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Tales of... by Josh Alan Friedman
Author: Josh Alan Friedman
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TALES OF. . . MY DEAD HEROES is the second season of podcasts from Josh Alan Friedman. But DEAD is a politically incorrect term. Their songs and books and records resonate everywhere, and if you haven’t heard their actual voices, pull up a chair and listen. Novelist Mario Puzo, songwriters Jerry Leiber (Leiber & Stoller) and Doc Pomus, Broadway composer Cy Coleman, original Thunderbirds bassist Keith Ferguson, Atlantic Records producer Joel Dorn, Tiny Tim. . . . And check out TALES OF TIMES SQUARE: THE TAPES. This 17-episodes series captures the voices of Lost New York. Old fighters, strippers, burly-Q men, peep show girls, cops and the priest who tried to save them. Come bend your ear: www.blackcracker.fm
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THE GREAT BLUESMAN TELLS IT STRAIGHTDoc Pomus no longer had to cater to the teenage rock ’n’ roll market. He wrote sophisticated songs for adults. In his final years, he mentored dozens of singers, discovered bands like Roomful of Blues and The Fabulous Thunderbirds, and wrote the best lyrics of his life.Episode LinksDoc’s websiteAKA Doc Pomus, the documentaryRock and Roll Hall of Fame(Music bed under "Mr. Nobody:" "Highway 61" by Josh Alan Band) Josh Alan Friedman, Josh’s mother Ginger, Doc, Larry “Ratso” Sloman, Peggy Bennett, at Bitter End after Josh’s show, 1989 Doc Pomus and Mort Shuman at the Brill Building Uncle Doc, courtesy of Shirlee Hauser
THE EARLY STIGMA OF ROCK 'N' ROLLAfter a dormant decade, the great songwriter Doc Pomus was back in business by the late 1970s. I became his sidekick, entrenched in Doc’s late-night rock ‘n’ roll whirl, where he held court like a Buddha. He was amazed that so many of his songs became iconic anthems in a genre once vilified as teenage junk.Episode LinksAKA Doc Pomus documentary trailerBlues in the Red (Doc’s early 78’s)Song under Sinatra quote: "Fat Back," by Josh Alan Band (unreleased) Doc Pomus at the Pied Piper in New York, 1947 Late night at the Lone Star Cafe: Josh’s wife Peggy, Doc, (unidentified singing protege), Josh, 1982 French Elvis Lp. Mort Shuman became a pop star in France and thus received top billing here. Still from documentary, AKA Doc Pomus: Josh, Doc, (unidentified), Ahmet Ertegun
FROM PARADISE TO THE GUTTERThe Great Pornographer went from Upper East Side family man/pornographer-next-door to Bowery bum. The First Amendment hero became destitute. But he never lost his appetite for pussy and pastrami.Episode LinksI Goldstein: My Screwed Life, by Al Goldstein and Josh Alan FriedmanWhen Sex Was Dirty, by Josh Alan Friedman Al’s Pompano Beach mansion, with the 11-foot finger that welcomed boats on the intracoastal waterway Goldstein’s New York office Beach Blanket Hippos: Goldstein and Ron Jeremy on Al's beachfront Screw ’69, front row: Jim Buckley, Goldstein, and 18-year-old Steve Heller, who would next become The New York Times art director for 33 years John and Yoko’s Screw interview, 1969 Terry Southern in Screw #801. Cover: Julius Zimmerman Hitler's Worst Nightmare: Screw’s interview with surviving Third Reich architect, Albert Speer, with Goldstein as “Diddler on the Roof .” Cover: Curt Hoppe.
THE GREAT PORNOGRAPHER GETS SCREWEDWith the creation of Screw and Midnight Blue, Al Goldstein liberated sex from the shadows of shame and illegal obscenity. He had no idea what it would lead to today. But in his era, the sexual revolution was a cry for liberation and the laws against sex came tumbling down in his wake.Episode LinksI Goldstein: My Screwed Life, by Al Goldstein and Josh Alan FriedmanWhen Sex Was Dirty, by Josh Alan Friedman Screw magazine, #1,024, "The Weird Sex Life of R. Crumb", illustrated by cartoonist R. Crumb Screw magazine, #735, "Is God Gay?", illustration of Al Goldstein as God by Curt Hoppe "Al Goldstein donned a fake prison outfit before his sentencing yesterday." New York Times, 2002 Goldstein with legendary Harlem congressman, Adam Clayton Powell, in late ‘60s. Al Goldstein’s bar mitzvah, 1949. In three years, he would wear the same undersized suit for his first hooker.
AN EDITOR’S EDITORA legend among his peers at the old men’s adventure magazines, Mel Shestack made people believe the impossible. And anyone who fell for his “gentle cons” felt privileged afterward.Episode LinksWeasels Ripped My FleshEven the Rhinos Were NymphosIt’s A Man’s World True Action, one of the many magazines published each month by Magazine Management Mel Shestack presenting a fake mock-up cover to Bruce Jay Friedman at Bruce’s Magazine Management retirement in 1966. (photo: Jules Siegel) A Mel Shestack cartoon on a letter to Josh
A BASS PLAYER PREPARESJack Bruce reinvented the bass guitar and wrote spectacular songs. Cream lasted a mere three years. But he remained a working musician first and disregarded the pretense of rock stardom.Episode LinksCream Box setHarmony RowSongs For A Tailor Jack Bruce in mid-career Classically trained in cello
A COMPOSER PREPARESCy Coleman wrote the scores to a dozen legendary Broadway musicals. But he was a jazz pianist first, and virtually invented the sophisticated culture of New York cocktail jazz in the 1950s.Episode LinksThe Best Is Yet To ComeWitchcraft and LennyYou Fascinate Me So
WHEN ADVENTURE MAGAZINES BEGAT MOVIESMy father hired Mario Puzo as associate editor at Magazine Management at 655 Madison Avenue in 1960. While working there, Puzo would write his great novel about Hell’s Kitchen, The Fortunate Pilgrim. And then at age 49, break out with the most successful novel in history—The Godfather.Episode LinksThe Fortunate PilgrimThe Godfather PapersWeasels Ripped My Flesh! Two-Fisted Stories From Men’s Adventure Magazines Mario Puzo’s 1966 children's book, with a character named Josh. Mario Puzo and Bruce Jay Friedman at Bruce’s party leaving Magazine Management in 1966 1960 masthead for Male, Men, Man’s World and True Action magazines
A HUSTLER WITH EXQUISITE TASTE
Joel Dorn was one of the last record producers standing from the old music biz. When the new industry pushed him out in the 1980s, he bounced back with the creation of CD box sets. “Don’t give me that ‘Hey, baby’ shit,” he said. “I invented it.”
Episode Playlist
Joel Dorn discography
Don Mclean: Homeless Brother
Joel Dorn standing behind one of our mentors, Doc Pomus
One of Joel’s repackages on his own Label M
UGLY PEOPLE GOT NO REASON TO LIVE
As a new, 22-year-old writer for The SoHo News in 1978, I was sent out to interview Lou Reed. He gave the nastiest interview of his life. Then demanded it be printed verbatim.
Episode Playlist
Lou Reed: Growing Up in Public
Transformer
Little Richard Lanham: On Your Radio
SoHo News, March 9-15, 1978
Lou Reed in front of his doorway. “You oughta fucking kiss the ground you’re walking on that I’m even talking to you."
(photo: Anton Perich)
A DIVINE MADMANTiny Tim lived in his own bubble with angelic girls dancing in the clouds, while 1920’s Broadway lullabies played on harps. He became the biggest fad of 1968. But his lifelong dedication to early 20th-century music was without equal.Episode PlaylistPrisoner of Love: A Tribute to Russ ColumboGirl: Tiny Tim with Brave ComboGod Bless Tiny Tim Read Josh's original article with Tiny Tim on the blog
THE BRUTE PIMP OF WHITECHAPELThe 19th century life model for anti-Semitic caricatures was quite a guy. Except I made him up. And he now joins the cast of this season’s Dead Heroes.Episode PlaylistThe Worst, Bela's Funeral Dirge heard in this episode.
PACHUCO BLUESFerguson avoids the Vietnam draft, plays Houston lesbian clubs with young Johnny Winter, and joins the Thunderbirds. Like an old wolf, Keith paces his communal porch in Austin. It was his last refuge.Recommended PlaylistGirls Go WildT-Bird RhythmThe TailGatorsSecond Winter
AUSTIN'S GREATEST FALLEN MUSIC HEROIn a town known for its fallen musical heroes, Fabulous Thunderbirds bassist Keith Ferguson was a tour de force. He submerged into semi-retirement on his rustic estate, a hangout for wounded animals, reptiles and old pachuchos. The music biz turned ugly, but Austin’s beautiful losers—as well as the heroin—remained pure. And Keith was Numero Uno.Recommended PlaylistGirls Go WildT-Bird RhythmThe TailGatorsBig Guitars From Texas
IS THAT ALL THERE IS?Writing songs with Jerry was, for me, like having a catch with Willie Mays or Joe DiMaggio—when they were old. But his genius was never far away. Cloistered in his exquisite home in Venice Beach, the awards for Leiber & Stoller’s achievements came in by the week. But only Mike Stoller showed up to receive them.Episode Playlist50 Coastin’ ClassicsPeggy Lee Sings Leiber & StollerJosh Alan Band (“Strike A Match”)
THE IRVING BERLIN OF ROCK ‘N’ ROLLWe worked on a book in which he would tell off the world, to be called Kiss My Big Black Ass. It remained unfinished. But Jerry Leiber blew my mind. And he was one bitch of a chef.
BUT ALMOST DOESN'T COUNTWhen Josh auditioned for Beatlemania in 1977, he was just one hopeful in the callbacks for George. Thousands of Beatle manqués descended from the hinterlands to audition for the Broadway show. There were only four parts, but no shortage of broken dreams.
Josh's dead heroes. Interviews, memories and short stories. First up, A 20-year-old Josh auditions for Beatlemania in 1977. Coming September 20.
So long, SuckerOld Times Square was at the brink of extinction and my job was done. The finale of this series.
OLD FLESH AGENTSIrv Charnoff and Jess Mack were the last remaining vaudeville/burlesque booking agents in 1984. They mourned the decline of wholesome American show-biz, as it devolved into pornography.
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