Carolyn Forster is a quilt designer, teacher and author from Tunbridge Wells in Kent. Since self-publishing her first book, “Quilting On the Go” in 2007 Carolyn has gone on to write many more patchwork and quilting books with Search Press in the UK and Landauer Publishing in the USA.She has been a regular project contributor for magazines in the UK, including Todays Quilter, as well as abroad.Carolyn's quilts are an eclectic mix of fabrics, a posh way to say she makes scrappy quilts, and they always have their roots from some point in the past, being inspired by quilt makers who have gone before us. Accessibility is Carolyn’s key philosophy with her teaching, demystifying techniques to allow every quilter to discover their own voice.Carolyn combines her passion for travel and teaching, having been a regular teacher at Quilt Festival Houston, as well as for The American Quilters Society. She continues teaching in the UK exploring new areas and meeting new quilters both at home and abroad and is a textiles tutor for the craft holiday company Stitchtopia.Carolyn's website is https://www.carolynforster.co.uk/ Instagram is @quiltingonthegoSchool of Stitched Textiles www.sofst.org
Robert Ossant Author and fashion historian Robert Ossant hails from Lancashire and moved to London to work in newspapers, getting his big break at the Daily Mirror. Feeling disillusioned with tabloid life, he joined London embroidery house Hand & Lock as their communications manager in 2013. It was at the 258-year-old atelier that he became close friends with co-author Jessica Jane Pile and developed his love and passion for embroidery.Regularly inspired by the designers, artisans, makers and artists he met, Robert enrolled at night school and completed a Master’s in the History of Art. Now, equipped with cultural studies insights and academic frameworks, he applies the tools of art analysis and interpretation to all areas of the fashion industry. From haute couture catwalk show analysis to researching Queen Victoria’s wardrobe, his interests and expertise span both contemporary and historical style.Now based in France, his freelance work has appeared in Vogue, Marie Claire, Selvedge, The Independent, Forbes and Newsweek, and he has worked with international fashion brands including McQueen, Saint Laurent, Gucci and Balenciaga. He has also spoken at the World Embroidery Conference, the Chelsea Flower Show and the National Gallery on embroidery as a vital expression of art.Whether researching, writing or talking about embroidery, he brings personality, humour and intellectual rigour - making an often-overlooked artistic expression feel vivid, relevant and alive.Jessica Jane PileBorn in Kent, Jessica Jane Pile is an author, designer, educator and technical embroidery specialist based in London. After graduating from the Royal Central School of Speech and Drama with a degree in Costume construction for Performance, she joined historic embroidery house Hand & Lock. Within a few years, she was appointed Managing Director, becoming the youngest person to hold that role.During her twelve-year tenure, she relaunched the embroidery school, expanded the annual embroidery competition into a globally recognised art and fashion event, and managed complex commissions for major fashion houses including Louis Vuitton, Burberry, Dior and Vivienne Westwood. She also worked on large-scale, high-profile embroidery projects for the 2012 London Olympics, The Diamond Jubilee and Kings Coronation.In 2018 while working at Hand & Lock, she authored Fashion Embroidery: Embroidery Techniques and Inspiration for Haute‑Couture Clothing, drawing on her deep knowledge of high-level embroidery. The book’s success led to a demand for a follow-up, and Jess approached Robert to bring ‘The Art of Couture Embroidery’ to life In 2023, she left Hand & Lock to found Norica Studios, an embroidery studio focusing on bespoke embroidery for interior design and fashion. The business she runs with her sister Eleanor, and they are currently developing a new product range launching in 2026. Whether leading projects, teaching or writing, she combines technical skill with a calm, confident tone that has made her a trusted voice in contemporary embroidery.Photographer credit is: Michael Barrowhttps://www.instagram.com/michaelbarrowphoto/Robert and Jess's new book, The Art of Couture Embroidery, is available from 6th November in the UK
Fascinated by textiles and the stories they can tell, Hannah Lamb’s practice is a personal dialogue with materials. From her studio in Bingley, West Yorkshire she experiments with layers of imagery and surface. Print, stitch and deconstruction techniques are carefully combined to create both sculptural installation works and smaller, more intimate pieces. She is particularly known for her use of cyanotype printing to create shadow-like prints on textiles.Hannah’s interest in archives, collections and the heritage of textile manufacturing in the North of England has led to a number of collaborations and commissions, including ‘Lasting Impressions’ (2016 & 2017) with Claire Wellesley-Smith at Salts Mill, ‘Fragment of a Dress’, commissioned by the Brontë Parsonage Museum and ‘A Cloth for The Lost Mills’ (2024) for 509 Arts with Hannah Robson. She has a love of historical buildings and interesting industrial spaces and enjoys situating her work in non-gallery settings. Hannah exhibits widely and is an exhibiting member of the 62 Group of Textile Artists.Alongside her work as an exhibiting artist, Hannah is a lecturer and author. She teaches the Foundation Degree and BA Textiles Practice programmes at Bradford School of Art, Bradford College. She has also delivered talks, workshops and masterclasses for Gawthorpe Hall, FibreArts Australia, Harewood House, Hope & Elvis, DeMontfort University, The Textile Study Group and The 62 Group. Her first solo book Poetic Cloth: Creating Meaning in Textile Art was published by Batsford in 2019. Her second book Unfolding Cloth: Inspiration from Historical Textiles is released 11 September 2025.Hannah's website www.hannahlamb.co.ukSchool of Stitched Textiles https://www.sofst.org/
Emily Jo Gibbs has established an international reputation for her delicate silk organza appliqué. In her current practice Emily creates hand-stitched Portraits and Still Lifes with a graphic quality, observing the quiet beauty of the overlooked. Gently advocating The Value of Making by creating work that celebrates people who make things; their skill, dexterity, material knowledge and their creative problem solving. Emily first started working to this theme for Collect Open in 2018 She makes work to commission and for exhibitions and projects. She is currently Artist in residence at Trinity Buoy Wharf.She is a member of the 62 Group of Textile Artists, Contemporary Applied Arts and the Artworkers Guild. Between 1993 and 2006 Emily made luxury handbags. Works from this period are in The Victoria and Albert Museum, The Crafts Council Collection and The Museum of Fine Art, Houston.instagram and Facebook are @emilyjogibbsPhoto credit Lol JohnsonSchool of Stitched Textiles www.sofst.org
Fleur Woods is a Contemporary Fibre Artist, Author, Teacher and Mentor based in Aotearoa New Zealand. Inspired by nature and drawn to fibres and textiles Fleur has developed her 'stitched paintings' through a decade of experimentation in her studio. Largely self taught she creates intuitively and her works evolve organically, often combining concept development and research as the pieces evolve. Stitch became a large part of her practice, making marks with thread has overtaken brush work due to the beautiful texture and dimension it brought to her pieces. A collector of all things vintage and pre-loved many textiles and found objects are repurposed into her maximalist works.The Untamed Thread, Fleur's popular book is part journey from corporate world to full time artist and part creative inspiration and guide to the art of living creatively and developing an art practice. When she's not in the studio creating originals, dying wools & textiles or creating other projects, Fleur can be found on the road teaching in person workshops / online gathering with her Joyful Embroidery students or enjoying creative conversation mentoring sessions. https://www.fleurwoodsart.com/https://www.instagram.com/fleurwoodsart/https://www.facebook.com/fleurwoodsartwww.sofst.org
With a keen observation of nature, Emma Rosa uses multi-disciplinary techniques and mixed media to create botanical studies from fabric and thread.Marrying a foundation in fine art and a past career in dressmaking, she utilises machine embroidery with traditional Japanese flower making techniques, creating sensitive and intricate detailing. Through closely studying flora, she aims to capture the essence of a plant, or indeed a particular stage of growth such as the fleeting moments of efflorescence and senescence. Seeking out lesser-known species and native wild plants while focusing on distinctive botanical elements, allow her to pursue a unique sculptural presence.Emma is constantly pushing the boundaries of fabric and thread utilisation to acquire a desired effect She is drawn to antiquated botanical illustrations, how they show the whole plant – every element is important, not just the flower that most regard as the focus of beauty - where science and art meet. Nestled in the heart of rural Devon, the turning of the seasons, conservation and folklore are the threads that weave through her work.LinksEmma Rosa Textiles WebsiteSchool of Stitched Textiles Watch with Captions
Ellie is a textile artist working from her garden studio in Brighton. Surrounded by the South Downs, Sussex coastline and wild plants discovered on walks, she draws inspiration from colours, contours and the ever-changing atmosphere of the natural world. Ellie's artworks reflect this connection, blending abstract painting with delicate textile techniques to create pieces that evoke a sense of place and season. Ellie's paintings often feature unique imprints taken from seed heads and grasses, preserving their organic forms in fabric. Drawing into these compositions with free-motion embroidery, appliqué, and hand stitching, utilizing techniques she honed during a decade as a fashion designer. At the heart of her practice is a passion for creating and teaching. Through the Flourish Textile Art Hub, an online platform she founded in 2021, Ellie shares a wide variety of textile techniques, inspiring creativity. Recently she has introduced guest tutors, expanding the Art Hubs offerings and fostered a vibrant, supportive community. Alongside this, she continues to deliver in-person workshops and exhibit her work nationally. School of Stitched Textiles https://www.sofst.org/Art website: www.elliehipkinart.com online courses: https://flourish-hub.com/ Join the community: Free Facebook group Instagram : @elliehipkinartist
Kelley graduated from the Royal School of Needlework Apprenticeship in 2005 after many years in Management Development Training. She went on to establish the very successful Bristol branch of the RSN in 2011 and was involved in creating the replacement for the Apprenticeship, known as the Future Tutors Programme. In 2019 she relocated to London to run the course at Hampton Court Palace. One year later she shepherded the School’s tutors through the shift to online teaching during the Covid pandemic and found a new outlet for her embroidery, teaching and IT passions. In 2021 she returned to self-employment and has been teaching online ever since, utilising a wide variety of digital technology to bring the classroom into students’ homes around the world. Kelley is a popular teacher and thanks to a background including project management, IT and training, her courses are known for their high level of content, student support and overall quality. Students return year after year and frequently ask ‘what’s next?’ The online community has allowed students from across the globe to meet and make friends with similar interests and she is very proud to be part of this. Her vision is to foster lifelong creativity through the art of embroidery.Facebook: Kelley Jane StitchesInstagram: @kelleyjanestitchesWebsite: www.kelleyjanestitches.comRSN Tutor work exhibition https://www.instagram.com/handstitchedheritageSchool of Stitched Textiles https://www.sofst.org/
Amanda Cobbett is an award-winning textile artist with over 25 years’ experience. Inspired by nature in all its forms, Amanda’s 3-dimensional, papier-mâché and free machine-embroidered sculptures are created from her studio in the Surrey Hills. She scours the understorey of the forest floor seeking its hidden treasures. Over time, she has honed an inherent ability to locate intriguing flora in the most unexpected of places.Amanda’s 3 Dimensional embroidered sculptures appear to float in their Perspex cases and have the feeling of just being collected from the forest for display, very much a modern version of a Victorian plant hunter’s specimen case. ‘I like to think that my pieces could trick the eye into thinking that what you are seeing might be real. I am also passionate about highlighting and preserving specimens from the forest that could, without care, become red listed. If we are not aware that they exist, how will we know when they have disappeared? By recreating an embroidered sculpture of a natural object and displaying it in a case in a gallery, it brings our natural world into another dimension, we then might look for that specimen in nature, and care about its existence.Amanda grid references her original finds and offers that information with the embroidered artwork, further giving it an authenticity.School of Stitched Textiles https://www.sofst.org/Amanda Cobbett's website https://www.amandacobbett.com/
Karen L. Miller, owner of Redbird Quilt Co., is Master Educator for Aurifil USA, an Aurifilosopher, author, and passionate advocate for free motion quilting. Her quilting journey began in 2007 when her sister invited her to join a simple block of the month program. Karen quickly fell in love with hand appliqué and free motion machine quilting, sparking a passion that would shape her career.As Karen's enthusiasm for learning and developing her quilting skills grew, she naturally gravitated towards Aurifil's 100% Egyptian cotton threads. The exceptional quality and impressive range of weights and colors captivated her, aligning perfectly with her creative vision. In 2019, Karen's expertise and passion led her to join forces with Milan-based Aurifil, becoming their Master Educator and launching the innovative thread education program called "Aurifilosophy". Her work with Aurifil thread focuses on educating quilters about how these high-quality threads can elevate projects from simply finished to artistically extraordinary, unlocking new creative possibilities.Karen's versatility shines through her love for both hand and machine creations. She continually designs and experiments with all weights of Aurifil thread, generously sharing her knowledge and experience with the broader quilting community. Her commitment to education and inspiration has made her a respected figure in the quilting world, known for her ability to instill confidence and creativity in quilters of all skill levels.School of Stitched Textiles: View her work here https://www.sofst.org/textile-talk-with-karen-miller/ Aurifil Website: https://aurifil.com/Aurifil USA Shopping: https://shopaurifil.com/Aurifil Blog:https://auribuzz.com/Aurifil Thread Education Program: https://www.aurifil.com/aurifilosophyAurifil Instagram: https://www.instagram.com/aurifilthread/Aurifil Facebook: https://www.facebook.com/aurifil.quilt.threadAurifil Pinterest: https://www.pinterest.com/aurifil/Aurifil Newsletter Subscription: http://eepurl.com/M6vOnAurifil Resources: Thread Reference and Product Guides can be found here: https://www.aurifil.com/auriworld/resources
Gail is a Canadian who resided for 20 years in Britain, until returning t the US in 1995. She moved to Britain in 1976 with her American husband and family. She studied art in Canada, England and Scotland. She completed both parts 1 and 2 (Diploma) of the City & Guilds Design and Embroidery course, achieving a distinction in both parts. She was awarded the Senior Award of Licentiateship (LCGI)by the City & Guilds Institute. Gail has previously taught City & Guilds Embroidery courses and was for many years, a City & Guilds External Verifier for various colleges in the UK. She has authored five books in Embroidery. Since moving to the US she has directed and taught at the Arts Centre she founded in Washington State - Gail Harker Center for Creative Arts. She has taught Certificate and Diploma Courses in Design and Embroidery to hundreds of students from all parts of North America. She says that living and working in the UK was the single most important contributor to her labour of love as a designer and embroiderer that continues to lead her on a lifelong journey of discovery!LinksSchool of Stitched Textiles https://www.sofst.org/ Gail Harker Center for Creative Arts Blog: https://gailcreativestudies.wordpress.com/Center’s Facebook page: https://www.facebook.com/gailcreativestudiesWebsite: https://gailcreativestudies.com
Lorraine has been creating with fiber since she was a young girl. As a child she would while away the hours sewing, crocheting, and working with crewelwork. She learned to sew garments at the side of her mother and paternal grandmother who were both gifted seamstress’. She is a self-taught artist. She began quilting in 1997 and immediately was intrigued with the design elements of the quilt. Thus, began her exploration of color, repetition, design, and texture. Soon Lorraine began to experiment with a more contemporary approach to textiles and developed her own artistic voice. Her creative roots are firmly embedded in the traditional needle arts and this is reflected in her current body of work. Inspired by her Faith, her travels and the natural world, she employs layers of both hand and machine stitches together with various surface design techniques. This unique approach allows her to successfully captures the depth, color, contrast, and texture of her subject matter. Since 1993 Lorraine had lived in the Ithaca area of the Finger Lakes Region in Central New York until 2019 when she relocated to The Villages, Florida. She recently retired from a career in nursing. She enjoys the support of her husband, their children, and grandchildren. Lorraine is an exhibiting textile artist and has won several awards for her fiber art.She owns and operates The Tangled Thread, a longarm quilting business; gives presentations and teaches classes focused on mixed media and stitched art. These days, she dedicates her energy to facilitating a group of twenty-five local artists, who meet twice a month to share and explore their common love for textile art. Lorraine also enjoys writing poetry and painting with acrylics and watercolor. School of Stitched Textiles MP Programme https://www.sofst.org/courses/masters-courses/Contact Information:Lorraine Benjaminweb https://lorrainebenjamin.com/email lorisue28@hotmail.comfacebook https://www.facebook.com/Lorisue28instagram https://www.instagram.com/lorisue28/
Lucy Martin from Hand and Lock grew up in the Peak District, where her love for stitching began as she helped her mother make wedding dresses from age three. Her talent led her to work with renowned brands like Alexander McQueen, Burberry, and Catherine Walker. A classically trained embroiderer with a first-class honours degree, Lucy joined Hand & Lock in 2022 as Head of Education. Since then, she has transformed the school into an internationally recognized centre for contemporary embroidery, building a supportive community for students of all levels.Lucy’s role involves designing and implementing a dynamic educational program, organizing diverse classes with guest tutors, and collaborating with venues like The National Portrait Gallery and Kew Gardens for private courses. Her responsibilities also include hosting embroidery retreats worldwide, sharing her passion and dedication to preserving this craft.Currently, Lucy is teaching the Hand & Lock Diploma in Contemporary Embroidery, a rigorous program combining traditional and modern techniques. Her goal is to guide students in mastering technical skills while encouraging them to find their artistic voices, fostering the evolution of contemporary embroidery. Lucy’s commitment ensures that each student’s learning experience is challenging and couture-focused, leaving a lasting impact on the craft’s future. Links: @handandlocklondon https://www.handembroideryshop.com/ @lucymartinembroidery https://lucymartinembroidery.com/ School of Stitched Textiles https://www.sofst.org/
Annegret is a German American fiber artist who divides her time between Chapel Hill, a university town, and Kill Devil Hills, a town on the North Atlantic coast. Born in Germany and now residing in North Carolina, she lived in Ghana, France, Great Britain, and Australia before moving to the United States in 2001. Together with travels to countries as varied as Italy and India, these different cultural frameworks have shaped both her life and her art. The shores of the Albemarle Sound, near Kill Devil Hills on North Carolina’s Outer Banks, have become the inspiration for her recent work which explores the fragile ecosystems of the seaboard, where the impacts of global warming, human expansion, and nature’s resilience create a beautiful albeit precarious environment. Both the colors of the seashore and the use of earth pigments shape her palette, and photography serves as visual inspiration. Her journey as an artist started almost thirty years ago as a traditional, self-taught quilter. After taking numerous in-person and online workshops, she decided that it was necessary to acquire a more formal education. Between 2018 and 2020, she completed an advanced (Level 4) City and Guild accredited course with the School of Stitched Textiles, followed by its two-year Master Practitioner Course which emphasized design skills and artistic development. She is active in the Studio Art Quilts Associates – both in the European and Middle Eastern region and the one covering North Carolina and Virginia. Her work has been exhibited in Europe and the United States, and she has her first solo exhibition coming up in May. School of Stitched Textiles https://www.sofst.org/Annegret's website https:/www.afauser.com Instagram @annegretfauser
Sophie is a British wildlife artist who has lived in Africa for 22 years. She now lives in Dorset, England. She is moving to Costa Rica in the new year, where a whole new array of wildlife inspirations await!Sophie produces her artworks by combining a collage of appliquéd fabrics with free motion embroidery. The details of the animals are sewn over the top of the appliqué collage; there is no pen or paint used.She uses a heavyweight cotton ground fabric which is painted or dyed with botanical printing.For the appliqué, Sophie mostly uses cotton fabrics from Liberty of London and the Kaffe Fassett Collective (Philip Jacobs, Kaffe Fassett and Brandon Mably). Her sewing threads are 100% cotton and made by Aurifil of Italy. Sophie produces work up to 1.5 meters long, and a single piece of art this size can contain 3000 meters of thread.Sophie also teaches online and in person. Details of her online courses can be found on her website. In person workshops are advertised via her instagram and Facebook pages. She has taught in South Africa, New Zealand, Australia, England and the USA.Her next teaching tour with be in the U.K June/July 2025…..dates and venues to be finalised. a...
Althea’s Crome is an Indiana based fiber artist who has chosen a very niche art form to express her artistic ideas and challenge her own skills as a technician. Crome is a micro-knitter and has been developing her techniques for over 20 years. Using very fine silk threads and needles that she makes herself from surgical stainless steel, she can achieve a gauge of 80 stitches per inch. With so many stitches to the inch, Crome has been able to achieve incredible details in a minute scale. Her tiny pieces of knitting are intended as stand alone, sculptural pieces of art which she often refers to as “sweaterscapes.” Some of her pieces tell autobiographical stories, others are romantic pastoral scenes and many are inspired by the art and artists she admires. Crome’s work has been featured around the world in shows, galleries, museums books and even on the silver screen in the movie Coraline.www.altheacrome.comwww.sofst.org
UK based textile artist Anne Kelly is an award-winning artist, author and tutor. Her multi-layered and densely stitched textiles have been described as ‘small worlds’. Trained in Canada and at Goldsmiths College in London, she creates wall hangings and objects using a mixture of mixed media collage and hand and machine embroidery. Her inspirations are taken from travel, memory, nature and especially folk art. Anne tutors and teaches fine art and textiles to a variety of groups in the UK and abroad. and is a member of the Embroiderers Guild UK, the Crafts Council Directory and the Society for Embroidered Work. She also exhibits and curates group exhibitions nationally and internationally. Her four books for Batsford are widely collected and studied by students of all ages around the world.Anne's website https://annekellytextiles.com/School of Stitched Textiles https://www.sofst.org/
Holly Guertin is a contemporary fiber artist and textile designer in the Philadelphia, PA area. In her work, she explores the interconnectedness of the human person and invites her viewers to look at sheep and their wool as if in a mirror. In an increasingly disconnected, disembodied, and virtual world, her process-intense work grounds the viewer to the tactile and the real, showing the human experience as a marvel and a wonder. Holly graduated from the Savannah College of Art and Design (SCAD) with a BFA in Fibers in 2011 and has been working in textiles and fiber arts ever since. Aside from her fiber artwork, she also creates textile designs for fashion brands. Her artwork has been featured in publications like Colossal, Business of Home, Frankie Magazine, and Knit Wit Magazine, among others. Her artwork has been displayed through SCAD’s Permanent Collection in Atlanta, Savannah, Hong Kong, and France. In 2019, she collaborated with Anthropologie for two collections, Fall and Holiday, inspired by her artworks. As a mother to four young sons, she explores themes of connection, passage of time, dignity of labor and the human body, and feminine tradition in textiles. Holly on Instagram @hollyguertinartHolly on Facebook https://www.facebook.com/hollyguertinart/Holly's website http://hollyguertin.com/School of Stitched Textiles https://www.sofst.org/
Alison is a self-taught artist who works primarily with textiles, often incorporating mixed media elements into her work to enhance their compositions. She began her journey into textile art in her mid-forties, and since then, her work has continually evolved as she experiments with new techniques and ideas. Her work is a celebration of the natural world, captured through this tactile and versatile medium.Drawing inspiration from the ever-changing seascapes and landscapes around her, Alison seeks to capture the beauty and tranquillity of nature in each piece she creates. She skilfully combines new and reclaimed fabrics, using meticulous layering and stitching to create two distinct styles: one that is richly textured and abstract, and the other that embodies a representational, painterly quality. Her work has been featured in notable exhibitions, including the ING Discerning Eye exhibition and the Royal Society of Marine Artists’ exhibition. She also took part in series 9 of Sky Arts Landscape Artist of the Year. She is a member of the Society for Embroidered Work, the Visual Artists Association and the Devon Artists Network.She has now written her first book entitles ‘Textile Seascapes’ which is published by Crowood Press. It takes readers through the essential skills and techniques needed to create stunning textile seascapes. This comprehensive resource equips both beginners and seasoned artists with the knowledge to craft beautiful textile pieces.Alison's site https://alisonwhateleydesign.co.uk/ School of Stitched Textiles https://www.sofst.org/ Amazon link to Alison's book https://amzn.to/3Up7cHU
Jude is a practising mixed media artist and tutor. She currently teaches small groups of 1 or 2 from her own studio, and also larger groups in both the UK and across Europe. She has also exhibited both individually and as part of groups in the UK and in Europe. Jude has taught Masterclasses at Festival of Quilts and worked as the Studio Manager with Leslie Morgan at Committed to Cloth.Coming from a creative family, she has been ‘making’ for as long as she can recall. Jude has travelled extensively around the world and lived in several different countries. This has all shaped and enhanced her artistic practice. Excited by all forms of fibre, her creative journey has included quilt making, dyeing, hand and machine stitching.Jude’s current practice focuses on Japanese Shibori techniques with Indigo dyeing. She also uses origami techniques with vintage maps, paper and cloth. Botanical printing on both fabric and paper is also an area of focus for her practice and teaching. Hand stitching will always be her first love and sometimes it feels like her hands have an in built memory! The outcome of her practice takes the form of wall art, books and vessels. Jude's site is at https://judekingshott.co.uk/home-1School of Stitched Textiles https://www.sofst.org/