire table, break down why he thinks first dates should be simple and 50-50, and react to real-world stories where one date turns into five people, a huge check, and an ugly restaurant showdown. He also gets into the pressure of being a creator, the grind of running a station, and why he keeps building Syxx Nyne FM into a 24-7 home for rock, alt, metal, and more.Along the way, he shouts out the show’s growing network of partners and platforms, from TickPick and Amazon to Fanatics, while making the case for why listeners should tune in, support the station, and stop hiding in the bushes just to complain in the comments.This episode is loud, messy, and completely unapologetic—part music showcase, part manifesto, part late-night radio meltdown. If you want a polished, safe conversation, look elsewhere. If you want raw energy, controversial takes, and a host who refuses to whisper, hit play.Support this podcast at — https://redcircle.com/pipebomb-radio-nyc/exclusive-content
Pipe Bomb Radio NYC spends this episode looking back at a four hour plus independent artist showcase from 2020 and using it to frame why indie music still matters. The host walks through the curation process, the constraints of independent recording, and the long term relationships built with artists who supported the show.The episode is anchored by one host, Pain Train PIPEBOMB, who carries the full conversation and commentary. Main topics are indie artist curation, personal tributes to artists and friends, and the value of hearing music outside the mainstream.In this episode, Pain Train PIPEBOMB revisits a December 2020 indie artist marathon that featured 38 submissions and became a foundation for Pipe Bomb Radio NYC’s indie programming.He explains what “indie artist” means in this context and why lower fidelity recordings should be judged differently from major label releases.He talks through the difficulty of sorting more than 150 submissions down to a usable playlist and the long, late night production behind the original broadcast.He emphasizes that independent music should be heard with an open mind and argues against dismissing artists based on production quality alone.He highlights several featured artists from the archive, including Black Wolf Mountain, 52 Cards, Bunny Lewis and the Rabbit Grenades, Chasing Alice, David Van Syce, and Jadalia.He tells the story of a folk rock rabbi from Brooklyn whose religious commitments prevented an interview, using that as an example of how constraints still coexist with real talent.He pays tribute to his late friend Alex Aldape and credits him with helping shape his appreciation for ska music and the direction of the show.He recalls longtime friendships and collaborations with Antonio Medina and others who continued supporting the program over the years.He revisits international and younger artists, including Pressure from Sweden, Clay Soldiers from the UK, Ronan who was 13 at the time of recording, and Robots and Gods from Vancouver.He closes by reaffirming that the show’s purpose is to spotlight artists, preserve the history of the indie scene, and keep the radio energy moving forward.00:00 - Opening audio and show intro06:27 - Reintroducing the delayed Sunday broadcast07:27 - Why this episode revisits the 2020 indie showcase08:57 - Why production quality varies in independent music10:24 - Preserving indie music as a kind of history lesson11:20 - Starting the first indie music block23:17 - Tracking the original 2020 indie artist lineup24:03 - Sorting submissions and rejecting auto tune25:24 - The long overnight broadcast and co-host time zone gap27:31 - Introducing the next artists in the playlist28:04 - Jadalia and the folk rock rabbi story39:19 - Divine Inspiration and the theme of creative bravery42:39 - Reframing “independent” as a strength, not a weakness45:14 - Friendships built through early radio work48:37 - Tribute to Alex Aldape and appreciation for ska59:55 - Revisiting the original playlist and calling out the misinformation around the ad break62:12 - Carolyn, future indie shows, and keeping the scene alive63:38 - When promised artists do not show up75:38 - Six plus years of friendships, enemies, and staying consistent80:52 - Crossover and the collapse of old bands81:51 - Pressure from Sweden and a band split caused by a relationship97:39 - Clay Soldiers and the strength of overseas submissions99:31 - Ronan at 13 and the early start of a music career100:50 - Robots and Gods and the value of unusual instrumentation112:14 - Closing thoughts, the under two hour runtime, and show sign off116:16 - Ending the episode with Godsmack120:44 - Final thanks and station outro“Independent music is not your way to go, you have no sense of variety.”“I fucking miss you, bro.”“This is how you do a fucking radio show.”Support this podcast at — https://redcircle.com/pipebomb-radio-nyc/exclusive-content
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